101 Beethoven

~ Veröffentlichung von Ludwig van Beethoven (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

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1Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto
recording engineer:
John Dunkerley (engineer) (in 1977-09)
Produzent(in):
James Walker (ballet/opera conductor, classical recordings producer for Decca) (in 1977-09)
Klavier:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1977-09)
aufgenommen bei:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (in 1977-09)
recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (Sonate für Klavier Nr. 14 cis-Moll, Op. 27 Nr. 2 "Mondscheinsonate": I. Adagio sostenuto) (in 1977-09)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1801)
enthalten in:
end of starchild (video game soundtrack)
Teil von:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight” (Klaviersonate No. 14 in cis-Moll, Op. 27 No. 2 "Mondschein")
6:10
2Symphony no. 3 in E-flat, op. 55 "Eroica": 3. Scherzo (Allegro vivace)
Orchester:
Gewandhausorchester (Leipzig Gewandhaus Orchestra)
conductor:
Kurt Masur (conductor)
recording of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace
Komponist(in):
Ludwig van Beethoven (German composer) (von 1803 bis 1804)
Teil von:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”
5:38
3Piano Trio in B-flat major, op. 11 "Gassenhauer": II. Adagio (1964 recording)
Cello:
Bernard Greenhouse (cellist) (in 1965)
Geige / Violine:
Daniel Guilet (born Daniel Guilevitch) (in 1965)
Instrumente:
Beaux Arts Trio (in 1965)
Klavier:
Menahem Pressler (pianist) (in 1965)
recording of:
Trio for Piano, Clarinet [or Violin], and Cello no. 4 in B-flat major, op. 11: II. Adagio (in 1965)
Komponist(in):
Ludwig van Beethoven (German composer) (von 1797 bis 1798)
Teil von:
Trio for Piano, Clarinet [or Violin], and Cello no. 4 in B-flat major, op. 11
5:04
4Mass in C, op. 86: Kyrie
Chorgesang:
Ernst Senff Chamber Choir und RIAS Kammerchor (German chamber choir)
Orchester:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Riccardo Chailly (conductor)
recording of:
Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86: I. Kyrie. Andante con moto assai vivace quasi Allegretto ma non troppo
Komponist(in):
Ludwig van Beethoven (German composer) (in 1807)
Teil von:
Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86
4:48
5Piano Concerto no. 4 in G major, op. 58: 2. Andante con moto
Klavier:
Stephen Kovacevich (classical pianist, aka Stephen Bishop) (in 1974-12)
Orchester:
BBC Symphony Orchestra (in 1974-12)
conductor:
Sir Colin Davis (English conductor) (in 1974-12)
aufgenommen bei:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1974-12)
recording of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto (in 1974-12)
Komponist(in):
Ludwig van Beethoven (German composer) (von 1804 bis 1807)
Teil von:
Concerto for Piano and Orchestra no. 4 in G major, op. 58 (Klavierkonzert Nr. 4 G-Dur op. 58)
55:31
6Piano Sonata no. 8 in C minor, op. 13 "Pathétique": III. Rondo (Allegro)
Techniker(in):
Stanley Goodall (engineer) (am 1980-12-13)
Produzent(in):
Richard Beswick (am 1980-12-13)
Klavier:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1980)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1980-12-13)
recording of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: III. Rondo. Allegro (in 1980)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1798)
Teil von:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”
4:46
7String Quartet no. 13 in B-flat, op. 130: 5. Cavatina (Adagio molto espressivo)
recorded in:
Schweiz (in 1969-04)
Bratsche / Viola:
Piero Farulli (Italian violinist and viola player) (in 1969-04)
Cello:
Franco Rossi (classical cellist) (in 1969-04)
Geige / Violine [violin I]:
Paolo Borciani (violinist) (in 1969-04)
Geige / Violine [violin II]:
Elisa Pegreffi (violinist) (in 1969-04)
Streichquartett:
Quartetto Italiano (Italian Quartet, 1945—1980) (in 1969-04)
aufgenommen bei:
Théâtre municipal de Vevey in Vevey, Vaud (Kanton Waadt), Schweiz (in 1969-04)
recording of:
String Quartet no. 13 in B‐flat major, op. 130: V. Cavatina. Adagio molto espressivo (in 1969-04)
Komponist(in):
Ludwig van Beethoven (German composer) (von 1825 bis 1826)
Teil von:
String Quartet no. 13 in B‐flat major, op. 130
7:10
812 Contredanses, WoO 14: No. 1
recorded in:
London (Greater London), England, Vereinigtes Königreich (von 1978-05-26 bis 1978-05-30)
Produzent(in) und Tonmeister(in):
Vittorio Negri (conductor)
Orchester:
Academy of St Martin in the Fields (von 1978-05-26 bis 1978-05-30)
conductor:
Sir Neville Marriner (conductor) (von 1978-05-26 bis 1978-05-30)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (von 1978-05-26 bis 1978-05-30)
recording of:
12 Contredances for Orchestra, WoO 14: No. 1 in C major (von 1978-05-26 bis 1978-05-30)
Komponist(in):
Ludwig van Beethoven (German composer) (von 1791 bis 1801)
Teil von:
12 Contredances for Orchestra, WoO 14
0:34
912 Contredanses, WoO 14: No. 2
recorded in:
London (Greater London), England, Vereinigtes Königreich (von 1978-05-26 bis 1978-05-30)
Produzent(in) und Tonmeister(in):
Vittorio Negri (conductor)
Orchester:
Academy of St Martin in the Fields (von 1978-05-26 bis 1978-05-30)
conductor:
Sir Neville Marriner (conductor) (von 1978-05-26 bis 1978-05-30)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (von 1978-05-26 bis 1978-05-30)
recording of:
12 Contredances for Orchestra, WoO 14: No. 2 in A major (von 1978-05-26 bis 1978-05-30)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1801)
Teil von:
12 Contredances for Orchestra, WoO 14
0:50
1012 Contredanses, WoO 14: No. 4
recorded in:
London (Greater London), England, Vereinigtes Königreich (von 1978-05-26 bis 1978-05-30)
Produzent(in) und Tonmeister(in):
Vittorio Negri (conductor)
Orchester:
Academy of St Martin in the Fields (von 1978-05-26 bis 1978-05-30)
conductor:
Sir Neville Marriner (conductor) (von 1978-05-26 bis 1978-05-30)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (von 1978-05-26 bis 1978-05-30)
recording of:
12 Contredances for Orchestra, WoO 14: No. 4 in B-flat major (von 1978-05-26 bis 1978-05-30)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1795)
Teil von:
12 Contredances for Orchestra, WoO 14
0:35
1111 Bagatelles, op. 119: 5. Risoluto
Klavier:
Stephen Kovacevich (classical pianist, aka Stephen Bishop)
recording of:
11 Bagatelles, op. 119: No. 5 in C minor: Risoluto
Komponist(in):
Ludwig van Beethoven (German composer) (von 1820 bis 1822)
Teil von:
11 Bagatelles, op. 119
1:06
12The Creatures of Prometheus, op. 43
recorded in:
Leipzig, Sachsen, Deutschland (in 1973-11)
Orchester:
Gewandhausorchester (Leipzig Gewandhaus Orchestra) (in 1973-11)
conductor:
Kurt Masur (conductor) (in 1973-11)
recording of:
Die Geschöpfe des Prometheus, op. 43: Ouverture (in 1973-11)
Komponist(in):
Ludwig van Beethoven (German composer) (von 1800 bis 1801)
Teil von:
The Creatures of Prometheus, op. 43 (Die Geschöpfe des Prometheus, Op. 43)
5:07
13Fidelio op. 72: Act 2: "O namenlose Freude"
Soprangesang:
Hildegard Behrens (soprano)
Tenor-Gesang:
Peter Hofmann (German tenor/rock singer)
Orchester:
Chicago Symphony Orchestra
conductor:
Sir Georg Solti (conductor)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 15. Duet “O namenlose Freude!” (Leonore, Florestan)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1814)
Librettist:
Jean-Nicolas Bouilly
zusätzlich Librettist:
Georg Friedrich Treitschke
Übersetzer:
Joseph Sonnleithner
Teil von:
Fidelio, op. 72: Akt II
2:47
14The Ruins of Athens, op. 113: Turkish March (arr. Curley for organ)
Orgel:
Carlo Curley (US organist)
recording of:
Die Ruinen von Athen, op. 113: IV. Marcia alla turca (catch-all for arrangements)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1811)
Arrangement von:
Die Ruinen von Athen, op. 113: IV. Marcia alla turca
2:38
15Serenade in D for Piano and Flute, op. 41: 1. Entrata (Allegro)
recorded in:
La Chaux-de-Fonds, Neuchâtel (Kanton Neuenburg), Schweiz (in 1973-09)
flute:
Severino Gazzelloni (flutist) (in 1973-09)
Klavier:
Bruno Canino (composer and pianist) (in 1973-09)
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1974)
recording of:
Serenade for Flute & Piano, op. 41: I. Entrada - Allegro (in 1973-09)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1803)
Arrangement von:
Serenade for Flute, Violin, and Viola in D major, op. 25: I. Entrada. Allegro
Teil von:
Serenade for Flute and Piano in D major, op. 41
3:20
16Piano Sonata no. 30 in E, op. 109: 1. Vivace, ma non troppo - Adagio espressivo - Tempo I
Klavier:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist)
recording of:
Sonata for Piano no. 30 in E major, op. 109: I. Vivace, ma non troppo
Komponist(in):
Ludwig van Beethoven (German composer) (in 1820)
Teil von:
Sonata for Piano no. 30 in E major, op. 109
4:13
17Sonata for Violin and Piano no. 5 in F, op. 24 - "Spring": 3. Scherzo (Allegro molto)
Geige / Violine:
Arthur Grumiaux (Belgian violinist)
Klavier:
Clara Haskil (Romanian classical pianist)
recording of:
Sonata for Violin and Piano no. 5 in F major, op. 24 "Spring": III. Scherzo. Allegro molto
Komponist(in):
Ludwig van Beethoven (German composer) (von 1800 bis 1801)
Teil von:
Sonata for Violin and Piano no. 5 in F major, op. 24 “Spring”
1:07
18Symphony no. 6 in F, op. 68 "Pastoral": 3. Lustiges Zusammensein der Landleute (Allegro)
Orchester:
Gewandhausorchester (Leipzig Gewandhaus Orchestra)
conductor:
Kurt Masur (conductor)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: III. Allegro “Happy gathering of country folk”
Komponist(in):
Ludwig van Beethoven (German composer) (in 1808)
Teil von:
Symphony no. 6 in F major, op. 68 “Pastorale”
5:43
19Symphony no. 6 in F, op. 68 "Pastoral": 4. Gewitter, Sturm (Allegro)
Orchester:
Gewandhausorchester (Leipzig Gewandhaus Orchestra)
conductor:
Kurt Masur (conductor)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: IV. Allegro “Thunderstorm”
Komponist(in):
Ludwig van Beethoven (German composer) (in 1808)
Teil von:
Symphony no. 6 in F major, op. 68 “Pastorale”
3:36
20Symphony no. 6 in F, op. 68 "Pastoral": 5. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm: Allegretto
Orchester:
Gewandhausorchester (Leipzig Gewandhaus Orchestra)
conductor:
Kurt Masur (conductor)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: V. Allegretto “Shepherds’ song: Cheerful and thankful feelings after the storm” (Sinfonie Nr. 6 in F-Dur, Op. 68 "Pastorale": V. "Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm" Allegretto)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1808)
Teil von:
Symphony no. 6 in F major, op. 68 “Pastorale”
8:41
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