The Young Rebel

~ Release by Charles Mingus (see all versions of this release, 3 available)

Annotation

One of the few passably serious effort at compiling early Mingus stuff, this has the advantage over the competition to also present sideman tracks (when compared to West Coast, which only contains Mingus as a leader cuts).

Annotation last modified on 2014-05-02 20:33 UTC.

Tracklist

1CD: Pacific Coast Blues
#TitleRatingLength
1Merle’s Mood
recorded in:
Los Angeles, California, United States (in 1945-08)
alto saxophone:
John Brown (alto saxophone player) (in 1945-08)
baritone saxophone:
Arthur Dennis (in 1945-08)
double bass:
Charles Mingus (in 1945-08)
drums (drum set):
Al Wichard (US blues & jazz drummer) (in 1945-08)
guitar:
Ulysses Livingston (in 1945-08)
piano:
Bill Doggett (in 1945-08)
tenor saxophone:
Illinois Jacquet (in 1945-08)
trumpet:
Russell Jacquet (American trumpeter) (in 1945-08)
2:59
2Wondering and Thinking of You
recorded in:
Los Angeles, California, United States (on 1945-08-02)
alto saxophone:
John Brown (alto saxophone player) (on 1945-08-02)
baritone saxophone:
Arthur Dennis (on 1945-08-02)
double bass:
Charles Mingus (on 1945-08-02)
drums (drum set):
Al Wichard (US blues & jazz drummer) (on 1945-08-02)
guitar:
Ulysses Livingston (on 1945-08-02)
piano:
Bill Doggett (on 1945-08-02)
tenor saxophone:
Illinois Jacquet (on 1945-08-02)
trumpet:
Russell Jacquet (American trumpeter) (on 1945-08-02)
vocals:
Russell Jacquet (American trumpeter) (on 1945-08-02)
3:09
3(I Don’t Stand) A Ghost of a Chance
recorded in:
Los Angeles, California, United States (in 1945-08)
alto saxophone:
John Brown (alto saxophone player) (in 1945-08)
baritone saxophone:
Arthur Dennis (in 1945-08)
double bass:
Charles Mingus (in 1945-08)
drums (drum set):
Al Wichard (US blues & jazz drummer) (in 1945-08)
guitar:
Ulysses Livingston (in 1945-08)
piano:
Bill Doggett (in 1945-08)
tenor saxophone:
Illinois Jacquet (in 1945-08)
trumpet:
Russell Jacquet (American trumpeter) (in 1945-08)
instrumental recording of:
(I Don’t Stand) A Ghost of a Chance
lyricist:
Bing Crosby and Ned Washington
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Chappell & Co., EMI Harmonies Ltd., Mills Music Limited and Mills Music, Inc.
3:11
4The Texas Hop
recorded in:
Los Angeles, California, United States (from 1945-09 until 1945-11)
double bass:
Charles Mingus (from 1945-09 until 1945-11)
drums (drum set):
Roy Porter (from 1945-09 until 1945-11)
piano:
Bob Mosley (40s jazz trumpeter who died during the 50s) (from 1945-09 until 1945-11)
tenor saxophone:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”) (from 1945-09 until 1945-11) and William “Brother” Woodman (40s jazz trumpeter and saxophonist) (from 1945-09 until 1945-11)
trumpet:
Nathanial Robert "Nat" Bates (40s jazz trumpeter) (from 1945-09 until 1945-11)
vocals:
Oradell Mitchell (40s jazz singer) (from 1945-09 until 1945-11)
2:49
5Lonesome Woman Blues
recorded in:
Los Angeles, California, United States (from 1945-09 until 1945-11)
double bass:
Charles Mingus (from 1945-09 until 1945-11)
drums (drum set):
Roy Porter (from 1945-09 until 1945-11)
piano:
Bob Mosley (40s jazz trumpeter who died during the 50s) (from 1945-09 until 1945-11)
tenor saxophone:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”) (from 1945-09 until 1945-11) and William “Brother” Woodman (40s jazz trumpeter and saxophonist) (from 1945-09 until 1945-11)
trumpet:
Nathanial Robert "Nat" Bates (40s jazz trumpeter) (from 1945-09 until 1945-11)
vocals:
Oradell Mitchell (40s jazz singer) (from 1945-09 until 1945-11)
3:11
6Swingin’ an Echo
recorded in:
Los Angeles, California, United States (from 1945-09 until 1945-11)
double bass:
Charles Mingus (from 1945-09 until 1945-11)
drums (drum set):
Roy Porter (from 1945-09 until 1945-11)
piano:
Bob Mosley (40s jazz trumpeter who died during the 50s) (from 1945-09 until 1945-11)
tenor saxophone:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”) (from 1945-09 until 1945-11) and William “Brother” Woodman (40s jazz trumpeter and saxophonist) (from 1945-09 until 1945-11)
trumpet:
Nathanial Robert "Nat" Bates (40s jazz trumpeter) (from 1945-09 until 1945-11)
3:07
7Beggin’ Mama Blues
2:54
8Pacific Coast Blues
2:41
9Ain’t Jivin’ Blues
recorded in:
Los Angeles, California, United States (in 1946-01)
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (in 1946-01)
baritone saxophone and clarinet:
Gene Porter (40s west coast jazz cat) (in 1946-01)
double bass:
Charles Mingus (in 1946-01)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (in 1946-01)
guitar:
Buddy Harper (1940s US jazz guitarist) (in 1946-01)
piano:
Wilbert Baranco (40s west coast jazz bandleader and producer) (in 1946-01)
tenor saxophone:
Lucky Thompson (in 1946-01)
trombone:
Henry Coker (jazz trombonist) (in 1946-01)
trumpet:
Karl George (US jazz trumpeter) (in 1946-01) and John Plonsky (40s west coast jazz trumpetist) (in 1946-01)
vocals:
Claude Trenier (in 1946-01)
recording of:
Ain’t Jivin’ Blues (Mingus – Cryor)
writer:
Charles Mingus
2:56
10Shuffle Bass Boogie
recorded in:
Los Angeles, California, United States (in 1946-01)
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (in 1946-01)
baritone saxophone and clarinet:
Gene Porter (40s west coast jazz cat) (in 1946-01)
double bass:
Charles Mingus (in 1946-01)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (in 1946-01)
guitar:
Buddy Harper (1940s US jazz guitarist) (in 1946-01)
piano:
Wilbert Baranco (40s west coast jazz bandleader and producer) (in 1946-01)
tenor saxophone:
Lucky Thompson (in 1946-01)
trombone:
Henry Coker (jazz trombonist) (in 1946-01)
trumpet:
Karl George (US jazz trumpeter) (in 1946-01) and John Plonsky (40s west coast jazz trumpetist) (in 1946-01)
recording of:
Shuffle Bass Boogie
composer:
Charles Mingus
2:57
11Weird Nightmare
recorded in:
Los Angeles, California, United States (in 1946-01)
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (in 1946-01)
baritone saxophone and clarinet:
Gene Porter (40s west coast jazz cat) (in 1946-01)
double bass:
Charles Mingus (in 1946-01)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (in 1946-01)
guitar:
Buddy Harper (1940s US jazz guitarist) (in 1946-01)
piano:
Wilbert Baranco (40s west coast jazz bandleader and producer) (in 1946-01)
tenor saxophone:
Lucky Thompson (in 1946-01)
trombone:
Henry Coker (jazz trombonist) (in 1946-01)
trumpet:
Karl George (US jazz trumpeter) (in 1946-01) and John Plonsky (40s west coast jazz trumpetist) (in 1946-01)
vocals:
Claude Trenier (in 1946-01)
recording of:
Weird Nightmare (in 1946-01)
lyricist and composer:
Charles Mingus
publisher:
Jazz Workshop, Inc.
3:05
12Make Believe
recorded in:
Los Angeles, California, United States (on 1946-04-20)
alto saxophone and clarinet:
Buddy Collette (on 1946-04-20)
baritone saxophone and tenor saxophone:
William “Brother” Woodman (40s jazz trumpeter and saxophonist) (on 1946-04-20)
double bass:
Charles Mingus (on 1946-04-20)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1946-04-20)
guitar:
Louis Speigner (40s jazz guitarist) (on 1946-04-20)
piano:
Lady Will Carr (on 1946-04-20)
trombone:
Britt Woodman (on 1946-04-20)
trumpet:
John Anderson (US jazz trumpeter) (on 1946-04-20) and Karl George (US jazz trumpeter) (on 1946-04-20)
vocals:
Claude Trenier (on 1946-04-20)
recording of:
Make Believe (Ralph – Mingus)
writer:
Charles Mingus
2:44
13Bedspread
recorded in:
Los Angeles, California, United States (on 1946-04-20)
alto saxophone and clarinet:
Buddy Collette (on 1946-04-20)
baritone saxophone and tenor saxophone:
William “Brother” Woodman (40s jazz trumpeter and saxophonist) (on 1946-04-20)
double bass:
Charles Mingus (on 1946-04-20)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1946-04-20)
guitar:
Louis Speigner (40s jazz guitarist) (on 1946-04-20)
piano:
Lady Will Carr (on 1946-04-20)
trombone:
Britt Woodman (on 1946-04-20)
trumpet:
John Anderson (US jazz trumpeter) (on 1946-04-20) and Karl George (US jazz trumpeter) (on 1946-04-20)
recording of:
Bedspread
composer:
Buddy Collette
3:06
14Honey, Take a Chance With Me
recorded in:
Los Angeles, California, United States (on 1946-04-20)
alto saxophone and clarinet:
Buddy Collette (on 1946-04-20)
baritone saxophone and tenor saxophone:
William “Brother” Woodman (40s jazz trumpeter and saxophonist) (on 1946-04-20)
double bass:
Charles Mingus (on 1946-04-20)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1946-04-20)
guitar:
Louis Speigner (40s jazz guitarist) (on 1946-04-20)
piano:
Lady Will Carr (on 1946-04-20)
trombone:
Britt Woodman (on 1946-04-20)
trumpet:
John Anderson (US jazz trumpeter) (on 1946-04-20) and Karl George (US jazz trumpeter) (on 1946-04-20)
vocals:
Claude Trenier (on 1946-04-20)
recording of:
Honey, Take a Chance With Me
composer:
Charles Mingus
3:15
15This Subdues My Passion
recorded in:
Los Angeles, California, United States (on 1946-04-20)
alto saxophone and clarinet:
Buddy Collette (on 1946-04-20)
baritone saxophone and tenor saxophone:
William “Brother” Woodman (40s jazz trumpeter and saxophonist) (on 1946-04-20)
double bass:
Charles Mingus (on 1946-04-20)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1946-04-20)
guitar:
Louis Speigner (40s jazz guitarist) (on 1946-04-20)
piano:
Lady Will Carr (on 1946-04-20)
trombone:
Britt Woodman (on 1946-04-20)
trumpet:
John Anderson (US jazz trumpeter) (on 1946-04-20) and Karl George (US jazz trumpeter) (on 1946-04-20)
recording of:
This Subdues My Passion
composer:
Charles Mingus
2:52
16Mingus Fingers
alto saxophone:
Ben Kynard (on 1947-11-10) and Bobby Plater (on 1947-11-10)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (on 1947-11-10)
double bass:
Joe Comfort (on 1947-11-10)
drums (drum set):
Earl Walker (jazz drummer) (on 1947-11-10)
piano:
Milt Buckner (US jazz pianist/organist) (on 1947-11-10)
reeds:
Jack Kelso (on 1947-11-10)
solo double bass:
Charles Mingus (on 1947-11-10)
tenor saxophone:
Morris Lane (saxophonist) (on 1947-11-10) and Johnny Sparrow (on 1947-11-10)
trombone:
Andrew Penn (jazz trombonist) (on 1947-11-10) and Britt Woodman (on 1947-11-10)
trumpet:
Teddy Buckner (US dixieland jazz trumpeter) (on 1947-11-10), Wendell Culley (jazz trumpeter) (on 1947-11-10) and Duke Garrette (jazz trumpeter) (on 1947-11-10)
vibraphone:
Lionel Hampton (on 1947-11-10)
arranger:
Milt Buckner (US jazz pianist/organist) (on 1947-11-10)
recording of:
Mingus Fingers (on 1947-11-10)
composer:
Charles Mingus
3:06
17Zoo‐Baba‐Da‐Oo‐Ee
vibraphone:
Lionel Hampton (on 1947-11-14)
2:38
18Spooky Boogie
3:09
19No Good Woman Blues
3:11
20Body and Soul
recording of:
Body and Soul
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:31
21Mingus Fingers
recorded in:
Los Angeles, California, United States (in 1948-11)
alto saxophone and clarinet:
Buddy Collette (in 1948-11)
double bass:
Charles Mingus (in 1948-11)
drums (drum set):
Chuck Thompson (1940s–50s US jazz drummer) (in 1948-11)
piano:
Jimmy Bunn (40s jazz pianist) (in 1948-11)
recording of:
Mingus Fingers (in 1948-11)
composer:
Charles Mingus
3:01
22These Foolish Things
recorded in:
Los Angeles, California, United States (in 1948-11)
alto saxophone and clarinet:
Buddy Collette (in 1948-11)
double bass:
Charles Mingus (in 1948-11)
drums (drum set):
Chuck Thompson (1940s–50s US jazz drummer) (in 1948-11)
piano:
Jimmy Bunn (40s jazz pianist) (in 1948-11)
recording of:
These Foolish Things (Remind Me of You) (in 1948-11)
lyricist:
Holt Marvell (in 1935)
additional composer:
Harry Link (US vaudeville actor & songwriter)
composer:
Jack Strachey (in 1935)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. and Lafleur Music Ltd.
3:19
23He’s Gone
recorded in:
San Francisco, California, United States (in 1949-02)
alto saxophone:
Bud Hooven (40s jazz cat) (in 1949-02)
alto saxophone, clarinet and flute:
Bob Olney (40s west coast jazz reedman, bandleader and school director) (in 1949-02)
baritone saxophone:
Herb Caro (40s west coast talented jazz cat who died at 22) (in 1949-02)
cello:
Jean McGuire (in 1949-02)
double bass:
Charles Mingus (in 1949-02)
drums (drum set):
Cal Tjader (in 1949-02)
flute:
Dante Perfumo (in 1949-02)
percussion:
Johnny Berger (in 1949-02)
piano:
Richard Wyands (in 1949-02)
tenor saxophone:
Alex Megyesy (in 1949-02), Don Smith (tenor) (in 1949-02) and Morrie Stewart (in 1949-02)
trombone:
Hawes Coleman (in 1949-02), Johnny Haig (Jazz band leader who emerged during the 40s) (in 1949-02) and Bob Lowry (in 1949-02)
trumpet:
Vernon Carlson (40s trumpeter and later saxophonist) (in 1949-02), John Coppola (trumpet, West coast jazz cat who emerged during the 40s) (in 1949-02), Andy Peele (40s jazz trumpeter) (in 1949-02) and Allen Smith (UK hard trance & hardcore producer) (in 1949-02)
vocals:
Herb Gayle (in 1949-02)
recording of:
He’s Gone (Manza – Stevens)
3:33
24The Story of Love
recorded in:
San Francisco, California, United States (in 1949-02)
alto saxophone:
Bud Hooven (40s jazz cat) (in 1949-02)
alto saxophone, clarinet and flute:
Bob Olney (40s west coast jazz reedman, bandleader and school director) (in 1949-02)
baritone saxophone:
Herb Caro (40s west coast talented jazz cat who died at 22) (in 1949-02)
cello:
Jean McGuire (in 1949-02)
double bass:
Charles Mingus (in 1949-02)
drums (drum set):
Cal Tjader (in 1949-02)
flute:
Dante Perfumo (in 1949-02)
percussion:
Johnny Berger (in 1949-02)
piano:
Richard Wyands (in 1949-02)
tenor saxophone:
Alex Megyesy (in 1949-02), Don Smith (tenor) (in 1949-02) and Morrie Stewart (in 1949-02)
trombone:
Hawes Coleman (in 1949-02), Johnny Haig (Jazz band leader who emerged during the 40s) (in 1949-02) and Bob Lowry (in 1949-02)
trumpet:
Vernon Carlson (40s trumpeter and later saxophonist) (in 1949-02), John Coppola (trumpet, West coast jazz cat who emerged during the 40s) (in 1949-02), Andy Peele (40s jazz trumpeter) (in 1949-02) and Allen Smith (UK hard trance & hardcore producer) (in 1949-02)
recording of:
Story of Love
composer:
Charles Mingus
2:54
25Pennies From Heaven
recorded in:
San Francisco, California, United States (in 1949-02)
baritone saxophone:
Herb Caro (40s west coast talented jazz cat who died at 22) (in 1949-02)
double bass:
Charles Mingus (in 1949-02)
drums (drum set):
Warren Thompson (40s jazz drummer) (in 1949-02)
piano:
Elmer "Buzz" Wheeler (40s west coast jazz pianist) (in 1949-02)
vocals:
Herb Gayle (in 1949-02)
recording of:
Pennies From Heaven (in 1949-02)
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1936)
composer:
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) and Joy Music Inc.
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
2:26
26Lyon’s Roar
recorded in:
San Francisco, California, United States (in 1949-02)
baritone saxophone:
Herb Caro (40s west coast talented jazz cat who died at 22) (in 1949-02)
double bass:
Charles Mingus (in 1949-02)
drums (drum set):
Warren Thompson (40s jazz drummer) (in 1949-02)
piano:
Elmer "Buzz" Wheeler (40s west coast jazz pianist) (in 1949-02)
recording of:
Lyon’s Roar (Caro – Mingus)
writer:
Charles Mingus
2:36
2CD: Inspiration
3CD: Extrasensory Perception
4CD: Bass‐Ically Speaking