The Complete Decca Recordings

~ Veröffentlichung von Billie Holiday (alle Versionen dieser Veröffentlichung ansehen, 4 vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelBewertungLänge
1Easy Living
alto saxophone:
Al Klink (am 1947-02-13) und Toots Mondello (am 1947-02-13)
Gitarre:
Dan Perry (guitarist) (am 1947-02-13)
Klavier:
Bobby Tucker (am 1947-02-13)
Kontrabass:
Bob Haggart (am 1947-02-13)
Rohrblattinstrumente:
Bill Stegmeyer (am 1947-02-13)
Schlagzeug:
Norris "Bunny" Shawker (am 1947-02-13)
Tenorsaxophon:
Art Drelinger (am 1947-02-13) und Hank Ross (am 1947-02-13)
Trompete:
Billy Butterfield (am 1947-02-13)
vocals:
Billie Holiday (am 1947-02-13)
conductor:
Bob Haggart (am 1947-02-13)
recording of:
Easy Living (am 1947-02-13)
Texter:
Leo Robin (US composer, lyricist & songwriter)
Verfasser(in):
Ralph Rainger (in 1937) und Leo Robin (US composer, lyricist & songwriter) (in 1937)
Komponist(in):
Ralph Rainger und Leo Robin (US composer, lyricist & songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1937, in 1964)
43:13
2Solitude (alternate take)
alto saxophone:
Al Klink (am 1947-02-13) und Toots Mondello (am 1947-02-13)
Gitarre:
Dan Perry (guitarist) (am 1947-02-13)
Klavier:
Bobby Tucker (am 1947-02-13)
Kontrabass:
Bob Haggart (am 1947-02-13)
Rohrblattinstrumente:
Bill Stegmeyer (am 1947-02-13)
Schlagzeug:
Norris "Bunny" Shawker (am 1947-02-13)
Tenorsaxophon:
Art Drelinger (am 1947-02-13) und Hank Ross (am 1947-02-13)
Trompete:
Billy Butterfield (am 1947-02-13)
vocals:
Billie Holiday (am 1947-02-13)
conductor:
Bob Haggart (am 1947-02-13)
recording of:
(In My) Solitude (am 1947-02-13)
Texter:
Eddie DeLange (in 1934) und Irving Mills (in 1934)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) und J. R. Lafleur & Son Ltd.
3:15
3Solitude
alto saxophone:
Al Klink (am 1947-02-13) und Toots Mondello (am 1947-02-13)
Gitarre:
Dan Perry (guitarist) (am 1947-02-13)
Klavier:
Bobby Tucker (am 1947-02-13)
Kontrabass:
Bob Haggart (am 1947-02-13)
Rohrblattinstrumente:
Bill Stegmeyer (am 1947-02-13)
Schlagzeug:
Norris "Bunny" Shawker (am 1947-02-13)
Tenorsaxophon:
Art Drelinger (am 1947-02-13) und Hank Ross (am 1947-02-13)
Trompete:
Billy Butterfield (am 1947-02-13)
vocals:
Billie Holiday (am 1947-02-13)
Orchester:
Teddy Wilson and His Orchestra (am 1947-02-13)
conductor:
Bob Haggart (am 1947-02-13)
recording of:
(In My) Solitude (am 1947-02-13)
Texter:
Eddie DeLange (in 1934) und Irving Mills (in 1934)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) und J. R. Lafleur & Son Ltd.
43:10
4Weep No More
Gitarre:
Mundell Lowe (am 1948-12-10)
Klavier:
Bobby Tucker (am 1948-12-10)
Kontrabass:
John Levy (US jazz double-bassist) (am 1948-12-10)
Schlagzeug:
Denzil Best (am 1948-12-10)
vocals:
Billie Holiday (am 1948-12-10)
recording of:
Weep No More (am 1948-12-10)
Texter:
Thomas Adair
Komponist(in):
Gordon Jenkins
3:21
5Girls Were Made to Take Care of Boys
Gitarre:
Mundell Lowe (am 1948-12-10)
Klavier:
Bobby Tucker (am 1948-12-10)
Kontrabass:
John Levy (US jazz double-bassist) (am 1948-12-10)
Schlagzeug:
Denzil Best (am 1948-12-10)
vocals:
Billie Holiday (am 1948-12-10)
recording of:
Girls Were Made to Take Care of Boys (am 1948-12-10)
Verfasser(in):
Ralph Blane
3:14
6I Loves You, Porgy
Gitarre:
Mundell Lowe (am 1948-12-10)
Klavier:
Bobby Tucker (am 1948-12-10)
Kontrabass:
John Levy (US jazz double-bassist) (am 1948-12-10)
Schlagzeug:
Denzil Best (am 1948-12-10)
vocals:
Billie Holiday (am 1948-12-10)
recording of:
I Loves You, Porgy (use this for non-operatic performances) (am 1948-12-10)
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America und Gershwin Publishing Corp (in 1935)
Version von:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
2:58
7My Man (a.k.a. Mon homme) (alternate take)
Gitarre:
Mundell Lowe (am 1948-12-10)
Klavier:
Bobby Tucker (am 1948-12-10)
Kontrabass:
John Levy (US jazz double-bassist) (am 1948-12-10)
Schlagzeug:
Denzil Best (am 1948-12-10)
vocals:
Billie Holiday (am 1948-12-10)
recording of:
My Man (Mon homme) (Channing Pollock lyrics) (am 1948-12-10)
Texter:
Jacques Charles (French librettist and theatre producer) und Albert Willemetz
Komponist(in):
Maurice Yvain
Übersetzer:
Channing Pollock
publisher:
CBS Feist Catalog, Inc. (beendet) und Éditions Salabert France
übersetzte Version von:
Mon homme
3:11
8My Man (a.k.a. Mon homme)
Gitarre:
Mundell Lowe (am 1948-12-10)
Klavier:
Bobby Tucker (am 1948-12-10)
Kontrabass:
John Levy (US jazz double-bassist) (am 1948-12-10)
Schlagzeug:
Denzil Best (am 1948-12-10)
vocals:
Billie Holiday (am 1948-12-10)
recording of:
My Man (Mon homme) (Channing Pollock lyrics) (am 1948-12-10)
Texter:
Jacques Charles (French librettist and theatre producer) und Albert Willemetz
Komponist(in):
Maurice Yvain
Übersetzer:
Channing Pollock
publisher:
CBS Feist Catalog, Inc. (beendet) und Éditions Salabert France
übersetzte Version von:
Mon homme
2:57
9’Tain’t Nobody’s Business If I Do (alternate take)
alto saxophone:
George Dorsey (am 1949-08-17) und Rudy Powell (am 1949-08-17)
baritone saxophone:
Sol Moore (am 1949-08-17)
Gitarre:
Mundell Lowe (am 1949-08-17)
Klavier:
Horace Henderson (am 1949-08-17)
Kontrabass:
George Duvivier (am 1949-08-17)
Posaune:
George Matthews (trombone) (am 1949-08-17) und Dicky Wells (am 1949-08-17)
Schlagzeug:
Shadow Wilson (am 1949-08-17)
Tenorsaxophon:
Joe Thomas (US jazz tenor saxophone player) (am 1949-08-17) und Lester Young (saxophonist) (am 1949-08-17)
Trompete:
Emmett Berry (am 1949-08-17), Buck Clayton (am 1949-08-17) und Jimmy Nottingham (am 1949-08-17)
vocals:
Billie Holiday (am 1949-08-17)
conductor:
Buster Harding (am 1949-08-17)
cover recording of:
T’ain’t Nobody’s Bizness If I Do (am 1949-08-17)
Texter:
Porter Grainger
Komponist(in):
Porter Grainger und Everett Robbins
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) und MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
Teil von:
American Splendor
3:18
10’Tain’t Nobody’s Business If I Do
alto saxophone:
George Dorsey (am 1949-08-17) und Rudy Powell (am 1949-08-17)
baritone saxophone:
Sol Moore (am 1949-08-17)
Gitarre:
Mundell Lowe (am 1949-08-17)
Klavier:
Horace Henderson (am 1949-08-17)
Kontrabass:
George Duvivier (am 1949-08-17)
Posaune:
George Matthews (trombone) (am 1949-08-17) und Dicky Wells (am 1949-08-17)
Schlagzeug:
Shadow Wilson (am 1949-08-17)
Tenorsaxophon:
Joe Thomas (US jazz tenor saxophone player) (am 1949-08-17) und Lester Young (saxophonist) (am 1949-08-17)
Trompete:
Emmett Berry (am 1949-08-17), Buck Clayton (am 1949-08-17) und Jimmy Nottingham (am 1949-08-17)
vocals:
Billie Holiday (am 1949-08-17)
conductor:
Buster Harding (am 1949-08-17)
aufgenommen bei:
Decca Studios (New York) in New York, New York, Vereinigte Staaten
cover recording of:
T’ain’t Nobody’s Bizness If I Do (am 1949-08-17)
Texter:
Porter Grainger
Komponist(in):
Porter Grainger und Everett Robbins
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) und MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
Teil von:
American Splendor
recording of:
T’ain’t Nobody’s Bizness If I Do (am 1949-08-17)
Texter:
Porter Grainger
Komponist(in):
Porter Grainger und Everett Robbins
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) und MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
Teil von:
American Splendor
recording of:
Ain't Nobody's Business
Verfasser(in):
William York
3:21
11Baby Get Lost
alto saxophone:
George Dorsey (am 1949-08-17) und Rudy Powell (am 1949-08-17)
baritone saxophone:
Sol Moore (am 1949-08-17)
Gitarre:
Mundell Lowe (am 1949-08-17)
Klavier:
Horace Henderson (am 1949-08-17)
Kontrabass:
George Duvivier (am 1949-08-17)
Posaune:
George Matthews (trombone) (am 1949-08-17) und Dicky Wells (am 1949-08-17)
Schlagzeug:
Shadow Wilson (am 1949-08-17)
Tenorsaxophon:
Joe Thomas (US jazz tenor saxophone player) (am 1949-08-17) und Lester Young (saxophonist) (am 1949-08-17)
Trompete:
Emmett Berry (am 1949-08-17), Buck Clayton (am 1949-08-17) und Jimmy Nottingham (am 1949-08-17)
vocals:
Billie Holiday (am 1949-08-17)
conductor:
Buster Harding (am 1949-08-17)
recording of:
Baby Get Lost (am 1949-08-17)
Verfasser(in):
Leonard Feather und Billy Moore, Jr. (40s American jazz pianist/arranger/composer)
publisher:
Modern Age Music Co.
3:16
12Keeps on A-Rainin’
alto saxophone:
George Dorsey (am 1949-08-29) und Johnny Mince (am 1949-08-29)
Gitarre:
Everett Barksdale (am 1949-08-29)
Klavier:
Horace Henderson (am 1949-08-29)
Kontrabass:
George Duvivier (am 1949-08-29)
Posaune:
Mort Bullman (am 1949-08-29) und Henderson Chambers (am 1949-08-29)
Rohrblattinstrumente:
Eddie Barefield (am 1949-08-29)
Schlagzeug:
Cozy Cole (am 1949-08-29)
Tenorsaxophon:
Budd Johnson (am 1949-08-29) und Freddie Williams (am 1949-08-29)
Trompete:
Tony Faso (am 1949-08-29), Bernie Privin (am 1949-08-29) und Dick Vance (US jazz trumpeter and arranger) (am 1949-08-29)
vocals:
Billie Holiday (am 1949-08-29)
conductor:
Sy Oliver (am 1949-08-29)
arranger:
Sy Oliver (am 1949-08-29)
recording of:
Keeps On a‐Rainin’ (am 1949-08-29)
Verfasser(in):
Max Kortlander und Spencer Williams (US jazz composer, pianist & singer)
3:16
13Them There Eyes
alto saxophone:
George Dorsey (am 1949-08-29) und Johnny Mince (am 1949-08-29)
Gitarre:
Everett Barksdale (am 1949-08-29)
Klavier:
Horace Henderson (am 1949-08-29)
Kontrabass:
George Duvivier (am 1949-08-29)
Posaune:
Mort Bullman (am 1949-08-29) und Henderson Chambers (am 1949-08-29)
Rohrblattinstrumente:
Eddie Barefield (am 1949-08-29)
Schlagzeug:
Cozy Cole (am 1949-08-29)
Tenorsaxophon:
Budd Johnson (am 1949-08-29) und Freddie Williams (am 1949-08-29)
Trompete:
Tony Faso (am 1949-08-29), Bernie Privin (am 1949-08-29) und Dick Vance (US jazz trumpeter and arranger) (am 1949-08-29)
vocals:
Billie Holiday (am 1949-08-29)
conductor:
Sy Oliver (am 1949-08-29)
arranger:
Sy Oliver (am 1949-08-29)
recording of:
Them There Eyes (am 1949-08-29)
Texter:
William Tracey (in 1930)
Komponist(in):
Maceo Pinkard (in 1930) und Doris Tauber (in 1930)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Redwood Music Ltd. (Carlin) und Warner Chappell Music Limited (2019–present)
42:51
14Do Your Duty
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (am 1949-09-08) und George Dorsey (am 1949-09-08)
baritone saxophone:
Dave McRae (US clarinetist & saxophonist) (am 1949-09-08)
Gitarre:
Everett Barksdale (am 1949-09-08)
Klavier:
Horace Henderson (am 1949-09-08)
Kontrabass:
Joe Benjamin (US jazz bassist) (am 1949-09-08)
Posaune:
Mort Bullman (am 1949-09-08) und Henderson Chambers (am 1949-09-08)
Schlagzeug:
Wallace Bishop (am 1949-09-08)
Tenorsaxophon:
Budd Johnson (am 1949-09-08) und Freddie Williams (am 1949-09-08)
Trompete:
Shad Collins (am 1949-09-08), Tony Faso (am 1949-09-08) und Dick Vance (US jazz trumpeter and arranger) (am 1949-09-08)
vocals:
Billie Holiday (am 1949-09-08)
conductor:
Sy Oliver (am 1949-09-08)
arranger:
Sy Oliver (am 1949-09-08)
recording of:
Do Your Duty (am 1949-09-08)
Verfasser(in):
Wesley A. Wilson
3:17
15Gimme a Pigfoot (and a Bottle of Beer)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (am 1949-09-08) und George Dorsey (am 1949-09-08)
baritone saxophone:
Dave McRae (US clarinetist & saxophonist) (am 1949-09-08)
Gitarre:
Everett Barksdale (am 1949-09-08)
Klavier:
Horace Henderson (am 1949-09-08)
Kontrabass:
Joe Benjamin (US jazz bassist) (am 1949-09-08)
Posaune:
Mort Bullman (am 1949-09-08) und Henderson Chambers (am 1949-09-08)
Schlagzeug:
Wallace Bishop (am 1949-09-08)
Tenorsaxophon:
Budd Johnson (am 1949-09-08) und Freddie Williams (am 1949-09-08)
Trompete:
Shad Collins (am 1949-09-08), Tony Faso (am 1949-09-08) und Dick Vance (US jazz trumpeter and arranger) (am 1949-09-08)
vocals:
Billie Holiday (am 1949-09-08)
conductor:
Sy Oliver (am 1949-09-08)
arranger:
Sy Oliver (am 1949-09-08)
recording of:
Gimme a Pigfoot (and a Bottle of Beer) (am 1949-09-08)
Komponist(in):
Wesley A. Wilson
publisher:
Northern Music (song publisher)
2:45
16You Can't Lose a Broken Heart
alto saxophone:
Sid Cooper (flute & clarinet player) (am 1949-09-30) und Johnny Mince (am 1949-09-30)
Gitarre:
Everett Barksdale (am 1949-09-30)
Klavier:
Billy Kyle (am 1949-09-30)
Kontrabass:
Joe Benjamin (US jazz bassist) (am 1949-09-30)
Schlagzeug:
Jimmy Crawford (US swing-era jazz drummer) (am 1949-09-30)
Tenorsaxophon:
Art Drelinger (am 1949-09-30) und Pat Nizza (am 1949-09-30)
Trompete:
Bernie Privin (am 1949-09-30)
vocals:
Billie Holiday (am 1949-09-30)
recording of:
You Can’t Lose a Broken Heart (am 1949-09-30)
Texter:
Flournoy E. Miller
Komponist(in):
James P. Johnson
3:15
17My Sweet Hunk o’ Trash
alto saxophone:
Sid Cooper (flute & clarinet player) (am 1949-09-30) und Johnny Mince (am 1949-09-30)
Gitarre:
Everett Barksdale (am 1949-09-30)
Klavier:
Billy Kyle (am 1949-09-30)
Kontrabass:
Joe Benjamin (US jazz bassist) (am 1949-09-30)
Schlagzeug:
Jimmy Crawford (US swing-era jazz drummer) (am 1949-09-30)
Tenorsaxophon:
Art Drelinger (am 1949-09-30) und Pat Nizza (am 1949-09-30)
Trompete:
Bernie Privin (am 1949-09-30)
vocals:
Billie Holiday (am 1949-09-30)
recording of:
My Sweet Hunk o’ Trash (am 1949-09-30)
Texter:
Flournoy E. Miller
Komponist(in):
James P. Johnson
3:20
18Now or Never
alto saxophone:
Sid Cooper (flute & clarinet player) (am 1949-09-30) und Johnny Mince (am 1949-09-30)
Gitarre:
Everett Barksdale (am 1949-09-30)
Klavier:
Billy Kyle (am 1949-09-30)
Kontrabass:
Joe Benjamin (US jazz bassist) (am 1949-09-30)
Schlagzeug:
Jimmy Crawford (US swing-era jazz drummer) (am 1949-09-30)
Tenorsaxophon:
Art Drelinger (am 1949-09-30) und Pat Nizza (am 1949-09-30)
Trompete:
Bernie Privin (am 1949-09-30)
vocals:
Billie Holiday (am 1949-09-30)
recording of:
Now or Never (am 1949-09-30)
Verfasser(in):
Billie Holiday und Curtis Lewis (US songwriter)
3:17
19You're My Thrill
Gitarre:
Tony Mottola (am 1949-10-19)
Holzblasinstrumente:
John Fulton (am 1949-10-19)
Klavier:
Bernie Leighton (am 1949-10-19)
Kontrabass:
Jack Lesberg (am 1949-10-19)
Rohrblattinstrumente:
Milt Yaner (am 1949-10-19)
Schlagzeug:
Norris "Bunny" Shawker (am 1949-10-19)
Trompete:
Bobby Hackett (am 1949-10-19)
vocals:
Billie Holiday (am 1949-10-19)
aufgenommen bei:
Decca Studios (New York) in New York, New York, Vereinigte Staaten (am 1949-10-19)
recording of:
You’re My Thrill (am 1949-10-19)
Texter:
Sidney Clare
Komponist(in):
Jay Gorney
publisher:
Bourne Co. (not for release label use, this is a music publisher), Gorney Music Publisher, Next Decade Entertainment, Productions et Éditions Cinématographiques Françaises, Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
43:25
20Crazy He Calls Me
Gitarre:
Tony Mottola (am 1949-10-19)
Holzblasinstrumente:
John Fulton (am 1949-10-19)
Klavier:
Bernie Leighton (am 1949-10-19)
Kontrabass:
Jack Lesberg (am 1949-10-19)
Rohrblattinstrumente:
Milt Yaner (am 1949-10-19)
Schlagzeug:
Norris "Bunny" Shawker (am 1949-10-19)
Trompete:
Bobby Hackett (am 1949-10-19)
vocals:
Billie Holiday (am 1949-10-19)
aufgenommen bei:
Decca Studios (New York) in New York, New York, Vereinigte Staaten (am 1949-10-19)
recording of:
Crazy He Calls Me (am 1949-10-19)
Texter:
Sidney Keith Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
Komponist(in):
Carl Sigman
publisher:
Harrison Music Corp., Major Songs, Music Sales Corporation (American copyright holder in both popular and classical music) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3.753:05
21Please Tell Me Now
Gitarre:
Tony Mottola (am 1949-10-19)
Holzblasinstrumente:
John Fulton (am 1949-10-19)
Klavier:
Bernie Leighton (am 1949-10-19)
Kontrabass:
Jack Lesberg (am 1949-10-19)
Rohrblattinstrumente:
Milt Yaner (am 1949-10-19)
Schlagzeug:
Norris "Bunny" Shawker (am 1949-10-19)
Trompete:
Bobby Hackett (am 1949-10-19)
vocals:
Billie Holiday (am 1949-10-19)
3:15
22Somebody’s on My Mind
Gitarre:
Tony Mottola (am 1949-10-19)
Holzblasinstrumente:
John Fulton (am 1949-10-19)
Klavier:
Bernie Leighton (am 1949-10-19)
Kontrabass:
Jack Lesberg (am 1949-10-19)
Rohrblattinstrumente:
Milt Yaner (am 1949-10-19)
Schlagzeug:
Norris "Bunny" Shawker (am 1949-10-19)
Trompete:
Bobby Hackett (am 1949-10-19)
vocals:
Billie Holiday (am 1949-10-19)
recording of:
Somebody's on My Mind (am 1949-10-19)
Verfasser(in):
Arthur Herzog, Jr. und Billie Holiday
2:58
23God Bless the Child
engineered in:
New York, New York, Vereinigte Staaten (am 1950-03-08)
flute und Tenorsaxophon:
Dick 'Dent' Eckles (am 1950-03-08)
Gitarre:
Bob Bain (guitarist) (am 1950-03-08)
Klavier:
Charles LaVere (am 1950-03-08)
Kontrabass:
Lou Butterman (am 1950-03-08)
Schlagzeug:
Nick Fatool (am 1950-03-08)
Chorgesang:
The Gordon Jenkins Singers (am 1950-03-08)
vocals:
Billie Holiday (am 1950-03-08)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1950)
recording of:
God Bless the Child (am 1950-03-08)
Texter:
Billie Holiday
Komponist(in):
Arthur Herzog, Jr.
publisher:
Basart Editions (beendet) und Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
43:11
24This Is Heaven to Me
flute und Tenorsaxophon:
Dick 'Dent' Eckles (am 1950-03-08)
Gitarre:
Bob Bain (guitarist) (am 1950-03-08)
Klavier:
Charles LaVere (am 1950-03-08)
Kontrabass:
Lou Butterman (am 1950-03-08)
Schlagzeug:
Nick Fatool (am 1950-03-08)
Chorgesang:
The Gordon Jenkins Singers (am 1950-03-08)
vocals:
Billie Holiday (am 1950-03-08)
2:52