Luciano Pavarotti - The Complete Opera Recordings

~ Release by Luciano Pavarotti (see all versions of this release, 1 available)

Annotation

Collection of 101 discs (95 CDs, 6 Blu-Ray Audio) of Pavarotti's complete opera recordings for Decca Classics.

Annotation last modified on 2020-03-18 00:46 UTC.

Tracklist

1CD: Bellini: Beatrice di Tenda (I)
2CD: Bellini: Beatrice di Tenda (II)
3CD: Donizetti: La fille du régiment (I)
4CD: Donizetti: La fille du régiment (II)
5CD: Verdi: Messa da Requiem
6CD: Mascagni: L'amico Fritz (I)
7CD: Mascagni: L'amico Fritz (II)
8CD: R. Strauss: Der Rosenkavalier (I)
9CD: R. Strauss: Der Rosenkavalier (II)
10CD: R. Strauss: Der Rosenkavalier (III)
#TitleArtistRatingLength
1Der Rosenkavalier, op. 59: Akt III. Einleitung and Pantomime
recording engineer:
Jack Law (engineer), James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt III. Einleitung und Pantomime (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss6:03
2Der Rosenkavalier, op. 59: Akt III. „Hab'n Euer Gnaden noch weitre Befehle?” (Wirt)
recording engineer:
Jack Law (engineer), James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Manfred Jungwirth (operatic bass) (in 1968-11)
other vocals [Vier Kellner]:
Franz Setzer (in 1968-11) and Friedrich Strack (in 1968-11)
tenor vocals [Der Wirt]:
Anton Dermota (tenor) (in 1968-11)
tenor vocals [Vier Kellner]:
Nikolaus Simkowsky (tenor) (in 1968-11) and Adolf Tomaschek (tenor) (in 1968-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Hab'n Euer Gnaden noch weitre Befehle?" (Der Wirt, Kellner, Baron) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss3:01
3Der Rosenkavalier, op. 59: Akt III. „Nein, nein, nein, nein! I trink' kein Wein” (Octavian)
recording engineer:
Jack Law (engineer), James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Manfred Jungwirth (operatic bass) (in 1968-11)
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Die schöne Musi!" (Octavian, Baron) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
recording of:
Der Rosenkavalier, op. 59: Akt III. "Nein, nein, nein! I trink' kein Wein" (Octavian, Baron) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss6:41
4Der Rosenkavalier, op. 59: Akt III. „Es is ja eh all's eins, es is ja eh all's eins” (Octavian)
recording engineer:
Jack Law (engineer), James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Manfred Jungwirth (operatic bass) (in 1968-11)
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Es is ja eh all's eins" (in 1968-11)
composer:
Richard Strauss (German composer)
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss2:39
5Der Rosenkavalier, op. 59: Akt III. „Da und da und da und da!” (Baron)
recording engineer:
Jack Law (engineer), James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Manfred Jungwirth (operatic bass) (in 1968-11)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1968-11)
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
other vocals [Vier Kellner]:
Franz Setzer (in 1968-11) and Friedrich Strack (in 1968-11)
soprano vocals [Annina]:
Anne Howells (operatic mezzo-soprano) (in 1968-11)
tenor vocals [Der Wirt]:
Anton Dermota (tenor) (in 1968-11)
tenor vocals [Valzacchi]:
Murray Dickie (tenor) (in 1968-11)
tenor vocals [Vier Kellner]:
Nikolaus Simkowsky (tenor) (in 1968-11) and Adolf Tomaschek (tenor) (in 1968-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Da und da und da und da!" (in 1968-11)
composer:
Richard Strauss (German composer)
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss4:06
6Der Rosenkavalier, op. 59: Akt III. „Halt! Keiner rührt sich! Was ist los?” (Kommissarius)
recording engineer:
Jack Law (engineer), James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Manfred Jungwirth (operatic bass) (in 1968-11)
bass vocals [Ein Polizeikommissar]:
Herbert Lackner (operatic bass) (in 1968-11)
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
tenor vocals [Der Wirt]:
Anton Dermota (tenor) (in 1968-11)
tenor vocals [Valzacchi]:
Murray Dickie (tenor) (in 1968-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Halt! Keiner rührt sich!" (in 1968-11)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss3:38
7Der Rosenkavalier, op. 59: Akt III. „Zur Stelle! Was wird von mir gewünscht?” (Faninal)
recording engineer:
Jack Law (engineer), James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Herr von Faninal]:
Otto Wiener (baritone) (in 1968-11)
bass vocals [Der Baron Ochs auf Lerchenau]:
Manfred Jungwirth (operatic bass) (in 1968-11)
bass vocals [Ein Polizeikommissar]:
Herbert Lackner (operatic bass) (in 1968-11)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1968-11)
soprano vocals [Sophie]:
Helen Donath (soprano) (in 1968-11)
tenor vocals [Der Wirt]:
Anton Dermota (tenor) (in 1968-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Zur Stelle! Was wird von mir gewünscht?" (in 1968-11)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss5:04
8Der Rosenkavalier, op. 59: Akt III. „Sind desto eher im klaren. Ich zahl', i geh'!” (Baron)
recording engineer:
Jack Law (engineer), James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Manfred Jungwirth (operatic bass) (in 1968-11)
bass vocals [Ein Polizeikommissar]:
Herbert Lackner (operatic bass) (in 1968-11)
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
tenor vocals [Der Wirt]:
Anton Dermota (tenor) (in 1968-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Sind desto eher im Klaren" (Baron, Kommissarius, Octavian) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss2:34
9Der Rosenkavalier, op. 59: Akt III. „Bin glücklich über Maßen, hab' die Gnad' kaum meritiert” (Baron)
recording engineer:
Jack Law (engineer), James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Manfred Jungwirth (operatic bass) (in 1968-11)
bass vocals [Ein Polizeikommissar]:
Herbert Lackner (operatic bass) (in 1968-11)
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
soprano vocals [Die Feldmarschallin Fürstin Werdenberg]:
Régine Crespin (soprano) (in 1968-11)
soprano vocals [Sophie]:
Helen Donath (soprano) (in 1968-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Bin glücklich über Maßen...Muss jetzt partout zu ihr" (in 1968-11)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss2:43
10Der Rosenkavalier, op. 59: Akt III. „Laß Er nur gut sein und verschwind' Er auf eins, zwei!” (Marschallin)
recording engineer:
Jack Law (engineer), James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Manfred Jungwirth (operatic bass) (in 1968-11)
bass vocals [Ein Polizeikommissar]:
Herbert Lackner (operatic bass) (in 1968-11)
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
soprano vocals [Die Feldmarschallin Fürstin Werdenberg]:
Régine Crespin (soprano) (in 1968-11)
soprano vocals [Sophie]:
Helen Donath (soprano) (in 1968-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Lass er nur gut sein und verschwind' er" (in 1968-11)
composer:
Richard Strauss (German composer)
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss7:33
11Der Rosenkavalier, op. 59: Akt III. „Leupold, wir gehn!” (Baron)
recording engineer:
Jack Law (engineer), James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Manfred Jungwirth (operatic bass) (in 1968-11)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1968-11)
other vocals [Vier Kellner]:
Franz Setzer (in 1968-11) and Friedrich Strack (in 1968-11)
soprano vocals [Annina]:
Anne Howells (operatic mezzo-soprano) (in 1968-11)
tenor vocals [Der Wirt]:
Anton Dermota (tenor) (in 1968-11)
tenor vocals [Hausknecht]:
Hans Reautschnigg (tenor) (in 1968-11)
tenor vocals [Valzacchi]:
Murray Dickie (tenor) (in 1968-11)
tenor vocals [Vier Kellner]:
Nikolaus Simkowsky (tenor) (in 1968-11) and Adolf Tomaschek (tenor) (in 1968-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Leopold, wir gehn!" (in 1968-11)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss2:16
12Der Rosenkavalier, op. 59: Akt III. „Mein Gott, es war nicht mehr al seiner Farce” (Sophie)
recording engineer:
Jack Law (engineer), James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
soprano vocals [Die Feldmarschallin Fürstin Werdenberg]:
Régine Crespin (soprano) (in 1968-11)
soprano vocals [Sophie]:
Helen Donath (soprano) (in 1968-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Mein Gott, es war nicht mehr als eine Farce" (Sophie, Octavian, Marschallin) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss7:01
13Der Rosenkavalier, op. 59: Akt III. „Marie Theres'!” „Hab mirs gelobt” (Octavian, Marschallin)
recording engineer:
Jack Law (engineer), James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
soprano vocals [Die Feldmarschallin Fürstin Werdenberg]:
Régine Crespin (soprano) (in 1968-11)
soprano vocals [Sophie]:
Helen Donath (soprano) (in 1968-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt III. “Marie Theres’!” … “Hab’ mir’s gelobt” (Octavian, Marschallin, Sophie, Faninal) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss6:05
14Der Rosenkavalier, op. 59: Akt III. „Ist ein Traum, kann nicht wirklich sein” (Sophie)
recording engineer:
Jack Law (engineer), James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Herr von Faninal]:
Otto Wiener (baritone) (in 1968-11)
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
soprano vocals [Die Feldmarschallin Fürstin Werdenberg]:
Régine Crespin (soprano) (in 1968-11)
soprano vocals [Sophie]:
Helen Donath (soprano) (in 1968-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Ist ein Traum, kann nicht wirklich sein" (Sophie, Octavian, Faninal, Marschallin) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss6:40
11CD: Donizetti: L'elisir d'amore (I)
12CD: Donizetti: L'elisir d'amore (II)
13CD: Verdi: Un ballo in maschera (I)
14CD: Verdi: Un ballo in maschera (II)
15CD: Verdi: Macbeth (I)
16CD: Verdi: Macbeth (II)
17CD: Rossini: Stabat Mater
18CD: Verdi: Rigoletto (I)
19CD: Verdi: Rigoletto (II)
20CD: Donizetti: Lucia di Lammermoor (I)
21CD: Donizetti: Lucia di Lammermoor (II)
22CD: Puccini: Turandot (I)
23CD: Puccini: Turandot (II)
24CD: Puccini: La bohème (I)
25CD: Puccini: La bohème (II)
26CD: Bellini: I puritani (I)
27CD: Bellini: I puritani (II)
28CD: Bellini: I puritani (III)
29CD: Puccini: Madama Butterfly (I)
30CD: Puccini: Madama Butterfly (II)
31CD: Donizetti: La favorita (I)
32CD: Donizetti: La favorita (II)
33CD: Donizetti: Maria Stuarda (I)
34CD: Donizetti: Maria Stuarda (II)
35CD: Verdi: Luisa Miller (I)
36CD: Verdi: Luisa Miller (II)
37CD: Mascagni: Cavalleria rusticana
38CD: Leoncavalla: Pagliacci
39CD: Verdi: Il trovatore (I)
40CD: Verdi: Il trovatore (II)
41CD: Puccini: Tosca (I)
42CD: Puccini: Tosca (II)
43CD: Rossini: Petite messe solennelle
44CD: Rossini: Petite messe solennelle (cont.) / Donizetti: Requiem
45CD: Rossini: Guglielmo Tell (I)
46CD: Rossini: Guglielmo Tell (II)
47CD: Rossini: Guglielmo Tell (III)
48CD: Rossini: Guglielmo Tell (IV)
49CD: Verdi: La traviata (I)
50CD: Verdi: La traviata (II)
51CD: Bellini: La sonnambula (I)
52CD: Bellini: La sonnambula (II)
53CD: Ponchielli: La Gioconda (I)
54CD: Ponchielli: La Gioconda (II)
55CD: Ponchielli: La Gioconda (III)
56CD: Boito: Mefistofele (I)
57CD: Boito: Mefistofele (II)
58CD: Verdi: Un ballo in maschera (I)
59CD: Verdi: Un ballo in maschera (II)
60CD: Giordano: Andrea Chénier (I)
61CD: Giordano: Andrea Chénier (II)
62CD: Mozart: Idomeneo (I)
63CD: Mozart: Idomeneo (II)
64CD: Mozart: Idomeneo (III)
65CD: Bellini: Norma (I)
66CD: Bellini: Norma (II)
67CD: Bellini: Norma (III)
68CD: Verdi: Aida (I)
69CD: Verdi: Aida (II)
70CD: Verdi: Aida (III)
71CD: Verdi: Ernani (I)
72CD: Verdi: Ernani (II)
73CD: Berlioz: Requiem
74CD: Verdi: Rigoletto (I)
75CD: Verdi: Rigoletto (II)
76CD: Donizetti: L'elisir d'amore (I)
77CD: Donizetti: L'elisir d'amore (II)
78CD: Verdi: Il trovatore (I)
79CD: Verdi: Il trovatore (II)
80CD: Verdi: Otello (I)
81CD: Verdi: Otello (II)
82CD: Verdi: La traviata (I)
83CD: Verdi: La traviata (II)
84CD: Leoncavallo: Pagliacci
85CD: Puccini: Manon Lescaut (I)
86CD: Puccini: Manon Lescaut (II)
87CD: Verdi: Don Carlo (I)
88CD: Verdi: Don Carlo (II)
89CD: Verdi: Don Carlo (III)
90CD: Verdi: Rigoletto (I)
91CD: Verdi: Rigoletto (II)
92CD: Verdi: I Lombardi (I)
93CD: Verdi: I Lombardi (II)
94Blu-ray: Donizetti: L'elisir d'amore
95Blu-ray: Verdi: Rigoletto
96Blu-ray: Donizetti: Lucia di Lammermoor
97Blu-ray: Puccini: Turandot
98Blu-ray: Puccini: La bohème
99Blu-ray: Puccini: Madama Butterfly
100CD: Puccini: La bohème (I)
101CD: Puccini: La bohème (II)

Credits

Release group

includes:La sonnambula (1980 studio cast) by Vincenzo Bellini (Sicilian opera composer); Joan Sutherland (soprano), Luciano Pavarotti (tenor), Nicolaï Ghiaurov (operatic bass), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Richard Bonynge (conductor and pianist)
Un ballo in maschera (1982–83 studio cast) by Verdi (Giuseppe Verdi, Italian opera composer); Luciano Pavarotti (tenor), Margaret Price (soprano), Renato Bruson (baritone), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Sir Georg Solti (conductor)
standalone website:https://www.deccaclassics.com/en/cat/4832417 [info]