| # | Title | Rating | Length |
|---|
| 1 | I’m a Believer- recorded in:
- New York, New York, United States (from 1966-10-15 until 1966-10-23)
- producer:
- Jeff Barry
- acoustic guitar:
- Neil Diamond (from 1966-10-15 until 1966-10-23)
- bass:
- Dick Romoff (from 1966-10-15 until 1966-10-23)
- drums (drum set):
- Buddy Salzman (from 1966-10-15 until 1966-10-23)
- guitar:
- Al Gorgoni (from 1966-10-15 until 1966-10-23) and Sal Ditroia (from 1966-10-15 until 1966-10-23)
- organ:
- Artie Butler (from 1966-10-15 until 1966-10-23)
- piano and tambourine:
- Jeff Barry (from 1966-10-15 until 1966-10-23)
- background vocals:
- Davy Jones (from 1966-10-15 until 1966-10-23) and Peter Tork (from 1966-10-15 until 1966-10-23)
- background vocals and lead vocals:
- Micky Dolenz (from 1966-10-15 until 1966-10-23)
- arranger:
- Jeff Barry
- phonographic copyright (℗) by:
- Rhino Entertainment Company (in 1966) and WEA International Inc. (in 1966, in 1967)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (number: 65) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 341)
- cover recording of:
- I’m a Believer (from 1966-10-15 until 1966-10-23)
- lyricist and composer:
- Neil Diamond (in 1966)
- publisher:
- Colgems-EMI Music Inc., Copyright Control , EMI Music Publishing , Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. and Stonebridge Music
- recording of:
- I’m a Believer
- lyricist and composer:
- Neil Diamond (in 1966)
- publisher:
- Colgems-EMI Music Inc., Copyright Control , EMI Music Publishing , Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. and Stonebridge Music
| 4.65 | 2:48 |
| 2 | For Pete’s Sake | | 2:13 |
| 3 | Sunny Girlfriend | | 2:32 |
| 4 | No Time | | 2:17 |
| 5 | Early Morning Blues and Greens | | 2:39 |
| 6 | Randy Scouse Git | 4.5 | 2:37 |
| 7 | Words | 4 | 2:54 |
| 8 | Peter Percival Patterson’s Pet Pig Porky / Pleasant Valley Sunday | | 3:43 |
| 9 | Salesman- producer:
- Chip Douglas
- classical guitar [nylon string guitar] and electric bass guitar:
- Chip Douglas
- drums (drum set):
- Eddie Hoh
- guitar, shakers and lead vocals:
- Michael Nesmith
- percussion and background vocals:
- Micky Dolenz and Davy Jones
- recorded at:
- RCA Victor Studio A in Hollywood, Los Angeles, California, United States (on 1967-06-14), RCA Victor Studios in New York, New York, United States (on 1967-07-15) and RCA Victor Studios in Hollywood, Los Angeles, California, United States (on 1967-09-05)
- recording of:
- Salesman (from 1967-06-14 until 1967-09-05)
- lyricist and composer:
- Craig Vincent Smith
| | 2:41 |
| 10 | She Hangs Out- producer:
- Chip Douglas
- bass trombone:
- Richard Leith and Phil Teele
- drums (drum set):
- Eddie Hoh
- electric bass guitar:
- Chip Douglas
- electric guitar:
- Michael Nesmith
- organ:
- Peter Tork
- trombone:
- Dick Noel
- trumpet:
- Pete Candoli, Al Porcino and Manny Stevens
- background vocals:
- Micky Dolenz, Chip Douglas and Davy Jones
- lead vocals:
- Davy Jones
- recorded at:
- RCA Victor Studio A in Hollywood, Los Angeles, California, United States (from 1967-06-21 until 1967-08-09) and RCA Victor Studios in Hollywood, Los Angeles, California, United States (from 1967-09-05 until 1967-09-23)
- recording of:
- She Hangs Out (from 1967-06-21 until 1967-09-23)
- writer:
- Jeff Barry, Ellie Greenwich, Jerry Leiber and Mike Stoller
- publisher:
- Screen Gems–EMI Music, Inc.
| 5 | 3:01 |
| 11 | The Door Into Summer- producer:
- Chip Douglas
- drums (drum set):
- Eddie Hoh (from 1967-08-23 until 1967-10-04)
- electric bass guitar and guitar:
- Chip Douglas (from 1967-08-23 until 1967-10-04)
- instruments:
- Bill Martin (from 1967-08-23 until 1967-10-04) and Harry Nilsson (from 1967-08-23 until 1967-10-04)
- keyboard:
- Peter Tork (from 1967-08-23 until 1967-10-04)
- background vocals [harmony vocals]:
- Micky Dolenz (from 1967-08-23 until 1967-10-04)
- lead vocals:
- Michael Nesmith (from 1967-08-23 until 1967-10-04)
- recorded at:
- RCA Victor Studio B in Hollywood, Los Angeles, California, United States (from 1967-08-23 until 1967-08-24), RCA Victor Studios in Hollywood, Los Angeles, California, United States (from 1967-09-05 until 1967-10-03) and Western Recorders, Studio 1 in Hollywood, Los Angeles, California, United States (on 1967-10-04)
- recording of:
- The Door Into Summer (from 1967-08-23 until 1967-10-04)
- composer:
- Bill Martin
| | 2:49 |
| 12 | Love Is Only Sleeping- producer:
- Chip Douglas
- drums (drum set):
- Eddie Hoh (from 1967-06-19 until 1967-10-01)
- electric bass guitar:
- Chip Douglas (from 1967-06-19 until 1967-10-01)
- guitar:
- Chip Douglas (from 1967-06-19 until 1967-10-01) and Michael Nesmith (from 1967-06-19 until 1967-10-01)
- instruments:
- Bill Martin (from 1967-06-19 until 1967-10-01) and Harry Nilsson (from 1967-06-19 until 1967-10-01)
- organ:
- Peter Tork (from 1967-06-19 until 1967-10-01)
- tambourine:
- Davy Jones (from 1967-06-19 until 1967-10-01)
- background vocals:
- Micky Dolenz (from 1967-06-19 until 1967-10-01), Chip Douglas (from 1967-06-19 until 1967-10-01) and Davy Jones (from 1967-06-19 until 1967-10-01)
- lead vocals:
- Michael Nesmith (from 1967-06-19 until 1967-10-01)
- recorded at:
- RCA Victor Studio C in Hollywood, Los Angeles, California, United States (on 1967-06-19), RCA Victor Studio A in Hollywood, Los Angeles, California, United States (on 1967-07-10) and RCA Victor Studios in Hollywood, Los Angeles, California, United States (from 1967-09-05 until 1967-10-01)
- recording of:
- Love Is Only Sleeping (from 1967-06-19 until 1967-10-01)
- writer:
- Barry Mann and Cynthia Weil
- publisher:
- Screen Gems–EMI Music, Inc.
| | 2:30 |
| 13 | Cuddly Toy | | 2:40 |
| 14 | Hard to Believe- producer:
- Chip Douglas
- baritone saxophone:
- Jim Horn
- bass trombone:
- Bobby Knight
- claves, cowbell, drums (drum set), electric bass guitar, guitar, percussion, piano and shakers:
- Kim Capli
- flugelhorn:
- Ollie Mitchell and Tony Terran
- French horn:
- Vincent DeRosa
- violin:
- Leonard Atkins, Arnold Belnick, Darrell Terwilliger, Nathan Kaproff, Jerome Reisler and Wilbert Nuttycombe
- lead vocals:
- Davy Jones
- recorded at:
- RCA Victor Studio B in Hollywood, Los Angeles, California, United States (on 1967-08-23) and RCA Victor Studios in Hollywood, Los Angeles, California, United States (from 1967-09-05 until 1967-09-23)
- recording of:
- Hard to Believe (from 1967-08-23 until 1967-09-23)
- writer:
- Eddie Brick, Kerim Çaplı, Davy Jones and Charlie Rockett
| | 2:39 |
| 15 | What Am I Doing Hangin’ ’round | 5 | 3:06 |
| 16 | Daily Nightly- producer:
- Chip Douglas
- drums (drum set):
- Eddie Hoh (from 1967-06-19 until 1967-10-04)
- electric bass guitar:
- Chip Douglas (from 1967-06-19 until 1967-10-04)
- guitar:
- Michael Nesmith (from 1967-06-19 until 1967-10-04)
- Moog and lead vocals:
- Micky Dolenz (from 1967-06-19 until 1967-10-04)
- organ:
- Peter Tork (from 1967-06-19 until 1967-10-04)
- recorded at:
- RCA Victor Studio C in Hollywood, Los Angeles, California, United States (on 1967-06-19), RCA Victor Studios in Hollywood, Los Angeles, California, United States (on 1967-09-05) and Western Recorders, Studio 1 in Hollywood, Los Angeles, California, United States (on 1967-10-04)
- recording of:
- Daily Nightly (from 1967-06-19 until 1967-10-04)
- writer:
- Michael Nesmith
| | 2:31 |
| 17 | Don’t Call on Me | | 2:54 |
| 18 | Star Collector- producer:
- Chip Douglas
- drums (drum set):
- Eddie Hoh (from 1967-06-22 until 1967-10-16)
- electric bass guitar:
- Chip Douglas (from 1967-06-22 until 1967-10-16)
- guitar:
- Michael Nesmith (from 1967-06-22 until 1967-10-16)
- Moog:
- Paul Beaver (from 1967-06-22 until 1967-10-16)
- organ:
- Peter Tork (from 1967-06-22 until 1967-10-16)
- background vocals:
- Micky Dolenz (from 1967-06-22 until 1967-10-16), Chip Douglas (from 1967-06-22 until 1967-10-16) and Davy Jones (from 1967-06-22 until 1967-10-16)
- lead vocals:
- Davy Jones (from 1967-06-22 until 1967-10-16)
- recorded at:
- RCA Victor Studio A in Hollywood, Los Angeles, California, United States (from 1967-06-22 until 1967-07-06), American Recording Co. in Studio City, Los Angeles, California, United States (on 1967-10-04) and United Recorders Studio A in Los Angeles, California, United States (on 1967-10-16)
- recording of:
- Star Collector (from 1967-06-22 until 1967-10-16)
- writer:
- Gerry Goffin and Carole King
| | 4:24 |
| 19 | Dream World- cello:
- Marie Fera, Fredrick Seykora, Edgar Lustgarten and Jacqueline Lustgarten
- drums (drum set):
- Earl Palmer
- electric bass guitar:
- Max Bennett
- guitar:
- Mike Deasy, Gerry McGee and Al Hendrickson
- harpsichord:
- Don Randi
- horn:
- John Cave , David Duke and Arthur Maebe
- trombone:
- George Roberts
- trumpet:
- Buddy Childers and Jack Sheldon
- violin:
- Sam Freed, Nathan Kaproff, George Kast, Marvin Limonick, Alex Murray and Erno Neufeld
- vocals:
- Davy Jones
- arranger:
- Shorty Rogers
- recorded at:
- Western Recorders, Studio 2 in Hollywood, Los Angeles, California, United States (on 1968-02-06) and RCA Victor Studios in Hollywood, Los Angeles, California, United States (on 1968-02-08)
- recording of:
- Dream World (from 1968-02-06 until 1968-02-08)
- writer:
- Davy Jones and Steve Pitts
| | 3:21 |
| 20 | Tapioca Tundra | 3 | 3:06 |
| 21 | I’ll Be Back Up on My Feet | | 2:30 |
| 22 | The Poster- drums (drum set):
- Hal Blaine
- electric bass guitar:
- Lyle Ritz
- guitar:
- Al Casey , Mike Deasy and Howard Roberts
- organ:
- Don Randi
- percussion:
- Gary Coleman and Gene Estes
- saxophone and woodwind:
- John Lowe
- trombone:
- Milt Bernhart, Richard Leith , Lew McCreary and Frank Rosolino
- trumpet:
- Buddy Childers , Clyde Reasinger, Jack Sheldon and Tony Terran
- violin:
- Alexander Murray , Nathan Kaproff, George Kast, Marvin Limonick, Erno Neufeld and Ambrose Russo
- vocals:
- Davy Jones
- arranger:
- Shorty Rogers
- recorded at:
- RCA Victor Studios in Hollywood, Los Angeles, California, United States (from 1968-02-15 until 1968-02-17)
- recording of:
- The Poster (from 1968-02-15 until 1968-02-17)
- writer:
- Davy Jones and Steve Pitts
| | 2:20 |
| 23 | Magnolia Simms | | 3:48 |
| 24 | Zor and Zam- drums (drum set):
- Hal Blaine (from 1968-01-07 until 1968-02-17), Eddie Hoh (from 1968-01-07 until 1968-02-17), Milt Holland (from 1968-01-07 until 1968-02-17) and Stan Levey (from 1968-01-07 until 1968-02-17)
- electric bass guitar:
- Max Bennett (from 1968-01-07 until 1968-02-17), Chip Douglas (from 1968-01-07 until 1968-02-17) and Rick Dey (from 1968-01-07 until 1968-02-17)
- guitar:
- Keith Allison (from 1968-01-07 until 1968-02-17) and Bill Chadwick (from 1968-01-07 until 1968-02-17)
- instruments:
- Henry Diltz (from 1968-01-07 until 1968-02-17)
- percussion:
- Hal Blaine (from 1968-01-07 until 1968-02-17), Micky Dolenz (from 1968-01-07 until 1968-02-17), Eddie Hoh (from 1968-01-07 until 1968-02-17), Milt Holland (from 1968-01-07 until 1968-02-17) and Stan Levey (from 1968-01-07 until 1968-02-17)
- piano:
- Michael Melvoin (from 1968-01-07 until 1968-02-17)
- saxophone:
- John Lowe (from 1968-01-07 until 1968-02-17)
- trombone:
- Milt Bernhart (from 1968-01-07 until 1968-02-17), Richard Leith (from 1968-01-07 until 1968-02-17), Lew McCreary (from 1968-01-07 until 1968-02-17) and Frank Rosolino (from 1968-01-07 until 1968-02-17)
- trumpet:
- Buddy Childers (from 1968-01-07 until 1968-02-17), Clyde Reasinger (from 1968-01-07 until 1968-02-17), Jack Sheldon (from 1968-01-07 until 1968-02-17) and Anthony Terran (from 1968-01-07 until 1968-02-17)
- violin:
- Alexander Murray (from 1968-01-07 until 1968-02-17), Nathan Kaproff (from 1968-01-07 until 1968-02-17), George Kast (from 1968-01-07 until 1968-02-17), Erno Neufeld (from 1968-01-07 until 1968-02-17) and Ambrose Russo (from 1968-01-07 until 1968-02-17)
- vocals:
- Micky Dolenz (from 1968-01-07 until 1968-02-17)
- arranger:
- Shorty Rogers
- recorded at:
- RCA Victor Studios in Hollywood, Los Angeles, California, United States (from 1968-01-07 until 1968-02-17)
- recording of:
- Zor and Zam (from 1968-01-07 until 1968-02-17)
- writer:
- Bill Chadwick and John Chadwick
| | 2:09 |
| 25 | We Were Made for Each Other- cello:
- Marie Fera, Jacqueline Lustgarten, Kurt Reher and Eleanor Slatkin
- drums (drum set):
- Earl Palmer
- electric bass guitar:
- Max Bennett
- guitar:
- James Burton , Mike Deasy, Gerry McGee and Al Hendrickson
- harpsichord:
- Michael Melvoin
- horn:
- Vincent DeRosa, David Duke and Richard Perissi
- percussion:
- Milt Holland and Jerry Williams
- trombone:
- Lewis McCreary
- trumpet:
- Buddy Childers and Jack Sheldon
- violin:
- Alexander Murray , Sam Freed, Nathan Kaproff, George Kast, Marvin Limonick and Erno Neufeld
- vocals:
- Davy Jones
- arranger:
- Shorty Rogers
- recorded at:
- Western Recorders, Studio 2 in Hollywood, Los Angeles, California, United States (on 1968-02-06) and RCA Victor Studios in Hollywood, Los Angeles, California, United States (from 1968-02-07 until 1968-02-09)
- recording of:
- We Were Made for Each Other (from 1968-02-06 until 1968-02-09)
- writer:
- Carole Jill Bayer and George Fischoff
| | 2:23 |
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