Blue Note Records: Beyond the Notes

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1Digital Media
#TitleArtistRatingLength
1Absolutions (live)
double bass:
Jymie Merritt (in 1970-07)
drums (drum set):
Jack DeJohnette (in 1970-07)
piano:
Harold Mabern (American jazz pianist) (in 1970-07)
recorded at:
The Lighthouse Cafe in Hermosa Beach, California, United States (in 1970-07)
live recording of:
Absolutions (in 1970-07)
composer:
Jymie Merritt
Lee Morgan22:43
2Bayyinah
Blue Note All‐Stars13:41
3Summertime
double bass:
Johnny Williams (jazz bassist) (on 1939-06-08)
drums (drum set):
Sid Catlett (on 1939-06-08)
guitar:
Teddy Bunn (on 1939-06-08)
piano:
Meade Lux Lewis (on 1939-06-08)
soprano saxophone:
Sidney Bechet (on 1939-06-08)
part of:
Blue Note (by matrix number) (number: GM-533-14)
instrumental recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1939-06-08)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Sidney Bechet4:12
4Boogie Woogie Stomp
piano:
Albert Ammons (on 1939-01-06)
recording of:
Boogie Woogie Stomp (on 1939-01-06)
composer:
Albert Ammons
Albert Ammons3:41
5Succotash (2005 digital remaster)
recording engineer:
Rudy van Gelder (on 1963-08-30)
producer:
Alfred Lion
bongos, congas and finger cymbals:
Osvaldo Martinez (on 1963-08-30)
double bass:
Paul Chambers (US jazz bassist) (on 1963-08-30)
drums (drum set) and timbales:
Willie Bobo (on 1963-08-30)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1963-08-30)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1963-08-30)
recording of:
Succotash (on 1963-08-30)
composer:
Herbert J. Hancock (Herbie Hancock, US jazz pianist, keyboardist, bandleader and composer)
Herbie Hancock7:41
6Don’t Blame Me (live from Salle Pleyel, Paris, France/1969)
piano:
Thelonious Monk (on 1969-12-15)
recorded at:
Salle Pleyel (1927-) in Paris, Île-de-France, France (on 1969-12-15)
live recording of:
Don’t Blame Me (on 1969-12-15)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
EMI Robbins Catalog Inc. (ASCAP) and Ireneadele Publishing
Thelonious Monk4:55
7Rhythm‐a‐ning (live at Town Hall / 1959)
double bass:
Sam Jones (US jazz bassist) (on 1959-02-28)
drums (drum set):
Art Taylor (on 1959-02-28)
piano:
Thelonious Monk (on 1959-02-28)
tenor saxophone:
Charlie Rouse (on 1959-02-28)
recorded at:
The Town Hall in Theater District, New York, New York, United States (on 1959-02-28)
live recording of:
Rhythm‐a‐ning (on 1959-02-28)
composer:
Thelonious Monk
publisher:
Thelonious Music and Thelonious Music Corporation (publisher, affiliated to BMI)
Thelonious Monk6:47
8’Round Midnight
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
alto saxophone:
Edmond Gregory (American jazz musician) (on 1947-11-21)
double bass:
Robert Paige (jazz bassist) (on 1947-11-21)
drums (drum set):
Art Blakey (on 1947-11-21)
piano:
Thelonious Monk (on 1947-11-21)
trumpet:
George Taitt (on 1947-11-21)
recorded at:
WOR Studios in New York, New York, United States (on 1947-11-21)
instrumental recording of:
’Round Midnight (on 1947-11-21)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
Thelonious Monk3:14
9Suburban Eyes (remastered 2013)
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
alto saxophone:
Danny Quebec West (on 1947-10-15)
double bass:
Gene Ramey (on 1947-10-15)
drums (drum set):
Art Blakey (on 1947-10-15)
piano:
Thelonious Monk (on 1947-10-15)
tenor saxophone:
Billy Smith (US jazz saxophonist) (on 1947-10-15)
trumpet:
Idrees Sulieman (on 1947-10-15)
recorded at:
WOR Studios in New York, New York, United States (on 1947-10-15)
recording of:
Suburban Eyes (on 1947-10-15)
composer:
Ike Quebec
Thelonious Monk3:02
10Crepuscule With Nellie (live)
recording engineer:
Juanita (Naima) Coltrane (on 1958-09-11)
producer:
Michael Cuscuna
double bass:
Ahmed Abdul‐Malik (US jazz double bassist and oud player) (on 1958-09-11)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1958-09-11)
piano:
Thelonious Monk (on 1958-09-11)
tenor saxophone:
John Coltrane (on 1958-09-11)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Five Spot (original location) in Manhattan, New York, New York, United States (on 1958-09-11)
live recording of:
Crepuscule With Nellie (on 1958-09-11)
composer:
Thelonious Monk
publisher:
Thelonious Music
Thelonious Monk2:58
11In Walked Bud
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
alto saxophone:
Sahib Shihab (American jazz musician) (on 1947-11-21)
double bass:
Bob Paige (jazz bassist) (on 1947-11-21)
drums (drum set):
Art Blakey (on 1947-11-21)
piano:
Thelonious Monk (on 1947-11-21)
trumpet:
George Taitt (on 1947-11-21)
recorded at:
WOR Studios in New York, New York, United States (on 1947-11-21)
recording of:
In Walked Bud (on 1947-11-21)
composer:
Thelonious Monk (in 1947)
publisher:
Embassy Music Corporation
Thelonious Monk2:57
12Un poco loco (Rudy Van Gelder edition / remastered 1998)
Bud Powell4:46
13Dance Line
producer:
Alfred Lion
double bass:
Al McKibbon (double bassist) (on 1955-05-06)
drums (drum set):
Art Blakey (on 1955-05-06)
piano:
Herbie Nichols (jazz pianist and composer) (on 1955-05-06)
Herbie Nichols4:30
14Blue Train (remastered 2003)
recording engineer:
Rudy van Gelder (on 1957-09-15)
producer:
Alfred Lion
double bass:
Paul Chambers (US jazz bassist) (on 1957-09-15)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-09-15)
piano:
Kenny Drew (on 1957-09-15)
tenor saxophone:
John Coltrane (on 1957-09-15)
trombone:
Curtis Fuller (on 1957-09-15)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1957-09-15)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-09-15)
compilation of:
Blue Train (Part 1) by John Coltrane and Blue Train (Part 2) by John Coltrane
recording of:
Blue Train (on 1957-09-15)
composer:
John Coltrane
publisher:
Jowcol Music
John Coltrane10:44
15I Waited for You
producer:
Alfred Lion
bass and double bass [bass]:
Percy Heath (on 1953-04-20)
drums (drum set):
Art Blakey (on 1953-04-20)
piano:
Gil Coggins (US jazz pianist) (on 1953-04-20)
tenor saxophone:
Jimmy Heath (on 1953-04-20)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1953-04-20)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1953-04-20)
phonographic copyright (℗) by:
Blue Note
recorded at:
WOR Studios in New York, New York, United States (on 1953-04-20)
recording of:
I Waited for You (on 1953-04-20)
writer:
Walter “Gil” Fuller (jazz composer & arranger) and Dizzy Gillespie
Miles Davis Sextet3:32
16Somethin’ Else (remastered)
engineer:
Rudy van Gelder
producer:
Alfred Lion
alto saxophone:
Julian “Cannonball” Adderley (on 1958-03-09)
double bass:
Sam Jones (US jazz bassist) (on 1958-03-09)
drums (drum set):
Art Blakey (on 1958-03-09)
piano:
Hank Jones (piano) (on 1958-03-09)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-03-09)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1999, in 2012), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1999) and Mastercorp Pty Ltd (in 2011)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-03-09)
recording of:
Somethin’ Else (on 1958-03-09)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
EMI Unart Catalog Inc.
Cannonball Adderley58:14
17Mode for Joe
recording engineer:
Rudy van Gelder (on 1966-01-27)
producer:
Alfred Lion
double bass:
Ron Carter (US jazz double-bassist) (on 1966-01-27)
drums (drum set):
Joe Chambers (American jazz drummer, vibraphonist and pianist) (on 1966-01-27)
piano:
Cedar Walton (on 1966-01-27)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (on 1966-01-27)
trombone:
Curtis Fuller (on 1966-01-27)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1966-01-27)
vibraphone:
Bobby Hutcherson (on 1966-01-27)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-01-27)
recording of:
Mode for Joe (on 1966-01-27)
composer:
Cedar Walton
Joe Henderson8:03
18Mode for Joe (remastered)
recording engineer:
Rudy van Gelder (on 1966-01-27)
producer:
Alfred Lion
double bass:
Ron Carter (US jazz double-bassist) (on 1966-01-27)
drums (drum set):
Joe Chambers (American jazz drummer, vibraphonist and pianist) (on 1966-01-27)
piano:
Cedar Walton (on 1966-01-27)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (on 1966-01-27)
trombone:
Curtis Fuller (on 1966-01-27)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1966-01-27)
vibraphone:
Bobby Hutcherson (on 1966-01-27)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-01-27)
recording of:
Mode for Joe (on 1966-01-27)
composer:
Cedar Walton
Joe Henderson8:01
19Breaking Point (remastered)
recording engineer:
Rudy van Gelder (on 1964-05-07)
producer:
Michael Cuscuna and Alfred Lion
alto saxophone:
James Spaulding (jazz) (on 1964-05-07)
double bass:
Eddie Khan (jazz bassist) (on 1964-05-07)
drums (drum set):
Joe Chambers (American jazz drummer, vibraphonist and pianist) (on 1964-05-07)
piano:
Ronnie Mathews (on 1964-05-07)
solo trumpet and trumpet:
Freddie Hubbard (on 1964-05-07)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-05-07)
recording of:
Breaking Point (on 1964-05-07)
composer:
Freddie Hubbard
publisher:
Groove Music
Freddie Hubbard10:19
20Memories of You
Clifford Brown & Max Roach3:32
21Announcement by Pee Wee Marquette (live at Birdland, New York/1954)
recording engineer:
Rudy van Gelder (on 1954-02-21)
producer:
Alfred Lion
spoken vocals:
Pee Wee Marquette (Birdland announcer)
recorded at:
Birdland (NYC, 1949–1965) in Manhattan, New York, New York, United States (on 1954-02-21)
Art Blakey Quintet0:58
22Mayreh (live at Birdland, New York/1954)
recording engineer:
Rudy van Gelder (on 1954-02-21)
producer:
Alfred Lion
alto saxophone:
Lou Donaldson (on 1954-02-21)
double bass:
Curley Russell (on 1954-02-21)
drums (drum set):
Art Blakey (on 1954-02-21)
piano:
Horace Silver (on 1954-02-21)
trumpet:
Clifford Brown (trumpet) (on 1954-02-21)
recorded at:
Birdland (NYC, 1949–1965) in Manhattan, New York, New York, United States (on 1954-02-21)
live recording of:
Mayreh (on 1954-02-21)
composer:
Horace Silver
Art Blakey Quintet6:19
23A Night in Tunisia (remastered 2005)
recording engineer:
Rudy van Gelder (on 1960-08-14)
producer:
Alfred Lion
double bass:
Jymie Merritt (on 1960-08-14)
drums (drum set):
Art Blakey (on 1960-08-14)
piano:
Bobby Timmons (on 1960-08-14)
tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer) (on 1960-08-14)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1960-08-14)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1960-08-14)
recording of:
Night in Tunisia (instrumental) (on 1960-08-14)
composer:
Dizzy Gillespie and Frank Paparelli
publisher:
Universal‐MCA Music Publishing (US)
Art Blakey & The Jazz Messengers11:16
24Moanin’ (remastered 1998/Rudy Van Gelder edition)
Art Blakey9:31
25Fee‐Fi‐Fo‐Fum (remastered1998/Rudy Van Gelder edition)
recording engineer:
Rudy van Gelder (on 1964-12-24)
producer:
Michael Cuscuna (task: 1999 reissue) and Alfred Lion
double bass:
Ron Carter (US jazz double-bassist) (on 1964-12-24)
drums (drum set):
Elvin Jones (jazz drummer) (on 1964-12-24)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1964-12-24)
tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer) (on 1964-12-24)
trumpet:
Freddie Hubbard (on 1964-12-24)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1999)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-12-24)
recording of:
Fee Fi Fo Fum (on 1964-12-24)
composer:
Wayne Shorter (US jazz saxophonist and composer)
Wayne Shorter5:54
26Masqualero
live recording of:
Masqualero
composer:
Wayne Shorter (US jazz saxophonist and composer)
Wayne Shorter8:26
27The Sidewinder (remastered 1999/Rudy Van Gelder edition)
recording engineer:
Rudy van Gelder (on 1963-12-21)
producer:
Alfred Lion
double bass:
Bob Cranshaw (on 1963-12-21)
drums (drum set):
Billy Higgins (US jazz drummer) (on 1963-12-21)
piano:
Barry Harris (Jazz pianist) (on 1963-12-21)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (on 1963-12-21)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1963-12-21)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1963-12-21)
recording of:
The Sidewinder (on 1963-12-21)
composer:
Lee Morgan (jazz trumpeter / composer)
publisher:
Windswept Pacific Music Ltd.
Lee Morgan10:25
28Song for My Father (remastered 1998/Rudy Van Gelder edition)
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass:
Theodore "Teddy" Smith (on 1964-10-26)
drums (drum set):
Roger Humphries (American jazz drummer) (on 1964-10-26)
piano:
Horace Silver (on 1964-10-26)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (on 1964-10-26)
trumpet:
Carmell Jones (on 1964-10-26)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-10-26)
recording of:
Song for My Father (instrumental) (on 1964-10-26)
composer:
Horace Silver
publisher:
Ecaroh Music, Inc.
Horace Silver7:18
29Ode to Billie Joe
recording engineer:
Rudy van Gelder (on 1967-10-27)
producer:
Francis Wolff (photographer and record producer)
alto saxophone:
Lou Donaldson (on 1967-10-27)
guitar:
Jimmy Ponder (on 1967-10-27)
organ:
Dr. Lonnie Smith (on 1967-10-27)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1967-10-27)
instrumental cover recording of:
Ode to Billie Joe (on 1967-10-27)
lyricist and composer:
Bobbie Gentry (Roberta Lee Streeter - American singer-songwriter)
publisher:
Larry Shayne Music, Inc. and Universal/MCA Music Publishing Pty Ltd
Lou Donaldson36:32
30Cantaloupe Island
recording engineer:
Rudy van Gelder (on 1964-06-17)
producer:
Alfred Lion and Michael Cuscuna (in 1999: task: Reissue produced by)
cornet:
Freddie Hubbard (on 1964-06-17)
double bass:
Ron Carter (US jazz double-bassist) (on 1964-06-17)
drums (drum set):
Tony Williams (American jazz drummer) (on 1964-06-17)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1964-06-17)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-06-17)
recording of:
Cantaloupe Island (on 1964-06-17)
composer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
publisher:
Hancock Music Company
Herbie Hancock4.855:30
31Thinkin’ About Your Body (live)
engineer:
Bruce Botnick
producer:
Linda Goldstein and Bobby McFerrin
mixer:
Allen Sides
recording of:
Thinkin’ About Your Body
lyricist and composer:
Bobby McFerrin
Bobby McFerrin3:17
32Cantaloop (Flip Fantasia)
programming, producer and mixer:
Mel Simpson (Member of Us3) and Geoff Wilkinson
engineer:
Mel Simpson (Member of Us3)
keyboard [keyboards]:
Mel Simpson (Member of Us3)
sampler [samples] and turntable [scratches]:
Geoff Wilkinson
trumpet:
Gerard Presencer
other vocals [rap]:
Rahsaan (Rahsaan Kelly, appears on “Cantaloop” by Us3)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at and mixed at:
Flame Studios in London (Greater London), England, United Kingdom
samples:
Cantaloupe Island by Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) and Everything I Do Gonna Be Funky (From Now On) by Lou Donaldson
recording of:
Cantaloop (Flip Fantasia)
writer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer), Rahsaan Kelly (Rahsaan Kelly, appears on “Cantaloop” by Us3), Mel Simpson (Member of Us3) and Geoff Wilkinson
publisher:
Us3 Music
is based on:
Cantaloupe Island
Us3, Rahsaan & Gerard Presencer44:39
33Don’t Know Why
assistant engineer:
Mark Birkey
engineer:
Jay Newland (producer, engineer and mixer)
additional producer:
Arif Mardin
producer:
Norah Jones and Jay Newland (producer, engineer and mixer)
mixer:
Arif Mardin and Jay Newland (producer, engineer and mixer)
acoustic guitar and electric guitar:
Jesse Harris (in 2000-10)
bass guitar:
Lee Alexander (US bassist, songwriter & producer) (in 2000-10)
drums (drum set):
Dan Rieser (in 2000-10)
piano and lead vocals:
Norah Jones (in 2000-10)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
recorded at:
Allaire Studios in Bearsville, New York, United States (in 2000-10) and Sorcerer Sound in New York, New York, United States (in 2000-10)
mixed at:
Sear Sound in New York, New York, United States
cover recording of:
Don’t Know Why (in 2000-10)
lyricist and composer:
Jesse Harris
publisher:
Beanly Songs, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Songs LLC and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Norah Jones3.153:06
34Moment’s Notice (Rudy Van Gelder edition/2003 digital remaster/24‐Bit Mastering)
recording engineer:
Rudy van Gelder (on 1957-09-15)
producer:
Alfred Lion
double bass:
Paul Chambers (US jazz bassist) (on 1957-09-15)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-09-15)
piano:
Kenny Drew (on 1957-09-15)
tenor saxophone:
John Coltrane (on 1957-09-15)
trombone:
Curtis Fuller (on 1957-09-15)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1957-09-15)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-09-15)
recording of:
Moment’s Notice (on 1957-09-15)
composer:
John Coltrane
publisher:
Jowcol Music
John Coltrane59:11

Credits

Release

copyrighted (©) by and phonographic copyright (℗) by:UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2019)
stream for free:https://open.spotify.com/album/4e9imW2ZWpqfvBbKGSXsWL [info]
https://www.deezer.com/album/109093002 [info]