Greatest Hits of the 50’s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▶CD
3▼CD
Nr.TitelKünstlerBewertungLänge
1Cheek to Cheek
cover recording of:
Cheek to Cheek (from “Top Hat”)
Texter und Komponist(in):
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Academy Award for Best Original Song (Nummer: 1935 nominee)
Teil von:
Top Hat (1935 film)
Peggy Lee2:39
2S’Wonderful
recording of:
’S Wonderful
Texter:
Ira Gershwin (in 1927)
Komponist(in):
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und WB Music Corp. (1929–2019)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Funny Face (1927 musical)
Teil von:
My One and Only (1983 Broadway musical)
cover recording of:
’S Wonderful
Texter:
Ira Gershwin (in 1927)
Komponist(in):
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und WB Music Corp. (1929–2019)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Funny Face (1927 musical)
Teil von:
My One and Only (1983 Broadway musical)
Shirley Bassey2:16
3With Plenty of Money and You
Produzent(in):
Teddy Reig
alto saxophone:
Marshall Royal (in 1959-01) und Frank Wess (in 1959-01)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (in 1959-01)
Gitarre:
Freddie Green (in 1959-01)
Klavier:
Count Basie (pianist) (in 1959-01) und Ralph Sharon (in 1959-01)
Kontrabass:
Eddie Jones (US jazz double bassist) (in 1959-01)
Posaune:
Henry Coker (jazz trombonist) (in 1959-01), Al Grey (trombone) (in 1959-01) und Benny Powell (jazz trombonist) (in 1959-01)
Schlagzeug:
Sonny Payne (in 1959-01)
Tenorsaxophon:
Frank Foster (saxophonist) (in 1959-01) und Billy Mitchell (US jazz saxophonist) (in 1959-01)
Trompete:
Wendell Culley (jazz trumpeter) (in 1959-01), Thad Jones (American jazz trumpeter) (in 1959-01), Joe Newman (US jazz trumpeter) (in 1959-01) und Snooky Young (in 1959-01)
vocals:
Tony Bennett (US jazz/standards vocalist) (in 1959-01)
Interpret(in):
Tony Bennett (US jazz/standards vocalist) (in 1959-01) und Count Basie and His Orchestra (in 1959-01)
arranger:
Ralph Sharon
cover recording of:
With Plenty of Money and You (in 1959-01)
Texter:
Al Dubin
Komponist(in):
Harry Warren (US composer and lyricist)
Teil von:
42nd Street (full musical)
Tony Bennett1:34
4The Great Pretender
Jimmy Parkinson2:23
5Diamonds Are a Girl’s Best Friend
cover recording of:
Diamonds Are a Girl’s Best Friend (Gentlemen Prefer Blondes)
Texter:
Leo Robin (US composer, lyricist & songwriter)
Komponist(in):
Leo Robin (US composer, lyricist & songwriter) und Jule Styne
publisher:
Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent) und Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Teil von:
Gentlemen Prefer Blondes (1949 musical based on novel of the same name by Anita Loos)
Jo Stafford2:18
6Never Do a Tango With an Eskimo
vocals:
Alma Cogan
recording of:
Never Do a Tango With an Eskimo
Verfasser(in):
Tommie Connor (English songwriter)
Alma Cogan2:11
7Kisses Sweeter Than Wine
cover recording of:
Kisses Sweeter Than Wine
Texter:
Paul Campbell (songwriting pseudonym used by The Weavers)
Komponist(in):
Joel Newman
Jimmie Rodgers42:21
8Around the World
Gracie Fields2:25
9Scarlet Ribbons (For Her Hair)
The Kingston Trio2:18
10Jump, Jive an’ Wail
Produzent(in):
Voyle Gilmore
Bass:
Amado Rodrigues (am 1956-04-19)
Gitarre:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1956-04-19)
Klavier:
Willie McCumber Jr. (am 1956-04-19)
Posaune:
Jimmy 'Little Red' Blount (am 1956-04-19)
Schlagzeug:
Bobby Morris (am 1956-04-19)
Tenorsaxophon:
Sam Butera (am 1956-04-19)
Trompete und Sologesang:
Louis Prima (am 1956-04-19)
Orchester:
The Witnesses (am 1956-04-19)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-04-19)
recording of:
Jump, Jive an’ Wail (am 1956-04-19)
Texter:
Louis Prima
Komponist(in):
Louis Prima (in 1956)
Louis Prima53:29
11One O’Clock Jump
recording of:
One O’Clock Jump
Komponist(in):
Count Basie (pianist) (in 1937)
publisher:
EMI Feist Catalog Inc.
Benny Goodman3:53
12Boogie Woogie Bugle Boy
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1941-01-02)
vocals:
The Andrews Sisters (am 1941-01-02), Maxene Andrews (am 1941-01-02), Laverne Andrews (am 1941-01-02) und Patti Andrews (am 1941-01-02)
Orchester:
Vic Schoen and His Orchestra (am 1941-01-02)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1941)
recording of:
Boogie Woogie Bugle Boy (am 1941-01-02)
Verfasser(in):
Hughie Prince und Don Raye
publisher:
A4V Digital, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 14th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1941 nominee)
The Andrews Sisters2:37
13Satin Doll
recording of:
Satin Doll
Texter:
Johnny Mercer (in 1953)
Komponist(in):
Billy Strayhorn (in 1953)
zusätzliche(r) Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. (Duke Ellington’s music publishing company) und WB Music Corp. (1929–2019)
Duke Ellington & His Orchestra2:58
14Bad Penny Blues
Humphrey Lyttelton2:42
15Let’s Face the Music and Dance
Nelson Riddle and His Orchestra2:33
16Midnight in the Air
Gitarre [g]:
Toots Thielemans (am 1955-04-15)
Klavier:
Shearing (British jazz pianist) (am 1955-04-15)
Kontrabass [b]:
Al McKibbon (double bassist) (am 1955-04-15)
Schlagzeug [drums]:
Bill Clark (Drummer) (am 1955-04-15)
Vibraphon [vibes]:
Johnny Rae (US jazz drummer/vibraphonist) (am 1955-04-15)
recording of:
Midnight in the Air
Komponist(in):
Leonard Feather und George Shearing (British jazz pianist)
instrumental recording of:
Midnight in the Air
Komponist(in):
Leonard Feather und George Shearing (British jazz pianist)
George Shearing42:28
17Blue Moon (live)
recording of:
Blue Moon
Texter:
Lorenz Hart (in 1934)
Komponist(in):
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV und Francis Day Editions (SABAM)
Teil von:
New York, New York (1977 musical film soundtrack)
live recording of:
Blue Moon
Texter:
Lorenz Hart (in 1934)
Komponist(in):
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV und Francis Day Editions (SABAM)
Teil von:
New York, New York (1977 musical film soundtrack)
Billie Holiday2:02
18The Continental
Billy May2:23
19Ruby
Les Baxter and His Orchestra2:54
20Blue Tango
recording of:
Blue Tango
Texter:
Mitchell Parish
Komponist(in):
Leroy Anderson (bis 1951-06-28)
Version von:
Blue Tango (original instrumental version)
Ray Martin and His Orchestra2:39
21Limelight
Ron Goodwin3:00
22Staccato’s Theme
Elmer Bernstein2:55
23Crazy Dream
Jim Dale2:05
24The Wild Ones
Lou Busch2:28
25Roulette
Russ Conway2:12