Die Kunst der Fuge

~ Release by Johann Sebastian Bach; Academy Of St. Martin-In-The-Fields, Neville Marriner (see all versions of this release, 1 available)

Annotation

Edition prepared by Neville Marriner and Andrew Davis for two violins, viola, cello, violone, two oboes, English Horn, Bassoon, organ and two harpsichords.

Annotation last modified on 2025-08-10 11:07 UTC.

Tracklist

1▼Hybrid SACD (CD layer)
#TitleArtistRatingLength
1Die Kunst der Fuge, BWV 1080: Contrapunctus 1
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Kenneth Heath (cellist) (from 1974-07-17 until 1974-07-21)
viola:
Stephen Shingles (from 1974-07-17 until 1974-07-21)
violin:
Carmel Caine (violinist) (from 1974-07-17 until 1974-07-21)
violone:
John Gray (contemporary violone player) (from 1974-07-17 until 1974-07-21)
orchestra:
Academy of St Martin in the Fields (from 1974-07-17 until 1974-07-21)
conductor:
Sir Neville Marriner (conductor) (from 1974-07-17 until 1974-07-21)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1975 to present)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1974-07-17 until 1974-07-21)
recording of:
Die Kunst der Fuge, BWV 1080: I. Contrapunctus 1 (from 1974-07-17 until 1974-07-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/1)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach3:13
2Die Kunst der Fuge, BWV 1080: Contrapunctus 2
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Kenneth Heath (cellist) (from 1974-07-17 until 1974-07-21)
viola:
Stephen Shingles (from 1974-07-17 until 1974-07-21)
violin:
Carmel Caine (violinist) (from 1974-07-17 until 1974-07-21)
violone:
John Gray (contemporary violone player) (from 1974-07-17 until 1974-07-21)
orchestra:
Academy of St Martin in the Fields (from 1974-07-17 until 1974-07-21)
conductor:
Sir Neville Marriner (conductor) (from 1974-07-17 until 1974-07-21)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1975 to present)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1974-07-17 until 1974-07-21)
recording of:
Die Kunst der Fuge, BWV 1080: II. Contrapunctus 2 (from 1974-07-17 until 1974-07-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/2)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach3:19
3Die Kunst der Fuge, BWV 1080: Contrapunctus 3
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
organ:
Christopher Hogwood (conductor, harpsichordist) (from 1974-07-17 until 1974-07-21)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1975 to present)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1974-07-17 until 1974-07-21)
recording of:
Die Kunst der Fuge, BWV 1080: III. Contrapunctus 3 (from 1974-07-17 until 1974-07-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/3)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach3:51
4Die Kunst der Fuge, BWV 1080: Contrapunctus 4
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
bassoon:
Cecil James (bassoonist) (from 1974-07-17 until 1974-07-21)
cello:
Kenneth Heath (cellist) (from 1974-07-17 until 1974-07-21)
cor anglais:
Celia Nicklin (oboist) (from 1974-07-17 until 1974-07-21)
oboe:
Neil Black (oboist) (from 1974-07-17 until 1974-07-21) and Tess Miller (oboist) (from 1974-07-17 until 1974-07-21)
viola:
Stephen Shingles (from 1974-07-17 until 1974-07-21)
violin:
Carmel Caine (violinist) (from 1974-07-17 until 1974-07-21) and Malcolm Latchem (violinist) (from 1974-07-17 until 1974-07-21)
violone:
John Gray (contemporary violone player) (from 1974-07-17 until 1974-07-21)
orchestra:
Academy of St Martin in the Fields (from 1974-07-17 until 1974-07-21)
conductor:
Sir Neville Marriner (conductor) (from 1974-07-17 until 1974-07-21)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1975 to present)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1974-07-17 until 1974-07-21)
recording of:
Die Kunst der Fuge, BWV 1080: IV. Contrapunctus 4 (from 1974-07-17 until 1974-07-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/4)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
Johann Sebastian Bach3:36
5Die Kunst der Fuge, BWV 1080: Canon Alla Ottava
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
harpsichord:
Christopher Hogwood (conductor, harpsichordist) (from 1974-07-17 until 1974-07-21)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1975 to present)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1974-07-17 until 1974-07-21)
recording of:
Die Kunst der Fuge, BWV 1080: XV. Canon alla Ottava (or "Canon in Hypodiapason" (1742 manuscript)) (from 1974-07-17 until 1974-07-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/15)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach2:33
6Die Kunst der Fuge, BWV 1080: Contrapunctus 5
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
bassoon:
Cecil James (bassoonist) (from 1974-07-17 until 1974-07-21)
cello:
Kenneth Heath (cellist) (from 1974-07-17 until 1974-07-21)
cor anglais:
Celia Nicklin (oboist) (from 1974-07-17 until 1974-07-21)
oboe:
Neil Black (oboist) (from 1974-07-17 until 1974-07-21) and Tess Miller (oboist) (from 1974-07-17 until 1974-07-21)
viola:
Stephen Shingles (from 1974-07-17 until 1974-07-21)
violin:
Carmel Caine (violinist) (from 1974-07-17 until 1974-07-21) and Malcolm Latchem (violinist) (from 1974-07-17 until 1974-07-21)
violone:
John Gray (contemporary violone player) (from 1974-07-17 until 1974-07-21)
orchestra:
Academy of St Martin in the Fields (from 1974-07-17 until 1974-07-21)
conductor:
Sir Neville Marriner (conductor) (from 1974-07-17 until 1974-07-21)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1975 to present)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1974-07-17 until 1974-07-21)
recording of:
Die Kunst der Fuge, BWV 1080: V. Contrapunctus 5 (from 1974-07-17 until 1974-07-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/5)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach3:37
7Die Kunst der Fuge, BWV 1080: Contrapunctus 6, A 4, Im Stile Francese
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
harpsichord:
Christopher Hogwood (conductor, harpsichordist) (from 1974-07-17 until 1974-07-21)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1975 to present)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1974-07-17 until 1974-07-21)
recording of:
Die Kunst der Fuge, BWV 1080: VI. Contrapunctus 6 a 4 in Stylo Francese (from 1974-07-17 until 1974-07-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/6)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach4:16
8Die Kunst der Fuge, BWV 1080: Canon Alla Decima, Contrapuncto Alla Terza
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
organ:
Christopher Hogwood (conductor, harpsichordist) (from 1974-07-17 until 1974-07-21)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1975 to present)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1974-07-17 until 1974-07-21)
recording of:
Die Kunst der Fuge, BWV 1080: XVI. Canon alla Decima in Contrapunto alla Terza (from 1974-07-17 until 1974-07-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/16)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
Johann Sebastian Bach4:31
9Die Kunst der Fuge, BWV 1080: Contrapunctus 7, A 4, Per Augmentationem Et Diminutionem
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
bassoon:
Cecil James (bassoonist) (from 1974-07-17 until 1974-07-21)
cello:
Kenneth Heath (cellist) (from 1974-07-17 until 1974-07-21)
cor anglais:
Celia Nicklin (oboist) (from 1974-07-17 until 1974-07-21)
oboe:
Neil Black (oboist) (from 1974-07-17 until 1974-07-21) and Tess Miller (oboist) (from 1974-07-17 until 1974-07-21)
viola:
Stephen Shingles (from 1974-07-17 until 1974-07-21)
violin:
Carmel Caine (violinist) (from 1974-07-17 until 1974-07-21) and Malcolm Latchem (violinist) (from 1974-07-17 until 1974-07-21)
violone:
John Gray (contemporary violone player) (from 1974-07-17 until 1974-07-21)
orchestra:
Academy of St Martin in the Fields (from 1974-07-17 until 1974-07-21)
conductor:
Sir Neville Marriner (conductor) (from 1974-07-17 until 1974-07-21)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1975 to present)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1974-07-17 until 1974-07-21)
recording of:
Die Kunst der Fuge, BWV 1080: VII. Contrapunctus 7 a 4 per Augmentationem et Diminutionem (from 1974-07-17 until 1974-07-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/7)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach3:27
10Die Kunst der Fuge, BWV 1080: Contrapunctus 8, A 3
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
organ:
Christopher Hogwood (conductor, harpsichordist) (from 1974-07-17 until 1974-07-21)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1975 to present)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1974-07-17 until 1974-07-21)
recording of:
Die Kunst der Fuge, BWV 1080: VIII. Contrapunctus 8 a 3 (from 1974-07-17 until 1974-07-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/8)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach6:43
11Die Kunst der Fuge, BWV 1080: Canon Alla Duodecima In Contrapuntcto Alla Quinta
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
harpsichord:
Christopher Hogwood (conductor, harpsichordist) (from 1974-07-17 until 1974-07-21)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1975 to present)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1974-07-17 until 1974-07-21)
recording of:
Die Kunst der Fuge, BWV 1080: XVII. Canon alla Duodecima in Contrapunto alla Quinta (from 1974-07-17 until 1974-07-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/17)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
Johann Sebastian Bach1:58
12Die Kunst der Fuge, BWV 1080: Contrapunctus 9, A 4, Alla Duodecima
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
bassoon:
Cecil James (bassoonist) (from 1974-07-17 until 1974-07-21)
cello:
Kenneth Heath (cellist) (from 1974-07-17 until 1974-07-21)
cor anglais:
Celia Nicklin (oboist) (from 1974-07-17 until 1974-07-21)
oboe:
Neil Black (oboist) (from 1974-07-17 until 1974-07-21) and Tess Miller (oboist) (from 1974-07-17 until 1974-07-21)
viola:
Stephen Shingles (from 1974-07-17 until 1974-07-21)
violin:
Carmel Caine (violinist) (from 1974-07-17 until 1974-07-21) and Malcolm Latchem (violinist) (from 1974-07-17 until 1974-07-21)
violone:
John Gray (contemporary violone player) (from 1974-07-17 until 1974-07-21)
orchestra:
Members of the Academy of St. Martin in the Fields (Academy of St Martin in the Fields) (from 1974-07-17 until 1974-07-21)
conductor:
Sir Neville Marriner (conductor) (from 1974-07-17 until 1974-07-21)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1975 to present)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1974-07-17 until 1974-07-21)
recording of:
Die Kunst der Fuge, BWV 1080: IX. Contrapunctus 9 a 4 alla Duodecima (from 1974-07-17 until 1974-07-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/9)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach2:55
13Die Kunst der Fuge, BWV 1080: Contrapunctus 10, A 4, Alla Decima
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Kenneth Heath (cellist) (from 1974-07-17 until 1974-07-21)
viola:
Stephen Shingles (from 1974-07-17 until 1974-07-21)
violin:
Carmel Caine (violinist) (from 1974-07-17 until 1974-07-21) and Malcolm Latchem (violinist) (from 1974-07-17 until 1974-07-21)
violone:
John Gray (contemporary violone player) (from 1974-07-17 until 1974-07-21)
orchestra:
Academy of St Martin in the Fields (from 1974-07-17 until 1974-07-21)
conductor:
Sir Neville Marriner (conductor) (from 1974-07-17 until 1974-07-21)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1975 to present)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1974-07-17 until 1974-07-21)
recording of:
Die Kunst der Fuge, BWV 1080: X. Contrapunctus 10 a 4 alla Decima (from 1974-07-17 until 1974-07-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/10)
version of:
Die Kunst der Fuge, BWV 1080: Contrapunctus a 4
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
revision of:
Die Kunst der Fuge, BWV 1080.1: Contrapunctus 10 (1742 autograph, early version)
Johann Sebastian Bach4:14
14Die Kunst der Fuge, BWV 1080: Canon Per Augmentationem In Contrario Motu
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
harpsichord:
Christopher Hogwood (conductor, harpsichordist) (from 1974-07-17 until 1974-07-21)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1975 to present)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1974-07-17 until 1974-07-21)
recording of:
Die Kunst der Fuge, BWV 1080: XIV. Canon per Augmentationem in Contrario Motu (from 1974-07-17 until 1974-07-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/14)
version of:
Die Kunst der Fuge, BWV 1080.1: Canon al roverscio et per augmentationem (1742 autograph, early version)
version of:
Die Kunst der Fuge, BWV 1080.1: Canon in Hypodiateßeron al roverscio e per augmentationem, perpetuus (1742 autograph, early version)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
revision of:
Canon in Hypodiatesseron, al roversio [sic] e per augmentationem (supplementation to 1742 autograph)
Johann Sebastian Bach5:43
15Die Kunst der Fuge, BWV 1080: Contrapunctus 11, A 4
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
bassoon:
Cecil James (bassoonist) (from 1974-07-17 until 1974-07-21)
cello:
Kenneth Heath (cellist) (from 1974-07-17 until 1974-07-21)
cor anglais:
Celia Nicklin (oboist) (from 1974-07-17 until 1974-07-21)
oboe:
Neil Black (oboist) (from 1974-07-17 until 1974-07-21) and Tess Miller (oboist) (from 1974-07-17 until 1974-07-21)
viola:
Stephen Shingles (from 1974-07-17 until 1974-07-21)
violin:
Carmel Caine (violinist) (from 1974-07-17 until 1974-07-21) and Malcolm Latchem (violinist) (from 1974-07-17 until 1974-07-21)
violone:
John Gray (contemporary violone player) (from 1974-07-17 until 1974-07-21)
orchestra:
Academy of St Martin in the Fields (from 1974-07-17 until 1974-07-21)
conductor:
Sir Neville Marriner (conductor) (from 1974-07-17 until 1974-07-21)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1975 to present)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1974-07-17 until 1974-07-21)
recording of:
Die Kunst der Fuge, BWV 1080: XI. Contrapunctus 11 a 4 (from 1974-07-17 until 1974-07-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/11)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach5:12
16Die Kunst der Fuge, BWV 1080: Contrapunctus 13, A 3 (Rectus)
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
organ:
Christopher Hogwood (conductor, harpsichordist) (from 1974-07-17 until 1974-07-21)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1975 to present)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1974-07-17 until 1974-07-21)
recording of:
Die Kunst der Fuge, BWV 1080: XIII, 1. Contrapunctus inversus a 3 (Forma recta) (from 1974-07-17 until 1974-07-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/13,1)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach2:18
17Die Kunst der Fuge, BWV 1080: Contrapunctus 12, A 4 (Rectus)
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Kenneth Heath (cellist) (from 1974-07-17 until 1974-07-21)
viola:
Stephen Shingles (from 1974-07-17 until 1974-07-21)
violin:
Carmel Caine (violinist) (from 1974-07-17 until 1974-07-21) and Malcolm Latchem (violinist) (from 1974-07-17 until 1974-07-21)
violone:
John Gray (contemporary violone player) (from 1974-07-17 until 1974-07-21)
orchestra:
Academy of St Martin in the Fields (from 1974-07-17 until 1974-07-21)
conductor:
Sir Neville Marriner (conductor) (from 1974-07-17 until 1974-07-21)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1975 to present)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1974-07-17 until 1974-07-21)
recording of:
Die Kunst der Fuge, BWV 1080: XII, 1. Contrapunctus inversus a 4 (Forma recta) (from 1974-07-17 until 1974-07-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/12,1)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach2:34
18Die Kunst der Fuge, BWV 1080: Fuga A 2 Clav.
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
harpsichord:
Sir Andrew Davis (conductor, keyboardist, composer, arranger) (from 1974-07-17 until 1974-07-21) and Christopher Hogwood (conductor, harpsichordist) (from 1974-07-17 until 1974-07-21)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1975 to present)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1974-07-17 until 1974-07-21)
recording of:
Die Kunst der Fuge, BWV 1080: XVIII, 1. Fuga à 2 Claviere (from 1974-07-17 until 1974-07-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/18,1)
arrangement of:
Die Kunst der Fuge, BWV 1080: XIII, 1. Contrapunctus inversus a 3 (Forma recta)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
Johann Sebastian Bach2:12
19Die Kunst der Fuge, BWV 1080: Contrapunctus 13, A 3 (Inversus)
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
organ:
Christopher Hogwood (conductor, harpsichordist) (from 1974-07-17 until 1974-07-21)
orchestra:
Academy of St Martin in the Fields (from 1974-07-17 until 1974-07-21)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1975 to present)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1974-07-17 until 1974-07-21)
recording of:
Die Kunst der Fuge, BWV 1080: XIII, 2. Contrapunctus inversus a 3 (Forma inversa) (from 1974-07-17 until 1974-07-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/13,2)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach2:16
20Die Kunst der Fuge, BWV 1080: Contrapunctus 14, A 4 (Inversus)
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
bassoon:
Cecil James (bassoonist) (from 1974-07-17 until 1974-07-21)
cello:
Kenneth Heath (cellist) (from 1974-07-17 until 1974-07-21)
cor anglais:
Celia Nicklin (oboist) (from 1974-07-17 until 1974-07-21)
oboe:
Neil Black (oboist) (from 1974-07-17 until 1974-07-21) and Tess Miller (oboist) (from 1974-07-17 until 1974-07-21)
viola:
Stephen Shingles (from 1974-07-17 until 1974-07-21)
violin:
Carmel Caine (violinist) (from 1974-07-17 until 1974-07-21)
violone:
John Gray (contemporary violone player) (from 1974-07-17 until 1974-07-21)
orchestra:
Academy of St Martin in the Fields (from 1974-07-17 until 1974-07-21)
conductor:
Sir Neville Marriner (conductor) (from 1974-07-17 until 1974-07-21)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1975 to present)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1974-07-17 until 1974-07-21)
recording of:
Die Kunst der Fuge, BWV 1080: XII, 2. Contrapunctus inversus 12 a 4 (Forma inversa) (from 1974-07-17 until 1974-07-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/12,2)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach2:24
21Die Kunst der Fuge, BWV 1080: Alio Modo Fuga A 2 Clav.
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
harpsichord:
Sir Andrew Davis (conductor, keyboardist, composer, arranger) (from 1974-07-17 until 1974-07-21) and Christopher Hogwood (conductor, harpsichordist) (from 1974-07-17 until 1974-07-21)
orchestra:
Academy of St Martin in the Fields (from 1974-07-17 until 1974-07-21)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1975 to present)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1974-07-17 until 1974-07-21)
recording of:
Die Kunst der Fuge, BWV 1080: XVIII, 2. Alio modo. Fuga à 2 Claviere (from 1974-07-17 until 1974-07-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/18,2)
arrangement of:
Die Kunst der Fuge, BWV 1080: XIII, 2. Contrapunctus inversus a 3 (Forma inversa)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
Johann Sebastian Bach2:14
22Die Kunst der Fuge, BWV 1080: Fuga A 3 Soggetti (Unfinished / Unvollständig / Inachevée))
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
bassoon:
Cecil James (bassoonist) (from 1974-07-17 until 1974-07-21)
cello:
Kenneth Heath (cellist) (from 1974-07-17 until 1974-07-21)
cor anglais:
Celia Nicklin (oboist) (from 1974-07-17 until 1974-07-21)
oboe:
Neil Black (oboist) (from 1974-07-17 until 1974-07-21) and Tess Miller (oboist) (from 1974-07-17 until 1974-07-21)
viola:
Stephen Shingles (from 1974-07-17 until 1974-07-21)
violin:
Carmel Caine (violinist) (from 1974-07-17 until 1974-07-21) and Malcolm Latchem (violinist) (from 1974-07-17 until 1974-07-21)
violone:
John Gray (contemporary violone player) (from 1974-07-17 until 1974-07-21)
orchestra:
Academy of St Martin in the Fields (from 1974-07-17 until 1974-07-21)
conductor:
Sir Neville Marriner (conductor) (from 1974-07-17 until 1974-07-21)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1975 to present)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1974-07-17 until 1974-07-21)
recording of:
Die Kunst der Fuge, BWV 1080: XIX. Fuga a 3 [4] Soggetti (from 1974-07-17 until 1974-07-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/19)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
Johann Sebastian Bach6:51