Just What I Needed: The Cars Anthology

~ Veröffentlichung von The Cars (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Just What I Needed
assistierende(r) Techniker(in):
Nigel Walker (UK producer/engineer/guitarist)
Techniker(in):
Geoff Workman
Produzent(in):
Roy Thomas Baker (producer)
phonographisches Urheberrecht (℗) von:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1978), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
aufgenommen bei und mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich (in 1978-02)
Teil von:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 75), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 112) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 369)
recording of:
Just What I Needed (in 1978-02)
Texter und Komponist(in):
Ric Ocasek
publisher:
BMG Music Publishing Ltd., Lido Music, Inc. und Lido Music (not for release label use!) (in 1978)
4.33:47
2My Best Friend's Girl
assistierende(r) Techniker(in):
Nigel Walker (UK producer/engineer/guitarist)
Techniker(in):
Geoff Workman
Produzent(in):
Roy Thomas Baker (producer), Jay Faires und Tricia Holloway
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978, in 1979)
aufgenommen bei und mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich (in 1978-02)
recording of:
My Best Friend’s Girl (in 1978-02)
Texter und Komponist(in):
Ric Ocasek
publisher:
Lido Music, Inc., Universal/MCA Music Publishing Pty Ltd und Lido Music (not for release label use!) (in 1978)
4.353:47
3Good Times Roll
assistierende(r) Techniker(in):
Nigel Walker (UK producer/engineer/guitarist)
Techniker(in):
Geoff Workman
Produzent(in):
Roy Thomas Baker (producer)
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
aufgenommen bei und mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich (in 1978-02)
recording of:
Good Times Roll (in 1978-02)
Texter und Komponist(in):
Ric Ocasek
publisher:
Lido Music, Inc. und Lido Music (not for release label use!) (in 1978)
3.53:49
4You're All I've Got Tonight
assistierende(r) Techniker(in):
Nigel Walker (UK producer/engineer/guitarist)
Techniker(in):
Geoff Workman
Produzent(in):
Roy Thomas Baker (producer)
aufgenommen bei und mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich (in 1978-02)
recording of:
You’re All I’ve Got Tonight (in 1978-02)
Texter und Komponist(in):
Ric Ocasek
publisher:
Lido Music, Inc. und Lido Music (not for release label use!) (in 1978)
3.754:17
5Don't Cha Stop
assistierende(r) Techniker(in):
Nigel Walker (UK producer/engineer/guitarist)
Techniker(in):
Geoff Workman
Produzent(in):
Roy Thomas Baker (producer)
aufgenommen bei und mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich (in 1978-02)
recording of:
Don’t Cha Stop (in 1978-02)
Texter und Komponist(in):
Ric Ocasek
publisher:
Lido Music, Inc. und Lido Music (not for release label use!) (in 1978)
3.53:05
6Moving in Stereo
Techniker(in):
Geoff Workman
Produzent(in):
Roy Thomas Baker (producer)
aufgenommen bei und mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich (in 1978-02)
recording of:
Moving in Stereo (in 1978-02)
Verfasser(in):
Greg Hawkes und Ric Ocasek
publisher:
Lido Music, Inc., Lido Music (not for release label use!) (in 1978) und Oversnare Music (in 1978)
3.64:47
7Take Me Now
recorded in:
Boston, Massachusetts, Vereinigte Staaten (in 1977)
Produzent(in):
The Cars
phonographisches Urheberrecht (℗) von:
The Cars Unlimited, Inc. (in 1995)
recording of:
Take Me Now (in 1977)
publisher:
Lido Music, Inc.
4:01
8Cool Fool
recorded in:
Boston, Massachusetts, Vereinigte Staaten (in 1977)
Produzent(in):
The Cars
phonographisches Urheberrecht (℗) von:
The Cars Unlimited, Inc. (in 1995)
recording of:
Cool Fool (in 1977)
Verfasser(in):
Elliot Easton und Ric Ocasek
publisher:
Lido Music, Inc. und Musique 33
2:43
9Let's Go
assistierende(r) Techniker(in):
George Tutko (engineer, producer)
Techniker(in):
Geoff Workman
Produzent(in):
Roy Thomas Baker (producer)
Bassgitarre und Sologesang:
Benjamin Orr (co-lead singer for The Cars)
Gitarre:
Elliot Easton und Ric Ocasek
Schlagzeug und Perkussion:
David Robinson (US rock drummer)
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1979), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1979), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1979) und Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 2017)
aufgenommen bei:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Let’s Go
Texter und Komponist(in):
Ric Ocasek
publisher:
Carlin Music Corporation und Lido Music, Inc. (in 1979)
43:37
10Candy-O
assistierende(r) Techniker(in):
George Tutko (engineer, producer)
Techniker(in):
Geoff Workman
Produzent(in):
Roy Thomas Baker (producer)
Bassgitarre und Sologesang:
Benjamin Orr (co-lead singer for The Cars)
Gitarre:
Elliot Easton und Ric Ocasek
Schlagzeug und Perkussion:
David Robinson (US rock drummer)
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 2017)
aufgenommen bei:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Candy-O
Texter und Komponist(in):
Ric Ocasek
publisher:
Lido Music, Inc. (in 1979)
32:40
11Dangerous Type
assistierende(r) Techniker(in):
George Tutko (engineer, producer)
Techniker(in):
Geoff Workman
Produzent(in):
Roy Thomas Baker (producer)
Bassgitarre:
Benjamin Orr (co-lead singer for The Cars)
Gitarre:
Elliot Easton und Ric Ocasek
Schlagzeug und Perkussion:
David Robinson (US rock drummer)
Sologesang:
Ric Ocasek
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 2017)
aufgenommen bei:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Dangerous Type
Texter und Komponist(in):
Ric Ocasek
publisher:
Lido Music, Inc. (in 1979)
4.54:32
12Double Life
Produzent(in):
Roy Thomas Baker (producer)
recording of:
Double Life
Texter und Komponist(in):
Ric Ocasek
publisher:
Lido Music, Inc. (in 1979)
4:27
13Got a Lot on My Head
assistierende(r) Techniker(in):
George Tutko (engineer, producer)
Techniker(in):
Geoff Workman
Produzent(in):
Roy Thomas Baker (producer)
Bassgitarre:
Benjamin Orr (co-lead singer for The Cars)
Gitarre:
Elliot Easton und Ric Ocasek
Schlagzeug und Perkussion:
David Robinson (US rock drummer)
Sologesang:
Ric Ocasek
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 2017)
aufgenommen bei:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Got a Lot on My Head
Texter und Komponist(in):
Ric Ocasek
publisher:
Lido Music, Inc. (in 1979)
33:02
14It's All I Can Do
assistierende(r) Techniker(in):
George Tutko (engineer, producer)
Techniker(in):
Geoff Workman
Produzent(in):
Roy Thomas Baker (producer)
Bassgitarre und Sologesang:
Benjamin Orr (co-lead singer for The Cars)
Gitarre:
Elliot Easton und Ric Ocasek
Schlagzeug und Perkussion:
David Robinson (US rock drummer)
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 2017)
aufgenommen bei:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
It’s All I Can Do
Texter und Komponist(in):
Ric Ocasek
publisher:
Lido Music, Inc. (in 1979)
3.653:48
15Nightspots (Early version)
Produzent(in):
Roy Thomas Baker (producer)
recording of:
Night Spots (in 1978-02)
Texter und Komponist(in):
Ric Ocasek
publisher:
Lido Music, Inc. (in 1979)
3:09
16Slip Away
recorded in:
Boston, Massachusetts, Vereinigte Staaten (von 1978 bis 1979)
Produzent(in):
The Cars
recording of:
Slipaway (von 1978 bis 1979)
publisher:
Lido Music, Inc.
3:44
17That's It
Produzent(in):
Roy Thomas Baker (producer)
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 2017)
recording of:
That’s It
Verfasser(in):
Ric Ocasek
publisher:
Carlin Music Corporation und Lido Music, Inc.
3:24
18Panorama
Techniker(in):
Ian Taylor (rock producer/engineer)
Produzent(in):
Roy Thomas Baker (producer)
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1980) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1980)
recording of:
Panorama
Texter und Komponist(in):
Ric Ocasek
publisher:
Lido Music, Inc.
35:46
19Gimme Some Slack
Techniker(in):
Ian Taylor (rock producer/engineer)
Produzent(in):
Roy Thomas Baker (producer)
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1980) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1980)
recording of:
Gimme Some Slack
Texter und Komponist(in):
Ric Ocasek
publisher:
Lido Music, Inc.
33:36
20Don't Go to Pieces
Produzent(in):
Roy Thomas Baker (producer)
recording of:
Don't Go to Pieces
Verfasser(in):
Greg Hawkes und Ric Ocasek
publisher:
Lido Music, Inc. und Oversnare Music
4:03
2▶CD

Nennungen

Veröffentlichung

hergestellt in:Vereinigte Staaten
gedruckt in:Vereinigte Staaten
art direction:Monster X (design)
David Robinson (US rock drummer)
Coco Shinomiya
Fotografie:E.J. Camp (photographer)
David Gahr (photographer)
Lynn Goldsmith
B.C. Kagan
Brian McLaughlin
Michael Ochs Archives
Ebet Roberts (photographer)
Mark Takeuchi
Wayne Williams (photographer)
liner notes:Brett Milano (in 1995)
Produzent(in):The Cars
Bill Inglot (archival music producer/remastering engineer)
David McLees
remastering:Dan Hersch (mastering engineer)
Bill Inglot (archival music producer/remastering engineer)
design:Monster X (design)
hergestellt von und vermarkted von:Rhino Records, Inc. (company credits only; not for release label use!)
urheberrechtlich geschützt (©) von:Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1995)
phonographisches Urheberrecht (℗) von:Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1978, in 1979, in 1980, in 1981, in 1984, in 1987, in 1995)
remastered at:DigiPrep Mastering in Los Angeles, California (Kalifornien), Vereinigte Staaten
Discogs:https://www.discogs.com/release/535998 [Info]
ASIN:US: B000003474 [Info]

Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/181445 [Info]
Wikidata:Q6316445 [Info]