Brazilliance, Volume 2

~ Release by Laurindo Almeida / Bud Shank (see all versions of this release, 2 available)

Annotation

in the original albums, credits to Bud Shank, with "arrangements by Laurindo Almeida". all tracks are performed by the members of the Bud Shank Quartet.

1-10 - originally from Holiday in Brazil, World Pacific, WP 1259 (1959)
11-20 - originally from Latin Contrasts, World Pacific, WP 1281 (1959)
Michael Cuscuna (Blue Note) is reissue producer.

Annotation last modified on 2015-05-18 13:41 UTC.

Tracklist

1▼CD
#TitleRatingLength
1Simpatico
recorded in:
Hollywood, Los Angeles, California, United States (in 1958-03) and Los Angeles, California, United States (in 1958-03)
recording engineer:
Dayton “Bones” Howe (in 1958-03)
producer:
Richard Bock (record producer)
alto saxophone:
Bud Shank (in 1958-03)
double bass:
Gary Peacock (American jazz bassist) (in 1958-03)
drums (drum set):
Chuck Flores (in 1958-03)
guitar:
Laurindo Almeida (in 1958-03)
arranger:
Laurindo Almeida
2:58
2Rio Rhapsody
recorded in:
Hollywood, Los Angeles, California, United States (in 1958-03) and Los Angeles, California, United States (in 1958-03)
recording engineer:
Dayton “Bones” Howe (in 1958-03)
producer:
Richard Bock (record producer)
alto saxophone:
Bud Shank (in 1958-03)
double bass:
Gary Peacock (American jazz bassist) (in 1958-03)
drums (drum set):
Chuck Flores (in 1958-03)
guitar:
Laurindo Almeida (in 1958-03)
arranger:
Laurindo Almeida
3:41
3Nocturno
recorded in:
Hollywood, Los Angeles, California, United States (in 1958-03) and Los Angeles, California, United States (in 1958-03)
recording engineer:
Dayton “Bones” Howe (in 1958-03)
producer:
Richard Bock (record producer)
alto saxophone:
Bud Shank (in 1958-03)
double bass:
Gary Peacock (American jazz bassist) (in 1958-03)
drums (drum set):
Chuck Flores (in 1958-03)
guitar:
Laurindo Almeida (in 1958-03)
arranger:
Laurindo Almeida
3:33
4Little Girl Blue
recorded in:
Hollywood, Los Angeles, California, United States (in 1958-03) and Los Angeles, California, United States (in 1958-03)
recording engineer:
Dayton “Bones” Howe (in 1958-03)
producer:
Richard Bock (record producer)
alto saxophone:
Bud Shank
double bass:
Gary Peacock (American jazz bassist) (in 1958-03)
drums (drum set):
Chuck Flores (in 1958-03)
flute:
Bud Shank (in 1958-03)
guitar:
Laurindo Almeida (in 1958-03)
arranger:
Laurindo Almeida
instrumental recording of:
Little Girl Blue (in 1958-03)
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (composer) (in 1935)
arranger:
Sarah Latto
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jumbo
2:42
5Choro in 'A'
recorded in:
Hollywood, Los Angeles, California, United States (in 1958-03) and Los Angeles, California, United States (in 1958-03)
recording engineer:
Dayton “Bones” Howe (in 1958-03)
producer:
Richard Bock (record producer)
alto saxophone:
Bud Shank (in 1958-03)
double bass:
Gary Peacock (American jazz bassist) (in 1958-03)
drums (drum set):
Chuck Flores (in 1958-03)
guitar:
Laurindo Almeida (in 1958-03)
arranger:
Laurindo Almeida
2:34
6Mood Antigua
recorded in:
Hollywood, Los Angeles, California, United States (in 1958-03) and Los Angeles, California, United States (in 1958-03)
recording engineer:
Dayton “Bones” Howe (in 1958-03)
producer:
Richard Bock (record producer)
alto saxophone:
Bud Shank
double bass:
Gary Peacock (American jazz bassist) (in 1958-03)
drums (drum set):
Chuck Flores
flute:
Bud Shank (in 1958-03)
guitar:
Laurindo Almeida (in 1958-03)
tabla:
Chuck Flores (in 1958-03)
arranger:
Laurindo Almeida
4:07
7The Color of Her Hair
recorded in:
Hollywood, Los Angeles, California, United States (in 1958-03) and Los Angeles, California, United States (in 1958-03)
recording engineer:
Dayton “Bones” Howe (in 1958-03)
producer:
Richard Bock (record producer)
alto saxophone:
Bud Shank (in 1958-03)
double bass:
Gary Peacock (American jazz bassist) (in 1958-03)
drums (drum set):
Chuck Flores (in 1958-03)
guitar:
Laurindo Almeida (in 1958-03)
arranger:
Laurindo Almeida
2:00
8Lonely
recorded in:
Hollywood, Los Angeles, California, United States (in 1958-03) and Los Angeles, California, United States (in 1958-03)
recording engineer:
Dayton “Bones” Howe (in 1958-03)
producer:
Richard Bock (record producer)
alto saxophone:
Bud Shank (in 1958-03)
double bass:
Gary Peacock (American jazz bassist) (in 1958-03)
drums (drum set):
Chuck Flores (in 1958-03)
guitar:
Laurindo Almeida (in 1958-03)
arranger:
Laurindo Almeida
3:55
9I Didn't Know What Time It Was
recorded in:
Hollywood, Los Angeles, California, United States (in 1958-03) and Los Angeles, California, United States (in 1958-03)
recording engineer:
Dayton “Bones” Howe (in 1958-03)
producer:
Richard Bock (record producer)
alto saxophone:
Bud Shank (in 1958-03)
double bass:
Gary Peacock (American jazz bassist) (in 1958-03)
drums (drum set):
Chuck Flores (in 1958-03)
guitar:
Laurindo Almeida (in 1958-03)
arranger:
Laurindo Almeida
instrumental recording of:
I Didn’t Know What Time It Was (Pal Joey) (in 1958-03)
lyricist:
Lorenz Hart (in 1939)
composer:
Richard Rodgers (composer) (in 1939)
publisher:
Lorenz Hart Publishing Co. and Williamson Music Company
part of:
Pal Joey
2:49
10Carioca Hills
recorded in:
Hollywood, Los Angeles, California, United States (in 1958-03) and Los Angeles, California, United States (in 1958-03)
recording engineer:
Dayton “Bones” Howe (in 1958-03)
producer:
Richard Bock (record producer)
alto saxophone:
Bud Shank (in 1958-03)
double bass:
Gary Peacock (American jazz bassist) (in 1958-03)
drums (drum set):
Chuck Flores (in 1958-03)
guitar:
Laurindo Almeida (in 1958-03)
arranger:
Laurindo Almeida
3:08
11Harlem Samba
recorded in:
Los Angeles, California, United States (in 1958-03)
recording engineer:
Dayton “Bones” Howe (in 1958-03)
producer:
Richard Bock (record producer)
alto saxophone:
Bud Shank (in 1958-03)
double bass:
Gary Peacock (American jazz bassist) (in 1958-03)
guitar:
Laurindo Almeida (in 1958-03)
membranophone:
Chuck Flores (in 1958-03)
arranger:
Laurindo Almeida
2:26
12North of the Border
recorded in:
Los Angeles, California, United States (in 1958-03)
recording engineer:
Dayton “Bones” Howe (in 1958-03)
producer:
Richard Bock (record producer)
alto saxophone:
Bud Shank (in 1958-03)
double bass:
Gary Peacock (American jazz bassist) (in 1958-03)
guitar:
Laurindo Almeida (in 1958-03)
membranophone:
Chuck Flores (in 1958-03)
arranger:
Laurindo Almeida
2:41
13Sunset Baion
recorded in:
Los Angeles, California, United States (in 1958-03)
recording engineer:
Dayton “Bones” Howe (in 1958-03)
producer:
Richard Bock (record producer)
alto saxophone:
Bud Shank (in 1958-03)
double bass:
Gary Peacock (American jazz bassist) (in 1958-03)
guitar:
Laurindo Almeida (in 1958-03)
membranophone:
Chuck Flores (in 1958-03)
arranger:
Laurindo Almeida
2:05
14'Round Midnight
recorded in:
Los Angeles, California, United States (in 1958-03)
recording engineer:
Dayton “Bones” Howe (in 1958-03)
producer:
Richard Bock (record producer)
alto saxophone:
Bud Shank (in 1958-03)
double bass:
Gary Peacock (American jazz bassist) (in 1958-03)
guitar:
Laurindo Almeida (in 1958-03)
membranophone:
Chuck Flores (in 1958-03)
arranger:
Laurindo Almeida
recording of:
’Round Midnight
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
3:55
15Toro Dance
recorded in:
Los Angeles, California, United States (in 1958-03)
recording engineer:
Dayton “Bones” Howe (in 1958-03)
producer:
Richard Bock (record producer)
alto saxophone:
Bud Shank (in 1958-03)
double bass:
Gary Peacock (American jazz bassist) (in 1958-03)
guitar:
Laurindo Almeida (in 1958-03)
membranophone:
Chuck Flores (in 1958-03)
arranger:
Laurindo Almeida
2:54
16Serenade for Alto
recorded in:
Los Angeles, California, United States (in 1958-03)
recording engineer:
Dayton “Bones” Howe (in 1958-03)
producer:
Richard Bock (record producer)
alto saxophone:
Bud Shank (in 1958-03)
double bass:
Gary Peacock (American jazz bassist) (in 1958-03)
guitar:
Laurindo Almeida (in 1958-03)
membranophone:
Chuck Flores (in 1958-03)
arranger:
Laurindo Almeida
3:36
17Xana-Lyn
recorded in:
Los Angeles, California, United States (in 1958-03)
recording engineer:
Dayton “Bones” Howe (in 1958-03)
producer:
Richard Bock (record producer)
alto saxophone:
Bud Shank (in 1958-03)
double bass:
Gary Peacock (American jazz bassist) (in 1958-03)
guitar:
Laurindo Almeida (in 1958-03)
membranophone:
Chuck Flores (in 1958-03)
arranger:
Laurindo Almeida
3:31
18Blowing Wild
recorded in:
Los Angeles, California, United States (in 1958-03)
recording engineer:
Dayton “Bones” Howe (in 1958-03)
producer:
Richard Bock (record producer)
alto saxophone:
Bud Shank (in 1958-03)
double bass:
Gary Peacock (American jazz bassist) (in 1958-03)
guitar:
Laurindo Almeida (in 1958-03)
membranophone:
Chuck Flores (in 1958-03)
arranger:
Laurindo Almeida
3:30
19Gershwin Prelude
recorded in:
Los Angeles, California, United States (in 1958-03)
recording engineer:
Dayton “Bones” Howe (in 1958-03)
producer:
Richard Bock (record producer)
alto saxophone:
Bud Shank (in 1958-03)
double bass:
Gary Peacock (American jazz bassist) (in 1958-03)
guitar:
Laurindo Almeida (in 1958-03)
membranophone:
Chuck Flores (in 1958-03)
arranger:
Laurindo Almeida
3:59
20Waltz Frio y Calor
recorded in:
Los Angeles, California, United States (in 1958-03)
recording engineer:
Dayton “Bones” Howe (in 1958-03)
producer:
Richard Bock (record producer)
alto saxophone:
Bud Shank (in 1958-03)
double bass:
Gary Peacock (American jazz bassist) (in 1958-03)
guitar:
Laurindo Almeida (in 1958-03)
membranophone:
Chuck Flores (in 1958-03)
arranger:
Laurindo Almeida
3:21

Credits

Release

printed in:Canada
producer:Michael Cuscuna
manufactured by:Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
copyrighted (©) by and phonographic copyright (℗) by:Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (from 1991 to present)
ASIN:US: B000005HGR [info]