Live At The Cellar Door

~ Release by The Seldom Scene (see all versions of this release, 8 available)

Annotation

Remastered and repackaged, featuring a 12-page booklet with new notes by popular bluegrass DJ Katy Daley as well as several previously unpublished photos by DC-area photographer Carl Fleischhauer.

Annotation last modified on 2020-09-04 20:36 UTC.

Tracklist

1▼CD
#TitleRatingLength
1Doing My Time
banjo:
Ben Eldridge (from 1974-12-27 until 1974-12-28)
double bass [bass]:
Tom Gray (US bluegrass bassist) (from 1974-12-27 until 1974-12-28)
guitar:
John Starling (from 1974-12-27 until 1974-12-28)
mandolin:
John Duffey (from 1974-12-27 until 1974-12-28)
resonator guitar [dobro]:
Mike Auldridge (from 1974-12-27 until 1974-12-28)
vocals:
Mike Auldridge (from 1974-12-27 until 1974-12-28), John Duffey (from 1974-12-27 until 1974-12-28) and John Starling (from 1974-12-27 until 1974-12-28)
recorded at:
The Cellar Door in Washington, D.C., United States (from 1974-12-27 until 1974-12-28)
live cover recording of:
Doing My Time (from 1974-12-27 until 1974-12-28)
lyricist and composer:
Jimmie Skinner
5:48
2California Cottonfields
cover recording of:
California Cotton Fields
composer:
Dallas Frazier (American songwriter and musician) and Earl Montgomery (Songwriter and musicians)
3:08
3Band Intros
1:15
4Panhandle Country
banjo:
Ben Eldridge (from 1974-12-27 until 1974-12-28)
double bass [bass]:
Tom Gray (US bluegrass bassist) (from 1974-12-27 until 1974-12-28)
guitar:
John Starling (from 1974-12-27 until 1974-12-28)
mandolin:
John Duffey (from 1974-12-27 until 1974-12-28)
resonator guitar [dobro]:
Mike Auldridge (from 1974-12-27 until 1974-12-28)
vocals:
Mike Auldridge (from 1974-12-27 until 1974-12-28), John Duffey (from 1974-12-27 until 1974-12-28) and John Starling (from 1974-12-27 until 1974-12-28)
recorded at:
The Cellar Door in Washington, D.C., United States (from 1974-12-27 until 1974-12-28)
live cover recording of:
Panhandle Country (from 1974-12-27 until 1974-12-28)
composer:
Bill Monroe (“The Father of Bluegrass”)
2:12
5Muddy Waters
banjo:
Ben Eldridge (from 1974-12-27 until 1974-12-28)
double bass [bass]:
Tom Gray (US bluegrass bassist) (from 1974-12-27 until 1974-12-28)
guitar:
John Starling (from 1974-12-27 until 1974-12-28)
mandolin:
John Duffey (from 1974-12-27 until 1974-12-28)
resonator guitar [dobro]:
Mike Auldridge (from 1974-12-27 until 1974-12-28)
vocals:
Mike Auldridge (from 1974-12-27 until 1974-12-28), John Duffey (from 1974-12-27 until 1974-12-28) and John Starling (from 1974-12-27 until 1974-12-28)
recorded at:
The Cellar Door in Washington, D.C., United States (from 1974-12-27 until 1974-12-28)
live recording of:
Muddy Water (from 1974-12-27 until 1974-12-28)
composer:
Phil Rosenthal
3:44
6Rawhide
banjo:
Ben Eldridge (from 1974-12-27 until 1974-12-28)
double bass [bass]:
Tom Gray (US bluegrass bassist) (from 1974-12-27 until 1974-12-28)
guitar:
John Starling (from 1974-12-27 until 1974-12-28)
mandolin:
John Duffey (from 1974-12-27 until 1974-12-28)
resonator guitar [dobro]:
Mike Auldridge (from 1974-12-27 until 1974-12-28)
recorded at:
The Cellar Door in Washington, D.C., United States (from 1974-12-27 until 1974-12-28)
live cover recording of:
Rawhide (mandolin instrumental) (from 1974-12-27 until 1974-12-28)
composer:
Bill Monroe (“The Father of Bluegrass”)
2:47
7Baby Blue
banjo:
Ben Eldridge (from 1974-12-27 until 1974-12-28)
double bass [bass]:
Tom Gray (US bluegrass bassist) (from 1974-12-27 until 1974-12-28)
guitar:
John Starling (from 1974-12-27 until 1974-12-28)
mandolin:
John Duffey (from 1974-12-27 until 1974-12-28)
resonator guitar [dobro]:
Mike Auldridge (from 1974-12-27 until 1974-12-28)
vocals:
Mike Auldridge (from 1974-12-27 until 1974-12-28), John Duffey (from 1974-12-27 until 1974-12-28) and John Starling (from 1974-12-27 until 1974-12-28)
recorded at:
The Cellar Door in Washington, D.C., United States (from 1974-12-27 until 1974-12-28)
live cover recording of:
It’s All Over Now, Baby Blue (from 1974-12-27 until 1974-12-28)
lyricist and composer:
Bob Dylan (in 1965-01)
publisher:
Blossom Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) (from 1965 until 1993) and Special Rider Music (from 1993 to present)
adaptations:
Kaikki ohi on
3:49
8City of New Orleans
banjo:
Ben Eldridge (from 1974-12-27 until 1974-12-28)
double bass [bass]:
Tom Gray (US bluegrass bassist) (from 1974-12-27 until 1974-12-28)
guitar:
John Starling (from 1974-12-27 until 1974-12-28)
mandolin:
John Duffey (from 1974-12-27 until 1974-12-28)
resonator guitar [dobro]:
Mike Auldridge (from 1974-12-27 until 1974-12-28)
vocals:
Mike Auldridge (from 1974-12-27 until 1974-12-28), John Duffey (from 1974-12-27 until 1974-12-28) and John Starling (from 1974-12-27 until 1974-12-28)
recorded at:
The Cellar Door in Washington, D.C., United States (from 1974-12-27 until 1974-12-28)
live cover recording of:
City of New Orleans (from 1974-12-27 until 1974-12-28)
lyricist and composer:
Steve Goodman (folk musician)
publisher:
Sony/ATV Tunes LLC (ASCAP)
3:04
9Grandfather's Clock
4:53
10The Fields Have Turned Brown
cover recording of:
The Fields Have Turned Brown
writer:
Carter Stanley and Ralph Stanley (US bluegrass singer and banjo player)
3:14
11Hit Parade of Love
2:56
12Will the Circle Be Unbroken
banjo:
Ben Eldridge (from 1974-12-27 until 1974-12-28)
double bass [bass]:
Tom Gray (US bluegrass bassist) (from 1974-12-27 until 1974-12-28)
guitar:
John Starling (from 1974-12-27 until 1974-12-28)
mandolin:
John Duffey (from 1974-12-27 until 1974-12-28)
resonator guitar [dobro]:
Mike Auldridge (from 1974-12-27 until 1974-12-28)
vocals:
Mike Auldridge (from 1974-12-27 until 1974-12-28), John Duffey (from 1974-12-27 until 1974-12-28) and John Starling (from 1974-12-27 until 1974-12-28)
recorded at:
The Cellar Door in Washington, D.C., United States (from 1974-12-27 until 1974-12-28)
3:37
13Pickaway
banjo:
Ben Eldridge (from 1974-12-27 until 1974-12-28)
double bass [bass]:
Tom Gray (US bluegrass bassist) (from 1974-12-27 until 1974-12-28)
guitar:
John Starling (from 1974-12-27 until 1974-12-28)
mandolin:
John Duffey (from 1974-12-27 until 1974-12-28)
resonator guitar [dobro]:
Mike Auldridge (from 1974-12-27 until 1974-12-28)
recorded at:
The Cellar Door in Washington, D.C., United States (from 1974-12-27 until 1974-12-28)
live cover recording of:
Pickaway (from 1974-12-27 until 1974-12-28)
composer:
Vic Jordan (Bluegrass banjo player) and Gladys Lee Stacy
2:49
14Dark Hollow
2:12
15Small Exception of Me
banjo:
Ben Eldridge (from 1974-12-27 until 1974-12-28)
double bass [bass]:
Tom Gray (US bluegrass bassist) (from 1974-12-27 until 1974-12-28)
guitar:
John Starling (from 1974-12-27 until 1974-12-28)
mandolin:
John Duffey (from 1974-12-27 until 1974-12-28)
resonator guitar [dobro]:
Mike Auldridge (from 1974-12-27 until 1974-12-28)
vocals:
Mike Auldridge (from 1974-12-27 until 1974-12-28), John Duffey (from 1974-12-27 until 1974-12-28) and John Starling (from 1974-12-27 until 1974-12-28)
recorded at:
The Cellar Door in Washington, D.C., United States (from 1974-12-27 until 1974-12-28)
recording of:
Small Exception of Me
writer:
Tony Hatch and Jackie Trent (English singer‐songwriter and actress)
publisher:
Kirshner CBS Music Publishing and Sony/ATV Songs LLC
3:01
16If I Were a Carpenter
banjo:
Ben Eldridge (from 1974-12-27 until 1974-12-28)
double bass [bass]:
Tom Gray (US bluegrass bassist) (from 1974-12-27 until 1974-12-28)
guitar:
John Starling (from 1974-12-27 until 1974-12-28)
mandolin:
John Duffey (from 1974-12-27 until 1974-12-28)
resonator guitar [dobro]:
Mike Auldridge (from 1974-12-27 until 1974-12-28)
vocals:
Mike Auldridge (from 1974-12-27 until 1974-12-28), John Duffey (from 1974-12-27 until 1974-12-28) and John Starling (from 1974-12-27 until 1974-12-28)
recorded at:
The Cellar Door in Washington, D.C., United States (from 1974-12-27 until 1974-12-28)
live cover recording of:
If I Were a Carpenter (from 1974-12-27 until 1974-12-28)
lyricist and composer:
Tim Hardin
publisher:
Allen Stanton Productions, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Faithful Virtue Music
2:59
17Old Gray Bonnet
banjo:
Ben Eldridge (from 1974-12-27 until 1974-12-28)
double bass [bass]:
Tom Gray (US bluegrass bassist) (from 1974-12-27 until 1974-12-28)
guitar:
John Starling (from 1974-12-27 until 1974-12-28)
mandolin:
John Duffey (from 1974-12-27 until 1974-12-28)
resonator guitar [dobro]:
Mike Auldridge (from 1974-12-27 until 1974-12-28)
recorded at:
The Cellar Door in Washington, D.C., United States (from 1974-12-27 until 1974-12-28)
2:26
18C & O Canal
recording of:
C & O Canal
lyricist and composer:
John Starling
publisher:
Zap Publishing Co.
3:12
19Georgia Rose
banjo:
Ben Eldridge (from 1974-12-27 until 1974-12-28)
double bass [bass]:
Tom Gray (US bluegrass bassist) (from 1974-12-27 until 1974-12-28)
guitar:
John Starling (from 1974-12-27 until 1974-12-28)
mandolin:
John Duffey (from 1974-12-27 until 1974-12-28)
resonator guitar [dobro]:
Mike Auldridge (from 1974-12-27 until 1974-12-28)
vocals:
Mike Auldridge (from 1974-12-27 until 1974-12-28), John Duffey (from 1974-12-27 until 1974-12-28) and John Starling (from 1974-12-27 until 1974-12-28)
recorded at:
The Cellar Door in Washington, D.C., United States (from 1974-12-27 until 1974-12-28)
live cover recording of:
My Little Georgia Rose (from 1974-12-27 until 1974-12-28)
composer:
Bill Monroe (“The Father of Bluegrass”)
2:55
20Colorado Turnaround
banjo:
Ben Eldridge (from 1974-12-27 until 1974-12-28)
double bass [bass]:
Tom Gray (US bluegrass bassist) (from 1974-12-27 until 1974-12-28)
guitar:
John Starling (from 1974-12-27 until 1974-12-28)
mandolin:
John Duffey (from 1974-12-27 until 1974-12-28)
resonator guitar [dobro]:
Mike Auldridge (from 1974-12-27 until 1974-12-28)
recorded at:
The Cellar Door in Washington, D.C., United States (from 1974-12-27 until 1974-12-28)
2:39
21He Rode All the Way to Texas
banjo:
Ben Eldridge (from 1974-12-27 until 1974-12-28)
double bass [bass]:
Tom Gray (US bluegrass bassist) (from 1974-12-27 until 1974-12-28)
guitar:
John Starling (from 1974-12-27 until 1974-12-28)
mandolin:
John Duffey (from 1974-12-27 until 1974-12-28)
resonator guitar [dobro]:
Mike Auldridge (from 1974-12-27 until 1974-12-28)
vocals:
Mike Auldridge (from 1974-12-27 until 1974-12-28), John Duffey (from 1974-12-27 until 1974-12-28) and John Starling (from 1974-12-27 until 1974-12-28)
recorded at:
The Cellar Door in Washington, D.C., United States (from 1974-12-27 until 1974-12-28)
live recording of:
He Rode All the Way to Texas (from 1974-12-27 until 1974-12-28)
lyricist and composer:
John Starling
2:40
22White Line
banjo:
Ben Eldridge (from 1974-12-27 until 1974-12-28)
double bass [bass]:
Tom Gray (US bluegrass bassist) (from 1974-12-27 until 1974-12-28)
guitar:
John Starling (from 1974-12-27 until 1974-12-28)
mandolin:
John Duffey (from 1974-12-27 until 1974-12-28)
resonator guitar [dobro]:
Mike Auldridge (from 1974-12-27 until 1974-12-28)
vocals:
Mike Auldridge (from 1974-12-27 until 1974-12-28), John Duffey (from 1974-12-27 until 1974-12-28) and John Starling (from 1974-12-27 until 1974-12-28)
recorded at:
The Cellar Door in Washington, D.C., United States (from 1974-12-27 until 1974-12-28)
live cover recording of:
White Line (from 1974-12-27 until 1974-12-28)
lyricist and composer:
Willie P. Bennett
3:20
23Rider
banjo:
Ben Eldridge (from 1974-12-27 until 1974-12-28)
double bass [bass]:
Tom Gray (US bluegrass bassist) (from 1974-12-27 until 1974-12-28)
guitar:
John Starling (from 1974-12-27 until 1974-12-28)
mandolin:
John Duffey (from 1974-12-27 until 1974-12-28)
resonator guitar [dobro]:
Mike Auldridge (from 1974-12-27 until 1974-12-28)
vocals:
Mike Auldridge (from 1974-12-27 until 1974-12-28), John Duffey (from 1974-12-27 until 1974-12-28) and John Starling (from 1974-12-27 until 1974-12-28)
recorded at:
The Cellar Door in Washington, D.C., United States (from 1974-12-27 until 1974-12-28)
live recording of:
I Know You Rider (from 1974-12-27 until 1974-12-28)
lyricist and composer:
[traditional] (special purpose artist)
7:33