James Rizzi's Night

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

On back: "James Rizzi's Night Life - A Walk on the Wild Side"

Ltd. numbered edition of 10,000.

Anmerkung zuletzt geändert am 2017-02-16 21:50 UTC.

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1All Around the World
Produzent(in) und Mix:
Ian Devaney und Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield)
vocals:
Lisa Stansfield
arranger:
Ian Devaney und Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield)
phonographisches Urheberrecht (℗) von:
BMG Eurodisc Ltd. (in 1989)
recording of:
All Around the World
Verfasser(in):
Ian Devaney, Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield) und Lisa Stansfield
publisher:
Block & Gilbert, Block & Gilbert Music Ltd. (UK based music publishing company, now dissolved) und BMG Music Publishing Ltd.
Lisa Stansfield3.754:29
2Another Night
Techniker(in):
Dr. Dave Frazer
Produzent(in):
Narada Michael Walden
zusätzliche(r) Mix:
Michael Brauer (engineer)
Bass:
Randy Jackson (former bassist with Journey and American Idol judge)
Gitarre und Synthesizer:
Corrado Rustici
Keyboard:
Walter Afanasieff und Preston Glass
Perkussion und Schlagzeug:
Narada Michael Walden
Solo-Gitarre:
Ray Gomez
Hintergrundgesang:
Kitty Beethoven, Jim Gilstrap, Preston Glass, Nikita Jermiane, Laundon Von Kendricks, Sylvester (US disco and soul singer-songwriter), Jeanie Tracy und Vickie Randle
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1985)
recording of:
Another Night
Texter:
Roy Freeland
Komponist(in):
Beppe Cantarelli (Italian composer, singer, arranger and producer)
publisher:
Colgems-EMI Music Inc. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Aretha Franklin4:31
3Be My Lover
Techniker(in):
Bernd Berwanger und Tobias. (German producer Tobias Freund)
Produzent(in) und Mix:
FMP
phonographisches Urheberrecht (℗) von:
BMG Ariola (company mostly named as distributor in Europe) (in 1995) und BMG Berlin Musik GmbH (this is a record company, not an imprint!) (in 1995)
recording of:
Be My Lover
Texter:
Lane McCray und Melanie Thornton (American‐German Euro‐dance artist)
Komponist(in):
Ulli Brenner und Amir Saraf
publisher:
Beam Edition, Far Musikverlag GmbH und Co., KG, Neue Welt Musikverlag GmbH (2017 – present), Warner Chappell, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
La Bouche3.74:02
4Modern Girl
phonographisches Urheberrecht (℗) von:
BMG Eurodisc Ltd. (in 1984)
recording of:
Modern Girl
Verfasser(in):
Sarah Durkee und Paul Jacobs (American composer)
publisher:
Morrison Leahy Music Ltd.
Meat Loaf4:25
5Are You Ready to Fly
recording of:
Are You Ready to Fly?
Verfasser(in):
N.A. Swanston und T.J. Cox
Komponist(in):
Tim Cox und Nigel Andrew Swanston
Rozalla3:56
6Confide in Me
Techniker(in):
Paul Wright (UK recording engineer)
Produzent(in):
Brothers in Rhythm
Sologesang:
Kylie Minogue
arranger:
Brothers in Rhythm
phonographisches Urheberrecht (℗) von:
BMG Records (UK) Ltd. (1987–1996) (in 1994)
recording of:
Confide in Me
Texter und Komponist(in):
Steve Anderson (UK producer, in groups Scratch Acid, Brothers in Rhythm, et al), Edward Barton und Dave Seaman (UK DJ/producer)
publisher:
BMG Music Publishing Ltd., Complete Music Ltd., MCA Music Ltd., Universal Music Limited (UK sound recording / publishing company) und Universal/MCA Music Ltd. (not for release label use!)
basiert auf:
It’s a Fine Day
Kylie Minogue2.654:27
7Heartache No. 9
Delegation5:15
8Disco Nights (Rock Freak)
recording of:
Disco Nights (Rock Freak)
Verfasser(in):
Keith Crier, Herb Lane, Emanuel Rahiem LeBlanc und Paul Service
GQ8:44
9I'll Be Your Shelter
recording of:
I'll Be Your Shelter
Verfasser(in):
Diane Warren (US songwriter)
Taylor Dayne4:09
10Livin' in the Light
recording of:
Livin’ in the Light
Verfasser(in):
Nathaniel Hall (Nathaniel Hall) und Caron Wheeler (English singer, songwriter, and record producer)
Caron Wheeler4:38
11Gonna Get Along Without You Now
cover recording of:
Gonna Get Along (Without Ya Now)
Texter und Komponist(in):
Milton Kellem
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Viola Wills13:17
12Native New Yorker
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1977)
recording of:
Native New Yorker
Verfasser(in):
Sandy Linzer und Denny Randell
publisher:
Featherbed Music, Linz Music (US work publisher), Three Wise Boys Music LLC, Warner Chappell Music Ltd. (no slash; used 1988–1996), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Odyssey5:35
13Waiting for a Star to Fall
drum machine-Programmierung:
George Merrill
Produzent(in):
Arif Mardin
assistierende(r) Mix:
Jim Dineen
Mix:
David Leonard (US producer and engineer)
alto saxophone:
Andy Snitzer
Bassgitarre, Klavier und Synthesizer:
George Merrill
Gitarre:
John Goux
Schlagzeug:
Denny Fongheiser und Michael Jochum
Synthesizer [Crowning touch]:
Joe Mardin
vocals:
George Merrill und Shannon Rubicam
zusätzlich vocals:
Susan Boyd
phonographisches Urheberrecht (℗) von:
BMG Music (in 1988) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1988)
mixed at:
The Grey Room in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Waiting for a Star to Fall
Verfasser(in):
George Merrill und Shannon Rubicam
publisher:
Irving Music, Inc., Rondor Music (London) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Boy Meets Girl Music (vom 1987 bis heute) und Irving Music (BMI) (vom 1987 bis heute)
Boy Meets Girl3.44:32
14Broken Wings
Techniker(in):
Paul DeVilliers
Produzent(in):
Paul DeVilliers und Mr. Mister (American pop rock band)
Bassgitarre und Sologesang:
Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
Gitarre:
Steve Farris (US session guitarist, member of Mr. Mister)
Keyboard:
Steve George (US keyboardist for Mr. Mister & Pages)
Schlagzeug:
Pat Mastelotto
phonographisches Urheberrecht (℗) von:
BMG Music (in 1985), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1985) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1985)
recording of:
Broken Wings
Verfasser(in):
Steve George (US keyboardist for Mr. Mister & Pages), John Lang (US songwriter for Mr. Mister & Pages) und Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
publisher:
Ali‐Aja Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Entente Music (publisher; do NOT use as release label), Indolent Sloth Music, Panola Park Music, Poppy‐Due Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Mr. Mister3.854:41
15Slow Hand
Partner-Produzent(in):
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
Produzent(in):
Richard Perry (producer)
Mix:
Bill Schnee
Bassgitarre:
Nate Watts
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist) und Tim May (session/jazz guitarist)
Orgel:
William Smith (organist/keyboardist)
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
John Robinson (session drummer)
Sologesang:
Anita Pointer
vocals arranger:
The Pointer Sisters
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1981), Planet Records (holding company, parent of the Planet imprint - file NO releases here!) (in 1981) und Planet Records Inc. (in 1981)
mixed at:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Slow Hand
Texter:
John Bettis
Komponist(in):
Michael Clark (songwriter, composer)
publisher:
Flying Dutchman Music Co., Sweet Harmony Music, Inc. (US publisher), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Pointer Sisters53:53
16Walk on the Wild Side
Produzent(in):
David Bowie (English singer‐songwriter), Lou Reed und Mick Ronson (British guitarist)
baritone saxophone:
Ronnie Ross (in 1972-08)
E-Bass und Kontrabass:
Herbie Flowers (in 1972-08)
Schlagzeug:
John Halsey (in 1972-08)
Hintergrundgesang:
The Thunder Thighs (70s UK vocal group) (in 1972-08)
Sologesang:
Lou Reed (in 1972-08)
Blechblasinstrumente arranger und Saiteninstrumente arranger:
Mick Ronson (British guitarist)
arranger:
David Bowie (English singer‐songwriter), Lou Reed und Mick Ronson (British guitarist)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1972), BMG Music (in 1972), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1972) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1972-08)
mixed at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich
Samples von:
Lexicon Valley #150, “Why Language Can’t Be Tamed” von John McWhorter
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 75), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 180) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 221)
recording of:
Walk on the Wild Side (in 1972-08)
Texter und Komponist(in):
Lou Reed
publisher:
Dunbar Music, EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Oakfield Avenue Music, Oakfield Avenue Music Ltd., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Six Continents Music Publishing Inc.
Lou Reed4.254:14

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Veröffentlichung

ASIN:DE: B006LB1HEA [Info]