| # | Title | Artist | Rating | Length |
|---|
| 1 | Sexual Healing- assistant engineer:
- Henri Van Durme and Didier Leonard
- engineer:
- Dan Bates (wind instruments [horns]), Mike Butcher and John Kovorak
- executive producer:
- Larkin Arnold
- producer:
- Marvin Gaye
- mixer and editor:
- Harvey Fuqua
- bell [bells], bell [orchestra bells], bongos, congas, drums (drum set), electric piano [Fender Rhodes], finger cymbals, glockenspiel, organ and synthesizer:
- Marvin Gaye
- guitar:
- Gordon Banks
- wind instruments [horns]:
- The L.A. Horn Section and David Stout
- background vocals:
- Gordon Banks, Harvey Fuqua and Marvin Gaye
- vocals:
- Marvin Gaye
- conductor:
- McKinley T. Jackson (wind instruments [horns])
- wind instruments [horns] arranger:
- McKinley T. Jackson
- phonographic copyright (℗) by:
- CBS, Inc. (in 1982), Columbia Records (in 1982), Sony BMG Music Entertainment Inc. (in 1982) and Sony Music Entertainment Inc. (in 1982)
- recorded at:
- Arco Studios in München , Bayern , Germany (lead vocals, background vocals), Kendun Recorders in Burbank, California, United States (wind instruments [horns]), Studio Katy in Waterloo, Brabant wallon , Wallonie , Belgium and Studio Katy in Waterloo, Brabant wallon , Wallonie , Belgium (lead vocals, background vocals)
- mixed at:
- Studio Katy in Waterloo, Brabant wallon , Wallonie , Belgium
- edited at and remixed at:
- Devonshire Studios in North Hollywood, Los Angeles, California, United States
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 198) and Rolling Stone: 500 Greatest Songs of All Time (number: 231)
- recording of:
- Sexual Healing
- writer:
- Odell Brown, Marvin Gaye and David Ritz
- publisher:
- April Music Publishing Inc., Blackwood Music Inc. , Bugpie Music Publishing, EMI Songs Australia Pty. Ltd., EMI Songs Ltd. and April Music Inc. (in 1982)
| Marvin Gaye | 3.65 | 3:57 |
| 2 | How ’Bout Us- assistant engineer:
- Michael Ferraro and Tom Miller
- engineer:
- Stu Walder
- associate producer:
- James Mack
- producer:
- Leo Graham
- bass guitar [bass]:
- Michael Reed and Paul Richmond
- drums (drum set):
- Morris Jennings, Jr.
- electronic drum set [syndrums]:
- Tommy Radtke
- guitar [guitars]:
- Michael Day and Howard Reeder
- keyboard [keyboards]:
- Michael Day and Dana Walden
- percussion:
- Rocky Maffit
- solo alto saxophone:
- Ken Soderbloom
- synthesizer [synthesizers]:
- Dana Walden
- lead vocals:
- Pauli Carman
- vocals:
- Michael Day, Rena Jones , Rocky Maffit and Howard Reeder
- brass [horns] arranger and strings arranger:
- James Mack
- arranger:
- Champaign, Leo Graham and James Mack
- phonographic copyright (℗) by:
- CBS, Inc. (in 1981) and Sony Music Entertainment Inc. (in 1981)
- produced for:
- B‐Line Productions
- recorded at:
- Universal Recording in Chicago, Illinois, United States
- cover recording of:
- How ’bout Us
- lyricist and composer:
- Dana Walden
- publisher:
- April Music, Irving Music and Irving Music, Inc.
- sub-publisher:
- Rondor Music (London) Ltd., ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
- recording of:
- How ’bout Us
- lyricist and composer:
- Dana Walden
- publisher:
- April Music, Irving Music and Irving Music, Inc.
- sub-publisher:
- Rondor Music (London) Ltd., ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Champaign | 3 | 4:35 |
| 3 | Shining Star | The Manhattans | | 4:41 |
| 4 | After the Love Has Gone- producer:
- Maurice White
- phonographic copyright (℗) by:
- CBS, Inc. (in 1979)
- samples from:
- I Am by Earth, Wind & Fire (in 1979)
- recording of:
- After the Love Has Gone
- writer:
- Bill Champlin, David Foster and Jay Graydon
- publisher:
- Copyright Control , EMI Blackwood Music Inc., EMI Songs Ltd., Foster Frees Music, Fozbeats Music, Garden Rake Music, Inc., Irving Music , Irving Music, Inc., Music Sales Corporation , Ninth Music and Noted for the Record
- sub-publisher:
- Rondor Music (London) Ltd., Sony/ATV Music Publishing Ltd. and フジパシフィックミュージック SBK事業部
| Earth, Wind & Fire | 3.15 | 4:29 |
| 5 | Baby Come to Me | Regina Belle | | 4:12 |
| 6 | Close the Door | Teddy Pendergrass | | 5:27 |
| 7 | Shake You Down | Gregory Abbott | 3.3 | 4:05 |
| 8 | Feel the Fire | Peabo Bryson | | 4:34 |
| 9 | If This World Were Mine | Cheryl Lynn & Luther Vandross | | 5:25 |
| 10 | Dreamin’ | Vanessa Williams | 4 | 5:28 |
| 11 | A House Is Not a Home- recording engineer and mixer:
- Michael H. Brauer
- assistant engineer:
- Lincoln Clapp , Gregg Mann , Andy Hoffman , Nicky Kalliongos and Don Wershba
- engineer:
- Carl Beatty
- executive producer:
- Larkin Arnold
- producer:
- Luther Vandross
- vocals arranger:
- Luther Vandross
- phonographic copyright (℗) by:
- CBS, Inc. (in 1981, in 1986), Sony Music Entertainment (in 1981) and Sony Music Entertainment Inc. (in 1981, in 1989)
- recorded at:
- Mediasound Studios in New York, New York, United States
- cover recording of:
- A House Is Not a Home
- lyricist:
- Hal David (in 1964)
- composer:
- Burt Bacharach (in 1964)
- publisher:
- Diplomat Music (ended), Famous Music Corporation (ended), Famous Chappell, Famous Music (UK) Ltd. and Sony/ATV Harmony
| Luther Vandross | | 7:07 |
| 12 | Slow Hand | The Pointer Sisters | | 3:52 |
| 13 | Between the Sheets | The Isley Brothers | 4.35 | 5:41 |
| 14 | More Than Friends | Jonathan Butler | | 5:16 |
| 15 | Stop to Love | Luther Vandross | | 5:11 |
| 16 | Wishing Well | Terence Trent D’Arby | 3.15 | 3:31 |
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