Wednesday: Songs For My Funeral

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

© «2023 UMG Recordings, Inc.»
℗ «2023 UMG Recordings, Inc. FP»

Countries excluded (Spotify)

(As of 2023-02-27).

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  • Caribbean: 🇦🇬 Antigua and Barbuda (ag) 🇧🇧 Barbados (bb) 🇧🇸 Bahamas (bs) 🇩🇲 Dominica (dm) 🇬🇩 Grenada (gd) 🇭🇹 Haiti (ht) 🇯🇲 Jamaica (jm) 🇰🇳 Saint Kitts and Nevis (kn) 🇱🇨 Saint Lucia (lc) 🇻🇨 Saint Vincent and Grenadines (vc)
  • South America: 🇬🇾 Guyana (gy) 🇸🇷 Suriname (sr)
  • Western Europe: 🇱🇮 Liechtenstein (li) 🇲🇨 Monaco (mc)
  • Southern Europe: 🇦🇩 Andorra (ad) 🇸🇲 San Marino (sm)
  • Eastern Europe: 🇧🇾 Belarus (by) 🇲🇩 Moldova (md)
  • Western Africa: 🇧🇫 Burkina Faso (bf) 🇧🇯 Benin (bj) 🇨🇻 Cape Verde (cv) 🇬🇲 Gambia (gm) 🇬🇳 Guinea (gn) 🇬🇼 Guinea-Bissau (gw) 🇱🇷 Liberia (lr) 🇲🇱 Mali (ml) 🇲🇷 Mauritania (mr) 🇳🇪 Niger (ne) 🇸🇱 Sierra Leone (sl) 🇹🇬 Togo (tg)
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Anmerkung zuletzt geändert am 2023-02-27 04:11 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Goo Goo Muck
Techniker(in):
Paul McKenna (mixing engineer)
Produzent(in):
The Cramps
Gitarre:
Congo Powers (in 1981-01) und Poison Ivy (founding guitarist of The Cramps) (in 1981-01)
Schlagzeug [drums]:
Nick Knox (in 1981-01)
vocals:
Lux Interior (in 1981-01)
aufgenommen bei:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1981-01)
cover recording of:
Goo Goo Muck (in 1981-01)
Texter:
Ed James (songwriter from Bakersfield, California)
Komponist(in):
Ronnie Cook
publisher:
Stabry Music
The Cramps43:07
2Bloody Mary
Assistent recording engineer:
Jordan Power
recording engineer und Mix:
Dave Russell (British engineer, producer)
Programmierung:
Garibay (US producer, songwriter and DJ), Kamau Georges und Paul Blair
zusätzliche(r) Techniker(in):
Bill Malina
Koproduzent(in):
Garibay (US producer, songwriter and DJ) und Clinton Sparks
Produzent(in):
Lady Gaga und Paul Blair
assistierende(r) Mix:
Paul Pavao (chief engineer at The Mix Room)
Keyboard:
Garibay (US producer, songwriter and DJ), Paul Blair und Clinton Sparks
Hintergrundgesang:
Lady Gaga
aufgenommen bei:
Studios 301 (Sydney, NSW, AU; use this only for mastering in AU since 2006, and for recording/mixing in Sydney since Nov 1999) in Sydney, New South Wales, Australien
mixed at:
The Mix Room in Burbank, California (Kalifornien), Vereinigte Staaten
Teil von:
Paste: The 10 Best Halloween Songs of the 21st Century (Nummer: 9) und Billboard Year-End Hot 100 singles of 2023 (Nummer: 99)
recording of:
Bloody Mary
Verfasser(in):
Garibay (US producer, songwriter and DJ), Lady Gaga und Paul Blair
publisher:
Garibay Music Publishing, GloJoe Music Inc., Grigahcine EDT, House of Gaga Publishing Inc., House of Gaga Publishing, LLC, Maxwell and Carter Publishing (ASCAP), PW Arrangements, Songs of Peer, Ltd. (ASCAP), Sony/ATV Songs LLC, Universal Music Corporation (USA, affiliated with ASCAP) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Lady Gaga3.754:05
3Paint It, Black
Produzent(in):
Andrew Loog Oldham
Sitar:
Brian Jones (Rolling Stones member)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 174) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 213)
recording of:
Paint It Black
Verfasser(in):
Mick Jagger (The Rolling Stones) und Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Essex Music International, Onward Music Ltd., Promopub. B.V. und Westminster Music Ltd.
The Rolling Stones3.753:44
4Don’t Worry Be Happy
Techniker(in):
Chris Tergesen
Produzent(in):
Linda Goldstein
Körper-Perkussion:
Bobby McFerrin
vocals:
Bobby McFerrin
phonographisches Urheberrecht (℗) von:
EMI Manhattan (Manhattan Records after Jul 1987 acquisition of EMI America) (in 1988), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1988) und EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1988)
aufgenommen bei:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten
recording of:
Don’t Worry, Be Happy
Texter und Komponist(in):
Bobby McFerrin
Verfasser(in):
Steve Sidwell (English composer & wind instrumentalist)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Probnoblem Music
Bobby McFerrin4.354:49
5Nothing Else Matters (instrumental version)
recording engineer und Mix:
Juha Heininen
Produzent(in):
Otto Donner und Hiili Hiilesmaa
Cello:
Max Lilja, Paavo Lötjönen, Antero Manninen und Eicca Toppinen
arranger:
Eicca Toppinen
phonographisches Urheberrecht (℗) von:
PolyGram Finland Oy (in 1998)
aufgenommen bei und mixed at:
Millbrook Studio in Helsinki, Uusimaa, Finnland
instrumental cover recording of:
Nothing Else Matters
Verfasser(in):
James Hetfield und Lars Ulrich
publisher:
Creeping Death Music
cover recording of:
Nothing Else Matters
Verfasser(in):
James Hetfield und Lars Ulrich
publisher:
Creeping Death Music
Apocalyptica3.84:46
6Cello Concerto in E minor, Op. 85: III. Adagio
Techniker(in):
Jonathan Stokes (engineer)
Produzent(in) und Editing:
Jonathan Allen (engineer)
Cello:
Sheku Kanneh‐Mason (cellist) (am 2019-06-28)
Orchester:
London Symphony Orchestra (am 2019-06-28)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (am 2019-06-28)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 2019-06-28)
recording of:
Cello Concerto in E minor, op. 85: III. Adagio (am 2019-06-28)
Komponist(in):
Edward Elgar (composer) (von 1918 bis 1919)
Teil von:
Cello Concerto in E minor, op. 85
Sheku Kanneh‐Mason, London Symphony Orchestra & Sir Simon Rattle4:53
7Perfect Day (Chris Lord Alge mix)
Hoku53:27
8The Great Commandment
phonographisches Urheberrecht (℗) von:
Metronome Musik GmbH (marketing & distribution dept. spun off from Metronome Records GmbH — do not use as a release label) (in 1987)
recording of:
The Great Commandment
Texter:
Marcus Meyn
Komponist(in):
Oliver Kreyssig, Heiko Maile und Marcus Meyn
publisher:
Blue Box Publishing Promotion Karin Wirthmann und Golden Cloud Ltd.
Camouflage54:10
9Tainted Love
Techniker(in):
Paul Hardiman
Produzent(in):
Mike Thorne (UK producer & keyboardist)
Mix:
Harvey Goldberg
elektronische Instrumente und andere Instrumente:
Dave Ball (UK electronic musician, part of Soft Cell)
Saxophon:
David Tofani
Hintergrundgesang:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
aufgenommen bei:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Tainted Love von Soft Cell (1980s English synth‐pop duo)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 5), Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 8), New York Post: 100 Greatest Covers (2007) (Nummer: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 33) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 46)
cover recording of:
Tainted Love
Texter und Komponist(in):
Ed Cobb
publisher:
Burlington Music Co., Ltd. und Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:40
10The Promise
Produzent(in):
Michael Brauer (engineer) und Ben Rogan
Mix:
Michael Brauer (engineer)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 9)
recording of:
The Promise
Verfasser(in):
Clive Farrington, Michael Floreale und Andrew Mann
When in Rome53:41
11Our Lips Are Sealed
Assistent recording engineer:
Ted Blechta und John Terelle
recording engineer und Mix:
Rob Freeman (engineer)
zusätzlich Assistent recording engineer:
James Ball, Eric Kortee und Darroll Gustamachio
Produzent(in):
Rob Freeman (engineer) und Richard Gottehrer (American songwriter and music executive)
assistierende(r) Mix:
Gray Russell
Bassgitarre und Gitarre:
Kathy Valentine
Gitarre [lead guitar] und Keyboard:
Charlotte Caffey
Gitarre [rhythm guitar]:
Jane Wiedlin
Perkussion und Schlagzeug:
Gina Schock
Sologesang:
Belinda Carlisle
vocals:
Charlotte Caffey und Jane Wiedlin
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1981) und I.R.S., Inc. (in 1981)
aufgenommen bei:
Pennylane Studios in New York, New York, Vereinigte Staaten
zusätzlich aufgenommen bei:
Sound Mixers Studio in New York, New York, Vereinigte Staaten und The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Sound Mixers Studio in New York, New York, Vereinigte Staaten
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 25), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 317) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 477)
recording of:
Our Lips Are Sealed
Verfasser(in):
Go‐Go’s (all-female American rock band formed in 1978), Terence Edward Hall und Jane Wiedlin
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gotown Music und Plangent Visions Music
The Go‐Go’s4.52:47
12White Wedding, Pt. 1
assistierende(r) Techniker(in):
Steve Bates (engineer)
Techniker(in):
Brian Reeves
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Bassgitarre:
Phil Feit
Gitarre:
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
Schlagzeug:
Steve Missal
Sologesang:
Billy Idol (English rock singer‐songwriter)
arranger:
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1982), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1982) und Chrysalis Records, Inc. (not for release label use!) (in 1982, in 2002)
aufgenommen bei und mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
White Wedding, Pt. 1 von Billy Idol (English rock singer‐songwriter)
recording of:
White Wedding
Texter und Komponist(in):
Billy Idol (English rock singer‐songwriter)
publisher:
Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Group Inc., Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Rare Blue Music Inc
Billy Idol4.154:12
13Steppin’ Out
Techniker(in):
Michael Ewasko
Koproduzent(in) und Ko-Mix:
Joe Jackson (English musician) und David Kershenbaum
Sologesang:
Joe Jackson (English musician)
arranger:
Joe Jackson (English musician)
aufgenommen bei:
Blue Rock Studio in New York, New York, Vereinigte Staaten (von 1982-03 bis 1982-06)
recording of:
Steppin’ Out
gewidmet:
New York, New York, Vereinigte Staaten
Texter und Komponist(in):
Joe Jackson (English musician)
publisher:
Albion Music
Joe Jackson4.54:22
14Come On Eileen
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 1), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 18) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 172)
recording of:
Come On Eileen (in 1982)
Verfasser(in):
Kevin Adams, James Mitchell Paterson und Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) und Kevin Adams Music Ltd.
Dexys Midnight Runners44:08
15Don’t You (Forget About Me)
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Mix:
Jez Coad
Interpret(in):
Simple Minds (Scottish rock band) (am 1984-07-10)
phonographisches Urheberrecht (℗) von:
Simple Minds Ltd, Virgin Records Ltd. (not for release label use! for company relationships only) (in 2001), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 25) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 340)
recording of:
Don’t You (Forget About Me) (am 1984-07-10)
Verfasser(in):
Keith Forsey (drummer, producer and songwriter) und Steve Schiff
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd. und Universal Music (plain logo: “Universal Music”)
Simple Minds4.254:22
16Shattered Dreams
Produzent(in):
Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) und Mike Nocito
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1987)
recording of:
Shattered Dreams
Texter und Komponist(in):
Clark Datchler
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Sweet Oily Music
Johnny Hates Jazz4.53:27
17Only the Lonely
recording of:
Only the Lonely
Texter und Komponist(in):
Martha Davis (of The Motels)
The Motels3:16
18Love Is a Shield (single version)
Camouflage3:56
19Kiss Them for Me
recording of:
Kiss Them for Me
Verfasser(in):
Jesse B. Weaver, Jr., Martin McCarrick, Peter Clarke (UK drummer Peter Clarke of The Banshees, The Creatures, etc.), Steven Severin und Siouxsie Sioux (Susan Janet Ballion)
Siouxsie and the Banshees4:37
20Love Like Blood
Produzent(in):
Chris Kimsey
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985)
recording of:
Love Like Blood
Verfasser(in):
Jaz Coleman, Paul Ferguson, Paul Raven (UK bassist) und Geordie Walker
publisher:
BMG Africa Music Publishing, BMG Songs Ltd. und E.G. Music Ltd. (publisher)
Killing Joke3.654:25
21The Hurting
recording of:
The Hurting
Texter und Komponist(in):
Roland Orzabal (UK musician, songwriter and producer)
Tears for Fears4:16
22Theme for Great Cities
Techniker(in):
Hugh Jones (UK producer)
Produzent(in):
Bob Clearmountain, Steve Hillage und Jimmy Iovine
Bassgitarre:
Derek Forbes
Gitarre:
Charlie Burchill
Keyboard:
Michael MacNeill
Schlagzeug:
Brian McGee (UK drummer)
vocals:
Jim Kerr (of Simple Minds)
recording of:
Theme for Great Cities
Texter:
Jim Kerr (of Simple Minds)
Komponist(in):
Charlie Burchill
Simple Minds4.655:52
23Happy House
Produzent(in):
Nigel Gray (UK producer) und Siouxsie and the Banshees
recording of:
Happy House
Texter:
Siouxsie Sioux (Susan Janet Ballion)
Komponist(in):
Steven Severin und Siouxsie Sioux (Susan Janet Ballion)
publisher:
Chappell und Pure Noise (Siouxsie and the Banshees publisher)
Siouxsie and the Banshees4.653:52
24The Passenger
cover recording of:
The Passenger
Texter:
Iggy Pop
Komponist(in):
Ricky Gardiner
publisher:
Ricky Gardiner Songs und Virgin Music (Publishers) Ltd.
Siouxsie and the Banshees55:09
25Down by the Water
Techniker(in):
Flood (British producer Mark Ellis) und PJ Harvey
Produzent(in):
Flood (British producer Mark Ellis) und Polly Jean Harvey
Mix:
Flood (British producer Mark Ellis)
Bratsche / Viola:
Jocelyn Pook (von 1994-09 bis 1994-10) und Jules Singleton (von 1994-09 bis 1994-10)
Cello:
Sian Bell (cellist) (von 1994-09 bis 1994-10)
Geige / Violine:
Sonia Slany (violinist) (von 1994-09 bis 1994-10)
Gitarre:
Joe Gore (von 1994-09 bis 1994-10)
Orgel:
PJ Harvey (von 1994-09 bis 1994-10)
Perkussion und Schlagzeug:
John Parish (von 1994-09 bis 1994-10)
vocals:
PJ Harvey (von 1994-09 bis 1994-10)
Interpret(in):
John Parish (von 1994-09 bis 1994-10)
arranger:
Pete Thomas (drummer)
aufgenommen bei:
Townhouse Three in Battersea, Wandsworth, London (Greater London), England, Vereinigtes Königreich (von 1994-09 bis 1994-10)
mixed at:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irland (von 1994-10 bis 1994-11)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 472)
recording of:
Down by the Water (von 1994-09 bis 1994-10)
Texter und Komponist(in):
PJ Harvey
PJ Harvey53:15
26(This Is Not a) Love Song
recording of:
This Is Not a Love Song
Verfasser(in):
Martin Atkins (UK drummer), Keith Levene und John Lydon (Johnny Rotten of the Sex Pistols)
publisher:
Complete Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Virgin Music Publishing und Warner/Chappell Music Ltd. (1996–2019)
Version von:
Love Song
Public Image Ltd4:13
27Christine
Produzent(in):
Nigel Gray (UK producer) und Siouxsie and the Banshees
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (vom 1980 bis heute)
recording of:
Christine
Texter:
Steven Severin
Komponist(in):
Steven Severin und Siouxsie Sioux (Susan Janet Ballion)
publisher:
Chappell (vom 1980 bis heute) und Pure Noise (Siouxsie and the Banshees publisher) (vom 1980 bis heute)
Siouxsie and the Banshees4.653:00
28When the World Is Running Down, You Make the Best of What’s Still Around
Techniker(in):
Nigel Gray (UK producer)
Produzent(in):
Nigel Gray (UK producer) und The Police (British rock band)
E-Bass, Synthesizer und Sologesang:
Sting (singer, songwriter & member of The Police) (von 1980-07-07 bis 1980-08-07)
E-Gitarre:
Andy Summers (von 1980-07-07 bis 1980-08-07)
Schlagzeug:
Stewart Copeland (drummer, percussionist, pianist and composer) (von 1980-07-07 bis 1980-08-07)
Hintergrundgesang:
Stewart Copeland (drummer, percussionist, pianist and composer) (von 1980-07-07 bis 1980-08-07), Sting (singer, songwriter & member of The Police) (von 1980-07-07 bis 1980-08-07) und Andy Summers (von 1980-07-07 bis 1980-08-07)
phonographisches Urheberrecht (℗) von:
A&M Records Ltd. (in 1980, in 2003) und A&M Records, Inc. (in 1980)
aufgenommen bei:
Wisseloord Studios in Hilversum, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands (von 1980-07-07 bis 1980-08-07)
recording of:
When the World Is Running Down, You Make the Best of What’s Still Around (von 1980-07-07 bis 1980-08-07)
Texter und Komponist(in):
Sting (singer, songwriter & member of The Police)
publisher:
Magnetic Music Ltd. (beendet), Warner Bros. (holding: file NO releases) (beendet), Chappell Music (UK) (vom 1980 bis ????), Chappell Music Co. (vom 1980 bis ????), Virgin Music (Publishers) Ltd. (vom 1980 bis ????), Virgin Music, Inc. (US arm of Virgin’s publishing company) (vom 1980 bis ????), Virgin Publishing (vom 1984 bis ????), Magnetic Publishing Ltd. (vom 1991 bis heute), EMI Music Publishing, Ltd. (PRS‐affiliated) (vom 2003 bis ????), Songs of Universal, Inc. (BMI) (vom 2022-02 bis heute) und Universal Music Publishing Canada II (vom 2022-02 bis heute)
The Police3.63:37
29Loves Missing
Produzent(in):
Leron Thomas
Bass und Gitarre:
Aaron Nevezie
Keyboard und Trompete:
Leron Thomas
Sologesang:
Iggy Pop
recording of:
Loves Missing
Verfasser(in):
James Osterberg Jr. und Leron Thomas
Iggy Pop44:19
30Birthday
recording of:
Birthday
Verfasser(in):
The Sugarcubes (Icelandic alternative/post-punk rock band)
übersetzte Version von:
Ammæli (Icelandic Birthday)
The Sugarcubes4:02
31Peek‐A‐Boo
assistierende(r) Techniker(in):
Yardov Ail (in 1988), Stuart Brown (engineer) (in 1988), Jonathan Dee (UK engineer) (in 1988), Angie Newman (in 1988) und Curtis Schwartz (UK engineer) (in 1988)
Techniker(in):
Mike Hedges (UK producer/recording engineer) (in 1988)
Produzent(in):
Banshees und Hedges (UK producer/recording engineer)
aufgenommen bei:
Marcus Studios in Bayswater, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1988)
mixed at:
Marquee Studios in London (Greater London), England, Vereinigtes Königreich (in 1988)
recording of:
Peek-A-Boo
Texter:
Siouxsie Sioux (Susan Janet Ballion)
Komponist(in):
Peter Clarke (UK drummer Peter Clarke of The Banshees, The Creatures, etc.), Steven Severin und Siouxsie Sioux (Susan Janet Ballion)
Siouxsie and the Banshees3.43:11
32Cities in Dust (single version)
Siouxsie and the Banshees4:08
33The Golden Path
Produzent(in):
The Chemical Brothers (British electronic music duo)
Gast-Interpret(in):
The Flaming Lips
phonographisches Urheberrecht (℗) von:
Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 2022)
Musikvideos:
The Golden Path von The Chemical Brothers (British electronic music duo)
recording of:
Golden Path
Verfasser(in):
Wayne Coyne, Steven Drozd, Tom Rowlands und Ed Simons (UK producer, of Chemical Brothers)
publisher:
EMI Blackwood Music Inc., Lovely Sorts of Death Music und Universal/MCA Music Ltd. (not for release label use!)
The Chemical Brothers & The Flaming Lips3.44:47
34Emotional Rescue
Techniker(in):
Chris Kimsey
Partner-Produzent(in):
Chris Kimsey
Produzent(in):
The Glimmer Twins (production name for Mick Jagger & Keith Richards)
phonographisches Urheberrecht (℗) von:
Promotone B.V. (not for release label use!) (in 2012)
recording of:
Emotional Rescue
Verfasser(in):
Mick Jagger (The Rolling Stones) und Keith Richards (Rolling Stones guitarist)
publisher:
Colgems-EMI Music Inc. und EMI Music Publishing, Inc.
The Rolling Stones4.15:39
35Bad Man’s Song
Bassgitarre:
Pino Palladino
Gitarre und Slide-Gitarre:
Robbie McIntosh (English guitarist for The Pretenders)
Hammond-Orgel und Synthesizer:
Simon Clark (UK keyboard and synthesizer player)
Klavier und Gast Sologesang:
Oleta Adams
membranophone:
Manu Katché
zusätzlich vocals:
Nicky Holland, Carol Kenyon und Tessa Niles
recording of:
Badman’s Song
Verfasser(in):
Nicky Holland und Roland Orzabal (UK musician, songwriter and producer)
Tears for Fears38:33
36Halloween
Produzent(in):
Nigel Gray (UK producer) und Siouxsie and the Banshees
recording of:
Halloween
Texter:
Steven Severin
Komponist(in):
John McGeoch, Peter Clarke (UK drummer Peter Clarke of The Banshees, The Creatures, etc.), Steven Severin und Siouxsie Sioux (Susan Janet Ballion)
Siouxsie and the Banshees4.353:41
37Butterfly on a Wheel
E-Bass:
Craig Adams (bass player for Sisters of Mercy/The Mission)
E-Gitarre:
Simon Hinkler und Wayne Hussey
Schlagzeug:
Mick Brown (British drummer of the gothic rock band The Mission)
Sologesang:
Wayne Hussey
recording of:
Butterfly on a Wheel
Texter:
Wayne Hussey
Komponist(in):
Craig Adams (bass player for Sisters of Mercy/The Mission), Mick Brown (British drummer of the gothic rock band The Mission), Simon Hinkler und Wayne Hussey
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und BMG Music Publishing Ltd. (in 1990)
The Mission55:42
38Candyman
recording engineer:
Hugh Jones (UK producer)
Produzent(in):
Siouxsie and the Banshees
Mix:
Steve Churchyard
Bassgitarre:
Steven Severin
Gitarre:
John Valentine Carruthers
Keyboard:
Steven Severin und John Valentine Carruthers
Perkussion und Schlagzeug:
Budgie (UK drummer Peter Clarke of The Banshees, The Creatures, etc.)
Sologesang:
Siouxsie Sioux (Susan Janet Ballion)
recording of:
Candyman
Texter:
Siouxsie Sioux (Susan Janet Ballion)
Komponist(in):
Peter Clarke (UK drummer Peter Clarke of The Banshees, The Creatures, etc.), Steven Severin und Siouxsie Sioux (Susan Janet Ballion)
Siouxsie and the Banshees3.653:44
39Red Flags and Long Nights
Programmierung:
Adam 12
Techniker(in):
Justin Warfield
Produzent(in):
She Wants Revenge
Mix:
Michael Patterson (engineer)
andere Instrumente [computer], Gitarre und Sologesang:
Justin Warfield
Bass, Keyboard und Perkussion:
Adam 12
phonographisches Urheberrecht (℗) von:
Flawless Records (US, division of Geffen) (in 2006) und Geffen Records (in 2006)
aufgenommen bei:
Perfect Kiss Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 2004)
mixed at:
Glory Hole Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Red Flags and Long Nights (in 2004)
Texter:
J.E. Warfield
Komponist(in):
Adam Bravin und Justin Warfield
publisher:
Asa Nisi Masa und ID. Soup
She Wants Revenge45:09
40Don’t Stop the Dance
assistierende(r) Techniker(in):
Benji Armbrister, Steve Churchyard, Randy Ezratty (engineer), Dave Greenberg (US engineer Sonopod/Boomtown), Julian Wheatley (Engineer), Carb Kanelle, Kevin Killen, Mike Krowiak, Bruce Lampcov, John Levell, Heff Moraes, Peter Revill, Kendal Stubbs und Nigel Walker (UK producer/engineer/guitarist)
Techniker(in):
Rhett Davies
zusätzliche(r) Techniker(in):
Bob Clearmountain, Neil Dorfsman, Femi Jiya, Andy Lyden, Dominick Maita und Bryan McGee (sound engineer)
Produzent(in):
Rhett Davies und Bryan Ferry
Mix:
Bob Clearmountain
Sologesang:
Bryan Ferry
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1985) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985, in 1999)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich, Compass Point Studios in Nassau, Bahamas, Effanel Music in New York, Vereinigte Staaten, RPM Studios in New York, New York, Vereinigte Staaten, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich und The White House in Nashville, Tennessee, Vereinigte Staaten
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
recording of:
Don’t Stop the Dance
Verfasser(in):
Rhett Davies und Bryan Ferry
publisher:
BMG Music Publishing Ltd., EMI Virgin Music Ltd. (do not use this as a release label!), E.G. Music Inc. (in 1985), E.G. Music Ltd. (publisher) (in 1985) und Virgin EG Records Ltd. (in 1985)
Bryan Ferry44:20
41Black Metallic
Produzent(in):
Tim Friese‐Greene
recording of:
Black Metallic
Verfasser(in):
Rob Dickinson und Brian Futter
Catherine Wheel7:19
42Hong Kong Garden
Musikvideos:
Hong Kong Garden von Siouxsie & the Banshees
recording of:
Hong Kong Garden
Verfasser(in):
John McKay (UK guitarist & singer-songwriter), Kenny Morris (Siouxsie and the Banshees' drummer), Steven Severin und Siouxsie Sioux (Susan Janet Ballion)
Siouxsie and the Banshees4.752:56
43Moments in Love
elektronische Instrumente:
Anne Dudley (English score composer), Trevor Horn, J.J. Jeczalik und Gary Langan
recording of:
Moments in Love
Komponist(in):
Anne Dudley (English score composer), Trevor Horn, J.J. Jeczalik, Gary Langan und Paul Morley
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS), SPZ Music, Inc. (BMI affiliated) und Unforgettable Songs Ltd.
Art of Noise410:16
44Alone Again Or
The Damned3:38
45Sex Dwarf (original version)
Techniker(in):
Don Wershba (engineer)
Produzent(in):
Mike Thorne (UK producer & keyboardist)
Mix:
Harvey Goldberg
elektronische Instrumente und andere Instrumente:
Dave Ball (UK electronic musician, part of Soft Cell)
Hintergrundgesang:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
aufgenommen bei:
Camden Cell Studios
recording of:
Sex Dwarf
Texter:
Marc Almond (English pop singer and songwriter)
Komponist(in):
Dave Ball (UK electronic musician, part of Soft Cell)
publisher:
Metropolis Music und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Soft Cell3.655:20
46The Old Man’s Back Again (Dedicated to the Neo‐Stalinist Regime)
Techniker(in):
Keith Grant (classical recording engineer) und Adrian Kerridge
Produzent(in):
John Franz
recording of:
The Old Man’s Back Again (Dedicated to the Neo‐Stalinist Regime)
Verfasser(in):
Scott Engel (singer‐songwriter, musician and producer)
Scott Walker33:43
47Perfect Skin
recording of:
Perfect Skin
Texter und Komponist(in):
Lloyd Cole
publisher:
CBS Songs Ltd. und Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Lloyd Cole and the Commotions3:14
48Public Image
Produzent(in):
Pil
recording of:
Public Image
Verfasser(in):
John Wardle, Keith Levene, John Lydon (Johnny Rotten of the Sex Pistols) und Jim Walker (PIL member)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI/Virgin Music Publishing Ltd. und Warner/Chappell Music Ltd. (1996–2019)
Public Image Ltd4.652:58
49Shot by Both Sides
recording of:
Shot by Both Sides
Texter:
Howard Devoto
Komponist(in):
Howard Devoto und Pete Shelley (Buzzcocks lead singer)
Magazine4:04
50Hey
assistierende(r) Techniker(in):
Dave Snider
Techniker(in):
Matt Lane (engineer) und Gil Norton (British record producer)
Produzent(in):
Gil Norton (British record producer)
Mix:
Steve Haigler
E-Bass:
Kim Deal
E-Gitarre:
Black Francis (US singer, songwriter & guitarist)
E-Gitarre [lead guitar] und Hintergrundgesang:
Joey Santiago
Schlagzeug:
Dave Lovering
vocals:
Black Francis (US singer, songwriter & guitarist)
phonographisches Urheberrecht (℗) von:
4AD Ltd (in 1989)
aufgenommen bei:
Downtown Recorders in Boston, Massachusetts, Vereinigte Staaten
mixed at:
Carriage House Studios in Stamford, Connecticut, Vereinigte Staaten
recording of:
Hey
Texter und Komponist(in):
Black Francis (US singer, songwriter & guitarist)
Pixies3.53:33
51Good Fortune
zusätzlich recording engineer:
PJ Harvey
Produzent(in):
Rob Ellis (British producer, known for work with PJ Harvey) und Mick Harvey
Mix:
Victor van Vugt
Bass:
Mick Harvey
Gitarre:
PJ Harvey
Schlagzeug, Hybrid-Piano und Synthesizer:
Rob Ellis (British producer, known for work with PJ Harvey)
vocals:
PJ Harvey
recording of:
Good Fortune
Texter und Komponist(in):
PJ Harvey
PJ Harvey3.553:20
52Our Darkness
recording of:
Our Darkness
Texter und Komponist(in):
Anne Clark (English poet, songwriter and electronic musician) und David Harrow (English record producer, DJ, and multimedia artist)
publisher:
BMG 10 Music Ltd., Red Flame Music Ltd. und Virgin Music (Publishers) Ltd.
Anne Clark45:22
53If There Is Something
Techniker(in):
Andy Hendriksen (in 1972-03)
Produzent(in):
Peter Sinfield
arranger:
Roxy Music
phonographisches Urheberrecht (℗) von:
Virgin EMI Records (division of Universal Music UK, 2013–2020) (in 1999)
aufgenommen bei:
Command Studios in London (Greater London), England, Vereinigtes Königreich (in 1972-03)
recording of:
If There Is Something (in 1972-03)
Texter und Komponist(in):
Bryan Ferry
arranger:
Roxy Music
publisher:
BMG Music Publishing Ltd., Careers‐BMG Music Publishing, TRO-Total Music, Inc., Buggane Music, Ltd. (in 1972) und E.G. Music Ltd. (publisher) (in 1972)
Roxy Music3.656:34
54Pale Shelter (2nd single version)
recording of:
Pale Shelter
Texter:
Roland Orzabal (UK musician, songwriter and producer) und Curt Smith
Komponist(in):
Roland Orzabal (UK musician, songwriter and producer)
Tears for Fears14:36
55This Is Not a Love Song
recording of:
This Is Not a Love Song
Verfasser(in):
Martin Atkins (UK drummer), Keith Levene und John Lydon (Johnny Rotten of the Sex Pistols)
publisher:
Complete Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Virgin Music Publishing und Warner/Chappell Music Ltd. (1996–2019)
Version von:
Love Song
Public Image Ltd4:12
56Fall on Me
Produzent(in):
Don Gehman
Bassgitarre:
Mike Mills (R.E.M. bass player)
Gitarre:
Peter Buck (R.E.M. guitarist)
Schlagzeug:
Bill Berry (R.E.M. drummer)
Sologesang:
Mike Mills (R.E.M. bass player) und Michael Stipe
aufgenommen bei:
Belmont Mall (John Mellencamp's private studio) in Belmont, Indiana, Vereinigte Staaten
mixed at:
Can‐Am Recorders in Tarzana, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Fall on Me
Verfasser(in):
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) und Michael Stipe
publisher:
Night Garden Music
R.E.M.4.12:51
57Voodoo Idol
Techniker(in):
Paul McKenna (mixing engineer)
Produzent(in):
The Cramps
Gitarre:
Congo Powers (in 1981-01) und Poison Ivy (founding guitarist of The Cramps) (in 1981-01)
Schlagzeug [drums]:
Nick Knox (in 1981-01)
vocals:
Lux Interior (in 1981-01)
aufgenommen bei:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1981-01)
recording of:
Voodoo Idol (in 1981-01)
Verfasser(in):
Lux Interior und Ivy Rorschach
publisher:
Lovolar Music
The Cramps43:39