Bar Jazz, Volume 2

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Label: Sony Music - Catalog #: SMC 504598 2 - EAN: 5099750459829

  • Disc 1 of 3 CD-Box

Label: Sony Music - Catalog #: SMC 504598 2 - EAN: 5099750459829

  • Disc 2 of 3 CD-Box

Label: Sony Music - Catalog #: SMC 504598 2 - EAN: 5099750459829

  • Disc 3 of 3 CD-Box
Anmerkung zuletzt geändert am 2007-01-28 05:58 UTC.

Titelliste

1CD: Happy Hour
2CD: Cocktail Lounge
Nr.TitelKünstlerBewertungLänge
1The Girl From Ipanema
cover recording of:
The Girl From Ipanema
Texter:
Vinicius de Moraes (O poetinha)
Komponist(in):
Antônio Carlos Jobim
Übersetzer:
Norman Gimbel
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. und Words West LLC
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
übersetzte Version von:
Garota de Ipanema
Teil von:
The Real Book (compilation of jazz standards, volume I)
Charlie Byrd2:47
2Memories of You
recording of:
Memories of You
Texter:
Andy Razaf (in 1930)
Komponist(in):
Eubie Blake (in 1930)
publisher:
Shapiro, Bernstein & Co., Inc.
Benny Goodman3:12
3The Two Lonely People
Bill Evans6:14
4How Insensitive
alto saxophone und flute:
Frank Wess (von 1977-06-21 bis 1977-06-22)
baritone saxophone und Tuba:
Howard Johnson (tuba & baritone saxophone) (von 1977-06-21 bis 1977-06-22)
Bass:
Rufus Reid (jazz bassist / composer) (von 1977-06-21 bis 1977-06-22)
Flügelhorn und Trompete:
Woody Shaw (von 1977-06-21 bis 1977-06-22)
Klavier:
George Cables (von 1977-06-21 bis 1977-06-22)
Posaune:
Wayne Andre (von 1977-06-21 bis 1977-06-22) und Slide Hampton (von 1977-06-21 bis 1977-06-22)
Saxophon:
Dexter Gordon (von 1977-06-21 bis 1977-06-22)
Schlagzeug:
Victor Lewis (US jazz drummer) (von 1977-06-21 bis 1977-06-22)
Trompete:
Benny Bailey (von 1977-06-21 bis 1977-06-22)
Vibraphon:
Bobby Hutcherson (von 1977-06-21 bis 1977-06-22)
aufgenommen bei:
Sound Ideas Studios in New York, New York, Vereinigte Staaten (von 1977-06-21 bis 1977-06-22)
cover recording of:
How Insensitive (von 1977-06-21 bis 1977-06-22)
Texter:
Vinicius de Moraes (O poetinha)
Komponist(in):
Antônio Carlos Jobim
Übersetzer:
Norman Gimbel
publisher:
Duchess Music Corporation (BMI-affiliated) und Songs of Universal, Inc. (BMI)
übersetzte Version von:
Insensatez
Dexter Gordon4:53
5Capricious
Partner-Produzent(in):
Gary Gladstone
baritone saxophone:
Gerry Mulligan (am 1962-06-30)
Bass:
Ben Tucker
Conga [conga drums]:
Alec Dorsey
Klavier:
Tommy Flanagan (am 1962-06-30)
Kontrabass [bass]:
Ben Tucker (am 1962-06-30)
Schlagzeug:
Dave Bailey (US jazz drummer) (am 1962-06-30)
recording of:
Capricious (am 1962-06-30)
Komponist(in):
Billy Taylor (jazz/bop pianist)
cover recording of:
Capricious (in 1962)
Komponist(in):
Billy Taylor (jazz/bop pianist)
Gerry Mulligan45:46
6I'm Through With Love
recording of:
I’m Thru With Love
Texter:
Gus Kahn
Komponist(in):
Fud Livingston und Matty Malneck
publisher:
Metro–Goldwyn–Mayer, Inc. (pre‐MGM/UA Entertainment Co. era, 1924–1981) (am 1931-04-17)
Chet Baker2:39
7Blue Gala
Gato Barbieri5:50
8Laura
recording engineer:
Frank Laico (am 1958-02-19)
Produzent(in):
George Avakian (US 1940–90s record producer)
Bass und Kontrabass:
Wilbur Little (am 1958-02-19)
Klavier:
Tommy Flanagan (am 1958-02-19)
Kornett:
Nat Adderley (am 1958-02-19)
Posaune:
J.J. Johnson (jazz/bop trombonist/session leader) (am 1958-02-19)
Schlagzeug:
Albert “Tootie” Heath (am 1958-02-19)
recording of:
Laura (original 1944 film theme) (am 1958-02-19)
Komponist(in):
David Raksin (in 1944)
J.J. Johnson3:53
9In the Wee Small Hours
Produzent(in):
Larry Klein
Mix:
Mike Shipley (audio engineer, mixer, producer)
Bass:
Kyle Eastwood
Bassposaune:
George Thatcher
Fagott:
Mike O'Donovan (bassoonist) und John Steinmetz
Harfe:
Gayle Levant (American studio musician, harpist)
Holzblasinstrumente:
Gary Foster (woodwind instrumentalist), Dan Higgins (saxophonist and woodwind recording artist), Steve Kujala und Joel Peskin
Klavier:
Jim Cox (US keyboard player, composer)
Posaune:
Andy Martin (jazz trombonist)
Schlagzeug:
Peter Erskine (US jazz drummer)
Trompete:
Wayne Bergeron, George Graham (trumpet), Larry Hall (trumpet player) und Warren Luening
Tuba:
Don Waldrop
Waldhorn:
David Duke (horn), Phillip Yao und Rick Todd (American hornist)
vocals:
Julia Fordham
arranger:
Vince Mendoza
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
mixed at:
Sound Chamber Recorders in Los Angeles, California (Kalifornien), Vereinigte Staaten
Kyle Eastwood4:33
10Rhapsdy in Blue
recording of:
Rhapsody in Blue (Glenn Miller arrangement)
Komponist(in):
George Gershwin (composer)
arranger:
Glenn Miller (jazz band leader)
Arrangement von:
Rhapsody in Blue (original 1924 jazz band version, less often performed)
The Glenn Miller Orchestra3:13
11The Shadow of Your Smile
cover recording of:
The Shadow of Your Smile (Love Theme from “The Sandpiper”)
Texter:
Paul Francis Webster
Komponist(in):
Johnny Mandel (American composer and arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Miller Catalog, Inc., EMI United Partnership Ltd., Marissa Music, Miller Music Corp. und Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 38th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1965 winner)
Tony Bennett3:38
12Take Ten
Techniker(in):
Rudy van Gelder
Produzent(in):
Creed Taylor
Mix:
Mark Wilder (US recording/mastering engineer)
Gitarre:
Gene Bertoncini (guitar player) (am 1973-11-27)
Keyboard:
Bob James (US jazz keyboardist, arranger and producer) (am 1973-11-27)
Kontrabass [bass]:
Ron Carter (US jazz double-bassist) (am 1973-11-27)
Schlagzeug:
Jack DeJohnette (am 1973-11-27)
Solo-Gitarre:
Gábor Szabó (am 1973-11-27)
conductor:
Don Sebesky (am 1973-11-27)
arranger:
Don Sebesky
aufgenommen bei:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, Vereinigte Staaten (am 1973-11-27)
mixed at:
Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, Vereinigte Staaten
recording of:
Take Ten (am 1973-11-27)
Komponist(in):
Paul Desmond
publisher:
Desmond Music Company (Paul Desmond)
Paul Desmond6:04
13Dream Lady
Tom Scott4:40
14What a Wonderful World
Leroy Jones4:56
15My Little Suede Shoes
Lou Donaldson6:13
16Autumn Leaves
Gitarre:
Ray Crawford (in 1955-10)
Klavier:
Ahmad Jamal (in 1955-10)
Kontrabass:
Israel Crosby (in 1955-10)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (in 1955-10)
instrumental recording of:
Autumn Leaves (jazz standard, english lyrics)
Texter:
Jacques Prévert (in 1945)
Komponist(in):
Joseph Kosma (composer) (in 1945)
Übersetzer:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. und MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
übersetzte Version von:
Les Feuilles mortes (Autumn Leaves)
The Ahmad Jamal Trio2:42
17Orchid Blue
Ellis Marsalis5:16
3CD: 'Round Midnight

Nennungen

Veröffentlichungsgruppe

Teil von:Bar Jazz (Nummer: 2) (Reihenfolge: 2)