True Romantic

~ Release by Kate Ceberano (see all versions of this release, 4 available)

Tracklist

1▼Medium
#TitleRatingLength
1True Romantic
recording engineer and producer:
Mark Goldenberg
mixer:
Bob Salcedo
arranger:
Mark Goldenberg
phonographic copyright (℗) by:
Mushroom Records (in 1999)
recorded at:
Shabby Road in Los Angeles, California, United States
mixed at:
Sunset Sound in Hollywood, Los Angeles, California, United States
recording of:
True Romantic
writer:
Kate Ceberano and Mark Goldenberg
4:20
2Pash
recording engineer and producer:
Mark Goldenberg
mixer:
Roger Moutenot
arranger:
Mark Goldenberg
phonographic copyright (℗) by:
Mushroom Records (in 1999)
recorded at:
Shabby Road in Los Angeles, California, United States
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
Pash
lyricist and composer:
Kate Ceberano and Mark Goldenberg
publisher:
Mushroom Music (Mushroom label’s publishing company)
4:20
3I Won't Let You Down
recording engineer and producer:
Mark Goldenberg
mixer:
Bob Salcedo
arranger:
Mark Goldenberg
phonographic copyright (℗) by:
Mushroom Records (in 1999)
recorded at:
Shabby Road in Los Angeles, California, United States
mixed at:
Sunset Sound in Hollywood, Los Angeles, California, United States
recording of:
I Won’t Let You Down
writer:
Jim Diamond (Scottish singer/songwriter/guitarist) and Tony Hymas
4:30
4Calling You
co-producer:
Paul Kosky
producer:
Andrew Pendlebury
phonographic copyright (℗) by:
Andrew Pendlebury (in 1992)
phonographic copyright (℗) by:
Mushroom Records (in 1999)
recording of:
Calling You
lyricist and composer:
Bob Telson (composer, songwriter and pianist)
publisher:
Boodle Music (in 1987)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 61st Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1988 nominee)
4:08
5Everything's Alright
recording engineer and mixer:
Michael Letho
producer:
David Hirschfelder (Australian score composer)
phonographic copyright (℗) by:
Emerald City Records (in 1992) and Mushroom Records (in 1999)
recorded at and mixed at:
Metropolis Audio (fka AAV Studios) in Melbourne, Victoria, Australia
cover recording of:
Everything’s Alright
lyricist:
Tim Rice
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Leeds Music Ltd., MCA Music Ltd., Universal‐MCA Music Publishing (US) and Universal/MCA Music Ltd. (not for release label use!)
part of:
Jesus Christ Superstar (Andrew Lloyd Webber musical)
4:48
6Love and Affection
recording engineer and producer:
Ashley Cadell
assistant engineer:
David Davis (Australian engineer), Aaron Humphries and Adam Rhodes (producer, engineer)
mixer:
Jeremy Allom and Michael Brauer (engineer)
guitar:
Doug de Vries
instruments:
Joe Creighton
other instruments:
Ashley Cadell
strings:
John Lynch (violist), Peter O'Reilly, Suzanne Simpson (violinist) and Meredith Thomas
background vocals:
Tony Kopa, Richard McDonald (reggae singer) and Wabotaï (Jean-Paul Wabotai)
strings arranger:
Ashley Cadell and Doug de Vries
phonographic copyright (℗) by:
Mushroom Records (in 1999)
recorded at:
Chartbound Studios, Gotham Audio in Melbourne, Victoria, Australia and Sing, Sing East Studios in Melbourne, Victoria, Australia
mixed at:
Sing, Sing East Studios in Melbourne, Victoria, Australia
cover recording of:
Love and Affection
lyricist and composer:
Joan Armatrading
publisher:
Irving Music (BMI)
4:05
7Change
recording engineer and producer:
Ashley Cadell
assistant engineer:
Lachlan Mitchell
mixer:
Michael Brauer (engineer)
bass:
Richard Pleasance
instruments:
Ashley Cadell
background vocals:
Toni Allaylis, Tony Backhouse, Stuart Davis and Lily Dior
phonographic copyright (℗) by:
Mushroom Records (in 1999)
recorded at:
Chartbound Studios and Studios 301 (301 Castlereagh Street, Sydney, AU; fka EMI Studios 301; read annotations before use) in Sydney, New South Wales, Australia
mixed at:
Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, United States
recording of:
Change
writer:
Brian Harris (of remix team Jolley/Harris/Jolley, with Anna and Mark Jolley), Anna Jolley and Mark Jolley
4:01
8Feeling Alright
recording engineer and mixer:
Ern Rose
producer:
Ernie Rose
phonographic copyright (℗) by:
Mushroom Records (in 1999)
mixed at:
Metropolis Audio (fka AAV Studios) in Melbourne, Victoria, Australia
cover recording of:
Feelin’ Alright
lyricist and composer:
Dave Mason (co‐founder of Traffic)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP)
4:27
9Brave
engineer:
Mark Forrester
co-producer:
Ashley Cadell
producer and mixer:
Nick Launay
arranger:
Ashley Cadell
phonographic copyright (℗) by:
Kate Ceberano (in 1989)
phonographic copyright (℗) by:
Regular Records Pty. Ltd.
engineered at:
Platinum Studios in Melbourne, Victoria, Australia
recording of:
Brave
lyricist and composer:
Kate Ceberano
publisher:
Warner Chappell and Warner/Chappell Music Ltd. (1996–2019)
5:33
10Bedroom Eyes
engineer:
General Smutley
co-producer:
Ashley Cadell
producer:
Raymond Jones and Nick Launay
arranger:
Ashley Cadell
phonographic copyright (℗) by:
Kate Ceberano (in 1989)
phonographic copyright (℗) by:
Regular Records Pty. Ltd.
engineered at:
Maison Rouge in London (Greater London), England, United Kingdom and RAK Studios in London (Greater London), England, United Kingdom
recording of:
Bedroom Eyes
writer:
Raymond Jones and Sami McKinney
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Universal Music Publishing (use ONLY if no country‐specific information is available)
3:56
11Time to Think
recording engineer and producer:
Mark Goldenberg
mixer:
Roger Moutenot
arranger:
Mark Goldenberg
phonographic copyright (℗) by:
Mushroom Records (in 1999)
recorded at:
Shabby Road in Los Angeles, California, United States
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
Time to Think
writer:
Kate Ceberano, Mark Goldenberg and Chaz Jankel (English musician and songwriter)
4:36
12I Don't Know How to Love Him
recording engineer and mixer:
Michael Letho
producer:
David Hirschfelder (Australian score composer)
phonographic copyright (℗) by:
Emerald City Records (in 1992) and Mushroom Records (in 1999)
recorded at and mixed at:
Metropolis Audio (fka AAV Studios) in Melbourne, Victoria, Australia
cover recording of:
I Don’t Know How to Love Him
lyricist:
Tim Rice
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Leeds Music (MCA), Leeds Music Ltd., MCA Music Ltd., Universal/MCA Music (music publisher; do not use as release label!) and Universal/MCA Music Ltd. (not for release label use!)
part of:
Jesus Christ Superstar (Andrew Lloyd Webber musical)
4:25
13Love Is Alive
recording engineer and producer:
Mark Goldenberg
mixer:
Roger Moutenot
arranger:
Mark Goldenberg
phonographic copyright (℗) by:
Mushroom Records (in 1999)
recorded at:
Shabby Road in Los Angeles, California, United States
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
Love Is Alive
writer:
Kate Ceberano and Mark Goldenberg
4:16
14Young Boys Are My Weakness
engineer:
Mike Duffy (mixing for Nitzer Ebb) and Phil Harding (engineer, producer and remixer)
co-producer:
Ashley Cadell
producer and mixer:
Nick Launay
arranger:
Ashley Cadell
phonographic copyright (℗) by:
Kate Ceberano (in 1989)
phonographic copyright (℗) by:
Regular Records Pty. Ltd.
engineered at:
PWL Studios (London) in London (Greater London), England, United Kingdom
recording of:
Young Boys Are My Weakness
writer:
William King (William Atwell King Jr. (member of Commodores)) and Ronald LaPread
3:23
15All That I Want Is You
recording engineer:
Lloyd Puckitt
assistant engineer:
John Parthum
producer:
Alan Friedman and Fred Maher
mixer:
Alan Friedman, Fred Maher and Lloyd Puckitt
alto saxophone and tenor saxophone:
Andy Snitzer
drums (drum set):
Zachary Alford (session drummer)
instruments:
Phil Ceberano
keyboard [Programmed by]:
Alan Friedman
percussion:
Bashiri Johnson
trumpet:
Chris Botti
background vocals:
Patrique McMillan and Cindy Mizelle
brass [Horns] arranger:
Andy Snitzer
phonographic copyright (℗) by:
Mushroom Records (in 1999)
recorded at and mixed at:
Axis Studios in Manhattan, New York, New York, United States
recording of:
All That I Want Is You
writer:
Kate Ceberano
4:17
16Love Don't Live Here Anymore
producer:
Ross Cockle and I’m Talking
phonographic copyright (℗) by:
Regular Records Pty. Ltd.
cover recording of:
Love Don’t Live Here Anymore
lyricist and composer:
Miles Gregory
publisher:
Sony/ATV Ballad and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
4:26

Credits

Release

ASIN:US: B00000JOOL [info]

Release group

Discogs:https://www.discogs.com/master/201791 [info]
Wikidata:Q17036546 [info]