BD Music Presents Toppi’s Ladies

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Wild Is the Wind (live at Town Hall, New York, September 12, 1959)
Produzent(in):
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall") und Jack Gold
Bass:
Jimmy Bond (in 1959-10)
Klavier und Sologesang:
Nina Simone (in 1959-10)
Schlagzeug:
Albert “Tootie” Heath (in 1959-10)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1959)
cover recording of:
Wild Is the Wind (theme song from the Paramount movie “Wild Is the Wind”) (in 1959-10)
Texter:
Ned Washington
Komponist(in):
Dimitri Tiomkin
publisher:
BMG Music Publishing Ltd., Carlin Music Corporation, Shapiro, Bernstein & Co., Inc., Universal Music Publishing MGB Ltd., Anne-Rachel Music Corp. (in 1957, in 1985), Catharine Hinen Music (in 1957, in 1985), Chappell & Co., Inc. (USA) (in 1957), Largo Music Inc. (in 1957, in 1985) und Patti Washington Music (in 1957, in 1985)
Teil von:
The 30th Academy Award for Best Original Song (Nummer: 2)
Nina Simone3:30
2The Jazz in You
recording of:
The Jazz in You
Verfasser(in):
Luther Dixon und Chris Towns (songwriter, arranger and producer)
Gloria Lynne2:23
3If Dreams Come True
cover recording of:
If Dreams Come True
Texter:
Irving Mills
Komponist(in):
Edgar M. Sampson und Benny Goodman (clarinetist and bandleader)
Nancy Wilson1:50
4You Took Advantage of Me
Annie Ross3:54
5Something to Live For
cover recording of:
Something to Live For (1938 Billy Strayhorn jazz composition)
Texter und Komponist(in):
Billy Strayhorn
Chris Connor3:17
6How Deep Is the Ocean
cover recording of:
How Deep Is the Ocean?
Texter und Komponist(in):
Irving Berlin (in 1932)
publisher:
Francis, Day & Hunter Ltd. und Irving Berlin Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Etta Jones3:34
7He Don’t Love Me Anymore
Helen Humes2:52
8Doodlin’
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1958-01-05)
Bass:
Richard Davis (American jazz bassist)
Gitarre:
Freddie Green (am 1958-01-05)
Holzblasinstrumente:
Frank Wess (am 1958-01-05)
Klavier:
Ronnell Bright (am 1958-01-05)
Kontrabass:
Richard Davis (American jazz bassist) (am 1958-01-05)
Posaune:
Henry Coker (jazz trombonist) (am 1958-01-05), Al Grey (trombone) (am 1958-01-05) und Benny Powell (jazz trombonist) (am 1958-01-05)
Rohrblattinstrumente:
Marshall Royal (am 1958-01-05)
Saxophon:
Frank Foster (saxophonist), Charlie Fowlkes (baritone saxophonist), Billy Mitchell (US jazz saxophonist), Marshall Royal und Frank Wess
Schlagzeug:
Sonny Payne (am 1958-01-05)
Tenorsaxophon:
Frank Foster (saxophonist) (am 1958-01-05) und Billy Mitchell (US jazz saxophonist) (am 1958-01-05)
Trompete:
Wendell Culley (jazz trumpeter) (am 1958-01-05), Eugene Young (am 1958-01-05) und Thad Jones (American jazz trumpeter) (am 1958-01-05)
vocals:
Sarah Vaughan (am 1958-01-05)
cover recording of:
Doodlin’ (vocal version, lyrics by Jon Hendricks) (am 1958-01-05)
Texter:
Jon Hendricks
Komponist(in):
Horace Silver
publisher:
Silhouette Music Corp.
Version von:
Doodlin’ (original instrumental version)
Sarah Vaughan4:35
9God Bless the Child
recorded in:
New York, New York, Vereinigte Staaten (am 1962-05-11)
Produzent(in):
Robert Mersey
conductor:
Robert Mersey (am 1962-05-11)
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1962)
cover recording of:
God Bless the Child (am 1962-05-11)
Texter:
Billie Holiday
Komponist(in):
Arthur Herzog, Jr.
publisher:
Basart Editions (beendet) und Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
Aretha Franklin43:04
10Oooh‐Wee
Dolores Hawkins3:05
11Lazy Afternoon
Techniker(in):
Johnny Cue
vocals:
Ernestine Anderson (in 1960)
Orchester:
Ernie Wilkins Orchestra (in 1960)
recording of:
Lazy Afternoon (The Golden Apple, 1954) (in 1960)
Orchestrator(in) und Komponist(in):
Jerome Moross (American composer and conductor)
Texter:
John Latouche
publisher:
Chappell & Co., Inc. (USA), Sony/ATV Tunes LLC (ASCAP) und Warner Chappell Music, Inc.
Teil von:
The Golden Apple (musical)
Ernestine Anderson2:48
12Love for Sale
Shirley Horn3:54
13Misery
Carmen McRae3:52
14No Moon at All
Anita O’Day2:30
15Love Me or Leave Me
cover recording of:
Love Me or Leave Me
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) und Gilbert Keyes Music Company (in 1928, in 1955)
Peggy Lee2:09
16Blues in the Night
recording of:
Blues in the Night (My Mama Done Tol’ Me)
Texter:
Johnny Mercer (in 1941)
Komponist(in):
Harold Arlen (in 1941)
publisher:
Warner Bros., Inc. (not for release label use!) und WB Music Corp. (1929–2019)
Teil von:
The 14th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1941 nominee)
Dinah Shore3:46
17Is You Is or Is You Ain’t My Baby
vocals:
Dinah Washington (in 1956)
cover recording of:
Is You Is or Is You Ain’t My Baby?
Verfasser(in):
Bill Austin (in 1944) und Louis Jordan (US jazz, blues and r&b musician and songwriter) (in 1944)
publisher:
Universal‐MCA Music Publishing (US)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Dinah Washington23:00
18I’m Glad There Is You
Techniker(in):
John Kraus (1950s US engineer) (in 1955-08)
Produzent(in):
Bobby Troup
vocals:
Julie London (in 1955-08)
cover recording of:
I’m Glad There Is You (in 1955-08)
Verfasser(in):
Jimmy Dorsey und Paul Madeira (Paul Madeira Mertz)
publisher:
Chappell/Morris Ltd. und Mayfair Music Corp.
Julie London42:29
19The Other Woman (live at Town Hall, New York, September 12, 1959)
recorded in:
New York, New York, Vereinigte Staaten (in 1959-10)
Produzent(in):
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall") und Jack Gold
Bass:
Jimmy Bond (in 1959-10)
Klavier:
Nina Simone (in 1959-10)
Schlagzeug:
Albert “Tootie” Heath (in 1959-10)
vocals:
Nina Simone (in 1959-10)
aufgenommen bei:
The Town Hall in Theater District, New York, New York, Vereinigte Staaten (am 1959-09-15)
cover recording of:
The Other Woman (in 1959-10)
Texter und Komponist(in):
Jessie Mae Robinson
publisher:
Thandewye Music (publisher; do NOT use as release label)
Nina Simone4.653:03
20I’m a Fool to Want You
cover recording of:
I’m a Fool to Want You
Verfasser(in):
Joel Herron (in 1951), Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (in 1951) und Jack Wolf (in 1951)
publisher:
Barton Music Corp., Integrity Music Corp., Sergeant Music Co., The International Music Network und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Helen Merrill4:10
21It Don’t Mean a Thing If It Ain’t Got That Swing
alto saxophone:
Johnny Hodges (am 1956-01-27)
alto saxophone und Klarinette:
Russell Procope (am 1956-01-27)
baritone saxophone:
Harry Carney (am 1956-01-27)
Klarinette und Tenorsaxophon:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1956-01-27)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1956-01-27)
Kontrabass:
Jimmy Woode (am 1956-01-27)
Posaune:
Quentin Jackson (am 1956-01-27) und Britt Woodman (am 1956-01-27)
Schlagzeug:
Sam Woodyard (am 1956-01-27)
Tenorsaxophon:
Paul Gonsalves (am 1956-01-27)
Trompete:
William “Cat” Anderson (am 1956-01-27), Willie Cook (US jazz trumpeter) (am 1956-01-27), Ray Nance (am 1956-01-27) und Cootie Williams (am 1956-01-27)
Ventilposaune:
John Sanders (US jazz trombonist) (am 1956-01-27)
Sologesang:
Rosemary Clooney (am 1956-01-27)
recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (am 1956-01-27)
Texter:
Irving Mills (in 1931)
Komponist(in):
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music und EMI Mills Music (ASCAP-affiliated)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Rosemary Clooney2:52
22Almost Like Being in Love
recorded in:
New York, New York, Vereinigte Staaten (in 1955)
Bass:
Knobby Totah (jazz bassist) (in 1955)
Gitarre:
Johnny Smith (jazz guitarist) (in 1955)
Keyboard und Klavier:
Bob Pancoast (in 1955)
Schlagzeug:
Mousie Alexander (in 1955)
vocals:
Beverly Kenney (in 1955)
cover recording of:
Almost Like Being in Love (from “Brigadoon”) (in 1955)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
Brigadoon (complete musical)
Beverly Kenney2:11
23Like Young
Linda Lawson2:58
24Afro‐Blue
recorded in:
New York, New York, Vereinigte Staaten (in 1959)
Techniker(in):
Jack Higgins (recording engineer)
Produzent(in):
Orrin Keepnews
Kontrabass:
Bobby Boswell (in 1959)
Posaune:
Julian Priester (in 1959)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (in 1959)
Tenorsaxophon:
Stanley Turrentine (in 1959)
Trompete:
Tommy Turrentine (in 1959)
vocals:
Abbey Lincoln (in 1959)
cover recording of:
Afro Blue (in 1959)
Komponist(in):
Mongo Santamaría (Cuban jazz percussionist)
publisher:
Mongo Music
Abbey Lincoln3:18
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