Otello

~ Release by Giuseppe Verdi; James McCracken, Gwyneth Jones, Dietrich Fischer‐Dieskau, Ambrosian Opera Chorus, New Philharmonia Orchestra, Sir John Barbirolli (see all versions of this release, 1 available)

Annotation

A copy of this Release, which I have in my hand, is very similar to the posted Cover Art in most respects. However, the Booklet images 9 through 14, which are photos of the performers during the recording session, are not present in my copy of the Release. This might be a reason to create a new Release. However, I lack information such as the Release date for this new version. —Jim DeLaHunt, 6 July 2022.

I suspect that the Cover Art image 2, marked Liner, should in fact be marked Front+Spine. I suspect that image 8, marked Booklet, should in fact be marked Back. This is based on comparison to a copy of the physical Release, in my hand. —Jim DeLaHunt, 6 July 2022.

Annotation last modified on 2022-07-06 22:22 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Otello: Atto I. “Una vela! Una vela! Un vessillo!...” (Ciprioti/Montano/Cassio/Jago/Roderigo)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
baritone vocals [Iago]:
Dietrich Fischer‐Dieskau (baritone) (on 1968-07-30, from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-11-02)
bass vocals [Montano]:
Leonardo Monreale (operatic bass) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02), Boys from Upton House (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02) and Girls from Hammersmith County School (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
tenor vocals [Cassio]:
Piero de Palma (tenor) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
tenor vocals [Roderigo]:
Florindo Andreolli (tenor) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
chorus master:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-08-12 until 1968-08-14), John McCarthy (British choral conductor, scholar, composer and arranger) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02), Bruno Pizzi (chorus master) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02) and Jean Povey (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
balance engineer:
Stuart Eltham (engineer) and Allen Stagg
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1968-11-02)
recording of:
Otello: Atto I, scena 1. “Una vela! una vela!” (Ciprioti, Montano, Cassio, Iago, Roderigo) (from 1968-08-12 until 1968-11-02)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto I
Giuseppe Verdi4:14
2Otello: Atto I. “Esultate!” (Otello/Ciprioti)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02), Boys from Upton House (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02) and Girls from Hammersmith County School (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
tenor vocals [Otello]:
James McCracken (tenor) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
chorus master:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-08-12 until 1968-08-14), John McCarthy (British choral conductor, scholar, composer and arranger) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02), Bruno Pizzi (chorus master) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02) and Jean Povey (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
balance engineer:
Stuart Eltham (engineer) and Allen Stagg
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1968-11-02)
recording of:
Otello: Atto I, scena 1. “Esultate!” (Otello, Ciprioti) (from 1968-08-12 until 1968-11-02)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto I
Giuseppe Verdi2:22
3Otello: Atto I. “Roderigo, ebben che pensi?“ (Jago/Roderigo)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
baritone vocals [Iago]:
Dietrich Fischer‐Dieskau (baritone) (on 1968-07-30, from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-11-02)
tenor vocals [Roderigo]:
Florindo Andreolli (tenor) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
balance engineer:
Stuart Eltham (engineer) and Allen Stagg
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1968-11-02)
recording of:
Otello: Atto I, scena 1. “Roderigo, ebben, che pensi?” (Iago, Roderigo) (from 1968-08-12 until 1968-11-02)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto I
Giuseppe Verdi2:43
4Otello: Atto I. “Fuoco di gioia!...” (Ciprioti)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02), Boys from Upton House (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02) and Girls from Hammersmith County School (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
chorus master:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-08-12 until 1968-08-14), John McCarthy (British choral conductor, scholar, composer and arranger) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02), Bruno Pizzi (chorus master) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02) and Jean Povey (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
balance engineer:
Stuart Eltham (engineer) and Allen Stagg
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1968-11-02)
recording of:
Otello: Atto I, scena 1. Coro “Fuoco di gioia …” (Ciprioti) (from 1968-08-12 until 1968-11-02)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto I
Giuseppe Verdi3:05
5Otello: Atto I. “Roderigo, beviam!” (Jago/Cassio/Ciprioti/Roderigo)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
baritone vocals [Iago]:
Dietrich Fischer‐Dieskau (baritone) (on 1968-07-30, from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-11-02)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02), Boys from Upton House (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02) and Girls from Hammersmith County School (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
tenor vocals [Cassio]:
Piero de Palma (tenor) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
tenor vocals [Roderigo]:
Florindo Andreolli (tenor) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
chorus master:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-08-12 until 1968-08-14), John McCarthy (British choral conductor, scholar, composer and arranger) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02), Bruno Pizzi (chorus master) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02) and Jean Povey (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
balance engineer:
Stuart Eltham (engineer) and Allen Stagg
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1968-11-02)
recording of:
Otello: Atto I, scena 1. “Roderigo, beviam!” (Iago, Cassio, Ciprioti, Roderigo) (from 1968-08-12 until 1968-11-02)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto I
Giuseppe Verdi1:39
6Otello: Atto I. “Inaffia l'ugola!” (Jago/Cassio/Roderigo)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
baritone vocals [Iago]:
Dietrich Fischer‐Dieskau (baritone) (on 1968-07-30, from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-11-02)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02), Boys from Upton House (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02) and Girls from Hammersmith County School (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
tenor vocals [Cassio]:
Piero de Palma (tenor) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
tenor vocals [Roderigo]:
Florindo Andreolli (tenor) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
chorus master:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-08-12 until 1968-08-14), John McCarthy (British choral conductor, scholar, composer and arranger) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02), Bruno Pizzi (chorus master) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02) and Jean Povey (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
balance engineer:
Stuart Eltham (engineer) and Allen Stagg
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1968-11-02)
recording of:
Otello: Atto I, scena 1. “Qua ragazzi” … “Inaffia l'ugola! Trinca, tracanna” (Iago, Cassio, Roderigo, Coro) (from 1968-08-12 until 1968-11-02)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto I
Giuseppe Verdi3:45
7Otello: Atto I. “Capitano, v'attende la fazione si baluardi” (Montano/Cassio/Jago/Roderigo/Caprioti)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
baritone vocals [Iago]:
Dietrich Fischer‐Dieskau (baritone) (on 1968-07-30, from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-11-02)
bass vocals [Montano]:
Leonardo Monreale (operatic bass) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02), Boys from Upton House (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02) and Girls from Hammersmith County School (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
tenor vocals [Cassio]:
Piero de Palma (tenor) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
tenor vocals [Roderigo]:
Florindo Andreolli (tenor) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
chorus master:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-08-12 until 1968-08-14), John McCarthy (British choral conductor, scholar, composer and arranger) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02), Bruno Pizzi (chorus master) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02) and Jean Povey (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
balance engineer:
Stuart Eltham (engineer) and Allen Stagg
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1968-11-02)
recording of:
Otello: Atto I, scena 1. “Capitano, v'attende la fazione al baluardi” (Montano, Cassio, Iago, Roderigo, Ciprioti) (from 1968-08-12 until 1968-11-02)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto I
Giuseppe Verdi1:16
8Otello: Atto I. “Abbasso le spade!” (Otello/Jago/Cassio/Montano)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
baritone vocals [Iago]:
Dietrich Fischer‐Dieskau (baritone) (on 1968-07-30, from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-11-02)
bass vocals [Montano]:
Leonardo Monreale (operatic bass) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
tenor vocals [Cassio]:
Piero de Palma (tenor) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
tenor vocals [Otello]:
James McCracken (tenor) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
balance engineer:
Stuart Eltham (engineer) and Allen Stagg
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1968-11-02)
recording of:
Otello: Atto I, scena 2. “Abbasso, le spade!” (Otello, Iago, Cassio, Montano) (from 1968-08-12 until 1968-11-02)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto I
Giuseppe Verdi4:19
9Otello: Atto I. “Gia nella notte densa...”
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
soprano vocals [Desdemona]:
Dame Gwyneth Jones (soprano) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
tenor vocals [Otello]:
James McCracken (tenor) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
balance engineer:
Stuart Eltham (engineer) and Allen Stagg
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1968-11-02)
recording of:
Otello: Atto I, scena 3. “Già nella notte densa” (Otello, Desdemona) (from 1968-08-12 until 1968-11-02)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto I
Giuseppe Verdi2:14
10Otello: Atto I. “Quando narravi... Ed io vedea fra le tue tempie... Venga la morte!” (Otello/Desdemona)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
soprano vocals [Desdemona]:
Dame Gwyneth Jones (soprano) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
tenor vocals [Otello]:
James McCracken (tenor) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
balance engineer:
Stuart Eltham (engineer) and Allen Stagg
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1968-11-02)
recording of:
Otello: Atto I, scena 3. “Quando narravi l'esule tua vita. Ed io vedea fra le tue tempie” (Otello, Desdemona) (from 1968-08-12 until 1968-11-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto I
Giuseppe Verdi8:17
11Otello: Atto II. “Non ti crucciar” (Jago/Cassio)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
baritone vocals [Iago]:
Dietrich Fischer‐Dieskau (baritone) (on 1968-07-30, from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-11-02)
tenor vocals [Cassio]:
Piero de Palma (tenor) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
balance engineer:
Stuart Eltham (engineer) and Allen Stagg
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1968-11-02)
recording of:
Otello: Atto II. “Non ti crucciar” (Iago, Cassio) (from 1968-08-12 until 1968-11-02)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
Giuseppe Verdi2:54
12Otello: Atto II. “Vanne; La tua metà già vedo” (Jago)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
baritone vocals [Iago]:
Dietrich Fischer‐Dieskau (baritone) (on 1968-07-30, from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-11-02)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
balance engineer:
Stuart Eltham (engineer) and Allen Stagg
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1968-11-02)
recording of:
Otello: Atto II. “Vanne! La tua meta già vedo” (Iago) (from 1968-08-12 until 1968-11-02)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
Giuseppe Verdi0:29
13Otello: Atto II. “Credo in un dio crudel” (Jago)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
baritone vocals [Iago]:
Dietrich Fischer‐Dieskau (baritone) (on 1968-07-30, from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-11-02)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
balance engineer:
Stuart Eltham (engineer) and Allen Stagg
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1968-11-02)
recording of:
Otello: Atto II. “Credo in un Dio crudel” (Iago) (from 1968-08-12 until 1968-11-02)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
Giuseppe Verdi4:24
14Otello: Atto II. “Eccola... Cassio... A te” (Jago)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
baritone vocals [Iago]:
Dietrich Fischer‐Dieskau (baritone) (on 1968-07-30, from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-11-02)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
balance engineer:
Stuart Eltham (engineer) and Allen Stagg
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1968-11-02)
recording of:
Otello: Atto II. “Eccola … Cassio … a te” (Iago) (from 1968-08-12 until 1968-11-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
Giuseppe Verdi1:18
15Otello: Atto II. “Ciò m'accora... Che parli?” (Jago/Otello)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
baritone vocals [Iago]:
Dietrich Fischer‐Dieskau (baritone) (on 1968-07-30, from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-11-02)
tenor vocals [Otello]:
James McCracken (tenor) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
balance engineer:
Stuart Eltham (engineer) and Allen Stagg
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1968-11-02)
recording of:
Otello: Atto II. “Ciò m’accora” (Iago, Otello) (from 1968-08-12 until 1968-11-02)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
Giuseppe Verdi4:51
16Otello: Atto II. “Dove guardi spendono raggi ”(Ciprioti/Jago/Donne/Fanciulli/Marinai/Desdemona/Otello)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
baritone vocals [Iago]:
Dietrich Fischer‐Dieskau (baritone) (on 1968-07-30, from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-11-02)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02), Boys from Upton House (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02) and Girls from Hammersmith County School (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
soprano vocals [Desdemona]:
Dame Gwyneth Jones (soprano) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
tenor vocals [Otello]:
James McCracken (tenor) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
chorus master:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-08-12 until 1968-08-14), John McCarthy (British choral conductor, scholar, composer and arranger) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02), Bruno Pizzi (chorus master) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02) and Jean Povey (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
balance engineer:
Stuart Eltham (engineer) and Allen Stagg
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1968-11-02)
recording of:
Otello: Atto II. “Dove guardi splendono raggi, avvampan cuori” (Ciprioti, Iago, Donne, Fanciulli, Marinai, Desdemona, Otello) (Flower Chorus) (from 1968-08-12 until 1968-11-02)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
Giuseppe Verdi5:09
17Otello: Atto II. “D'un uom che geme sotto il tuo disdegno” (Desdemona/Otello)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
soprano vocals [Desdemona]:
Dame Gwyneth Jones (soprano) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
tenor vocals [Otello]:
James McCracken (tenor) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
balance engineer:
Stuart Eltham (engineer) and Allen Stagg
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1968-11-02)
recording of:
Otello: Atto II. “D’un uom che geme sotto il tuo disdegno” (Desdemona, Otello, Iago, Emilia) (from 1968-08-12 until 1968-11-02)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
Giuseppe Verdi2:08
18Otello: Atto II. “Se inconscia contro te, sposo... ”(Desdemona/Otello/Jago/Emilia)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
soprano vocals [Desdemona]:
Dame Gwyneth Jones (soprano) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
tenor vocals [Otello]:
James McCracken (tenor) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
balance engineer:
Stuart Eltham (engineer) and Allen Stagg
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1968-11-02)
recording of:
Otello: Atto II. “Se inconscia contro te, sposo…” (Desdemona, Otello, Iago, Emilia) (from 1968-08-12 until 1968-11-02)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
Giuseppe Verdi3:40
19Otello: Atto II. “Desdemona rea!...” (Otello/Jago)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
baritone vocals [Iago]:
Dietrich Fischer‐Dieskau (baritone) (on 1968-07-30, from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-11-02)
tenor vocals [Otello]:
James McCracken (tenor) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
balance engineer:
Stuart Eltham (engineer) and Allen Stagg
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1968-11-02)
recording of:
Otello: Atto II. “Desdemona rea!” (Otello, Iago) (from 1968-08-12 until 1968-11-02)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
Giuseppe Verdi1:36
20Otello: Atto II. “Ora e per sempre addio” (Otello/Jago)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
baritone vocals [Iago]:
Dietrich Fischer‐Dieskau (baritone) (on 1968-07-30, from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-11-02)
tenor vocals [Otello]:
James McCracken (tenor) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
balance engineer:
Stuart Eltham (engineer) and Allen Stagg
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1968-11-02)
recording of:
Otello: Atto II. “Ed ora” … “Ora e per sempre addio” (Otello) (from 1968-08-12 until 1968-11-02)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
Giuseppe Verdi4:01
21Otello: Atto II. “Era la notte...” (Jago/Otello)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
baritone vocals [Iago]:
Dietrich Fischer‐Dieskau (baritone) (on 1968-07-30, from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-11-02)
tenor vocals [Otello]:
James McCracken (tenor) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
balance engineer:
Stuart Eltham (engineer) and Allen Stagg
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1968-11-02)
recording of:
Otello: Atto II. “Era la notte, Cassio dormia…” (Otello, Iago) (from 1968-08-12 until 1968-11-02)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
Giuseppe Verdi4:57
22Otello: Atto II. “Sì, pel ciel marmoreo giuro!” (Otello/Jago)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
baritone vocals [Iago]:
Dietrich Fischer‐Dieskau (baritone) (on 1968-07-30, from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-11-02)
tenor vocals [Otello]:
James McCracken (tenor) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30, on 1968-11-02)
balance engineer:
Stuart Eltham (engineer) and Allen Stagg
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1968-08-12 until 1968-08-14, from 1968-08-16 until 1968-08-21, on 1968-08-23, on 1968-08-30) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1968-11-02)
recording of:
Otello: Atto II. “Si, pel ciel marmoreo giuro!” (Otello, Iago) (from 1968-08-12 until 1968-11-02)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
Giuseppe Verdi2:50
2▶CD