Turn On, Tune In!

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Let There Be Love
recording of:
Let There Be Love
lyricist:
Ian Grant (lyricist)
composer:
Lionel Rand
publisher:
Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
Nat King Cole2:46
2I Just Want to Make Love to You
producer:
Leonard Chess, Leonard & Phil Chess (legendary US production duo) and Phil Chess
lead vocals:
Etta James
orchestra:
Riley Hampton Orchestra
conductor:
Riley Hampton
arranger:
Riley Hampton
cover recording of:
I Just Wanna Make Love to You (in 1960-05)
lyricist and composer:
Willie Dixon
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Hoochie Coochie Music
Etta James33:06
3Mad About the Boy
recorded in:
Chicago, Illinois, United States (on 1961-12-04)
piano:
Jack Wilson (jazz pianist) (on 1961-12-04)
trombone:
Billy Byers (on 1961-12-04)
trumpet:
Joe Newman (US jazz trumpeter) (on 1961-12-04)
vocals:
Dinah Washington
orchestra:
Quincy Jones and His Orchestra (on 1961-12-04)
arranger:
Quincy Jones (on 1961-12-04)
cover recording of:
Mad About the Boy (in 1961)
lyricist and composer:
Noël Coward
publisher:
Chappell & Co. and Chappell Music Ltd.
part of:
Words and Music
Dinah Washington52:49
4Speaking of Happiness
recording of:
Speaking of Happiness
writer:
Jimmy Radcliffe and Buddy Scott
Gloria Lynne2:31
5Left Bank 2
The Noveltones2:28
6Johnny and Mary
engineer:
Calum Malcolm
guitar:
Martin Taylor (jazz guitarist)
Martin Taylor5:04
7Let’s Face the Music and Dance
recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”)
lyricist and composer:
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. and Williamson Music Company
part of:
Follow the Fleet (1936 film)
Nat King Cole2:25
8My Ship
cover recording of:
My Ship (from "Lady in the Dark”; catch-all for versions outside the theatrical context)
lyricist:
Ira Gershwin
composer:
Kurt Weill (composer)
publisher:
Hampshire House Publishing Corp. and WB Music Corp. (1929–2019)
version of:
Lady in the Dark: My Ship
Sarah Vaughan2:53
9I Put a Spell on You
recorded in:
New York, New York, United States (on 1965-01-15)
producer:
Hal Mooney
guitar:
Rudy Stevenson (on 1965-01-15)
piano:
Nina Simone (on 1965-01-15)
vocals:
Nina Simone (on 1965-01-15)
conductor:
Hal Mooney (on 1965-01-15)
arranger:
Hal Mooney
cover recording of:
I Put a Spell on You (on 1965-01-15)
lyricist and composer:
Screamin’ Jay Hawkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SBK Unart Catalog Inc., EMI Unart Catalog Inc. (in 1956) and EMI United Partnership Ltd. (in 1956)
Nina Simone4.252:36
10Fever
double bass [bass]:
Joe Mondragon (on 1958-05-19)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1958-05-19)
finger snaps:
Peggy Lee (jazz vocalist) (on 1958-05-19) and Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1958-05-19)
vocals:
Peggy Lee (jazz vocalist) (on 1958-05-19)
conductor:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1958-05-19)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1958)
cover recording of:
Fever (on 1958-05-19)
writer:
Eddie Cooley and John Davenport (songwriter Otis Blackwell)
publisher:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. and Trio Music Company
part of:
The Adjustment Bureau
Peggy Lee4.253:19
11I Heard It Through the Grapevine
producer:
Norman Whitfield
bass [1962 Fender Precision Bass]:
James Jamerson (from 1967-02-03 until 1967-04-10)
congas and tambourine:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (from 1967-02-03 until 1967-04-10)
drums (drum set):
Uriel Jones (from 1967-02-03 until 1967-04-10)
French horn:
Don Ozga (from 1967-02-03 until 1967-04-10) and Edwin Jones (from 1967-02-03 until 1967-04-10)
guitar [1964 Gibson Firebird III]:
Eddie Willis (from 1967-02-03 until 1967-04-10)
guitar [Fender Telecaster with Jazzmaster Neck]:
Joe Messina (from 1967-02-03 until 1967-04-10)
Hammond organ [B-3]:
Earl Van Dyke (from 1967-02-03 until 1967-04-10)
instruments:
The Funk Brothers (from 1967-02-03 until 1967-04-10)
tom-tom:
Richard "Pistol" Allen (from 1967-02-03 until 1967-04-10)
Wurlitzer electric piano:
Johnny Griffith (from 1967-02-03 until 1967-04-10)
background vocals:
The Andantes (from 1967-02-03 until 1967-04-10), Marlene Barrow (from 1967-02-03 until 1967-04-10), Louvain Demps (from 1967-02-03 until 1967-04-10) and Jackie Hicks (from 1967-02-03 until 1967-04-10)
lead vocals:
Marvin Gaye (from 1967-02-03 until 1967-04-10)
orchestra:
Detroit Symphony Orchestra (from 1967-02-03 until 1967-04-10)
strings arranger:
Paul Riser (from 1967-02-03 until 1967-04-10)
orchestrator:
Paul Riser (from 1967-02-03 until 1967-04-10)
phonographic copyright (℗) by:
Motown Record Company (company credits only; do NOT use as release label) (in 1968)
recorded at and mixed at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (from 1967-02-03 until 1967-04-10)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 80), Billboard: Greatest of All Time Hot 100 Songs (number: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 119) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 307)
cover recording of:
I Heard It Through the Grapevine (from 1967-02-03 until 1967-04-10)
writer:
Barrett Strong and Norman Whitfield
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye3.73:12
12When a Man Loves a Woman
producer:
Marlin Greene (’60s teen artist, writer & engineer) and Quin Ivy
double bass:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (on 1966-02-17)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1966-02-17)
farfisa [farfisa organ]:
Spooner Oldham (on 1966-02-17)
guitar:
Marlin Greene (’60s teen artist, writer & engineer) (on 1966-02-17)
vocals:
Percy Sledge (on 1966-02-17)
phonographic copyright (℗) by:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, in 1966) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1966)
recorded at:
Norala Studio in Sheffield, Alabama, United States (on 1966-02-17)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 54) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
When a Man Loves a Woman (on 1966-02-17)
writer:
Calvin Lewis, Percy Sledge and Andrew Wright (US keyboardist)
publisher:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1966 to present), Pronto (BMI‐affiliated publishing company) (in 1972) and Quinvy (record company and publisher) (in 1972)
Percy Sledge4.352:51
13I’m Sitting on Top of the World
recording of:
I’m Sitting on Top of the World (First line: “Don’t want any millions, I’m getting my share…”)
lyricist:
Sam M. Lewis (1930s lyricist) and Joe Young (US lyricist)
composer:
Ray Henderson
publisher:
EMI Music Publishing (do not use as a release label!) and Leo Feist, Inc.
Al Jolson1:51
14My Baby Just Cares for Me
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano and lead vocals:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
edit of:
My Baby Just Cares for Me (special extended version) by Nina Simone
cover recording of:
My Baby Just Cares for Me (in 1957-12)
lyricist and composer:
Walter Donaldson and Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild and Tobago Music Co.
Nina Simone3.93:36
15Smokestack Lightnin’
recording of:
Smokestack Lightning
lyricist and composer:
Chester Arthur Burnett
publisher:
Arc Music (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Howlin’ Wolf3:05
16Cement Mixer
recording of:
Cement Mixer
composer:
Slim Gaillard
Slim Gaillard2:18
2▶CD

Credits

Release

ASIN:DE: B00000I5GS [info]