Against the Odds: 1974–1982 (super deluxe edition)

~ Veröffentlichung von Blondie (alle Versionen dieser Veröffentlichung ansehen, 5 vorhanden)

Titelliste

1▶12"-Vinyl: Blondie
2▶12"-Vinyl: Plastic Letters
3▶12"-Vinyl: Parallel Lines
4▶12"-Vinyl: Eat to the Beat
5▶12"-Vinyl: Autoamerican
6▶12"-Vinyl: The Hunter
7▶7″-Vinyl: Moonlight Drive
8▶12"-Vinyl: Out in the Streets (Out-takes & Rarities)
9▶12"-Vinyl: Plaza Sound (Out-takes & Rarities)
10▼12"-Vinyl: Parallel Beats (Out-takes & Rarities)
Nr.TitelBewertungLänge
S1Once I Had a Love (Mike Chapman demo)
assistierende(r) Techniker(in):
Grey Russell
Techniker(in):
Pete Coleman
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Mix:
Tom Camuso (assistant engineer) und Steve Rosenthal
Bassgitarre [bass]:
Nigel Harrison (am 1978-06-03)
E-Bow und zwölfsaitige Gitarre:
Chris Stein (am 1978-06-03)
Gitarre:
Frank Infante (am 1978-06-03) und Chris Stein (am 1978-06-03)
Hybrid-Piano, Orgel und Synthesizer:
Jimmy Destri (am 1978-06-03)
Schlagzeug [drums]:
Clem Burke (am 1978-06-03)
Hintergrundgesang:
Clem Burke (am 1978-06-03), Jimmy Destri (am 1978-06-03) und Frank Infante (am 1978-06-03)
vocals:
Debbie Harry (am 1978-06-03)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1978-06-03)
recording of:
Once I Had a Love (am 1978-06-03)
Verfasser(in):
Deborah Harry und Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) und Monster Island Music Publishing Corporation
3:19
S2Sunday Girl (French version)
assistierende(r) Techniker(in):
Grey Russell
Techniker(in):
Pete Coleman
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre [bass]:
Nigel Harrison (am 1978-06-08)
E-Bow und zwölfsaitige Gitarre:
Chris Stein (am 1978-06-08)
Gitarre:
Frank Infante (am 1978-06-08) und Chris Stein (am 1978-06-08)
Hybrid-Piano, Orgel und Synthesizer:
Jimmy Destri (am 1978-06-08)
Schlagzeug [drums]:
Clem Burke (am 1978-06-08)
Hintergrundgesang:
Clem Burke (am 1978-06-08), Jimmy Destri (am 1978-06-08) und Frank Infante (am 1978-06-08)
vocals:
Debbie Harry (am 1978-06-08)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1978-06-08)
recording of:
Sunday Girl
Texter und Komponist(in):
Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (beendet), Monster Island Music Publishing Corporation (beendet), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated) und Rare Blue Music Inc (in 1978)
3:14
S3I’ll Never Break Away From This Heart of Mine (Pretty Baby) (take 1)
assistierende(r) Techniker(in):
Grey Russell
Techniker(in):
Peter Coleman (British engineer & producer)
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Mix:
Tom Camuso (assistant engineer) und Steve Rosenthal
Bassgitarre [bass]:
Nigel Harrison (am 1978-06-04)
E-Bow und zwölfsaitige Gitarre:
Chris Stein (am 1978-06-04)
Gitarre:
Frank Infante (am 1978-06-04) und Chris Stein (am 1978-06-04)
Hybrid-Piano, Orgel und Synthesizer:
Jimmy Destri (am 1978-06-04)
Schlagzeug [drums]:
Clem Burke (am 1978-06-04)
Hintergrundgesang:
Clem Burke (am 1978-06-04), Jimmy Destri (am 1978-06-04) und Frank Infante (am 1978-06-04)
vocals:
Debbie Harry (am 1978-06-04)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1978-06-04)
3:36
S4Hanging On the Telephone (Mike Chapman demo)
assistierende(r) Techniker(in):
Grey Russell
Techniker(in):
Peter Coleman (British engineer & producer)
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Mix:
Tom Camuso (assistant engineer) und Steve Rosenthal
Bassgitarre [bass]:
Nigel Harrison (am 1978-06-03)
E-Bow und zwölfsaitige Gitarre:
Chris Stein (am 1978-06-03)
Gitarre:
Frank Infante (am 1978-06-03) und Chris Stein (am 1978-06-03)
Hybrid-Piano, Orgel und Synthesizer:
Jimmy Destri (am 1978-06-03)
Schlagzeug [drums]:
Clem Burke (am 1978-06-03)
Hintergrundgesang:
Clem Burke (am 1978-06-03), Jimmy Destri (am 1978-06-03) und Frank Infante (am 1978-06-03)
vocals:
Debbie Harry (am 1978-06-03)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1978-06-03)
cover demo recording of:
Hanging On the Telephone (am 1978-06-03)
Texter und Komponist(in):
Jack Lee (US songwriter and musician)
publisher:
BMG Blue, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated), Red Admiral Music Inc. (publisher) und Rare Blue Music Inc (in 1978)
2:21
S5Will Anything Happen (instrumental)
assistierende(r) Techniker(in):
Grey Russell
Techniker(in):
Peter Coleman (British engineer & producer)
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Mix:
Tom Camuso (assistant engineer) und Steve Rosenthal
Bassgitarre [bass]:
Nigel Harrison (am 1978-06-03)
E-Bow und zwölfsaitige Gitarre:
Chris Stein (am 1978-06-03)
Gitarre:
Frank Infante (am 1978-06-03) und Chris Stein (am 1978-06-03)
Hybrid-Piano, Orgel und Synthesizer:
Jimmy Destri (am 1978-06-03)
Schlagzeug [drums]:
Clem Burke (am 1978-06-03)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1978-06-03)
instrumental recording of:
Will Anything Happen? (am 1978-06-03)
Texter und Komponist(in):
Jack Lee (US songwriter and musician)
publisher:
Chrysalis Songs (beendet), BMG Blue, Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated) und Rare Blue Music Inc (in 1978)
2:53
T1Call Me
Techniker(in):
Harold Faltermeyer
Produzent(in):
Giorgio Moroder
Bassgitarre [bass]:
Nigel Harrison (in 1980-01)
Gitarre:
Frank Infante (in 1980-01) und Chris Stein (in 1980-01)
Hybrid-Piano:
Jimmy Destri (in 1980-01)
Schlagzeug [drums]:
Clem Burke (in 1980-01)
zusätzlich Synthesizer:
Giorgio Moroder (in 1980-01)
Sologesang:
Debbie Harry (in 1980-01)
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980, in 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2002), Capitol Records (imprint of Capitol Records, Inc.) (in 1998), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1998) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2002)
aufgenommen bei:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1979) und The Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1980-01)
mixed at:
Allen Zentz Mastering in San Clemente, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 64), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 78) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 157)
recording of:
Call Me (in 1980-01)
Texter:
Deborah Harry
Komponist(in):
Giorgio Moroder
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody und Sony/ATV Music Publishing Australia Pty Ltd.
sub-publisher:
Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und Fujipacific Music, Inc. (vom 2015-01-01 bis heute)
4.23:32
T2Spaghetti Song (Atomic, Pt. 2)
assistierende(r) Techniker(in):
James Farber (sound engineer) und Peter Coleman (British engineer & producer)
Techniker(in):
Dave Tickle
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre [bass]:
Nigel Harrison (am 1979-05-09)
Gitarre:
Frank Infante (am 1979-05-09) und Chris Stein (am 1979-05-09)
Hybrid-Piano, Orgel und Synthesizer:
Jimmy Destri (am 1979-05-09)
Schlagzeug [drums]:
Clem Burke (am 1979-05-09)
vocals:
Debbie Harry (am 1979-05-09)
aufgenommen bei:
Media Sound in New York, New York, Vereinigte Staaten (am 1979-05-09)
2:06
T3Die Young Stay Pretty (take 1)
assistierende(r) Techniker(in):
James Farber (sound engineer) und Peter Coleman (British engineer & producer)
Techniker(in):
Dave Tickle
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre [bass]:
Nigel Harrison (in 1979-05)
Gitarre:
Frank Infante (in 1979-05) und Chris Stein (in 1979-05)
Hybrid-Piano, Orgel und Synthesizer:
Jimmy Destri (in 1979-05)
Schlagzeug [drums]:
Clem Burke (in 1979-05)
vocals:
Debbie Harry (in 1979-05)
aufgenommen bei:
The Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1979-05)
recording of:
Die Young Stay Pretty (in 1979-05)
Verfasser(in):
Deborah Harry und Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (beendet), Monster Island Music Publishing Corporation (beendet), BMG Monarch, Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) und EMI Music Publishing Ltd. (PRS‐affiliated)
3:36
T4Underground Girl
aufgenommen bei:
The Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (am 1979-05-19)
recording of:
Underground Girl (am 1979-05-19)
Verfasser(in):
Frank Infante
3:53
T5Union City Blue (instrumental)
assistierende(r) Techniker(in):
James Farber (sound engineer) und Peter Coleman (British engineer & producer)
Techniker(in):
Dave Tickle
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre [bass]:
Nigel Harrison (am 1979-05-02)
Gitarre:
Frank Infante (am 1979-05-02) und Chris Stein (am 1979-05-02)
Hybrid-Piano, Orgel und Synthesizer:
Jimmy Destri (am 1979-05-02)
Schlagzeug [drums]:
Clem Burke (am 1979-05-02)
aufgenommen bei:
The Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (am 1979-05-02)
instrumental recording of:
Union City Blue (am 1979-05-02)
Verfasser(in):
Nigel Harrison und Deborah Harry
publisher:
BMG Blue, BMG Monarch, BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated) und Monster Island Music Publishing Corporation
2:51
T6Llámame
assistierende(r) Techniker(in):
James Farber (sound engineer) und Peter Coleman (British engineer & producer)
Techniker(in):
Dave Tickle
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre [bass]:
Nigel Harrison (in 1980-05)
Gitarre:
Chris Stein (in 1979-05) und Frank Infante (in 1980-05)
Hybrid-Piano, Orgel und Synthesizer:
Jimmy Destri (in 1980-05)
Schlagzeug [drums]:
Clem Burke (in 1980-05)
vocals:
Debbie Harry (in 1980-05)
aufgenommen bei:
The Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1980-05)
recording of:
Llamame (Call Me) (in 1980-05)
Verfasser(in):
Deborah Harry und Giorgio Moroder
Übersetzer:
Buddy McCluskey (translator) und Mary McCluskey (translator)
übersetzte Version von:
Call Me
6:18
11▶12"-Vinyl: Blondie (Out-takes & Rarities)
12▶12"-Vinyl: Home Tapes (Out-takes & Rarities)