1978: The Best Year of My Life

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Rivers of Babylon
cover recording of:
Rivers of Babylon
Texter:
Brent Dowe
Verfasser(in):
Brent Dowe und Trevor McNaughton
publisher:
Blue Mountain Music, BMG Music, Far Musikverlag GmbH und Polygram Music
Version von:
Rivers of Babylon (Sinead O'Connor version with additional lyrics)
recording of:
Rivers of Babylon
Texter:
Brent Dowe
Verfasser(in):
Brent Dowe und Trevor McNaughton
publisher:
Blue Mountain Music, BMG Music, Far Musikverlag GmbH und Polygram Music
Version von:
Rivers of Babylon (Sinead O'Connor version with additional lyrics)
Boney M.4:01
2Blame It on the Boogie
Techniker(in):
Don Murray (producer / engineer)
leitende(r) Produzent(in):
Mike Atkinson und Bobby Colomby
Mix:
John Luongo
Bass:
Gary King (jazz bassist, arranger and songwriter) (in 1978) und Nathan Watts (in 1978)
Conga:
Laudir de Oliveira (in 1978) und Claudio Slon (in 1978)
flute, Saxophon und Trompete:
Seawind Horns
Gitarre:
Roland Bautista (in 1978), Tito Jackson (in 1978) und Mike Sembello (in 1978)
Keyboard:
Greg Phillinganes (in 1978)
Perkussion und Schlagzeug:
Rick Morotta (US drummer/percussionist) (in 1978)
Hintergrundgesang:
Jackie Jackson (member of the Jackson 5), Marlon Jackson und Randy Jackson (brother of Michael and Janet)
Sologesang:
Michael Jackson (“King of Pop”) (in 1978)
Horn arranger:
Jerry Hey
arranger:
Michael Jackson (“King of Pop”)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
aufgenommen bei:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Dawnbreakers Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten, Filmways/Heider Recording (fka Wally Heider Recording Studio & Wally Heider Studios until 1978) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Total Experience Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
Blame It on the Boogie (in 1978)
Verfasser(in):
Dave Jackson (Motown songwriter, aka Dave Jackson-Rich), Mick Jackson (English singer-songwriter, “Blame It On the Boogie” co-writer) und Elmar Krohn
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Carlin Music Ltd. und Peterman & Co. Ltd.
Teil von:
MJ: The Musical
recording of:
Blame It on the Boogie
Verfasser(in):
Dave Jackson (Motown songwriter, aka Dave Jackson-Rich), Mick Jackson (English singer-songwriter, “Blame It On the Boogie” co-writer) und Elmar Krohn
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Carlin Music Ltd. und Peterman & Co. Ltd.
Teil von:
MJ: The Musical
The Jacksons4.33:35
3September
Produzent(in):
Maurice White (Earth, Wind & Fire)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1975, in 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1978) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 16) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 65)
recording of:
September
Verfasser(in):
Al McKay, Maurice White (Earth, Wind & Fire) und Allee Willis
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Steel Chest Music, The International Music Network, Universal Music Publishing Group, Pty. Ltd, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Earth, Wind & Fire4.63:35
4Could It Be Magic
Koproduzent(in):
Ron Dante und Barry Manilow
Produzent(in):
Ron Dante und Barry Manilow
Sologesang:
Barry Manilow
vocals:
Barry Manilow
arranger:
Barry Manilow und Joe Renzetti (US film composer, session musician)
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1979)
Bearbeitung von:
Could It Be Magic (1975 remix) von Barry Manilow
recording of:
Could It Be Magic
Texter:
Adrienne Anderson
Verfasser(in):
Adrienne Anderson
Komponist(in):
Barry Manilow
zusätzliche(r) Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer)
publisher:
Angeldust Music (beendet), Kamikazee Music (beendet), EMI Longitude Music und Universal Music Careers
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
basiert auf:
Prélude no. 20 in C minor, op. 28: Largo
Version von:
Could It Be Magic (original Featherbed single version)
Barry Manilow4:15
5Mexican Girl
Smokie3:59
6Mr. Blue Sky
Electric Light Orchestra5:04
7Because the Night
Produzent(in):
Jimmy Iovine
Mix:
Jimmy Iovine und Shelly Yakus
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1978, in 1988) und Arista Records, LLC (holding company - file NO releases here!) (in 1978)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 72)
recording of:
Because the Night
publisher:
Bruce Springsteen und Bruce Springsteen (in 1975)
Texter:
Patti Smith (in 1977) und Bruce Springsteen (in 1977)
Komponist(in):
Bruce Springsteen (in 1977)
publisher:
Bruce Springsteen Music, Rondor Music, Rondor Music (Australia) Pty Ltd, Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Patti Smith Group4.63:23
8You Took the Words Right Out of My Mouth (Hot Summer Night)
Meat Loaf5:03
9Don’t Look Back
recording of:
Don’t Look Back
Texter und Komponist(in):
Tom Scholz
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Pure Songs (in 1978)
Boston6:05
10Forever Autumn
cover recording of:
Forever Autumn
Texter:
Gary Osborne und Paul Vigrass
Komponist(in):
Jeff Wayne (musician)
publisher:
Universal/MCA Music Ltd. (not for release label use!)
Teil von:
Jeff Wayne’s Musical Version of “The War of the Worlds”
Justin Hayward44:09
11Dust in the Wind
Techniker(in):
Jeff Glixman (von 1977-06 bis 1977-07)
zusätzliche(r) Techniker(in):
Terry Diane Becker (engineer)
Produzent(in):
Jeff Glixman (in 1977-06)
Akustikgitarre und E-Gitarre:
Kerry Livgren (von 1977-06 bis 1977-07) und Rich Williams (guitarist of Kansas) (von 1977-06 bis 1977-07)
Bassgitarre:
Dave Hope (von 1977-06 bis 1977-07)
Bratsche / Viola, Cello und Geige / Violine [violins]:
Robby Steinhardt (von 1977-06 bis 1977-07)
Celesta, Orgel, Synthesizer, Vibraphon und Sologesang:
Steve Walsh (original lead singer of Kansas) (von 1977-06 bis 1977-07)
Chimes, gong, Pauke und Schlagzeug:
Phil Ehart (von 1977-06 bis 1977-07)
Clavinet und Synthesizer [synthesizers]:
Kerry Livgren (von 1977-06 bis 1977-07)
Klavier:
Kerry Livgren (von 1977-06 bis 1977-07) und Steve Walsh (original lead singer of Kansas) (von 1977-06 bis 1977-07)
Perkussion [additional percussion]:
Phil Ehart (von 1977-06 bis 1977-07), Kerry Livgren (von 1977-06 bis 1977-07) und Steve Walsh (original lead singer of Kansas) (von 1977-06 bis 1977-07)
Hintergrundgesang:
Robby Steinhardt (von 1977-06 bis 1977-07) und Steve Walsh (original lead singer of Kansas) (von 1977-06 bis 1977-07)
arranger:
Kansas (US prog rock band)
phonographisches Urheberrecht (℗) von:
Sony Music (global brand, excluding JP, owned by Sony Music Entertainment) (in 1976), CBS, Inc. (US broadcasting company; file no releases here!) (in 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977) und CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1978)
aufgenommen bei:
Studio in the Country in Bogalusa, Louisiana, Vereinigte Staaten (von 1977-06 bis 1977-07) und Woodland Studios in Nashville, Tennessee, Vereinigte Staaten (von 1977-06 bis 1977-07)
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1977-08)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 39)
recording of:
Dust in the Wind (von 1977-06 bis 1977-07)
Texter und Komponist(in):
Kerry Livgren
publisher:
Blackwood Music Publishing (1953-02-07–1987-12-30), Don Kirshner Music Inc., Kirshner CBS Music Publishing und Kirshner-Warner Bros Music Ltd.
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
adaptations:
As the Sun Rises
Kansas4.13:26
12Surrender
recording of:
Surrender
Texter und Komponist(in):
Rick Nielsen
publisher:
Adult Music (in 1978) und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (in 1978)
sub-publisher:
イーエムアイ音楽出版 C・F事業部 (EMI Music Publishing Japan C.F. division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Cheap Trick4:15
13I Can’t Stand the Rain
Eruption3:06
14I Thought It Was You
Herbie Hancock3:38
15Instant Replay
Dan Hartman3:28
16Got to Be Real
Cheryl Lynn3:44
17I Lost My Heart to a Starship Trooper
Sarah Brightman & Hot Gossip4:20
18Shame
Evelyn “Champagne” King2:58
19Too Much, Too Little, Too Late
Johnny Mathis duet with Deniece Williams?:??
20Lovely Day
Produzent(in):
Clarence McDonald und Bill Withers
Bassgitarre:
Jerry Knight (in 1977)
Gitarre:
Ray Parker (in 1977)
Keyboard:
Clarence McDonald (in 1977)
Perkussion:
Ralph MacDonald (in 1977)
Schlagzeug und shakers:
Russell Kunkel (session drummer) (in 1977)
Sologesang:
Bill Withers (in 1977)
arranger:
Clarence McDonald
concertmaster:
Charles Veal (violinist, conductor and arranger) (in 1977)
phonographisches Urheberrecht (℗) von:
CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1977), CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) und Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1977)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 402)
recording of:
Lovely Day (in 1977)
Verfasser(in):
Skip Scarborough und Bill Withers
publisher:
Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bill Withers4.454:13

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