Requiem & Operatic Choruses

~ Release by Verdi; Susan Dunn, Diane Curry, Jerry Hadley, Paul Plishka, Atlanta Symphony Orchestra & Chorus, Robert Shaw (see all versions of this release, 2 available)

Annotation

this CD utilizes 'indexes' that means that on CD 1 track 2, "Dies irae" is actually comprised of 10 'sub-tracks' I have listed them in parentheses with / inbetween.

this CD utilizes 'indexes' that means that on CD 2 track 3, "Libera me" is actually comprised of 4 'sub-tracks' I have listed them in parentheses with / inbetween.

full Requiem cast: Susan Dunn: Soprano. Diane Curry: Mezzo-Soprano. Jerry Hadley: Tenor. Paul Plishka: Bass.

Annotation last modified on 2020-04-03 16:27 UTC.

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Requiem: Agnus Dei
recording engineer:
Jack Renner (engineer for Telarc) (from 1987-04-11 until 1987-04-14)
miscellaneous support:
Michael Bishop (Telarc engineer/producer) (from 1987-04-11 until 1987-04-14: task: technical assistance)
producer:
Robert Woods (classical music producer, founder of TELARC)
editor:
Rosalind Ilett (Telarc editor) and Elaine Martone (engineer)
choir vocals:
Atlanta Symphony Orchestra Chorus (from 1987-04-11 until 1987-04-14)
mezzo-soprano vocals:
Diane Curry (mezzo-soprano) (from 1987-04-11 until 1987-04-14)
soprano vocals:
Susan Dunn (soprano) (from 1987-04-11 until 1987-04-14)
tenor vocals:
Jerry Hadley (operatic tenor) (from 1987-04-11 until 1987-04-14)
orchestra:
Atlanta Symphony Orchestra (from 1987-04-11 until 1987-04-14)
conductor:
Robert Shaw (conductor) (from 1987-04-11 until 1987-04-14)
phonographic copyright (℗) by:
TELARC International Corporation (in 1987)
recorded at:
Atlanta Symphony Hall in Atlanta, Georgia, United States (from 1987-04-11 until 1987-04-14)
recording of:
Messa da requiem: V. Agnus Dei (soprano, mezzo-soprano, coro) (from 1987-04-11 until 1987-04-14)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
part of:
Messa da requiem (Manzoni requiem)
Giuseppe Verdi5:05
2Requiem: Lux aeterna
recording engineer:
Jack Renner (engineer for Telarc) (from 1987-04-11 until 1987-04-14)
miscellaneous support:
Michael Bishop (Telarc engineer/producer) (from 1987-04-11 until 1987-04-14: task: technical assistance)
producer:
Robert Woods (classical music producer, founder of TELARC)
editor:
Rosalind Ilett (Telarc editor) and Elaine Martone (engineer)
bass vocals:
Paul Plishka (operatic bass) (from 1987-04-11 until 1987-04-14)
mezzo-soprano vocals:
Diane Curry (mezzo-soprano) (from 1987-04-11 until 1987-04-14)
tenor vocals:
Jerry Hadley (operatic tenor) (from 1987-04-11 until 1987-04-14)
orchestra:
Atlanta Symphony Orchestra (from 1987-04-11 until 1987-04-14)
conductor:
Robert Shaw (conductor) (from 1987-04-11 until 1987-04-14)
phonographic copyright (℗) by:
TELARC International Corporation (in 1987)
recorded at:
Atlanta Symphony Hall in Atlanta, Georgia, United States (from 1987-04-11 until 1987-04-14)
recording of:
Messa da requiem: VI. Lux aeterna (mezzo-soprano, tenor, bass) (from 1987-04-11 until 1987-04-14)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
part of:
Messa da requiem (Manzoni requiem)
Giuseppe Verdi6:17
3Requiem: Libera me (Libera me / Dies irae / Requiem aeternam / Libera me)
recording engineer:
Jack Renner (engineer for Telarc) (from 1987-04-11 until 1987-04-14)
miscellaneous support:
Michael Bishop (Telarc engineer/producer) (from 1987-04-11 until 1987-04-14: task: technical assistance)
producer:
Robert Woods (classical music producer, founder of TELARC)
editor:
Rosalind Ilett (Telarc editor) and Elaine Martone (engineer)
choir vocals:
Atlanta Symphony Orchestra Chorus (from 1987-04-11 until 1987-04-14)
soprano vocals:
Susan Dunn (soprano) (from 1987-04-11 until 1987-04-14)
orchestra:
Atlanta Symphony Orchestra (from 1987-04-11 until 1987-04-14)
conductor:
Robert Shaw (conductor) (from 1987-04-11 until 1987-04-14)
phonographic copyright (℗) by:
TELARC International Corporation (in 1987)
recorded at:
Atlanta Symphony Hall in Atlanta, Georgia, United States (from 1987-04-11 until 1987-04-14)
recording of:
Messa da requiem: VII. Libera me (soprano, coro) (from 1987-04-11 until 1987-04-14)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
quotes lyrics from:
Libera me, Domine (Gregorian chant)
version of:
Messa per Rossini: VII. Responsorium. Libera me, Domine
part of:
Messa da requiem (Manzoni requiem)
Giuseppe Verdi14:03
4Don Carlos: “Spuntato ecco”
recording engineer:
Jack Renner (engineer for Telarc) (from 1987-04-11 until 1987-04-14)
miscellaneous support:
Michael Bishop (Telarc engineer/producer) (from 1987-04-11 until 1987-04-14: task: technical assistance)
producer:
Robert Woods (classical music producer, founder of TELARC)
editor:
Rosalind Ilett (Telarc editor) and Elaine Martone (engineer)
choir vocals:
Atlanta Symphony Orchestra Chorus (from 1987-04-11 until 1987-04-14)
orchestra:
Atlanta Symphony Orchestra (from 1987-04-11 until 1987-04-14)
conductor:
Robert Shaw (conductor) (from 1987-04-11 until 1987-04-14)
phonographic copyright (℗) by:
TELARC International Corporation (in 1987)
recorded at:
Atlanta Symphony Hall in Atlanta, Georgia, United States (from 1987-04-11 until 1987-04-14)
recording of:
Don Carlo: Atto II, scena 2. N°5 “Spuntato ecco il dì d’esultanza” (coro) (Autodafé scene) (from 1987-04-11 until 1987-04-14)
composer:
Giuseppe Verdi (Italian opera composer) (in 1867)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi5:16
5Macbeth: “Patria oppressa!” (Chorus of Scottish Refugees)
recording engineer:
Jack Renner (engineer for Telarc) (from 1987-04-11 until 1987-04-14)
miscellaneous support:
Michael Bishop (Telarc engineer/producer) (from 1987-04-11 until 1987-04-14: task: technical assistance)
producer:
Robert Woods (classical music producer, founder of TELARC)
editor:
Rosalind Ilett (Telarc editor) and Elaine Martone (engineer)
choir vocals:
Atlanta Symphony Orchestra Chorus (from 1987-04-11 until 1987-04-14)
orchestra:
Atlanta Symphony Orchestra (from 1987-04-11 until 1987-04-14)
conductor:
Robert Shaw (conductor) (from 1987-04-11 until 1987-04-14)
phonographic copyright (℗) by:
TELARC International Corporation (in 1987)
recorded at:
Atlanta Symphony Hall in Atlanta, Georgia, United States (from 1987-04-11 until 1987-04-14)
recording of:
Macbeth: Atto IV. N°12 Coro “Patria oppressa! il dolce nome” (Profughi scozzesi) (Chorus of Scottish Exiles) (from 1987-04-11 until 1987-04-14)
composer:
Giuseppe Verdi (Italian opera composer) (in 1847)
librettist:
Andrea Maffei (19th century poet, translator and librettist) and Francesco Maria Piave
part of:
Macbeth: Atto IV
Giuseppe Verdi5:49
6Otello: “Fuoco di gioia”
recording engineer:
Jack Renner (engineer for Telarc) (from 1987-04-11 until 1987-04-14)
miscellaneous support:
Michael Bishop (Telarc engineer/producer) (from 1987-04-11 until 1987-04-14: task: technical assistance)
producer:
Robert Woods (classical music producer, founder of TELARC)
editor:
Rosalind Ilett (Telarc editor) and Elaine Martone (engineer)
choir vocals:
Atlanta Symphony Orchestra Chorus (from 1987-04-11 until 1987-04-14)
orchestra:
Atlanta Symphony Orchestra (from 1987-04-11 until 1987-04-14)
conductor:
Robert Shaw (conductor) (from 1987-04-11 until 1987-04-14)
phonographic copyright (℗) by:
TELARC International Corporation (in 1987)
recorded at:
Atlanta Symphony Hall in Atlanta, Georgia, United States (from 1987-04-11 until 1987-04-14)
recording of:
Otello: Atto I, scena 1. Coro “Fuoco di gioia …” (Ciprioti) (from 1987-04-11 until 1987-04-14)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto I
Giuseppe Verdi2:47
7Nabucco: “Va pensiero” (Chorus of the Hebrew Slaves)
recording engineer:
Jack Renner (engineer for Telarc) (from 1987-04-11 until 1987-04-14)
miscellaneous support:
Michael Bishop (Telarc engineer/producer) (from 1987-04-11 until 1987-04-14: task: technical assistance)
producer:
Robert Woods (classical music producer, founder of TELARC)
editor:
Rosalind Ilett (Telarc editor) and Elaine Martone (engineer)
choir vocals:
Atlanta Symphony Orchestra Chorus (from 1987-04-11 until 1987-04-14)
orchestra:
Atlanta Symphony Orchestra (from 1987-04-11 until 1987-04-14)
conductor:
Robert Shaw (conductor) (from 1987-04-11 until 1987-04-14)
phonographic copyright (℗) by:
TELARC International Corporation (in 1987)
recorded at:
Atlanta Symphony Hall in Atlanta, Georgia, United States (from 1987-04-11 until 1987-04-14)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) (from 1987-04-11 until 1987-04-14)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi5:11
8Aida: “Gloria all’Egitto”
recording engineer:
Jack Renner (engineer for Telarc) (from 1987-04-11 until 1987-04-14)
miscellaneous support:
Michael Bishop (Telarc engineer/producer) (from 1987-04-11 until 1987-04-14: task: technical assistance)
producer:
Robert Woods (classical music producer, founder of TELARC)
editor:
Rosalind Ilett (Telarc editor) and Elaine Martone (engineer)
choir vocals:
Atlanta Symphony Orchestra Chorus (from 1987-04-11 until 1987-04-14)
orchestra:
Atlanta Symphony Orchestra (from 1987-04-11 until 1987-04-14)
conductor:
Robert Shaw (conductor) (from 1987-04-11 until 1987-04-14)
phonographic copyright (℗) by:
TELARC International Corporation (in 1987)
recorded at:
Atlanta Symphony Hall in Atlanta, Georgia, United States (from 1987-04-11 until 1987-04-14)
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti) (from 1987-04-11 until 1987-04-14)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi9:43