Live at the Bon Soir

~ Veröffentlichung von Barbra Streisand (alle Versionen dieser Veröffentlichung ansehen, 5 vorhanden)

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Titelliste

1Digitales Medium
Nr.TitelBewertungLänge
1Introduction by David Kapralik (Columbia Records) / My Name Is Barbara (live at The Bon Soir, Greenwich Village, NYC - Nov. 5, 1962)
recording engineer:
Adjutor “Pappy” Theroux und Roy Halee
Produzent(in):
Mike Berniker, Martin Erlichman, Jay Landers (Executive producer, A&R, producer, songwriter and music publisher) und Barbra Streisand
Mix:
Jochem van der Saag
Gitarre:
“Colonel” Tiger Haynes
Klavier:
Peter Daniels
Kontrabass:
Averill Pollard
Schlagzeug:
John Cresci
Sprecher:
David Kapralik
vocals:
Barbra Streisand
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2022)
aufgenommen bei:
The Bon Soir in Greenwich Village, New York, New York, Vereinigte Staaten (am 1962-11-05)
live cover recording of:
I Hate Music: Five Kid Songs for Soprano and Piano: I. My Name Is Barbara (am 1962-11-05)
Texter und Komponist(in):
Leonard Bernstein (American conductor, composer, pianist) (in 1943)
publisher:
Boosey & Hawkes Production Music und Warner Bros., Inc. (Warner Bros. Music Division)
Teil von:
I Hate Music: Five Kid Songs for Soprano and Piano
2:01
2Much More (live at The Bon Soir, Greenwich Village, NYC - Nov. 5, 1962)
recording engineer:
Adjutor “Pappy” Theroux und Roy Halee
Produzent(in):
Mike Berniker, Martin Erlichman, Jay Landers (Executive producer, A&R, producer, songwriter and music publisher) und Barbra Streisand
Mix:
Jochem van der Saag
Gitarre:
“Colonel” Tiger Haynes
Klavier:
Peter Daniels
Kontrabass:
Averill Pollard
Schlagzeug:
John Cresci
vocals:
Barbra Streisand
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2022)
aufgenommen bei:
The Bon Soir in Greenwich Village, New York, New York, Vereinigte Staaten (am 1962-11-05)
live cover recording of:
Much More (am 1962-11-05)
Texter:
Tom Jones (musical theatre lyricist)
Komponist(in):
Harvey Schmidt
publisher:
Chappell & Co., Inc. (USA)
2:30
3Napoleon (live at The Bon Soir, Greenwich Village, NYC - Nov. 5, 1962)
recording engineer:
Adjutor “Pappy” Theroux und Roy Halee
Produzent(in):
Mike Berniker, Martin Erlichman, Jay Landers (Executive producer, A&R, producer, songwriter and music publisher) und Barbra Streisand
Mix:
Jochem van der Saag
Gitarre:
“Colonel” Tiger Haynes
Klavier:
Peter Daniels
Kontrabass:
Averill Pollard
Schlagzeug:
John Cresci
vocals:
Barbra Streisand
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2022)
aufgenommen bei:
The Bon Soir in Greenwich Village, New York, New York, Vereinigte Staaten (am 1962-11-05)
live cover recording of:
Napoleon (Arlen/Harburg song, from the musicals “Hooray for What!” and “Jamaica”) (am 1962-11-05)
Texter:
Yip Harburg
Komponist(in):
Harold Arlen
publisher:
Glocca Morra Music Corp. und Harwin Music Corporation
3:20
4I Hate Music (live at The Bon Soir, Greenwich Village, NYC - Nov. 5, 1962)
recording engineer:
Adjutor “Pappy” Theroux und Roy Halee
Produzent(in):
Mike Berniker, Martin Erlichman, Jay Landers (Executive producer, A&R, producer, songwriter and music publisher) und Barbra Streisand
Mix:
Jochem van der Saag
Gitarre:
“Colonel” Tiger Haynes
Klavier:
Peter Daniels
Kontrabass:
Averill Pollard
Schlagzeug:
John Cresci
vocals:
Barbra Streisand
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2022)
aufgenommen bei:
The Bon Soir in Greenwich Village, New York, New York, Vereinigte Staaten (am 1962-11-05)
live cover recording of:
I Hate Music: Five Kid Songs for Soprano and Piano: III. I Hate Music! (am 1962-11-05)
Texter und Komponist(in):
Leonard Bernstein (American conductor, composer, pianist) (in 1943)
publisher:
Boosey & Hawkes Production Music und Warner Bros., Inc. (Warner Bros. Music Division)
Teil von:
I Hate Music: Five Kid Songs for Soprano and Piano
1:17
5Right as the Rain (live at The Bon Soir, Greenwich Village, NYC - Nov. 5, 1962)
recording engineer:
Adjutor “Pappy” Theroux und Roy Halee
Produzent(in):
Mike Berniker, Martin Erlichman, Jay Landers (Executive producer, A&R, producer, songwriter and music publisher) und Barbra Streisand
Mix:
Jochem van der Saag
Gitarre:
“Colonel” Tiger Haynes
Klavier:
Peter Daniels
Kontrabass:
Averill Pollard
Schlagzeug:
John Cresci
vocals:
Barbra Streisand
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2022)
aufgenommen bei:
The Bon Soir in Greenwich Village, New York, New York, Vereinigte Staaten (am 1962-11-05)
live cover recording of:
Right as the Rain (am 1962-11-05)
Texter:
Yip Harburg
Komponist(in):
Harold Arlen
publisher:
Chappell & Co., Inc. (USA) (beendet), Glocca Morra Music Corp. und S.A. Music Co.
2:47
6Cry Me a River (live at The Bon Soir, Greenwich Village, NYC - Nov. 5, 1962)
recording engineer:
Adjutor “Pappy” Theroux und Roy Halee
Produzent(in):
Mike Berniker, Martin Erlichman, Jay Landers (Executive producer, A&R, producer, songwriter and music publisher) und Barbra Streisand
Mix:
Jochem van der Saag
Gitarre:
“Colonel” Tiger Haynes
Klavier:
Peter Daniels
Kontrabass:
Averill Pollard
Schlagzeug:
John Cresci
vocals:
Barbra Streisand
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2022)
aufgenommen bei:
The Bon Soir in Greenwich Village, New York, New York, Vereinigte Staaten (am 1962-11-05)
live cover recording of:
Cry Me a River (am 1962-11-05)
Texter und Komponist(in):
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) und Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
4:11
7Value (live at The Bon Soir, Greenwich Village, NYC - Nov. 5, 1962)
recording engineer:
Adjutor “Pappy” Theroux und Roy Halee
Produzent(in):
Mike Berniker, Martin Erlichman, Jay Landers (Executive producer, A&R, producer, songwriter and music publisher) und Barbra Streisand
Mix:
Jochem van der Saag
Gitarre:
“Colonel” Tiger Haynes
Klavier:
Peter Daniels
Kontrabass:
Averill Pollard
Schlagzeug:
John Cresci
vocals:
Barbra Streisand
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2022)
aufgenommen bei:
The Bon Soir in Greenwich Village, New York, New York, Vereinigte Staaten (am 1962-11-05)
live cover recording of:
Value (from “Another Evening With Harry Stoones”) (am 1962-11-05)
Texter und Komponist(in):
Jeff Harris (composer of the 1961 musical Another Evening with Harry Stoones)
publisher:
Frank Music Corp.
2:17
8Lover, Come Back to Me (live at The Bon Soir, Greenwich Village, NYC - Nov. 5, 1962)
recording engineer:
Adjutor “Pappy” Theroux und Roy Halee
Produzent(in):
Mike Berniker, Martin Erlichman, Jay Landers (Executive producer, A&R, producer, songwriter and music publisher) und Barbra Streisand
Mix:
Jochem van der Saag
Gitarre:
“Colonel” Tiger Haynes
Klavier:
Peter Daniels
Kontrabass:
Averill Pollard
Schlagzeug:
John Cresci
vocals:
Barbra Streisand
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2022)
aufgenommen bei:
The Bon Soir in Greenwich Village, New York, New York, Vereinigte Staaten (am 1962-11-05)
live cover recording of:
Lover, Come Back to Me (from "The New Moon") (am 1962-11-05)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
Verfasser(in):
Sigmund Romberg
Komponist(in):
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The New Moon: Act II
1:55
9Band Introductions (live at The Bon Soir, Greenwich Village, NYC - Nov. 5, 1962)
recording engineer:
Adjutor “Pappy” Theroux und Roy Halee
Produzent(in):
Mike Berniker, Martin Erlichman, Jay Landers (Executive producer, A&R, producer, songwriter and music publisher) und Barbra Streisand
Mix:
Jochem van der Saag
vocals:
Barbra Streisand
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2022)
aufgenommen bei:
The Bon Soir in Greenwich Village, New York, New York, Vereinigte Staaten (am 1962-11-05)
2:56
10Soon It’s Gonna Rain (live at The Bon Soir, Greenwich Village, NYC - Nov. 5, 1962)
recording engineer:
Adjutor “Pappy” Theroux und Roy Halee
Produzent(in):
Mike Berniker, Martin Erlichman, Jay Landers (Executive producer, A&R, producer, songwriter and music publisher) und Barbra Streisand
Mix:
Jochem van der Saag
Gitarre:
“Colonel” Tiger Haynes
Klavier:
Peter Daniels
Kontrabass:
Averill Pollard
Schlagzeug:
John Cresci
vocals:
Barbra Streisand
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2022)
aufgenommen bei:
The Bon Soir in Greenwich Village, New York, New York, Vereinigte Staaten (am 1962-11-05)
live cover recording of:
Soon It’s Gonna Rain (am 1962-11-05)
Texter:
Tom Jones (musical theatre lyricist)
Komponist(in):
Harvey Schmidt
publisher:
Chappell & Co., Inc. (USA)
3:43
11Come to the Supermarket (in Old Peking) (live at The Bon Soir, Greenwich Village, NYC - Nov. 5, 1962)
recording engineer:
Adjutor “Pappy” Theroux und Roy Halee
Produzent(in):
Mike Berniker, Martin Erlichman, Jay Landers (Executive producer, A&R, producer, songwriter and music publisher) und Barbra Streisand
Mix:
Jochem van der Saag
Gitarre:
“Colonel” Tiger Haynes
Klavier:
Peter Daniels
Kontrabass:
Averill Pollard
Schlagzeug:
John Cresci
vocals:
Barbra Streisand
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2022)
aufgenommen bei:
The Bon Soir in Greenwich Village, New York, New York, Vereinigte Staaten (am 1962-11-05)
live cover recording of:
Come to the Supermarket (in Old Peking) (am 1962-11-05)
Texter und Komponist(in):
Cole Porter (composer)
publisher:
Chappell & Co., Inc. (USA)
1:51
12When the Sun Comes Out (live at The Bon Soir, Greenwich Village, NYC - Nov. 5, 1962)
recording engineer:
Adjutor “Pappy” Theroux und Roy Halee
Produzent(in):
Mike Berniker, Martin Erlichman, Jay Landers (Executive producer, A&R, producer, songwriter and music publisher) und Barbra Streisand
Mix:
Jochem van der Saag
Gitarre:
“Colonel” Tiger Haynes
Klavier:
Peter Daniels
Kontrabass:
Averill Pollard
Schlagzeug:
John Cresci
vocals:
Barbra Streisand
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2022)
aufgenommen bei:
The Bon Soir in Greenwich Village, New York, New York, Vereinigte Staaten (am 1962-11-05)
live cover recording of:
When the Sun Comes Out (am 1962-11-05)
Texter:
Ted Koehler (in 1941)
Komponist(in):
Harold Arlen (in 1941)
publisher:
S.A. Music Co. und Ted Koehler Music Co.
3:15
13Happy Days Are Here Again (live at The Bon Soir, Greenwich Village, NYC - Nov. 5, 1962)
recording engineer:
Adjutor “Pappy” Theroux und Roy Halee
Produzent(in):
Mike Berniker, Martin Erlichman, Jay Landers (Executive producer, A&R, producer, songwriter and music publisher) und Barbra Streisand
Mix:
Jochem van der Saag
Gitarre:
“Colonel” Tiger Haynes
Klavier:
Peter Daniels
Kontrabass:
Averill Pollard
Schlagzeug:
John Cresci
vocals:
Barbra Streisand
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2022)
aufgenommen bei:
The Bon Soir in Greenwich Village, New York, New York, Vereinigte Staaten (am 1962-11-05)
live recording of:
Happy Days Are Here Again (Barbra Streisand version) (am 1962-11-05)
Texter:
Jack Yellen (in 1929)
zusätzliche(r) Verfasser(in):
Ken Welch und Mitzie Welch
Komponist(in):
Milton Ager (in 1929)
Version von:
Happy Days Are Here Again
3:25
14Keepin’ Out of Mischief Now (live at The Bon Soir, Greenwich Village, NYC - Nov. 6, 1962)
recording engineer:
Adjutor “Pappy” Theroux und Roy Halee
Produzent(in):
Mike Berniker, Martin Erlichman, Jay Landers (Executive producer, A&R, producer, songwriter and music publisher) und Barbra Streisand
Mix:
Jochem van der Saag
Gitarre:
“Colonel” Tiger Haynes
Klavier:
Peter Daniels
Kontrabass:
Averill Pollard
Schlagzeug:
John Cresci
vocals:
Barbra Streisand
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2022)
aufgenommen bei:
The Bon Soir in Greenwich Village, New York, New York, Vereinigte Staaten (am 1962-11-06)
live cover recording of:
Keepin’ Out of Mischief Now (am 1962-11-06)
Texter:
Andy Razaf
Komponist(in):
Fats Waller
publisher:
Anne-Rachel Music Corp., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Razaf Music
1:54
15A Sleepin’ Bee (live at The Bon Soir, Greenwich Village, NYC - Nov. 6, 1962)
recording engineer:
Adjutor “Pappy” Theroux und Roy Halee
Produzent(in):
Mike Berniker, Martin Erlichman, Jay Landers (Executive producer, A&R, producer, songwriter and music publisher) und Barbra Streisand
Mix:
Jochem van der Saag
Gitarre:
“Colonel” Tiger Haynes
Klavier:
Peter Daniels
Kontrabass:
Averill Pollard
Schlagzeug:
John Cresci
vocals:
Barbra Streisand
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2022)
aufgenommen bei:
The Bon Soir in Greenwich Village, New York, New York, Vereinigte Staaten (am 1962-11-06)
live cover recording of:
A Sleepin’ Bee (House of Flowers) (am 1962-11-06)
Texter:
Harold Arlen und Truman Capote
Komponist(in):
Harold Arlen
publisher:
Harwin Music und S.A. Music Co.
Teil von:
House of Flowers
4:03
16I Had Myself a True Love (live at The Bon Soir, Greenwich Village, NYC - Nov. 6, 1962)
recording engineer:
Adjutor “Pappy” Theroux und Roy Halee
Produzent(in):
Mike Berniker, Martin Erlichman, Jay Landers (Executive producer, A&R, producer, songwriter and music publisher) und Barbra Streisand
Mix:
Jochem van der Saag
Gitarre:
“Colonel” Tiger Haynes
Klavier:
Peter Daniels
Kontrabass:
Averill Pollard
Schlagzeug:
John Cresci
vocals:
Barbra Streisand
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2022)
aufgenommen bei:
The Bon Soir in Greenwich Village, New York, New York, Vereinigte Staaten (am 1962-11-06)
live cover recording of:
I Had Myself a True Love (am 1962-11-06)
Texter:
Johnny Mercer
Komponist(in):
Harold Arlen
publisher:
Chappell & Co., Inc. (USA)
4:48
17Bewitched, Bothered and Bewildered (live at The Bon Soir, Greenwich Village, NYC - Nov. 6, 1962)
recording engineer:
Adjutor “Pappy” Theroux und Roy Halee
Produzent(in):
Mike Berniker, Martin Erlichman, Jay Landers (Executive producer, A&R, producer, songwriter and music publisher) und Barbra Streisand
Mix:
Jochem van der Saag
Gitarre:
“Colonel” Tiger Haynes
Klavier:
Peter Daniels
Kontrabass:
Averill Pollard
Schlagzeug:
John Cresci
vocals:
Barbra Streisand
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2022)
aufgenommen bei:
The Bon Soir in Greenwich Village, New York, New York, Vereinigte Staaten (am 1962-11-06)
live cover recording of:
Bewitched, Bothered and Bewildered (Pal Joey) (am 1962-11-06)
Texter:
Lorenz Hart (in 1940)
Komponist(in):
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (beendet), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und Williamson Music Company
Teil von:
Pal Joey
2:40
18Who’s Afraid of the Big Bad Wolf? (live at The Bon Soir, Greenwich Village, NYC - Nov. 6, 1962)
recording engineer:
Adjutor “Pappy” Theroux und Roy Halee
Produzent(in):
Mike Berniker, Martin Erlichman, Jay Landers (Executive producer, A&R, producer, songwriter and music publisher) und Barbra Streisand
Mix:
Jochem van der Saag
Gitarre:
“Colonel” Tiger Haynes
Klavier:
Peter Daniels
Kontrabass:
Averill Pollard
Schlagzeug:
John Cresci
vocals:
Barbra Streisand
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2022)
aufgenommen bei:
The Bon Soir in Greenwich Village, New York, New York, Vereinigte Staaten (am 1962-11-06)
live cover recording of:
Who’s Afraid of the Big Bad Wolf? (from “Three Little Pigs”) (am 1962-11-06)
Texter und Komponist(in):
Frank Churchill
zusätzlicher Texter:
Ann Ronell
publisher:
Bourne Co. (not for release label use, this is a music publisher)
2:36
19I’ll Tell the Man in the Street (live at The Bon Soir, Greenwich Village, NYC - Nov. 6, 1962)
recording engineer:
Adjutor “Pappy” Theroux und Roy Halee
Produzent(in):
Mike Berniker, Martin Erlichman, Jay Landers (Executive producer, A&R, producer, songwriter and music publisher) und Barbra Streisand
Mix:
Jochem van der Saag
Gitarre:
“Colonel” Tiger Haynes
Klavier:
Peter Daniels
Kontrabass:
Averill Pollard
Schlagzeug:
John Cresci
vocals:
Barbra Streisand
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2022)
aufgenommen bei:
The Bon Soir in Greenwich Village, New York, New York, Vereinigte Staaten (am 1962-11-06)
live recording of:
I’ll Tell the Man in the Street (am 1962-11-06)
Texter:
Lorenz Hart
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Robbins Catalog Inc. (ASCAP)
2:50
20A Taste of Honey (live at The Bon Soir, Greenwich Village, NYC - Nov. 7, 1962)
recording engineer:
Adjutor “Pappy” Theroux und Roy Halee
Produzent(in):
Mike Berniker, Martin Erlichman, Jay Landers (Executive producer, A&R, producer, songwriter and music publisher) und Barbra Streisand
Mix:
Jochem van der Saag
Gitarre:
“Colonel” Tiger Haynes
Klavier:
Peter Daniels
Kontrabass:
Averill Pollard
Schlagzeug:
John Cresci
vocals:
Barbra Streisand
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2022)
aufgenommen bei:
The Bon Soir in Greenwich Village, New York, New York, Vereinigte Staaten (am 1962-11-07)
live cover recording of:
A Taste of Honey (am 1962-11-07)
Texter:
Ric Marlow (in 1960)
Komponist(in):
Bobby Scott (vocals, piano, US musician & producer) (in 1960)
publisher:
Ambassador Music Ltd. und Songfest Music Corp.
2:23
21Never Will I Marry (live at The Bon Soir, Greenwich Village, NYC - Nov. 7, 1962)
recording engineer:
Adjutor “Pappy” Theroux und Roy Halee
Produzent(in):
Mike Berniker, Martin Erlichman, Jay Landers (Executive producer, A&R, producer, songwriter and music publisher) und Barbra Streisand
Mix:
Jochem van der Saag
Gitarre:
“Colonel” Tiger Haynes
Klavier:
Peter Daniels
Kontrabass:
Averill Pollard
Schlagzeug:
John Cresci
vocals:
Barbra Streisand
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2022)
aufgenommen bei:
The Bon Soir in Greenwich Village, New York, New York, Vereinigte Staaten (am 1962-11-07)
live cover recording of:
Never Will I Marry (from “Green Willow”) (am 1962-11-07)
Orchestrator(in):
Don Walker (orchestrator)
Texter und Komponist(in):
Frank Loesser
publisher:
Frank Music Corp.
2:56
22Nobody’s Heart Belongs to Me (live at The Bon Soir, Greenwich Village, NYC - Nov. 7, 1962)
recording engineer:
Adjutor “Pappy” Theroux und Roy Halee
Produzent(in):
Mike Berniker, Martin Erlichman, Jay Landers (Executive producer, A&R, producer, songwriter and music publisher) und Barbra Streisand
Mix:
Jochem van der Saag
Gitarre:
“Colonel” Tiger Haynes
Klavier:
Peter Daniels
Kontrabass:
Averill Pollard
Schlagzeug:
John Cresci
vocals:
Barbra Streisand
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2022)
aufgenommen bei:
The Bon Soir in Greenwich Village, New York, New York, Vereinigte Staaten (am 1962-11-07)
live cover recording of:
Nobody’s Heart (Belongs to Me) (am 1962-11-07)
Texter:
Lorenz Hart
Komponist(in):
Richard Rodgers (composer)
publisher:
Chappell & Co., Inc. (USA) und Williamson Music Company
2:15
23My Honey’s Lovin’ Arms (live at The Bon Soir, Greenwich Village, NYC - Nov. 7, 1962)
recording engineer:
Adjutor “Pappy” Theroux und Roy Halee
Produzent(in):
Mike Berniker, Martin Erlichman, Jay Landers (Executive producer, A&R, producer, songwriter and music publisher) und Barbra Streisand
Mix:
Jochem van der Saag
Gitarre:
“Colonel” Tiger Haynes
Klavier:
Peter Daniels
Kontrabass:
Averill Pollard
Schlagzeug:
John Cresci
vocals:
Barbra Streisand
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2022)
aufgenommen bei:
The Bon Soir in Greenwich Village, New York, New York, Vereinigte Staaten (am 1962-11-07)
live cover recording of:
My Honey’s Loving Arms (am 1962-11-07)
Verfasser(in):
Joseph Meyer (US songwriter) und Harry Ruby
2:10
24I Stayed Too Long at the Fair (live at The Bon Soir, Greenwich Village, NYC - Nov. 7, 1962)
recording engineer:
Adjutor “Pappy” Theroux und Roy Halee
Produzent(in):
Mike Berniker, Martin Erlichman, Jay Landers (Executive producer, A&R, producer, songwriter and music publisher) und Barbra Streisand
Mix:
Jochem van der Saag
Gitarre:
“Colonel” Tiger Haynes
Klavier:
Peter Daniels
Kontrabass:
Averill Pollard
Schlagzeug:
John Cresci
vocals:
Barbra Streisand
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2022)
aufgenommen bei:
The Bon Soir in Greenwich Village, New York, New York, Vereinigte Staaten (am 1962-11-07)
live cover recording of:
(Have I Stayed) Too Long at the Fair? (am 1962-11-07)
Texter und Komponist(in):
Billy Barnes (composer and lyricist)
publisher:
Tylerson Music Co.
5:12