The Savoy Sessions

~ Release by The Red Norvo Trio (see all versions of this release, 3 available)

Annotation

Due to time limitations, 5 tracks that appeared on the original double album release have been removed from this CD.

Annotation last modified on 2023-06-07 16:28 UTC.

Tracklist

1▼CD
#TitleRatingLength
1I Can't Believe That You're in Love With Me
double bass:
Charlie Mingus (on 1950-10-13) and Charles Mingus (on 1950-10-31)
guitar:
Tal Farlow (jazz guitarist) (on 1950-10-13, on 1950-10-31)
vibraphone:
Red Norvo (on 1950-10-13, on 1950-10-31)
phonographic copyright (℗) by:
NIPPON COLUMBIA CO., LTD. (holding company - normally not a release label)
instrumental recording of:
I Can’t Believe That You’re in Love With Me (on 1950-10-13)
lyricist:
Clarence Gaskill
composer:
Jimmy McHugh (songwriter)
publisher:
Mills Music, Inc.
instrumental recording of:
I Can’t Believe That You’re in Love With Me (on 1950-10-31)
lyricist:
Clarence Gaskill
composer:
Jimmy McHugh (songwriter)
publisher:
Mills Music, Inc.
2:54
2Time and Tide
recorded in:
Los Angeles, California, United States (from 1949 until 1950)
double bass:
Charlie Mingus (on 1950-05-03)
double bass [bass]:
Charles Mingus (from 1949 until 1950)
electric guitar [guitar]:
Tal Farlowe (jazz guitarist) (from 1949 until 1950)
guitar:
Tal Farlow (jazz guitarist) (on 1950-05-03)
vibraphone:
Red Norvo (from 1949 until 1950, on 1950-05-03)
recording of:
Time and Tide
composer:
Robert Bilder
2:33
3Little White Lies
bass:
Charlie Mingus (on 1950-10-13)
double bass:
Charles Mingus (on 1950-10-31)
guitar:
Tal Farlow (jazz guitarist) (on 1950-10-13, on 1950-10-31)
vibraphone:
Red Norvo (on 1950-10-13, on 1950-10-31)
instrumental recording of:
Little White Lies (on 1950-10-31)
lyricist and composer:
Walter Donaldson
publisher:
Donaldson Publishing Co., Larry Spier Music LLC and Tobago Music Co.
3:46
4Prelude to a Kiss
double bass:
Charles Mingus
guitar:
Tal Farlow (jazz guitarist)
vibraphone:
Red Norvo
instrumental recording of:
Prelude to a Kiss
lyricist:
Irving Gordon (US songwriter) (in 1938) and Irving Mills (in 1938)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
publisher:
J. R. Lafleur & Son Ltd. and Lafleur Music Ltd.
4:04
5Move
recorded in:
Chicago, Illinois, United States (on 1950-10-31)
double bass:
Charlie Mingus (on 1950-10-13) and Charles Mingus (on 1950-10-31)
guitar:
Tal Farlow (jazz guitarist) (on 1950-10-13, on 1950-10-31)
vibraphone:
Red Norvo (on 1950-10-13, on 1950-10-31)
performer:
The Red Norvo Trio
phonographic copyright (℗) by:
NIPPON COLUMBIA CO., LTD. (holding company - normally not a release label)
recording of:
Move (on 1950-10-13)
composer:
Denzil Best
recording of:
Move (on 1950-10-31)
composer:
Denzil Best
recording of:
Move (on 1951-04-13)
composer:
Denzil Best
2:37
6September Song
instrumental recording of:
Knickerbocker Holiday: September Song
lyricist:
Maxwell Anderson
composer:
Kurt Weill (composer)
publisher:
Hampshire House Publishing Corp., Warner/Chappell (Warner/Chappell Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Chappell & Co. (in 1938), TRO-Hampshire House Publishing Corp. (in 1938) and Crawford Music Corp. (on 1938-09-24)
part of:
Knickerbocker Holiday (Kurt Weill musical)
3:32
7I'm Yours
double bass:
Charlie Mingus (on 1951-04-13)
guitar:
Tal Farlow (jazz guitarist) (on 1951-04-13)
vibraphone:
Red Norvo (on 1951-04-13)
instrumental recording of:
I’m Yours (on 1951-04-13)
lyricist:
Yip Harburg
composer:
Johnny Green (composer and conductor, often credited as John Green)
4:04
8I Get a Kick Out of You
double bass:
Charlie Mingus (on 1950-10-13) and Charles Mingus (on 1950-10-31)
guitar:
Tal Farlow (jazz guitarist) (on 1950-10-13, on 1950-10-31)
vibraphone:
Red Norvo (on 1950-10-13, on 1950-10-31)
phonographic copyright (℗) by:
NIPPON COLUMBIA CO., LTD. (holding company - normally not a release label)
instrumental recording of:
I Get a Kick Out of You (on 1950-10-13)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
instrumental recording of:
I Get a Kick Out of You (on 1950-10-31)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
2:26
9Zing! Went the Strings of My Heart
recorded in:
Chicago, Illinois, United States (on 1950-10-31) and Los Angeles, California, United States (on 1951-04-13)
double bass:
Charlie Mingus (on 1950-10-13) and Charles Mingus (on 1950-10-31)
guitar:
Tal Farlow (jazz guitarist) (on 1950-10-13, on 1950-10-31)
vibraphone:
Red Norvo (on 1950-10-13, on 1950-10-31)
performer:
The Red Norvo Trio
phonographic copyright (℗) by:
NIPPON COLUMBIA CO., LTD. (holding company - normally not a release label)
instrumental cover recording of:
Zing! Went the Strings of My Heart (on 1950-10-13)
lyricist and composer:
James F. Hanley
publisher:
Redwood Music Ltd. (Carlin), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
instrumental cover recording of:
Zing! Went the Strings of My Heart (on 1950-10-31)
lyricist and composer:
James F. Hanley
publisher:
Redwood Music Ltd. (Carlin), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
3:28
10Cheek to Cheek
instrumental recording of:
Cheek to Cheek (from “Top Hat”)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Academy Award for Best Original Song (number: 1935 nominee)
part of:
Top Hat (1935 film)
2:42
11Night and Day
double bass:
Charlie Mingus (on 1950-05-03)
guitar:
Tal Farlow (jazz guitarist) (on 1950-05-03)
vibraphone:
Red Norvo (on 1950-05-03)
instrumental recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1950-05-03)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
4:08
12Godchild
recording of:
Godchild
composer:
George Wallington
4:11
13Mood Indigo
double bass:
Charles Mingus
guitar:
Tal Farlow (jazz guitarist)
vibraphone:
Red Norvo
instrumental recording of:
Mood Indigo (1930 jazz composition and song)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The Real Book (compilation of jazz standards, volume I)
3:31
14If I Had You
recorded in:
Hollywood, Los Angeles, California, United States (on 1951-04-13)
double bass:
Charlie Mingus (on 1951-04-13)
guitar:
Tal Farlow (jazz guitarist) (on 1951-04-13)
vibraphone:
Red Norvo (on 1951-04-13)
phonographic copyright (℗) by:
NIPPON COLUMBIA CO., LTD. (holding company - normally not a release label)
instrumental recording of:
If I Had You (jazz standard) (on 1951-04-13)
writer:
James Campbell (British songwriter and music publisher), Reginald Connelly and Ted Shapiro
publisher:
Campbell Connelly & Co. Ltd., Campbell Connelly Inc. (ASCAP affiliated), EMI Robbins Catalog Inc. (ASCAP) and Robbins Music Corp.
4:08
15'Deed I Do
double bass:
Charles Mingus
guitar:
Tal Farlow (jazz guitarist)
vibraphone:
Red Norvo
instrumental recording of:
’Deed I Do
lyricist:
Walter Hirsch
composer:
Fred Rose (songwriter)
publisher:
Keith Prowse Music Publishing Co. Ltd.
1:52
16I'll Remember April
double bass:
Charlie Mingus (on 1950-10-13) and Charles Mingus (on 1950-10-31)
guitar:
Tal Farlow (jazz guitarist) (on 1950-10-13, on 1950-10-31)
vibraphone:
Red Norvo (on 1950-10-13, on 1950-10-31)
phonographic copyright (℗) by:
NIPPON COLUMBIA CO., LTD. (holding company - normally not a release label)
instrumental recording of:
I’ll Remember April (on 1950-10-13)
lyricist:
Patricia Johnston and Don Raye
composer:
Gene de Paul
publisher:
Hub Music Co Inc, Leeds Music Co., MCA Music Ltd., Rytvoc, Inc. (ASCAP) and Universal Music Corp. (USA, affiliated with ASCAP)
instrumental recording of:
I’ll Remember April (on 1950-10-31)
lyricist:
Patricia Johnston and Don Raye
composer:
Gene de Paul
publisher:
Hub Music Co Inc, Leeds Music Co., MCA Music Ltd., Rytvoc, Inc. (ASCAP) and Universal Music Corp. (USA, affiliated with ASCAP)
3:21
17This Can't Be Love
instrumental recording of:
This Can’t Be Love
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. and Warner/Chappell (Warner/Chappell Music, Inc.)
2:27
18I've Got You Under My Skin
double bass:
Charlie Mingus (on 1950-10-13) and Charles Mingus (on 1950-10-31)
guitar:
Tal Farlow (jazz guitarist) (on 1950-10-13, on 1950-10-31)
vibraphone:
Red Norvo (on 1950-10-13, on 1950-10-31)
phonographic copyright (℗) by:
NIPPON COLUMBIA CO., LTD. (holding company - normally not a release label)
instrumental recording of:
I’ve Got You Under My Skin (on 1950-10-13)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
part of:
Born to Dance
instrumental recording of:
I’ve Got You Under My Skin (on 1950-10-31)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
part of:
Born to Dance
2:24
19Swedish Pastry
recording of:
Swedish Pastry
composer:
Barney Kessel
publisher:
Jewel Music Publishing Co., Inc. (publisher; do NOT use as release label)
2:28
20Have You Met Miss Jones?
double bass:
Charles Mingus (on 1950-10-31)
guitar:
Tal Farlow (jazz guitarist) (on 1950-10-31)
vibraphone:
Red Norvo (on 1950-10-31)
instrumental recording of:
Have You Met Miss Jones? (I’d Rather Be Right) (on 1950-10-31)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Williamson Music Company
part of:
I’d Rather Be Right
3:00