Glorious Songs, Golden Memories

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

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Annotazione modificata l'ultima volta il 2020-08-09 09:57 UTC.

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1CD: Favourites Forever
2CD: Melodies We Love and Remember
3CD: Magic Moments
#TitoloArtistaValutazioneDurata
1Seventy‐Six Trombones
diritti fonografici (℗) detenuti da:
The Reader’s Digest Association Limited (not for release label use!) (nel 1965)
registrazione di:
Seventy-Six Trombones (The Music Man)
paroliere e compositore:
Meredith Willson
editore:
MPL UK Publishing
parte di:
The Music Man
The Robert Mandell Chorus and Orchestra2:48
2Drinking SongChorus and Orchestra conducted by Lehman Engel2:27
3My Favourite Things
diritti fonografici (℗) detenuti da:
The Reader’s Digest Association Limited (not for release label use!) (nel 1978)
registrazione di:
My Favorite Things (The Sound of Music)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein)
compositore:
Richard Rodgers (composer)
editore:
Williamson Music Company
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
parte di:
American Splendor
parte di:
The Sound of Music (Rodgers & Hammerstein musical)
Rosemary Squires2:28
4The Carousel Waltz
diritti fonografici (℗) detenuti da:
The Reader’s Digest Association Limited (not for release label use!) (nel 1961)
registrazione di:
The Carousel Waltz (Carousel)
compositore:
Richard Rodgers (composer)
parte di:
Carousel (Rodgers & Hammerstein musical)
The Vienna State Opera Orchestra, Reg Owen5:55
5Oh, What a Beautiful Mornin’
voce:
Ivor Emmanuel
diritti fonografici (℗) detenuti da:
The Reader’s Digest Association Limited (not for release label use!) (nel 1961)
registrazione di:
Oh, What a Beautiful Mornin’ (Oklahoma!)
orchestratore:
Robert Russell Bennett (American composer and arranger)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein)
compositore:
Richard Rodgers (composer)
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd., Williamson Music Company, Williamson Music Ltd. e Williamson Music, Inc.
parte di:
Oklahoma! (Rodgers & Hammerstein musical)
Ivor Emmanuel3:09
6People Will Say We’re in Love
voce principale [Curly McLain]:
Robert Peterson (member of Roberts experimental group)
voce principale [Laurey Williams]:
Margot Moser (film and musical actress)
orchestra:
Lee Roberts and His Orchestra
diritti fonografici (℗) detenuti da:
The Reader’s Digest Association Limited (not for release label use!) (nel 1978)
registrazione di:
People Will Say We’re in Love
orchestratore:
Robert Russell Bennett (American composer and arranger)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein)
compositore:
Richard Rodgers (composer)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd., Williamson Music Company e Williamson Music, Inc.
parte di:
Oklahoma! (Rodgers & Hammerstein musical)
Margot Moser and Robert Peterson4:13
7June Is Bustin’ Out All Over
cori:
The Peter Knight Singers
orchestra:
Peter Knight & His Orchestra
diritti fonografici (℗) detenuti da:
The Reader’s Digest Association Limited (not for release label use!) (nel 1978)
registrazione di:
June Is Bustin’ Out All Over (Carousel)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein)
compositore:
Richard Rodgers (composer)
editore:
Williamson Music Company
parte di:
Carousel (Rodgers & Hammerstein musical)
The Peter Knight Chorus and Orchestra3:10
8I Could Have Danced All Night
voce:
Doreen Hume (soprano)
orchestra:
Hill Bowen and His Orchestra
diritti fonografici (℗) detenuti da:
The Reader’s Digest Association Limited (not for release label use!) (nel 1961)
registrazione di:
I Could Have Danced All Night (My Fair Lady)
paroliere:
Alan Jay Lerner
compositore:
Frederick Loewe
editore:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell North America
parte di:
My Fair Lady (full musical)
Doreen Hume2:48
9Standing on the Corner
diritti fonografici (℗) detenuti da:
The Reader’s Digest Association Limited (not for release label use!) (nel 1961)
registrazione di:
Standing on the Corner (The Most Happy Fella)
paroliere e compositore:
Frank Loesser
parte di:
The Most Happy Fella (full musical)
The Foursome2:42
10Wand’rin’ Star
diritti fonografici (℗) detenuti da:
The Reader’s Digest Association Limited (not for release label use!) (nel 1978)
registrazione di:
Wand’rin’ Star (Paint Your Wagon)
paroliere:
Alan Jay Lerner
compositore:
Frederick Loewe
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
Paint Your Wagon (full musical)
Mike Sammes and Chorus4:18
11The March of the Siamese Children
diritti fonografici (℗) detenuti da:
The Reader’s Digest Association Limited (not for release label use!) (nel 1962)
registrazione di:
March of the Siamese Children (The King and I)
orchestratore:
Robert Russell Bennett (American composer and arranger)
compositore:
Richard Rodgers (composer)
editore:
Williamson Music Company
parte di:
The King and I (Rodgers & Hammerstein musical)
James Walker and his Orchestra3:28
12You’ve Got to Pick a Pocket or Two
diritti fonografici (℗) detenuti da:
The Reader’s Digest Association Limited (not for release label use!) (nel 1978)
registrazione di:
You’ve Got to Pick a Pocket or Two (Oliver!)
paroliere e compositore:
Lionel Bart
editore:
Lakeview Music Publishing Co. Ltd. e TRO-Hollis, Inc.
parte di:
Oliver! (Lionel Bart musical)
Mike Sammes and Children’s Chorus2:59
13Fings Ain’t What They Used t’Be
diritti fonografici (℗) detenuti da:
The Reader’s Digest Association Limited (not for release label use!) (nel 1978)
registrazione di:
Fings Ain’t Wot They Used t’Be (Fings Ain’t Wot They Used t’Be)
paroliere e compositore:
Lionel Bart
Tom Saffery and Chorus2:52
14If I Were a Rich Man
voce principale [Tevye the Dairyman]:
Mike Sammes
orchestra:
Roland Shaw and His Orchestra
diritti fonografici (℗) detenuti da:
The Reader’s Digest Association Limited (not for release label use!) (nel 1978)
registrazione di:
If I Were a Rich Man (Fiddler on the Roof)
paroliere:
Sheldon Harnick
compositore:
Jerry Bock
editore:
Chappell & Co. e Sunbeam Music Corp.
parte di:
Fiddler on the Roof
Mike Sammes4:57
15Wunderbar
diritti fonografici (℗) detenuti da:
The Reader’s Digest Association Limited (not for release label use!) (nel 1961)
registrazione di:
Wunderbar (from Kiss Me, Kate)
paroliere e compositore:
Cole Porter (composer) (nel 1948)
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
Kiss Me, Kate (musical)
Brian Johnson and Doreen Hume3:09
16Get Me to the Church on Time
diritti fonografici (℗) detenuti da:
The Reader’s Digest Association Limited (not for release label use!) (nel 1978)
registrazione di:
Get Me to the Church on Time (My Fair Lady)
paroliere:
Alan Jay Lerner
compositore:
Frederick Loewe
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
My Fair Lady (full musical)
Mike Sammes and Chorus2:38
17Cabaret
diritti fonografici (℗) detenuti da:
The Reader’s Digest Association Limited (not for release label use!) (nel 1978)
registrazione di:
Cabaret (title song from the Kander & Ebb musical)
paroliere:
Fred Ebb (lyricist)
compositore:
John Kander (composer)
editore:
Carlin Music Corp.
parte di:
Cabaret (musical)
Joan Baxter and Chorus4:15
18Hello Dolly
diritti fonografici (℗) detenuti da:
The Reader’s Digest Association Limited (not for release label use!) (nel 1965)
registrazione di:
Hello, Dolly!
paroliere e compositore:
Jerry Herman
editore:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) e Jerryco Music Co.
sub-editore:
Warner Chappel Music Belgium NV
parte di:
Hello, Dolly!
The Robert Mandell Chorus and Orchestra2:41
19Big Spender
diritti fonografici (℗) detenuti da:
The Reader’s Digest Association Limited (not for release label use!) (nel 1978)
registrazione di:
Big Spender
paroliere:
Dorothy Fields (American librettist and lyricist)
compositore:
Cy Coleman
editore:
Campbell Connelly & Co. Ltd. e WB Music Corp. (1929–2019)
parte di:
Overture (Sweet Charity)
parte di:
Sweet Charity
Joan Baxter and Chorus3:21
20There’s No Business Like Show Business
diritti fonografici (℗) detenuti da:
The Reader’s Digest Association Limited (not for release label use!) (nel 1978)
registrazione di:
There’s No Business Like Show Business (from “Annie Get Your Gun”)
paroliere e compositore:
Irving Berlin
editore:
Irving Berlin Ltd., Irving Berlin Music Company e Warner/Chappell (Warner/Chappell Music, Inc.)
parte di:
Annie Get Your Gun
The Robert Mandell Chorus and Orchestra2:28

Accreditamenti

Pubblicazione

fabbricata a:the EEC (Europa)
note di libretto:Ian Stockley (Reader’s Digest music division)
promosso da:The Reader’s Digest Association Limited (not for release label use!) (nel 1994)
Discogs:https://www.discogs.com/release/11079199 [info]