Leopold Stokowski: The Stereo Collection 1954 -1975

~ Veröffentlichung von Leopold Stokowski (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1Symphony No. 3, Op. 55 "Eroica" in E-Flat: Allegro con brioLudwig van Beethoven15:37
2Symphony No. 3, Op. 55 "Eroica" in E-Flat: Marcia funebre: Adagio assaiLudwig van Beethoven13:54
3Symphony No. 3, Op. 55 "Eroica" in E-Flat: Scherzo: Allegro vivace; TrioLudwig van Beethoven5:41
4Symphony No. 3, Op. 55 "Eroica" in E-Flat: Finale: Allegro molto; Poco andante; PrestoLudwig van Beethoven11:20
5Coriolan Overture, Op. 62
Orchester:
London Symphony Orchestra
conductor:
Leopold Stokowski (conductor)
recording of:
Ouvertüre Coriolan, op. 62 (Coriolan Overture, Op. 62)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1807)
gewidmet:
Heinrich Joseph von Collin
Premiere bei:
Palais Lobkowitz in Innere Stadt, Wien, Österreich (in 1807-03)
Teil von:
Works of Ludwig van Beethoven by opus number (Nummer: op. 62)
Ludwig van Beethoven6:43
6Academic Festival Overture, Op. 80
Orchester:
New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings)
conductor:
Leopold Stokowski (conductor)
recording of:
Akademische Fest‐Ouvertüre, op. 80 (Academic Festival Overture, op. 80)
Komponist(in):
Johannes Brahms (German composer) (in 1880)
Teil von:
Johannes Brahms. Thematisch-Bibliographisches Werkverzeichnis (Nummer: op. 80)
Johannes Brahms10:49
7Stokowski speaks to the orchestra
Sprecher:
Leopold Stokowski (conductor)
conductor:
Leopold Stokowski (conductor)
Leopold Stokowski1:13
16Sebastian (Ballet Suite): Adagio
Orchester:
Members of the NBC Symphony Orchestra
conductor:
Leopold Stokowski (conductor)
recording of:
Suite from "Sebastian": I. Introduction
Komponist(in):
Gian Carlo Menotti (US-based Italian composer) (in 1944)
Teil von:
Suite from "Sebastian"
Gian Carlo Menotti2:04
17Sebastian (Ballet Suite): Barcarolle
Orchester:
Members of the NBC Symphony Orchestra
conductor:
Leopold Stokowski (conductor)
recording of:
Suite from "Sebastian": II. Barcarole
Komponist(in):
Gian Carlo Menotti (US-based Italian composer) (in 1944)
Teil von:
Suite from "Sebastian"
Gian Carlo Menotti3:32
18Sebastian (Ballet Suite): Street Fight
Orchester:
Members of the NBC Symphony Orchestra
conductor:
Leopold Stokowski (conductor)
recording of:
Suite from "Sebastian": III. Baruffa
Komponist(in):
Gian Carlo Menotti (US-based Italian composer) (in 1944)
Teil von:
Suite from "Sebastian"
Gian Carlo Menotti1:24
19Sebastian (Ballet Suite): Cortège
Orchester:
Members of the NBC Symphony Orchestra
conductor:
Leopold Stokowski (conductor)
recording of:
Suite from "Sebastian": IV. Cortège
Komponist(in):
Gian Carlo Menotti (US-based Italian composer) (in 1944)
Teil von:
Suite from "Sebastian"
Gian Carlo Menotti4:45
20Sebastian (Ballet Suite): Sebastian's Dance
Orchester:
Members of the NBC Symphony Orchestra
conductor:
Leopold Stokowski (conductor)
recording of:
Suite from "Sebastian": V. Sebastian's Dance
Komponist(in):
Gian Carlo Menotti (US-based Italian composer) (in 1944)
Teil von:
Suite from "Sebastian"
Gian Carlo Menotti3:12
21Sebastian (Ballet Suite): The Courtesan's Dance
Orchester:
Members of the NBC Symphony Orchestra
conductor:
Leopold Stokowski (conductor)
recording of:
Suite from "Sebastian": VI. Dance of the Wounded Courtesan
Komponist(in):
Gian Carlo Menotti (US-based Italian composer) (in 1944)
Teil von:
Suite from "Sebastian"
Gian Carlo Menotti3:52
22Sebastian (Ballet Suite): Pavane
Orchester:
Members of the NBC Symphony Orchestra
conductor:
Leopold Stokowski (conductor)
recording of:
Suite from "Sebastian": VII. Pavane
Komponist(in):
Gian Carlo Menotti (US-based Italian composer) (in 1944)
Teil von:
Suite from "Sebastian"
Gian Carlo Menotti4:36
23Romeo and Juliet (Selections): Romeo at the FountainSergei Prokofiev2:21
24Romeo and Juliet (Selections): JulietSergei Prokofiev6:02
25Romeo and Juliet (Selections): Romeo and JulietSergei Prokofiev8:29
26Romeo and Juliet (Selections): Romeo at Juliet's TombSergei Prokofiev6:35
27Romeo and Juliet (Selections): Juliet's DeathSergei Prokofiev4:54
28Die Walküre: Act III: Ride of the Valkyries
contralto vocals:
Louise Parker (operatic contralto)
Mezzosoprangesang:
Betty Allen (mezzo soprano), Doris Okerson (operatic mezzo-soprano), Regina Sarfaty (operatic mezzo‐soprano) und Shirley Verrett (mezzo-soprano)
Soprangesang:
Martina Arroyo (soprano), Carlotta Ordassy (operatic soprano) und Doris Yarick (operatic soprano)
Orchester:
Symphony of the Air
conductor:
Leopold Stokowski (conductor)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (Die Walküre: Walkürenritt)
Komponist(in):
Richard Wagner (composer) (von 1854 bis 1856)
publisher:
Schott Music International (publisher; do not use as label)
Teil von:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner5:47
29Tristan und Isolde: Act III: PreludeRichard Wagner10:11
30Das Rheingold: Act I: Entrance of the Gods into Valhalla
contralto vocals:
Louise Parker (operatic contralto)
Soprangesang:
Martina Arroyo (soprano) und Carlotta Ordassy (operatic soprano)
Orchester:
Symphony of the Air
conductor:
Leopold Stokowski (conductor)
recording of:
Excerpt from Das Rheingold: Entrance of the Gods into Valhalla
Komponist(in):
Richard Wagner (composer) (von 1851 bis 1854)
Teil von:
Das Rheingold: Scene IV
Richard Wagner8:02
31Tannhäuser: Overture
Orchester:
Royal Philharmonic Orchestra
conductor:
Leopold Stokowski (conductor)
teilweise recording of:
Tannhäuser: Ouverture and Venusberg Music (ouverture and venusberg music (Act 1, scene 1) from Tannhäuser by Wagner)
Komponist(in):
Richard Wagner (composer)
Richard Wagner10:25
32Tannhäuser: Venusberg Music
Orchester:
Royal Philharmonic Orchestra
conductor:
Leopold Stokowski (conductor)
teilweise recording of:
Tannhäuser: Ouverture and Venusberg Music (ouverture and venusberg music (Act 1, scene 1) from Tannhäuser by Wagner)
Komponist(in):
Richard Wagner (composer)
Richard Wagner14:37
33Rienzi: Overture
Orchester:
Royal Philharmonic Orchestra
conductor:
Leopold Stokowski (conductor)
recording of:
Rienzi, der letzte der Tribunen, WWV 49: Ouvertüre
Komponist(in):
Richard Wagner (composer) (von 1838-07 bis 1840-11)
Librettist:
Richard Wagner (composer)
Teil von:
Rienzi, der letzte der Tribunen, WWV 49
Richard Wagner12:10
34Die Walküre: Act III: Magic Fire MusicRichard Wagner7:12
35Die Meistersinger von Nürnberg: Act III: Prelude
Orchester:
Royal Philharmonic Orchestra
conductor:
Leopold Stokowski (conductor)
recording of:
Die Meistersinger von Nürnberg (Suite from Act 3): Act 3. Prelude
Komponist(in):
Richard Wagner (composer)
Teil von:
Die Meistersinger von Nürnberg: Suite (Arranged by Hutschenruyter or Barbirolli)
Richard Wagner5:33
36Die Meistersinger von Nürnberg: Act III: Dance of the Apprentices
Orchester:
Royal Philharmonic Orchestra
conductor:
Leopold Stokowski (conductor)
recording of:
Die Meistersinger von Nürnberg (Suite from Act 3): Act 3. Dance of the Apprentices
Komponist(in):
Richard Wagner (composer)
Teil von:
Die Meistersinger von Nürnberg: Suite (Arranged by Hutschenruyter or Barbirolli)
Richard Wagner3:05
37Die Meistersinger von Nürnberg: Act III: Procession of the Meistersingers
Orchester:
Royal Philharmonic Orchestra
conductor:
Leopold Stokowski (conductor)
recording of:
Die Meistersinger von Nürnberg (Suite from Act 3): Act 3. Entry of the Masters
Komponist(in):
Richard Wagner (composer)
Teil von:
Die Meistersinger von Nürnberg: Suite (Arranged by Hutschenruyter or Barbirolli)
Richard Wagner3:02
38Tristan und Isolde: PreludeRichard Wagner10:03
39Tristan und Isolde: Act III: LiebestodRichard Wagner6:45
40Götterdämmerung: Prologue: Siegfried's Rhine Journey
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Leopold Stokowski (conductor)
recording of:
Götterdämmerung: Vorspiel. Siegfrieds Rheinfahrt (Humperdinck's orchestral edit)
Komponist(in):
Richard Wagner (composer) (von 1869-10-02 bis 1873-12-24)
arranger:
Engelbert Humperdinck (German composer)
Arrangement von:
Excerpt from Götterdämmerung, WWV 86D: Vorspiel: Siegfrieds Rheinfahrt
Richard Wagner12:08
41Götterdämmerung: Act III: Siegfrieds Funeral March
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Leopold Stokowski (conductor)
recording of:
Excerpt from Götterdämmerung, WWV 86D: Akt III, Scene II. Trauermusik beim Tode Siegfrieds (Funeral March)
Komponist(in):
Richard Wagner (composer) (von 1869 bis 1874, von 1872-01-04 bis 1874-11-21)
Teil von:
Götterdämmerung, WWV 86D: Akt III, Scene II "Hoiho?" - "Hoiho!"
Richard Wagner8:09
42Götterdämmerung: Act III: Brünnhilde's Immolation
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Leopold Stokowski (conductor)
recording of:
Excerpt from Götterdämmerung, WWV 86D: Akt III, Scene III. Immolation Scene
Komponist(in):
Richard Wagner (composer) (von 1869 bis 1874)
Teil von:
Götterdämmerung, WWV 86D: Akt III, Scene III "War das sein Horn?"
Richard Wagner19:32
43The Heavens Are Telling (Die Ehre Gottes aus der Natur), Op. 48, No. 4
vocals:
The Norman Luboff Choir
Orchester:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
Leopold Stokowski (conductor)
recording of:
Geistliche Lieder, S. 467: No. 6. Die Ehre Gottes aus der Natur (for solo piano, Liszt)
Komponist(in):
Ludwig van Beethoven (German composer)
Klavier arranger:
Franz Liszt (Hungarian composer, pianist and conductor)
Arrangement von:
Song for Voice and Piano, op. 48 no. 4 in C major: Majestätisch und erhaben "Die Ehre Gottes in der Natur: Die Himmel rühmen des Ewigen Ehre"
Teil von:
Geistliche Lieder, S. 467 (for solo piano, Liszt)
Ludwig van Beethoven4:27
44Deep River
vocals:
The Norman Luboff Choir
Orchester:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
Leopold Stokowski (conductor)
recording of:
Deep River (arr. Luboff)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Norman Luboff
Arrangement von:
Deep River
[traditional]4:29
45Serse, HWV 40: Act I: Ombra mai fu
vocals:
The Norman Luboff Choir
Orchester:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
Leopold Stokowski (conductor)
recording of:
Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch‐all for arrangements)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Arrangement von:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
George Frideric Handel3:16
46Hänsel und Gretel: Evening Prayer
vocals:
The Norman Luboff Choir
Orchester:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
Leopold Stokowski (conductor)
recording of:
Evening Prayer (english setting of "Abends, will ich schlafen gehn" (Abendsegen) from "Hänsel und Gretel")
Komponist(in):
Engelbert Humperdinck (German composer)
basiert auf:
Hänsel und Gretel: Akt II, 2. Szene. “Abends, will ich schlafen gehn” (Hänsel, Gretel) (Hansel and Gretel: Evening Prayer, Nachtgebet / Evening Prayer / Prière du soir)
Engelbert Humperdinck5:06
47Cantata No. 147: Jesu, Joy of Man's Desiring
Chorgesang:
The Norman Luboff Choir
vocals:
The Norman Luboff Choir
Orchester:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
Leopold Stokowski (conductor)
recording of:
Jesu, Joy of Man’s Desiring
Orchestrator(in):
Leopold Stokowski (conductor)
Texter:
Robert Bridges (poet)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
übersetzte Version von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Jesu, Joy of Man’s Desiring, BWV 147/10 (Stokowski orchestration)
Orchestrator(in):
Leopold Stokowski (conductor)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
Orchestrierung von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach3:45
48Songs, Op. 34: No. 14, Vocalise
Chorgesang:
The Norman Luboff Choir (in 1961)
vocals:
The Norman Luboff Choir
Orchester:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra) (in 1961)
conductor:
Leopold Stokowski (conductor) (in 1961)
recording of:
Vocalise, op. 34 no. 14 (catch-all for unknown arrangements) (in 1961)
Komponist(in):
Сергей Васильевич Рахманинов (Sergei Rachmaninow, Russian composer) (in 1912)
Arrangement von:
14 Romances, op. 34 no. 14: Vocalise (Vocalise, for voice and piano, original version)
Sergei Rachmaninoff8:03
49Praise God from Whom All Blessings Flow (Doxology-Old Hundredth)
vocals:
The Norman Luboff Choir
Orchester:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
Leopold Stokowski (conductor)
recording of:
Old Hundredth (Psalm 100; arr. Vaughan Williams)
Texter:
William Kethe
Komponist(in):
Loys Bourgeois (French renaissance composer)
arranger:
Ralph Vaughan Williams (English composer) (in 1953)
basiert auf:
Old 100th (original tune)
[traditional]2:57
50Tannhäuser: Pilgrims' Chorus
vocals:
The Norman Luboff Choir
Orchester:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
Leopold Stokowski (conductor)
teilweise recording of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III, Scene III. "Ich hörte Harfenschlag, wie klang er traurig!"
Komponist(in):
Richard Wagner (composer) (von 1843 bis 1845-04-13)
Librettist:
Richard Wagner (composer) (von 1842-06 bis 1843-04)
Teil von:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III
Richard Wagner4:04
51Cantata No. 208: Sheep May Safely Graze
vocals:
The Norman Luboff Choir
Orchester:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
Leopold Stokowski (conductor)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. “Schafe können sicher weiden” (catch-all for arrangements)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
Johann Sebastian Bach6:29
52Sacred Pieces for Unaccompanied Mixed Chorus: Pater Noster (No. 6)
vocals:
The Norman Luboff Choir
Orchester:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
Leopold Stokowski (conductor)
teilweise recording of:
Nine Church Pieces: no. 6. Our Father
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (von 1885-04 bis 1885-08)
Teil von:
Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (Nummer: ČW 84)
Teil von:
Nine Church Pieces, TH 78, ČW 79-87 (for mixed choir)
Pyotr Illitch Tchaïkovski5:23
53Orfeo ed Euridice: O Saviour, Hear Me
vocals:
The Norman Luboff Choir
Orchester:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
Leopold Stokowski (conductor)
recording of:
O Saviour, Hear Me!
Komponist(in):
Christoph Willibald Gluck (composer)
arranger:
Dudley Buck (composer, organist)
Christoph Willibald Gluck4:35
54Water Music Suite No. 1 in F Major, HWV 348: Menuet for Horn
Orchester:
RCA Victor Symphony Orchestra
conductor:
Leopold Stokowski (conductor)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: VI. Minuet
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1717)
Teil von:
Water Music Suite no. 1 in F major, HWV 348
George Frideric Handel2:51
55Water Music Suite No. 1 in F Major, HWV 348: AndanteGeorge Frideric Handel3:50
56Water Music Suite No. 1 in F Major, HWV 348: AllegroGeorge Frideric Handel2:53
57Water Music Suite No. 1 in F Major, HWV 348: Adagio e staccatoGeorge Frideric Handel3:14
58Water Music Suite No. 1 in F Major, HWV 348: BoureeGeorge Frideric Handel1:42
59Water Music Suite No. 1 in F Major, HWV 348: Hornpipe
Orchester:
RCA Victor Symphony Orchestra
conductor:
Leopold Stokowski (conductor)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: VIII. Hornpipe
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1717)
Teil von:
Water Music Suite no. 1 in F major, HWV 348
George Frideric Handel2:00
60Water Music Suite No. 1 in F Major, HWV 348: VI. Air
Orchester:
RCA Victor Symphony Orchestra
conductor:
Leopold Stokowski (conductor)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: V. Air. Presto
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1717)
Teil von:
Water Music Suite no. 1 in F major, HWV 348
George Frideric Handel2:48
61Water Music Suite No. 1 in F Major, HWV 348: Alla HornpipeGeorge Frideric Handel3:50
62Chants d'Auvergne: L'Antouènou (Vol. II, No. 2)
Orchester:
American Symphony Orchestra
conductor:
Leopold Stokowski (conductor)
recording of:
Chants d'Auvergne: Deuxième Série: No. 2. L'Antouèno
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Joseph Canteloube
Teil von:
Chants d'Auvergne: Deuxième Série
Joseph Canteloube3:16
63Chants d'Auvergne: Pastourelle (Vol. II, No. 1)
Orchester:
American Symphony Orchestra
conductor:
Leopold Stokowski (conductor)
recording of:
Chants d'Auvergne: Deuxième Série: No. 1. Pastourelle
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Joseph Canteloube
Teil von:
Chants d'Auvergne: Deuxième Série
Joseph Canteloube4:31
64Chants d'Auvergne: L'aîo dé rotso (Vol. I, No. 3a)Joseph Canteloube1:11
65Chants d'Auvergne: Baîlèro (Vol. I, No. 2)
Orchester:
American Symphony Orchestra
conductor:
Leopold Stokowski (conductor)
recording of:
Chants d'Auvergne: Première Série: No. 2. Baïlèro
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Joseph Canteloube
Teil von:
Chants d'Auvergne: Première Série
Joseph Canteloube5:18
66Chants d'Auvergne: Passo pel prat (Vol. III, No. 2)
Orchester:
American Symphony Orchestra
conductor:
Leopold Stokowski (conductor)
recording of:
Chants d'Auvergne: Troisième Série: No. 2. Passo pel Prat
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Joseph Canteloube
Teil von:
Chants d'Auvergne: Troisième Série
Joseph Canteloube3:26
67Chants d'Auvergne: Malurous qu'o uno fenno (Vol. III, No. 5)Joseph Canteloube1:26
68Chants d'Auvergne: Brezairola (Vol. III, No. 4)
Orchester:
American Symphony Orchestra
conductor:
Leopold Stokowski (conductor)
recording of:
Chants d’Auvergne: Troisième Série: No. 4. Brezairola
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Joseph Canteloube
Teil von:
Chants d'Auvergne: Troisième Série
Joseph Canteloube3:34
69Bachianas Brasileiras No. 5, W389: Aria (Cantilena)
Soprangesang:
Anna Moffo (soprano)
Orchester:
American Symphony Orchestra
conductor:
Leopold Stokowski (conductor)
recording of:
Bachianas Brasileiras nº 5, W389: I. Aria (Cantilena) (for voice and cellos)
Komponist(in):
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1938)
Teil von:
Bachianas Brasileiras nº 5, W389 (for voice and cellos)
Heitor Villa‐Lobos7:02
70Bachianas Brasileiras No. 5, W389: Danza (Martelo)
Soprangesang:
Anna Moffo (soprano)
Orchester:
American Symphony Orchestra
conductor:
Leopold Stokowski (conductor)
recording of:
Bachianas Brasileiras nº 5, W389: II. Dansa (Martelo) (for voice and cellos)
Komponist(in):
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1938)
Teil von:
Bachianas Brasileiras nº 5, W389 (for voice and cellos)
Heitor Villa‐Lobos4:35
71Songs, Op. 34: No. 14, Vocalise
recording engineer:
Robert Simpson (engineer) (in 1964-04)
Produzent(in):
Peter Dellheim (producer for RCA) (in 1964-04)
Soprangesang:
Anna Moffo (soprano) (in 1964-04)
Orchester:
American Symphony Orchestra (in 1964-04)
conductor:
Leopold Stokowski (conductor) (in 1964-04)
arranger:
Arcady Dubensky
aufgenommen bei:
Manhattan Center in Midtown Manhattan, New York, New York, Vereinigte Staaten (in 1964-04)
recording of:
Vocalise, op. 34 no. 14 (arr. by composer for soprano and orchestra)
Orchestrator(in):
Сергей Васильевич Рахманинов (Sergei Rachmaninow, Russian composer) (in 1916)
Komponist(in):
Сергей Васильевич Рахманинов (Sergei Rachmaninow, Russian composer) (in 1912)
Orchestrierung von:
14 Romances, op. 34 no. 14: Vocalise (Vocalise, for voice and piano, original version)
Sergei Rachmaninoff7:06
72Symphony No. 9, Op. 95 ("From the New World") in E Minor: Adagio; Allegro molto
Orchester:
New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings)
conductor:
Leopold Stokowski (conductor)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: I. Adagio — Allegro molto (Sinfonie Nr. 9 e-Moll, Op. 95 "Aus der Neuen Welt": I. Adagio - Allegro molto)
Komponist(in):
Antonín Dvořák (composer) (von 1893-01-10 bis 1893-05-24)
Teil von:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Sinfonie Nr. 9 e-Moll, Op. 95 "Aus der Neuen Welt")
Antonín Dvořák9:48
73Symphony No. 9, Op. 95 ("From the New World") in E Minor: Largo
Orchester:
New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings)
conductor:
Leopold Stokowski (conductor)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Sinfonie Nr. 9 e-Moll, Op. 95 "Aus der Neuen Welt": II. Largo)
Komponist(in):
Antonín Dvořák (composer) (von 1893-01-10 bis 1893-05-24)
Teil von:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Sinfonie Nr. 9 e-Moll, Op. 95 "Aus der Neuen Welt")
Antonín Dvořák14:14
74Symphony No. 9, Op. 95 ("From the New World") in E Minor: Scherzo: Molto vivace
Orchester:
New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings)
conductor:
Leopold Stokowski (conductor)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: III. Scherzo. Molto vivace — Poco sostenuto (Sinfonie Nr. 9 e-Moll, Op. 95 "Aus der Neuen Welt": III. Scherzo. Molto vivace)
Komponist(in):
Antonín Dvořák (composer) (von 1893-01-10 bis 1893-05-24)
Teil von:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Sinfonie Nr. 9 e-Moll, Op. 95 "Aus der Neuen Welt")
Antonín Dvořák6:49
75Symphony No. 9, Op. 95 ("From the New World") in E Minor: Allegro con fuoco
Orchester:
New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings)
conductor:
Leopold Stokowski (conductor)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: IV. Allegro con fuoco (Sinfonie Nr. 9 e-Moll, Op. 95 "Aus der Neuen Welt": IV. Allegro con fuoco)
Komponist(in):
Antonín Dvořák (composer) (von 1893-01-10 bis 1893-05-24)
Teil von:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Sinfonie Nr. 9 e-Moll, Op. 95 "Aus der Neuen Welt")
Antonín Dvořák12:30
76Má vlast: The Moldau (Vlatava), No. 2
Orchester:
RCA Victor Symphony Orchestra
conductor:
Leopold Stokowski (conductor)
recording of:
Má vlast: II. Vltava, JB 1:112/2 (Mein Vaterland JB 1:112: II. Vltava - Die Moldau, Die Moldau)
Komponist(in):
Bedřich Smetana (composer) (von 1874-11-20 bis 1874-12-08)
Teil von:
B. number catalogue by František Bartoš (Nummer: B. 111)
basiert auf:
La Mantovana
Teil von:
Má vlast, JB 1:112 (Mein Vaterland, My Country / My Fatherland)
Bedřich Smetana12:21
77The Bartered Bride: Overture
Orchester:
RCA Victor Symphony Orchestra
conductor:
Leopold Stokowski (conductor)
recording of:
Prodaná nevěsta: Overture (The Bartered Bride: Overture)
Komponist(in):
Bedřich Smetana (composer)
Teil von:
Die verkaufte Braut (The Bartered Bride)
Teil von:
Prodaná nevěsta (The Bartered Bride)
Bedřich Smetana7:04
78Symphony No. 6, Op. 74 "Pathétique" in B Minor: Adagio; Allegro non troppo
Orchester:
London Symphony Orchestra
conductor:
Leopold Stokowski (conductor)
recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: I. Adagio – Allegro non troppo (Sinfonie Nr. 6 h-Moll, Op. 74 "Pathétique": I. Adagio – Allegro non troppo)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (von 1893-02 bis 1893-08)
Teil von:
Symphony no. 6 in B minor, op. 74 “Pathétique” (Symphonie Nr. 6 h-Moll, Op. 74 "Pathétique")
Pyotr Illitch Tchaïkovski19:22
79Symphony No. 6, Op. 74 "Pathétique" in B Minor: Allegro con grazia
Orchester:
London Symphony Orchestra
conductor:
Leopold Stokowski (conductor)
recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: II. Allegro con grazia (Sinfonie Nr. 6 h-Moll, Op. 74 "Pathétique": II. Allegro con grazia)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (von 1893-02 bis 1893-08)
Teil von:
Symphony no. 6 in B minor, op. 74 “Pathétique” (Symphonie Nr. 6 h-Moll, Op. 74 "Pathétique")
Pyotr Illitch Tchaïkovski8:05
80Symphony No. 6, Op. 74 "Pathétique" in B Minor: Allegro molto vivace
Orchester:
London Symphony Orchestra
conductor:
Leopold Stokowski (conductor)
recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: III. Allegro molto vivace (Sinfonie Nr. 6 h-Moll, Op. 74 "Pathétique": III. Allegro molto vivace)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (von 1893-02 bis 1893-08)
Teil von:
Symphony no. 6 in B minor, op. 74 “Pathétique” (Symphonie Nr. 6 h-Moll, Op. 74 "Pathétique")
Pyotr Illitch Tchaïkovski9:10
81Symphony No. 6, Op. 74 "Pathétique" in B Minor: Adagio lamentoso
Orchester:
London Symphony Orchestra
conductor:
Leopold Stokowski (conductor)
recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: IV. Finale. Adagio lamentoso (Sinfonie Nr. 6 h-Moll, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso)
Komponist(in):
Pyotr Ilyich Tchaikovsky (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (von 1893-02 bis 1893-08)
Teil von:
Symphony no. 6 in B minor, op. 74 “Pathétique” (Symphonie Nr. 6 h-Moll, Op. 74 "Pathétique")
Pyotr Illitch Tchaïkovski10:34
82Roumanian Rhapsody No. 1 in A Major, Op. 11
Orchester:
RCA Victor Symphony Orchestra
conductor:
Leopold Stokowski (conductor)
recording of:
Rapsodia nr. 1 în La major, op. 11/1 „Rapsodia română” (Romanian Rhapsody no. 1 in A major, op. 11 no. 1)
Komponist(in):
George Enescu (Romanian composer, violinist, conductor and teacher) (in 1901)
Teil von:
Rapsodiile române, op. 11 (Romanian Rhapsodies, op. 11)
George Enescu11:34
83Hungarian Rhapsody No. 2 in C-Sharp Minor
Orchester:
RCA Victor Symphony Orchestra
conductor:
Leopold Stokowski (conductor)
recording of:
Zweite Ungarische Rhapsodie (for orchestra, arr. Müller-Berghaus)
Orchestrator(in):
Karl Müller-Berghaus
Komponist(in):
Franz Liszt (Hungarian composer, pianist and conductor)
Orchestrierung von:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 2 in C-sharp minor, S. 244 no. 2 (original piano solo version)
Franz Liszt8:41
84Scheherazade, Op. 35: The Sea and Sinbad's Ship
recording engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
Produzent(in):
Richard Mohr (producer)
Geige / Violine:
Erich Gruenberg
Orchester:
Royal Philharmonic Orchestra
conductor:
Leopold Stokowski (conductor)
aufgenommen bei:
EMI Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1975-02-26 bis 1975-03-03)
recording of:
Scheherazade, op. 35: I. The Sea and Sinbad’s Ship
Komponist(in):
Николай Андреевич Римский‐Корсаков (Nikolai Rimski-Korsakow, Russian composer) (in 1888)
Teil von:
Scheherazade, op. 35
Nicholai Rimsky-Korsakov9:34
85Scheherazade, Op. 35: The Story of the Kalender Prince
recording engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
Produzent(in):
Richard Mohr (producer)
Geige / Violine:
Erich Gruenberg
Orchester:
Royal Philharmonic Orchestra
conductor:
Leopold Stokowski (conductor)
aufgenommen bei:
EMI Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1975-02-26 bis 1975-03-03)
recording of:
Scheherazade, op. 35: II. The Kalendar Prince
Komponist(in):
Николай Андреевич Римский‐Корсаков (Nikolai Rimski-Korsakow, Russian composer) (in 1888)
Teil von:
Scheherazade, op. 35
Nicholai Rimsky-Korsakov11:17
86Scheherazade, Op. 35: The Young Prince and the Young Princess
recording engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
Produzent(in):
Richard Mohr (producer)
Geige / Violine:
Erich Gruenberg
Orchester:
Royal Philharmonic Orchestra
conductor:
Leopold Stokowski (conductor)
aufgenommen bei:
EMI Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1975-02-26 bis 1975-03-03)
recording of:
Scheherazade, op. 35: III. The Young Prince and the Young Princess (Andantino quasi allegretto)
Komponist(in):
Николай Андреевич Римский‐Корсаков (Nikolai Rimski-Korsakow, Russian composer) (in 1888)
Teil von:
Scheherazade, op. 35
Nicholai Rimsky-Korsakov11:21
87Scheherazade, Op. 35: Festival in Bagdad; The Sea; The Ship Goes to Pieces on a Rock Surmounted by a Bronze Warrior (Shipwreck); Conclusion
recording engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
Produzent(in):
Richard Mohr (producer)
Geige / Violine:
Erich Gruenberg
Orchester:
Royal Philharmonic Orchestra
conductor:
Leopold Stokowski (conductor)
aufgenommen bei:
EMI Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1975-02-26 bis 1975-03-03)
recording of:
Scheherazade, op. 35: IV. Festival at Baghdad. The Sea. The Ship Breaks Against a Cliff Surmounted by a Bronze Horseman
Komponist(in):
Николай Андреевич Римский‐Корсаков (Nikolai Rimski-Korsakow, Russian composer) (in 1888)
Teil von:
Scheherazade, op. 35
Nicholai Rimsky-Korsakov12:02
88Russian Easter Overture, Op. 36
Orchester:
Chicago Symphony Orchestra
conductor:
Leopold Stokowski (conductor)
recording of:
Russian Easter Festival Overture, op. 36
Komponist(in):
Nikolai Rimsky-Korsakov (Nikolai Rimski-Korsakow, Russian composer) (von 1887-08 bis 1888-04)
publisher:
Musikverlag M. P. Belaieff (in 1890)
Teil von:
Works of Nikolai Rimsky-Korsakov by opus number (Nummer: op. 36)
Nicholai Rimsky-Korsakov14:18
89Partita No. 2 in D Minor, BMV 1004: Chaconne
Orchester:
London Symphony Orchestra
conductor:
Leopold Stokowski (conductor)
recording of:
Violin Partita no. 2 in D minor, BWV 1004: V. Chaconne (catch‐all for arrangements)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
Arrangement von:
Violin Partita no. 2 in D minor, BWV 1004: V. Chaconne
Teil von:
Violin Partita no. 2 in D minor, BWV 1004 (catch-all for arrangements)
Johann Sebastian Bach17:56
90Partita No. 3 in E for Solo Violin, BWV 1006: Preludio
Orchester:
London Symphony Orchestra
conductor:
Leopold Stokowski (conductor)
recording of:
Violin Partita no. 3 in E major, BWV 1006: I. Preludio (catch-all for arrangements)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Violin Partita no. 3 in E major, BWV 1006.1/1006: I. Preludio
Teil von:
Violin Partita no. 3 in E major, BWV 1006 (catch-all for arrangements)
Johann Sebastian Bach3:56
91Ein' feste Burg
Orchester:
London Symphony Orchestra
conductor:
Leopold Stokowski (conductor)
recording of:
Ein feste Burg is unser Gott (Stokowski orchestration)
Orchestrator(in):
Leopold Stokowski (conductor) (in 1933)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Orchestrierung von:
Ein feste Burg ist unser Gott, BWV 720
Orchestrierung von:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": I. Coro "Ein feste Burg ist unser Gott"
Johann Sebastian Bach2:58
92Orchestral Suite No. 3, BWV 1068: Aria (Air on the G-String)
Orchester:
London Symphony Orchestra
conductor:
Leopold Stokowski (conductor)
recording of:
Aria from Overture no. 3, BWV 1068 ("Air on the G-string", Stokowski orchestration)
Orchestrator(in):
Leopold Stokowski (conductor)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Orchestrierung von:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Johann Sebastian Bach5:54
93Little Fugue in G Minor, BWV 578
Orchester:
London Symphony Orchestra
conductor:
Leopold Stokowski (conductor)
recording of:
Fugue in G minor, BWV 578 ("Little") (Stokowski orchestration)
Orchestrator(in):
Leopold Stokowski (conductor)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Orchestrierung von:
Fugue in G minor, BWV 578 ("Little")
Johann Sebastian Bach3:30
94Cantata "Ich steh mit einem Fuß im Grabe", BWV 156: Arioso (Sinfonia)
Orchester:
London Symphony Orchestra
conductor:
Leopold Stokowski (conductor)
recording of:
Arioso (Sinfonia from Cantata BWV 156, Stokowski orchestration)
Orchestrator(in):
Leopold Stokowski (conductor)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
Orchestrierung von:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
Johann Sebastian Bach6:15
95Sechs Chorale ("Schubler Chorales"): Wachet auf, ruft uns die Stimme, BWV 645 (Sleepers Awake)
Orchester:
London Symphony Orchestra
conductor:
Leopold Stokowski (conductor)
recording of:
Wachet auf, ruft uns die Stimme, BWV 645 (Stokowski orchestration)
Orchestrator(in):
Leopold Stokowski (conductor)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Orchestrierung von:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645
Johann Sebastian Bach4:36
96Geistliche Gesänge No. 40, BWV 478: Komm, süsser Tod
Orchester:
London Symphony Orchestra
conductor:
Leopold Stokowski (conductor)
recording of:
Komm, süßer Tod, BWV 478 (orch. Stokowski)
Orchestrator(in):
Leopold Stokowski (conductor)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Orchestrierung von:
Geistliches Lied, BWV 478 "Komm, süßer Tod"
Johann Sebastian Bach4:40
97Music for the Royal Fireworks: Overture
Orchester:
RCA Victor Symphony Orchestra
conductor:
Leopold Stokowski (conductor)
recording of:
Music for the Royal Fireworks, HWV 351: I. Ouverture
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1749)
Teil von:
Music for the Royal Fireworks, HWV 351
George Frideric Handel10:17
98Music for the Royal Fireworks: Bourrée
Orchester:
RCA Victor Symphony Orchestra
conductor:
Leopold Stokowski (conductor)
recording of:
Music for the Royal Fireworks, HWV 351: II. Bourrée
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1749)
Teil von:
Music for the Royal Fireworks, HWV 351
George Frideric Handel1:31
99Music for the Royal Fireworks: La paix: Largo alla sicilianaGeorge Frideric Handel4:10
100Music for the Royal Fireworks: La réjouissance: Allegro
Orchester:
RCA Victor Symphony Orchestra
conductor:
Leopold Stokowski (conductor)
recording of:
Music for the Royal Fireworks, HWV 351: IV. La Réjouissance
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1749)
Teil von:
Music for the Royal Fireworks, HWV 351
George Frideric Handel2:45
101Music for the Royal Fireworks: Menuet I and II: Andante
Orchester:
RCA Victor Symphony Orchestra
conductor:
Leopold Stokowski (conductor)
recording of:
Music for the Royal Fireworks, HWV 351: V. Menuet I and II
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1749)
Teil von:
Music for the Royal Fireworks, HWV 351
George Frideric Handel2:29
102Symphony No. 4, Op. 98 in E Minor: Allegro non troppo
Orchester:
New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings)
conductor:
Leopold Stokowski (conductor)
recording of:
Sinfonie Nr. 4 e-Moll, op. 98: I. Allegro non troppo
Komponist(in):
Johannes Brahms (German composer) (von 1884 bis 1885)
Teil von:
Sinfonie Nr. 4 e-Moll, op. 98 (Symphony no. 4 in E minor, op. 98)
Johannes Brahms10:49
103Symphony No. 4, Op. 98 in E Minor: Andante moderato
Orchester:
New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings)
conductor:
Leopold Stokowski (conductor)
recording of:
Sinfonie Nr. 4 e-Moll, op. 98: II. Andante moderato
Komponist(in):
Johannes Brahms (German composer) (von 1884 bis 1885)
Teil von:
Sinfonie Nr. 4 e-Moll, op. 98 (Symphony no. 4 in E minor, op. 98)
Johannes Brahms11:54
104Symphony No. 4, Op. 98 in E Minor: Allegro giocoso
Orchester:
New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings)
conductor:
Leopold Stokowski (conductor)
recording of:
Sinfonie Nr. 4 e-Moll, op. 98: III. Allegro giocoso
Komponist(in):
Johannes Brahms (German composer) (von 1884 bis 1885)
Teil von:
Sinfonie Nr. 4 e-Moll, op. 98 (Symphony no. 4 in E minor, op. 98)
Johannes Brahms6:00
105Symphony No. 4, Op. 98 in E Minor: Allegro energico e passionato
Orchester:
New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings)
conductor:
Leopold Stokowski (conductor)
recording of:
Sinfonie Nr. 4 e-Moll, op. 98: IV. Allegro energico e passionato
Komponist(in):
Johannes Brahms (German composer) (von 1884 bis 1885)
Teil von:
Sinfonie Nr. 4 e-Moll, op. 98 (Symphony no. 4 in E minor, op. 98)
Johannes Brahms8:56
106Symphony No. 2 "Resurrection" in C Minor: Allegro maestoso
Geige / Violine:
Erich Gruenberg
Mezzosoprangesang:
Brigitte Fassbaender (mezzo-soprano)
Soprangesang:
Margaret Price (soprano)
vocals:
London Symphony Chorus
Orchester:
London Symphony Orchestra
conductor:
Arthur Oldham (chorus master) und Leopold Stokowski (conductor)
recording of:
Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso (Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso)
Komponist(in):
Gustav Mahler (composer) (von 1888 bis 1894)
Premiere bei:
[concert] (1895-03-04)
Premiere bei:
Philharmonie in Kreuzberg, Berlin, Deutschland (am 1895-03-04)
Version von:
Totenfeier (Funeral Rites)
Teil von:
Symphony no. 2 “Resurrection”
Gustav Mahler23:09
107Symphony No. 2 "Resurrection" in C Minor: Andante moderato
Geige / Violine:
Erich Gruenberg
Soprangesang:
Margaret Price (soprano)
vocals:
Brigitte Fassbaender (mezzo-soprano) und London Symphony Chorus
Orchester:
London Symphony Orchestra
conductor:
Arthur Oldham (chorus master) und Leopold Stokowski (conductor)
recording of:
Symphony no. 2 in C minor "Resurrection": II. Andante moderato
Komponist(in):
Gustav Mahler (composer) (von 1888 bis 1894)
Premiere bei:
[concert] (1895-03-04)
Premiere bei:
Philharmonie in Kreuzberg, Berlin, Deutschland (am 1895-03-04)
Teil von:
Symphony no. 2 “Resurrection”
Gustav Mahler10:16
108Symphony No. 2 "Resurrection" in C Minor: In ruhig fließender Bewegung
Geige / Violine:
Erich Gruenberg
Soprangesang:
Margaret Price (soprano)
vocals:
Brigitte Fassbaender (mezzo-soprano) und London Symphony Chorus
Orchester:
London Symphony Orchestra
conductor:
Arthur Oldham (chorus master) und Leopold Stokowski (conductor)
recording of:
Symphony no. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung
Komponist(in):
Gustav Mahler (composer) (von 1888 bis 1894)
Premiere bei:
[concert] (1895-03-04)
Premiere bei:
Philharmonie in Kreuzberg, Berlin, Deutschland (am 1895-03-04)
basiert auf:
Des Knaben Wunderhorn: Des Antonius von Padua Fischpredigt
Teil von:
Symphony no. 2 “Resurrection”
Gustav Mahler9:53
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