The Hits Album: The Car Album: On the Road Again…

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1CD
2CD
#TitoloArtistaValutazioneDurata
1I Will Always Love You
tecnico:
David Reitzas, Bill Schnee e Peter Yianilos
produttore:
David Foster (Canadian music producer, arranger and composer)
produttore esecutivo:
Clive Davis (record producer, A&R executive and music industry chief executive) e Whitney Houston
tecnico di missaggio:
David Reitzas
direzione creativa:
Rickey Minor (bass player, music director, composer, music producer)
sassofono solista :
Kirk Whalum
arrangiatore:
David Foster (Canadian music producer, arranger and composer)
arrangiatore voci:
Whitney Houston
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) e Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1992)
mixata presso:
Ocean Way Recording in Hollywood, Los Angeles, California, Stati Uniti
parte di:
The Co-Op: Top 10 British Funeral Songs (numero: 3), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 60), New York Post: 100 Greatest Covers (2007) (numero: 59), Billboard: Greatest of All Time Hot 100 Songs (numero: 60) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 94)
registrazione cover di:
I Will Always Love You
paroliere e compositore:
Dolly Parton
editore:
Carlin Music Corporation, EMI Music Publishing Australia Pty Ltd (not for release label use!), Owepar Publishing Inc. e Velvet Apple Music
Whitney Houston4.54:31
2My Heart Will Go On
tecnico di registrazione:
Humberto Gatica e David Gleeson
supporto a vario titolo:
Emilie Charlap (incarico: orchestratra contractor) e Dan Shea (incarico: sound design)
programmazione:
Dan Shea
programmazione degli strumenti:
Walter Afanasieff
programmazione degli strumenti aggiuntiva:
Dan Shea
assistente tecnico:
Chris Brooke, Tony Gonzalez (engineer), Tyson Leeper, Glen Marchese, Ethan Schofer e Greg Thompson (engineer, mixer)
tecnico:
Humberto Gatica (voce principale) e Dan Shea
co-produttore:
James Horner (American score composer)
produttore:
Walter Afanasieff
tecnico di missaggio:
Humberto Gatica
chitarra :
Dann Huff
organo Hammond [Hammond B-3 organ] , sintetizzatore basso [synth bass] e tastiera :
Walter Afanasieff
tastiera aggiunto:
Dan Shea
tin whistle [pennywhistle/whistles] :
Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes)
violino folk [Irish fiddle] :
Paul Peabody (violinist)
voce di accompagnamento:
Cleytoven Richardson, Leslie Ellis, Skyler Jett, Konesha Owens e Jeanie Tracy
direttore d'orchestra:
William Ross (composer, orchestrator, arranger, conductor)
arrangiatore:
Walter Afanasieff
orchestratore:
William Ross (composer, orchestrator, arranger, conductor)
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti e Wallyworld in San Rafael, California, Stati Uniti
mixata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
video musicali:
My Heart Will Go On (love theme from Titanic) di Céline Dion
versioni a cappella:
The music from that movie about the boat di David Thorne (designer)
parte di:
The Co-Op: Top 10 British Funeral Songs (numero: 2) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 279)
registrazione di:
My Heart Will Go On
paroliere:
Will Jennings
compositore:
James Horner (American score composer)
editore:
Blue Sky Rider Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Fox Film Music Corporation (BMI-affiliated), Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, Sony/ATV Harmony, Sony/ATV Melody, TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (fino al 2014-12-31) e フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (dal 2015-01-01 a oggi)
parte di:
The 70th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1997 winner)
parte di:
Titanic
Céline Dion4.354:38
3Beautiful
assistente tecnico:
Rafael Serrano e Davy Vain
assistente tecnico aggiunto:
Andrew Chavez (engineer)
tecnico:
Linda Perry (rock singer‐songwriter & producer) e Davy Vain (incarico: Pro Tools)
tecnico aggiunto:
David Guerrero
produttore:
Linda Perry (rock singer‐songwriter & producer)
assistente tecnico di missaggio:
Ethan Willoughby
tecnico di missaggio:
Dave "Hard Drive" Pensado (mixer)
archi :
The Section
archi aggiunto, chitarra [guitars] , chitarra basso [bass] e pianoforte :
Linda Perry (rock singer‐songwriter & producer)
batteria [drums] :
Brian MacLeod (American drummer)
tastiera [keyboards] :
Damon Fox
viola :
Shanti Randall
violino :
Eric Gorfain
violoncello :
Richard Dodd (cellist)
arrangiatore aggiunto:
Linda Perry (rock singer‐songwriter & producer)
mixata per:
Essential Arts Management, LTD
registrata in aggiunta presso:
The Enterprise Studios (aka Enterprise Studios) in Burbank, California, Stati Uniti
mixata presso:
The Enterprise Studios (aka Enterprise Studios) in Burbank, California, Stati Uniti
lavorazione tecnica effettuata presso:
Mad Dog Studios (Burbank, 1996–unknown) in Burbank, California, Stati Uniti
video musicali:
Beautiful di Christina Aguilera
parte di:
CBC Music: 12 Songs About Bullying, VH1’s Big Song of 2003 (numero: 17) e The Downloader’s Music Source Book (numero: 260)
registrazione di:
Beautiful
paroliere e compositore:
Linda Perry (rock singer‐songwriter & producer)
editore:
Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody) e Stuck in the Throat
Christina Aguilera4.24:00
4Jolene
tecnico:
Tom Pick
produttore:
Bob Ferguson
banjo :
Bobby Thompson (guitar & banjo player) (il 1972-05-03) e Buck Trent (il 1972-05-03)
basso :
Bobby Dyson (il 1972-05-03)
batteria :
Kenny Malone (session drummer/percussion) (il 1972-05-03)
chitarra :
Dolly Parton (il 1972-05-03)
chitarra [rhythm guitar] :
Dave Kirby (US country singer/songwriter) (il 1972-05-03)
chitarra elettrica :
Jimmy Colvard (American session guitarist) (il 1972-05-03)
chitarra steel :
Stu Basore (il 1972-05-03)
pianoforte :
Hargus "Pig" Robbins (il 1972-05-03)
violino folk :
Johnny Gimble (il 1972-05-03) e Mack Magaha (Bluegrass Fiddler) (il 1972-05-03)
voce:
Dolly Parton (il 1972-05-03)
voce di accompagnamento:
Joe Babcock (il 1972-05-03), Dolores Edgin (il 1972-05-03), June Page (il 1972-05-03) e Hurshel Wiginton (il 1972-05-03)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1973) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1973)
registrata presso:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Stati Uniti (il 1972-05-03)
parte di:
Rolling Stone: The 200 Greatest Country Songs of All Time (numero: 1), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 28), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 63) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 217)
registrazione di:
Jolene (il 1972-05-03)
paroliere e compositore:
Dolly Parton
editore:
Carlin Music Corporation, Neue Welt Musikverlag GmbH (2017 – present), Owepar Publishing Inc. e Velvet Apple Music
Dolly Parton4.252:39
5Take Me Home, Country Roads
tecnico di registrazione:
Ray Hall (engineer)
assistente produttore:
Jean Kaplow
produttore:
Milt Okun
banjo e chitarra pedal steel :
Eric Weissberg
chitarra :
Bill Danoff e Michael Taylor (Guitarist & former member of the John Denver Band)
chitarra acustica [6-string guitar] e voce principale:
John Denver
contrabbasso :
Dick Kniss
membranofono :
Gary Chester (studio drummer and educator)
pianoforte :
Frank Owens (American pianist)
voce:
John Denver
voce di accompagnamento:
Bill Danoff, Taffy Nivert e Starland Vocal Band
parte di:
Rolling Stone: The 200 Greatest Country Songs of All Time (numero: 94) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 358)
registrazione di:
Take Me Home, Country Roads (il 1971-02-04)
inno di:
West Virginia, Stati Uniti
autore:
Bill Danoff, John Denver e Taffy Nivert
editore:
BMG Ruby Songs, Cherry Lane Music Ltd., Dino Park Publishing, JD Legacy Publishing, My Pop’s Songs, Reservoir Media Music e Cherry Lane Music Publishing Company Inc. (nel 1971)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
John Denver4.43:09
6A Little Less Conversation (JXL radio edit remix)
assistente tecnico:
Dan Milazzo e Claudius Mittendorfer (engineer, producer, mixer)
tecnico:
Ray Bardani
voce principale:
Elvis Presley (“The King of Rock and Roll”) (dal 1968-03-07 al 1968-06-23)
remixer:
Junkie XL (Dutch DJ/score composer Tom Holkenborg)
diritti fonografici (℗) detenuti da:
BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation) (nel 2002) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (dal 1968-03-07 al 1968-06-23)
mixata presso:
Computer Hell Cabin in Amsterdam, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands
remix di:
A Little Less Conversation di Elvis Presley (“The King of Rock and Roll”)
registrazione cover di:
A Little Less Conversation (dal 1968-03-07 al 1968-06-23)
autore:
Mac Davis (US country singer, songwriter & actor) e Billy Strange
editore:
Carlin Music Corporation e Elvis Presley Music
registrazione di:
A Little Less Conversation
autore:
Mac Davis (US country singer, songwriter & actor) e Billy Strange
editore:
Carlin Music Corporation e Elvis Presley Music
Elvis Presley vs. JXL3.43:33
7Oh, Pretty Woman
registrata a:
Nashville, Tennessee, Stati Uniti (il 1964-08-01)
produttore:
Fred Foster
armonica (a bocca) :
Charlie McCoy (white blues harmonica player, 1960s-present) (il 1964-08-01)
batteria :
Buddy Harman (Session drummer and songwriter) (il 1964-08-01)
chitarra :
Jerry Kennedy (il 1964-08-01), Wayne Moss (il 1964-08-01) e Billy Sanford (guitar) (il 1964-08-01)
chitarra a 12 corde [12 string guitar Epiphone] e voce principale:
Roy Orbison (il 1964-08-01)
contrabbasso [upright bass] :
Bob Moore (U.S. bassist and bandleader) (il 1964-08-01)
percussione :
Paul Garrison (il 1964-08-01)
pianoforte :
Floyd Cramer (il 1964-08-01)
sassofono :
Boots Randolph (il 1964-08-01)
voce:
Roy Orbison
diritti fonografici (℗) detenuti da:
Orbison Records, Orbison Records, Inc. e Monument Record Corp. (not for release label use!) (nel 1964)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 20), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 222)
registrazione di:
Oh, Pretty Woman (Roy Orbison song) (il 1964-08-01)
paroliere e compositore:
Bill Dees (songwriter, singer, guitarist) e Roy Orbison
editore:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (il 1964-08-26) e Acuff-Rose (BMI) (nel 1972)
Roy Orbison4.32:56
8California Girls (2001 remaster)
registrazione di:
California Girls
paroliere e compositore:
Mike Love (Beach Boys) e Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music, Inc. e Rondor Music (London) Ltd.
The Beach Boys2:44
9Monday, Monday (single version)
The Mamas & the Papas3:24
10Unchained Melody (mono version)
tecnico:
Larry Levine
produttore:
Phil Spector
voce principale solista:
Bobby Hatfield (nel 1965-03)
arrangiatore:
Jack Nitzsche (American musician and score composer)
diritti fonografici (℗) detenuti da:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1965, nel 1968) e Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1966)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (nel 1965-03)
parte di:
The Co-Op: Top 10 British Funeral Songs (numero: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 269) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 366)
registrazione cover di:
Unchained Melody (nel 1965-03)
editore:
Hy Zaret
paroliere:
Hy Zaret
compositore:
Alex North (US composer)
editore:
Frank Music Corp. (conclusa), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), North Melody Publishing e Unchained Melody Publishing, LLC
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division)
parte di:
The 28th Academy Award for Best Original Song (numero: 2)
The Righteous Brothers33:36
11It’s Not Unusual (2nd studio version)
tecnico di registrazione:
Bill Price (UK producer/engineer)
produttore:
Peter Sullivan (UK producer)
diritti fonografici (℗) detenuti da:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (nel 1965) e The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1965)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 393)
registrazione di:
It’s Not Unusual
autore:
Gordon Mills (60s/70s UK producer and songwriter) e Les Reed
editore:
Leeds Music (conclusa), BMG Platinum Songs US, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Valley Music Ltd (publisher) e Universal Duchess Music Corp. (nel 1964)
Tom Jones4.51:59
12Shout
registrazione cover di:
Shout
autore:
O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs) e Rudolph Isley
editore:
Campbell Connelly, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Longitude Music Co., Nightlight Music (US work publisher, affiliated with BMI), Nightlight Music Pty Ltd. e Windswept Pacific Music Ltd.
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
parte di:
MJ: The Musical
Lulu and the Luvvers2:51
13Where Did Our Love Go (single mono version)
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
basso :
James Jamerson (il 1964-04-08)
batteria :
Richard "Pistol" Allen (il 1964-04-08)
calpestio di piedi [footstomps] :
Michael Valvano (il 1964-04-08)
chitarra :
Robert White (US funk/soul guitarist) (il 1964-04-08) e Eddie Willis (il 1964-04-08)
pianoforte :
Earl Van Dyke (il 1964-04-08)
sassofono baritono :
Mike Terry (60s US soul arranger/conductor) (il 1964-04-08)
vibrafono :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (il 1964-04-08)
voce di accompagnamento:
Florence Ballard (il 1964-04-08) e Mary Wilson (il 1964-04-08)
voce principale:
Diana Ross (il 1964-04-08)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (il 1964-04-08)
registrazione di:
Where Did Our Love Go (il 1964-04-08)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Jobete Music (UK) Ltd. e Jobete Music Co., Inc.
The Supremes2:33
14I Want You Back
produttore:
The Corporation (Motown songwriters)
batteria :
Gene Pello e Johnny Jackson (drummer for Jackson 5) (nel 1969-07)
chitarra :
Donald Peake, David T. Walker e Tito Jackson (nel 1969-07)
chitarra [lead guitar] :
Louis Shelton (nel 1969-07)
chitarra basso :
Wilton Felder (nel 1969-07)
percussione :
Sandra Crouch e Marlon Jackson (nel 1969-07)
pianoforte :
Fonce Mizell, Freddie Perren, Joe Sample e Ronnie Rancifer (nel 1969-07)
tastiera :
Clarence McDonald e Ronnie Rancifer (nel 1969-07)
voce:
Jackie Jackson (member of the Jackson 5) (nel 1969-07)
voce di accompagnamento:
Jackie Jackson (member of the Jackson 5), Michael Jackson (“King of Pop”), Keith Washington, Jermaine Jackson (soul/pop singer, of Jackson 5) (nel 1969-07), Marlon Jackson (nel 1969-07) e Tito Jackson (nel 1969-07)
voce principale:
Michael Jackson (“King of Pop”) (nel 1969-07)
arrangiatore:
The Corporation (Motown songwriters)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1969)
registrata presso:
The Sound Factory West in West Hollywood, California, Stati Uniti (nel 1969-07, dal 1969-07 al 1969-09)
video musicali:
I Want You Back di The Jackson 5 (The Jacksons, formerly “The Jackson 5”)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 23), Billboard Year-End Hot 100 singles of 1970 (numero: 28), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 104) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 120)
registrazione di:
I Want You Back (nel 1969-07)
paroliere e compositore:
The Corporation (Motown songwriters)
editore:
EMI April Music Inc. e Jobete Music Co., Inc.
sub-editore:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
parte di:
MJ: The Musical
The Jackson 54.152:55
15Independent Women, Part I (#1's edit)
registrazione di:
Independent Women, Part I
autore:
Samuel Barnes (US rapper & hip‐hop producer, aka Tone), Beyoncé Knowles, Jean‐Claude Olivier (hip hop producer Jean Olivier, of Poke and Tone) e Cory Rooney
Destiny’s Child33:37
16Meet Me Halfway (radio edit)
The Black Eyed Peas3:45
17Whenever, Wherever
tecnico di registrazione:
Gustavo Celis, Alfred Figueroa, Javier Garza e Terry Manning (US recording engineer)
programmazione:
Tim Mitchell (US producer/songwriter/guitarist (Clinton Studios))
assistente tecnico:
Oswald Bowe, Chris Carroll (US engineer, Mantra Recording Studio), Alex Dixon, Jorge Gonzalez (engineer), Roger Gonzalez, Tony Mardini, Nicholas Marshall, Ken Theis e Christine Tramontano
tecnico aggiunto:
Freddy Piñero, Jr.
co-produttore:
Tim Mitchell (US producer/songwriter/guitarist (Clinton Studios))
produttore:
Shakira (Colombian singer-songwriter)
tecnico di missaggio:
Javier Garza
basso elettrico :
Paul Bushnell (session bassist, producer and music director)
batteria :
Brendan Buckley
charango, quena e rondador :
Gustavo Patiño
chitarra :
Tim Pierce (US session guitarist) e Brian Ray
chitarra e mandolino :
Tim Mitchell (US producer/songwriter/guitarist (Clinton Studios))
percussione :
Miriam Eli, Emilio Estefan, Jr. e Archie Peña
voce di accompagnamento:
Rita Quintero
voce di accompagnamento e voce principale:
Shakira (Colombian singer-songwriter)
arrangiatore:
Tim Mitchell (US producer/songwriter/guitarist (Clinton Studios)) e Shakira (Colombian singer-songwriter)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (Holland) B.V. (Sony Music Entertainment's NL subsidiary until 2004) (nel 2001)
è stato co-produttore per:
Crescent Moon, Inc.
registrata presso:
Compass Point Studios in Nassau, Bahamas, Crescent Moon Studios in Miami, Florida, Stati Uniti e The Hit Factory Criteria in Miami, Florida, Stati Uniti
mixata presso:
Crescent Moon Studios in Miami, Florida, Stati Uniti
parte di:
Billboard Year-End Hot 100 singles of 2002 (numero: 28)
registrazione di:
Whenever, Wherever
paroliere:
Gloria Estefan e Shakira (Colombian singer-songwriter)
compositore:
Tim Mitchell (US producer/songwriter/guitarist (Clinton Studios)) e Shakira (Colombian singer-songwriter)
editore:
Aniwi Music, LLC, F.I.P.P. International e Sony/ATV Latin Music Publishing
versione tradotta di:
Suerte
Shakira3.953:16
18Conga
produttore:
Emilio Estefan, Jr.
esecutore:
Miami Sound Machine
diritti fonografici (℗) detenuti da:
CBS Inc. (US broadcasting company; file no releases here!) (nel 1985) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1985)
registrazione di:
Conga
paroliere e compositore:
Enrique Garcia (Miami Sound Machine)
autore:
Enrique E. Garcia (Miami Sound Machine)
editore:
Foreign Imported Productions & Publishing, Inc.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Gloria Estefan and Miami Sound Machine3.854:14
19She Bangs (English edit)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (Holland) B.V. (Sony Music Entertainment's NL subsidiary until 2004) (nel 2000)
registrazione di:
She Bangs
autore:
Walter Afanasieff, Desmond Child, Daniel Lopez (US spanish language songwriter), Glenn Monroig (cantautor puertorriqueño), Draco Rosa (Robert Edward Rosa Suárez aka Robi Draco Rosa) e Julia Sierra
Ricky Martin33:57
20Waiting for Tonight
programmazione aggiuntiva:
Richie Jones e “Young” Dave Scheuer
assistente tecnico:
Juan Bohorquez e Robb Williams
tecnico:
Franklyn Grant (Sound engineer and producer), “Young” Dave Scheuer e Thomas R. Yezzi
produttore:
Ric Wake
produttore aggiunto:
Richie Jones
tecnico di missaggio:
Dan Hetzel
batteria e percussione :
Richie Jones
tastiera [keyboards] :
Eric Kupper
voce di accompagnamento:
Jane Barrett, Margaret Dorn e Maria Christiansen (songwriter, singer)
remixer:
Richie Jones
arrangiatore:
Richie Jones e Ric Wake
arrangiatore aggiunto:
Richie Jones e “Young” Dave Scheuer
registrata presso:
Cove City Sound Studios in Glen Cove, New York, Stati Uniti, Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, Stati Uniti e The Hit Factory in Manhattan, New York, New York, Stati Uniti
mixata presso:
Cove City Sound Studios in Glen Cove, New York, Stati Uniti
versioni a cappella:
Waiting for Tonight (A cappella) di Jennifer Lopez (American singer and actress aka J.Lo)
versioni strumentali:
Waiting for Tonight (Instrumental) di Jennifer Lopez (American singer and actress aka J.Lo)
registrazione di:
Waiting for Tonight
paroliere e compositore:
Maria Christensen (songwriter, singer), Michael Garvin (Nashville songwriter and producer) e Phil Temple (songwriter)
adattamenti:
Una noche más
Jennifer Lopez3.54:05
3CD
4CD

Accreditamenti

Pubblicazione

ASIN:UK: B07Y4MVZJB [info]