Body + Soul: Duets

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1CD
#TitleArtistRatingLength
1Put It on Paper
Ann Nesby featuring Al Green5:07
2If This World Were Mine
Cheryl Lynn with Luther Vandross5:26
3Endless Love
recording engineer:
Reggie Dozier
producer:
Lionel Richie
mixer:
Guy Costa
additional guest performer:
Diana Ross
arranger:
Gene Page (conductor, composer, arranger and record producer)
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1981)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 20)
recording of:
Endless Love
lyricist and composer:
Lionel Richie
publisher:
Brockman Music, Café Americana Inc., PGP Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Publishing (Warner/Chappell Music, Inc.) and Warner/Chappell North America
part of:
The 54th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1981 nominee)
Diana Ross with Lionel Richie3.54:31
4Fire and Desire
engineer:
Bobby Brooks (US producer/engineer/remixer), Rick "Port Hole" Sanchez and Tom "Super" Flye
executive producer:
Alonzo Miller (Singer-songwriter, producer)
producer:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
flute [tenor flute]:
Gerald Albright
vocals:
Teena Marie
performer:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
arranger:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
recording of:
Fire & Desire (Rick James Song)
lyricist and composer:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
Rick James & Teena Marie37:21
5It Takes Two
vocals:
Kim Weston
recording of:
It Takes Two
writer:
Sylvia Moy and William Stevenson (Motown songwriter)
publisher:
Jobete Music (UK) Ltd. and Stone Agate Music
Marvin Gaye & Kim Weston33:00
6Tonight, I Celebrate My Love
recording engineer:
Alan R. Hirshberg (in 1983)
engineer:
Howard Wolin and Jeremy Smith (producer/engineer)
producer:
Michael Masser
mixer:
Dick Bogart (Recording and mixing engineer) and Russ Terrano
bass guitar [bass]:
Nathan East (in 1983)
drums (drum set):
Carlos Vega (in 1983)
guitar:
Paul Jackson (fusion/urban jazz composer, arranger, producer and guitarist) (in 1983)
piano:
Randy Kerber (in 1983)
vocals:
Peabo Bryson (in 1983) and Roberta Flack (singer and pianist) (in 1983)
arranger:
Michael Masser and Gene Page (conductor, composer, arranger and record producer)
orchestrator:
Gene Page (conductor, composer, arranger and record producer)
phonographic copyright (℗) by:
EMI USA (renamed EMI Records USA in the beginning of the 1990s) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983)
recorded at:
A&M Records Studios in Hollywood, Los Angeles, California, United States (in 1983) and Studio Sound in North Hollywood, Los Angeles, California, United States (in 1983)
mixed at:
Motown Hitsville (recording and mastering studios in West Hollywood, CA) in West Hollywood, California, United States
recording of:
Tonight, I Celebrate My Love (in 1983)
lyricist:
Gerry Goffin
composer:
Michael Masser
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Chelsea Music Publishing Co., Ltd., Lauren Wesley Music (BMI-affiliated), Prince Street Productions, Inc., Rondor Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal Music Corp. (USA, affiliated with ASCAP) and Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
sub-publisher:
Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Peabo Bryson & Roberta Flack3.753:33
7Where Do We Go From HereStacy Lattisaw with Johnny Gill4:19
8Hope That We Can Be Together Soon
producer:
Gamble & Huff
vocals:
Sharon Paige
performer:
MFSB (Mother Father Sister Brother) (in 1975)
arranger:
Bobby Martin (US soul/R&B producer/arranger)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1975)
recording of:
Hope That We Can Be Together Soon (in 1975)
writer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Sharon Page & Harold Melvin & The Blue Notes3:45
9Ain’t Understanding MellowJerry Butler & Brenda Lee Eager4:24
10You Don’t Have to Be a Star (To Be in My Show)
recording of:
You Don't Have to Be a Star (To Be in My Show)
writer:
James Dean (US soul songwriter) and John Glover (US Funk/disco/soul producer & songwriter)
Marilyn McCoo & Billy Davis Jr.53:54
11Reunited
producer:
Freddie Perren
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1978) and Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1978)
edit of:
Reunited by Peaches & Herb
recording of:
Reunited
writer:
Dino Fekaris and Freddie Perren
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Peaches & Herb54:01
12SolidAshford & Simpson3:48
13Two Hearts
performer:
Teddy Pendergrass
recording of:
Two Hearts
writer:
Reggie Lucas, James Mtume (jazz/funk musician) and Tawatha
Stephanie Mills featuring Teddy Pendergrass4:42
14A Little Bit More
guest vocals:
Melba Moore
performer:
Melba Moore
recording of:
A Little Bit More
writer:
Gene McFadden, James McKinney (Soul - funk - disco keyboards - synthesizer - trumpet player) and Linda Vitali (Songwriter)
publisher:
Linda Vitali Music and Mc-Fadden-Gene-Music
Melba Moore duet with Freddie Jackson4:56
15Never Knew Love Like This
performer:
Cherrelle (R&B singer)
recording of:
Never Knew Love Like This
writer:
James Harris III (James Harris of Jam & Lewis) and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
publisher:
Avant Garde Music Publishing, Inc., EMI April Music Inc., Flyte Tyme Tunes, Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Alexander O’Neal featuring Cherrelle5:13
16How Do You Keep the Music Playing
recording engineer:
Joel Moss
synthesizer programming:
Steve Porcaro
co-producer:
Johnny Mandel (American composer and arranger)
bass:
Nathan East
drums (drum set) [drums]:
Leon Ndugu Chancler
guitar:
George Doering and Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
piano [acoustic piano]:
David Foster (Canadian music producer, arranger and composer)
synthesizer:
David Paich
guest vocals:
Patti Austin
lead vocals:
James Ingram (R&B singer)
performer:
Patti Austin
arranger:
David Foster (Canadian music producer, arranger and composer), Quincy Jones and Johnny Mandel (American composer and arranger)
co-produced for:
Shadow Productions
recording of:
How Do You Keep the Music Playing?
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
Michel Legrand
publisher:
Warner Olive Music LLC and WB Music Corp. (1929–2019) (in 1982)
part of:
The 55th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1982 nominee)
Patti Austin & James Ingram4:18
17Ain’t Nothing Like the Real Thing
producer:
Nickolas Ashford and Valerie Simpson
instruments:
The Funk Brothers (on 1967-10-06)
background vocals:
Valerie Simpson (in 1967) and Nickolas Ashford (on 1967-10-06)
lead vocals:
Marvin Gaye (on 1967-10-06) and Tammi Terrell (on 1967-10-06)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1968)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (on 1967-10-06)
recording of:
Ain’t Nothing Like the Real Thing (on 1967-10-06)
writer:
Nickolas Ashford and Valerie Simpson
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (UK) Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30), Jobete Music Co., Inc. (from 1967 to present) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Marvin Gaye & Tammi Terrell3.752:16
18Don’t Look Any Further
recording engineer:
Jeremy Smith (producer/engineer)
drum machine programming and associate co-producer:
Paul M. Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
producer:
Dennis Lambert
bass guitar:
Nathan East
bass synthesizer and electric guitar [Valley Arts Stratocaster]:
Paul M. Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
cabasa, shakers, talking drum, tambourine and timbales:
Paulinho da Costa (Brazilian percussionist)
synthesizer:
Dennis Lambert
guest vocals:
Siedah Garrett
performer:
Siedah Garrett
arranger:
Dennis Lambert and Paul M. Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
recorded at:
Soundcastle Studios (former LA location) in Silver Lake, Los Angeles, California, United States
mixed at:
Motown Studios - Hitsville West (recording and mastering studios in West Hollywood, CA) in West Hollywood, California, United States
recording of:
Don’t Look Any Further
writer:
Franne Golde, Duane Hitchings and Dennis Lambert
publisher:
BMG Platinum Songs US, Universal Music Careers and VMG Worldwide
Dennis Edwards featuring Siedah Garrett44:06

Credits

Release group

part of:Body + Soul (Time-Life Music) (number: 27) (order: 31)
Discogs:https://www.discogs.com/master/1382522 [info]
Allmusic:https://www.allmusic.com/album/mw0001137619 [info]