The Greatest Movies Collection

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

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#TitoloArtistaValutazioneDurata
1Call Me
tecnico:
Harold Faltermeyer
produttore:
Giorgio Moroder
batteria [drums] :
Clem Burke (nel 1980-01)
chitarra :
Frank Infante (nel 1980-01) e Chris Stein (nel 1980-01)
chitarra basso [bass] :
Nigel Harrison (nel 1980-01)
pianoforte elettrico :
Jimmy Destri (nel 1980-01)
sintetizzatore aggiunto:
Giorgio Moroder (nel 1980-01)
voce principale:
Debbie Harry (nel 1980-01)
diritti fonografici (℗) detenuti da:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1980, nel 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1980), Chrysalis Records, Inc. (not for release label use!) (nel 1980, nel 2002), Capitol Records (imprint of Capitol Records, Inc.) (nel 1998), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1998) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 2002)
registrata presso:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti (nel 1979) e The Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (nel 1980-01)
mixata presso:
Allen Zentz Mastering in San Clemente, California, Stati Uniti
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 64), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 78) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 157)
registrazione di:
Call Me (nel 1980-01)
paroliere:
Deborah Harry
compositore:
Giorgio Moroder
editore:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody e Sony/ATV Music Publishing Australia Pty Ltd.
sub-editore:
Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e Fujipacific Music, Inc. (dal 2015-01-01 a oggi)
Blondie4.23:31
2White Wedding
produttore:
Keith Forsey (drummer, producer and songwriter)
basso :
Phil Feit (nel 1982)
batteria :
Steve Missal (nel 1982)
chitarra :
Billy Idol (English rock singer‐songwriter) (nel 1982) e Steve Stevens (US guitarist and songwriter) (nel 1982)
voce principale:
Billy Idol (English rock singer‐songwriter) (nel 1982)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1982) e Chrysalis Records, Inc. (not for release label use!) (nel 1982)
edit di:
White Wedding, Part 1 di Billy Idol (English rock singer‐songwriter)
video musicali:
White Wedding, Pt. 1 di Billy Idol (English rock singer‐songwriter)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 53)
registrazione di:
White Wedding (nel 1982)
paroliere e compositore:
Billy Idol (English rock singer‐songwriter)
editore:
Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Group Inc., Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Rare Blue Music Inc
Billy Idol2.653:33
3Turning Japanese
produttore:
Vic Coppersmith‐Heaven
basso elettrico [bass guitar] :
Steve Smith (UK bassist for the Vapors)
batteria :
Howard Smith (UK drummer for the Vapors)
chitarra e voce principale:
David Fenton
chitarra [lead guitar] :
Edward Bazalgette
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (, nel 1980)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 30)
registrazione di:
Turning Japanese
paroliere e compositore:
David Fenton
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!) e Glenwood Music Corp.
The Vapors3.63:44
4Crash
tecnico di missaggio:
Mark Wallis (nel 1988)
chitarra :
Paul Court (of "The Primitives")
chitarra basso :
Steve Dullaghan
voce:
Tracy Cattell
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1988)
registrazione di:
Crash
autore:
Paul Court (of "The Primitives"), Steve Dullaghan e Tracy Louise Spencer
editore:
Complete Music Ltd.
The Primitives4.652:31
5Golden Brown
co-produttore:
Steve Churchyard
produttore:
Steve Churchyard e The Stranglers
tecnico di missaggio:
Tony Visconti
esecutore:
The Stranglers
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981)
registrazione di:
Golden Brown
autore:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) e Dave Greenfield
editore:
Complete Music, Complete Music Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. e Plumbshaft-Ltd.
The Stranglers4.453:28
6Roadhouse Blues
tecnico e tecnico di missaggio:
Thom Panunzio
co-produttore:
Thom Panunzio
produttore:
Jimmy Iovine
batteria :
Tom Stephen (drummer and manager of The Jeff Healey Band)
chitarra e voce principale:
Jeff Healey
chitarra basso :
Joe Rockman
tastiera :
Benmont Tench
diritti fonografici (℗) detenuti da:
United Artists Pictures, Inc. (nel 1989)
registrazione cover di:
Roadhouse Blues
paroliere:
Jim Morrison (lead vocalist of the Doors)
compositore:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek e Jim Morrison (lead vocalist of the Doors)
editore:
Doors Music Company, Nipper Music, Rondor Music, Rondor Music (London) Ltd., Sharandall Music e Wixen Music Publishing, Inc.
The Jeff Healey Band34:51
7Nothing’s Gonna Stop Us Now
esecutore:
Starship (continuation of Jefferson Starship) (nel 1987)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1985, nel 1987), BMG Entertainment (nel 1987) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1987)
registrazione di:
Nothing’s Gonna Stop Us Now (nel 1987)
autore:
Albert Hammond e Diane Warren (US songwriter)
arrangiatore:
Narada Michael Walden
editore:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), WB Music Corp. (1929–2019) e Windswept Pacific Music Ltd. (publishing company)
parte di:
The 60th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1987 nominee)
registrazione cover di:
Nothing’s Gonna Stop Us Now
autore:
Albert Hammond e Diane Warren (US songwriter)
arrangiatore:
Narada Michael Walden
editore:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), WB Music Corp. (1929–2019) e Windswept Pacific Music Ltd. (publishing company)
parte di:
The 60th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1987 nominee)
Starship3.754:27
8Bitch
tecnico e produttore:
Geza X
tecnico di missaggio:
Jim Ebert
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1997) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1997)
registrazione di:
Bitch
autore:
Meredith Brooks (US singer/songwriter and guitarist) e Shelly Peiken
editore:
Bug Music (music publishing), Hidden Pun Music, Kissing Booth Music, Songs of Kobalt Music Publishing, Sushi Too Music e Warner–Tamerlane Music Corp.
Meredith Brooks44:03
9Drop Dead Gorgeous
batteria :
Dave Barbarossa
strumenti ospite:
Johnny Male
tastiera :
Tim Dorney e Andy Todd (UK electronic producer/keyboardist, member of Republica)
tastiera ospite :
Pete Davis (solo project of math rock band Invalids)
voce principale:
Saffron (singer of Republica)
registrazione di:
Drop Dead Gorgeous
autore:
Tim Dorney, Johnny Male, Saffron (singer of Republica) e Andy Todd (UK electronic producer/keyboardist, member of Republica)
editore:
BMG Music Publishing Ltd. e Momentum Music (publisher)
Republica33:32
10Unbelievable
produttore e tecnico di missaggio:
Ralph Jezzard
basso elettrico :
Zac Foley (nel 1990)
batteria :
Mark Decloedt (nel 1990)
campionatore [samples] :
Derry Brownson (nel 1990)
chitarra , chitarra elettrica e tastiera :
Ian Dench (nel 1990)
voce:
DJ Milf (Electronic dance music producer of the 2000s and 2010s) (nel 1990)
voce di accompagnamento:
Claudia Fontaine (vocals, background vocals) (nel 1990)
voce principale:
James Atkin (nel 1990)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1990)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 421)
registrazione di:
Unbelievable (nel 1990)
autore:
James Atkin, Derry Brownson, Mark Decloedt, Ian Dench e Zac Foley
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Tusk, Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell Music Canada Ltd.
EMF3.653:30
11Choose Life
voce ospite:
Ewan McGregor
esecutore:
Ewan McGregor
registrazione di:
Choose Life
autore:
Moose (UK techno producer Moussa Clarke) e Jamie White
editore:
Sony Music Publishing (worldwide except Japan, ended 1995)
PF Project feat. Ewan McGregor33:50
12Tubular Bells
registrazione di:
Tubular Bells
compositore:
Mike Oldfield
cita la musica di:
Missa pro defunctis: Sequentia “Dies irae” (plainchant)
parte di:
Tubular Bells, Part One
Mike Oldfield4.254:16
13Mission Impossible
esecutore:
Billy May & His Orchestra
registrazione cover di:
Mission: Impossible
compositore:
Lalo Schifrin (pianist & composer)
editore:
Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
parte di:
Mission: Impossible III (2006 film soundtrack)
Billy May32:26
14Wipe Out
orchestra:
The Ventures
registrazione cover di:
Wipe Out
compositore:
Bob Berryhill, Patrick Connolly, Jim Fuller (surf rock guitarist) e Ron Wilson (drummer of The Surfaris)
editore:
Miraleste Music e Robin Hood Music Co.
The Ventures2:59
15The Trembler
tecnico:
Richard Dodd (mastering engineer, producer and engineer)
produttore:
Jeff Lynne
basso , sintetizzatore e tastiera :
Jeff Lynne (dal 1987-01-30 al 1987-02-05)
batteria :
Jim Keltner (dal 1987-01-30 al 1987-02-05)
chitarra :
Duane Eddy (dal 1987-01-30 al 1987-02-05)
chitarra slide :
George Harrison (The Beatles) (dal 1987-01-30 al 1987-02-05)
sassofono tenore :
Jim Horn (saxophonist, hornist, flutist and oboist) (dal 1987-01-30 al 1987-02-05)
registrazione di:
The Trembler (dal 1987-01-30 al 1987-02-05)
compositore:
Duane Eddy e Ravi Shankar
Duane Eddy3:33
16Theme From the Man From U.N.C.L.E.
direttore d'orchestra:
Hugo Montenegro
esecutore:
Hugo Montenegro e Hugo Montenegro and His Orchestra
arrangiatore:
Hugo Montenegro
registrazione di:
Theme From “The Man From U.N.C.L.E.”
compositore:
Jerry Goldsmith (American score composer)
parte di:
The Man from U.N.C.L.E. (American TV Series 1964–1968)
Jerry Goldsmith2:00
17The Pink Panther Theme
tecnico di registrazione:
Jim Malloy
produttore:
Joe Reisman
sassofono tenore :
Plas Johnson (il 1963-09-16)
orchestra:
The Henry Mancini Orchestra (il 1963-09-16)
direttore d'orchestra:
Henry Mancini (US composer, conductor & arranger) (il 1963-09-16)
arrangiatore:
Henry Mancini (US composer, conductor & arranger)
registrata presso:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, Stati Uniti (il 1963-09-16)
registrazione di:
The Pink Panther Theme (il 1963-09-16)
orchestratore e compositore:
Henry Mancini (US composer, conductor & arranger)
editore:
EMI United Partnership Ltd., Northridge Music, Inc. e 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch)
parte di:
Classic 100: Piano (2025) (numero: 61)
Henry Mancini4.12:37
18James Bond Theme
produttore:
John Barry (English score composer)
direttore d'orchestra e esecutore:
John Barry (English score composer)
arrangiatore:
John Barry (English score composer)
registrazione di:
James Bond Theme (il 1962-07-23)
compositore:
Monty Norman
editore:
EMI Music Publishing (do not use as a release label!) e EMI United Partnership
parte di:
James Bond themes
si basa su:
Bad Sign, Good Sign (From the stage musical “A House for Mr Biswas”)
John Barry1:59
19Themes
Ennio Morricone4:39
20Theme From the Good, the Bad and the Ugly
esecutore:
Hugo Montenegro
registrazione di:
Il buono, il brutto, il cattivo (The Good, the Bad and the Ugly (Main Title))
orchestratore e compositore:
Ennio Morricone (Italian classical and score composer)
parte di:
Il buono, il brutto, il cattivo (The Good, the Bad and the Ugly, 1966 film score)
Hugo Montenegro2:45
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