Sacred Cantatas, BWV 20 - 36

~ Release by Johann Sebastian Bach; Nikolaus Harnoncourt, Gustav Leonhardt, Concentus Musicus Wien (see all versions of this release, 2 available)

Annotation

Copyright: A Warner Classics/Teldec release, © 1972 Warner Music UK Limited
A Warner Classics/Teldec release, ℗ 1994 Warner Music UK Limited

Annotation last modified on 2025-06-13 15:40 UTC.

Tracklist

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1O Ewigkeit, du Donnerwort, BWV 20: No. 1, Chor. "O Ewigkeit, du Donnerwort"
choir vocals:
Chorus Viennensis (in 1971-12) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1971-12)
orchestra:
Concentus Musicus Wien (in 1971-12)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-12)
chorus master:
Hans Gillesberger (in 1971-12)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1971-12)
recording of:
Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil I, I. Chorale "O Ewigkeit, du Donnertwort" (in 1971-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 20 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach4:44
2O Ewigkeit, du Donnerwort, BWV 20: No. 2, Rezitativ. "Kein Unglück ist in aller Welt zu finden"
Johann Sebastian Bach0:53
3O Ewigkeit, du Donnerwort, BWV 20: No. 3, Aria. "Ewigkeit, du machst mir bange"
Johann Sebastian Bach3:21
4O Ewigkeit, du Donnerwort, BWV 20: No. 4, Rezitativ. "Gesetzt, es dau'rte der Verdammten Qual"
Johann Sebastian Bach1:13
5O Ewigkeit, du Donnerwort, BWV 20: No. 5, Aria. "Gott is gerecht in seinen Werken"
Johann Sebastian Bach4:27
6O Ewigkeit, du Donnerwort, BWV 20: No. 6, Aria. "O Mensch, errette deine Seele"
Johann Sebastian Bach2:23
7O Ewigkeit, du Donnerwort, BWV 20: No. 7, Choral. "So lang ein Gott im Himmel lebt"
Johann Sebastian Bach1:00
8O Ewigkeit, du Donnerwort, BWV 20: No. 8, Aria. "Wacht auf, wacht auf, verlornen Schafe"
Johann Sebastian Bach2:46
9O Ewigkeit, du Donnerwort, BWV 20: No. 9, Rezitativ. "Verlaß, o Mensch, die Wollust dieser Welt"
Johann Sebastian Bach1:16
10O Ewigkeit, du Donnerwort, BWV 20: No. 10, Aria. "O Menschenkind"
Johann Sebastian Bach3:42
11O Ewigkeit, du Donnerwort, BWV 20: No. 11, Choral. "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach1:06
12Ich hatte viel Bekümmernis, BWV 21: No. 1, Sinfonia
orchestra:
Concentus Musicus Wien (from 1971-12 until 1972-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1971-12 until 1972-04)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, I. Sinfonia (catch-all for unknown versions) (from 1971-12 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach2:41
13Ich hatte viel Bekümmernis, BWV 21: No. 2, Chor. "Ich hatte viel Bekümmernis"
choir vocals:
Chorus Viennensis (from 1971-12 until 1972-04) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1971-12 until 1972-04)
orchestra:
Concentus Musicus Wien (from 1971-12 until 1972-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1971-12 until 1972-04)
chorus master:
Hans Gillesberger (from 1971-12 until 1972-04)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, II. Coro "Ich hatte viel Bekümmernis in meinem Herzen" (catch-all for unknown versions) (from 1971-12 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach2:59
14Ich hatte viel Bekümmernis, BWV 21: No. 3, Aria. "Seufzer, Tränen, Kummer, Not"
Johann Sebastian Bach3:50
15Ich hatte viel Bekümmernis, BWV 21: No. 4, Rezitativ. "Wie hast du dich, mein Gott"
Johann Sebastian Bach1:33
16Ich hatte viel Bekümmernis, BWV 21: No. 5, Aria. "Bäche von gesalznen Zähren"
Johann Sebastian Bach4:56
17Ich hatte viel Bekümmernis, BWV 21: No. 6, Chor. "Was betrübst du dich, meine Seele"
Johann Sebastian Bach3:34
18Ich hatte viel Bekümmernis, BWV 21: No. 7, Rezitativ. "Ach Jesu, meine Ruh"
Johann Sebastian Bach1:16
19Ich hatte viel Bekümmernis, BWV 21: No. 8, Duett. "Komm, mein Jesu"
Johann Sebastian Bach4:32
20Ich hatte viel Bekümmernis, BWV 21: No. 9, Chor und Choral. "Sei nun wieder zufrieden"
Johann Sebastian Bach5:10
21Ich hatte viel Bekümmernis, BWV 21: No. 10, Aria. "Erfreue dich, Seele"
Johann Sebastian Bach3:15
22Ich hatte viel Bekümmernis, BWV 21: No. 11, Chor. "Das Lamm, das erwürget ist"
Johann Sebastian Bach3:20
23Jesus nahm zu sich die Zwölfe, BWV 22: No. 1, Arioso und Chor. "Jesus nahm zu sich die Zwölfe"
Johann Sebastian Bach4:51
24Jesus nahm zu sich die Zwölfe, BWV 22: No. 2, Aria. "Mein Jesu, ziehe mich nach dir"
Johann Sebastian Bach5:05
25Jesus nahm zu sich die Zwölfe, BWV 22: No. 3, Rezitativ. "Mein Jesu, ziehe mich nach dir"
Johann Sebastian Bach2:06
26Jesus nahm zu sich die Zwölfe, BWV 22: No. 4, Aria. "Mein Alles in Allem"
Johann Sebastian Bach3:42
27Jesus nahm zu sich die Zwölfe, BWV 22: No. 5, Choral. "Ertöt' uns durch dein Güte"
Johann Sebastian Bach2:02
28Du wahrer Gott und Davids Sohn, BWV 23: No. 1, Duett. "Du wahrer Gott und David Sohn"
Johann Sebastian Bach8:05
29Du wahrer Gott und Davids Sohn, BWV 23: No. 2, Rezitativ. "Ach, gehe nicht vorüber"
Johann Sebastian Bach1:32
30Du wahrer Gott und Davids Sohn, BWV 23: No. 3, Chor. "Aller Augen warten, Herr"
Johann Sebastian Bach4:29
31Du wahrer Gott und Davids Sohn, BWV 23: No. 4, Chor. "Christe, du Lamm Gottes"
Johann Sebastian Bach5:00
32Ein ungefärbt Gemüte, BWV 24: No. 1, Aria. "Ein ungefärbt Gemüte"
Johann Sebastian Bach3:43
33Ein ungefärbt Gemüte, BWV 24: No. 2, Rezitativ. "Die Redlichkeit ist eine von den Gottesgaben"
Johann Sebastian Bach1:52
34Ein ungefärbt Gemüte, BWV 24: No. 3, Tutti. "Alles nun, das ihr wollet"
Johann Sebastian Bach3:59
35Ein ungefärbt Gemüte, BWV 24: No. 4, Rezitativ. "Die Heuchelei ist eine Brut"
Johann Sebastian Bach1:29
36Ein ungefärbt Gemüte, BWV 24: No. 5, Aria. "Treu und Wahrheit sei der Grund"
Johann Sebastian Bach3:39
37Ein ungefärbt Gemüte, BWV 24: No. 6, Choral. "Gott, du frommer Gott"
Johann Sebastian Bach2:35
38Es ist nichts Gesundes an meinem Leibe, BWV 25: No. 1, Chor. "Es ist nichts Gesundes an meinem Leibe"
Johann Sebastian Bach4:51
39Es ist nichts Gesundes an meinem Leibe, BWV 25: No. 2, Rezitativ. "Die ganze Welt ist nur ein Hospital"
Johann Sebastian Bach1:27
40Es ist nichts Gesundes an meinem Leibe, BWV 25: No. 3, Aria. "Ach, wo hol ich Armer Rat"
Johann Sebastian Bach3:06
41Es ist nichts Gesundes an meinem Leibe, BWV 25: No. 4, Rezitativ. "O Jesu, lieber Meister"
Johann Sebastian Bach1:11
42Es ist nichts Gesundes an meinem Leibe, BWV 25: No. 5, Aria. "Öffne meinen schlechten Liedern"
Johann Sebastian Bach3:39
43Es ist nichts Gesundes an meinem Leibe, BWV 25: No. 6, Choral. "Ich will alle meine Tage"
Johann Sebastian Bach1:11
44Ach wie flüchtig, ach wie nichtig, BWV 26: No. 1, Chorale fantasia. "Ach wie flüchtig, ach wie nichtig"
choir vocals:
Wiener Sängerknaben (The Vienna Boys Choir)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": VI. Choral "Ach wie flüchtig, ach wie nichtig"
lyricist and librettist:
Michael Franck (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 11)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Johann Sebastian Bach2:49
45Ach wie flüchtig, ach wie nichtig, BWV 26: No. 2, Aria. "So schnell ein rauschend Wasser schießt"
Johann Sebastian Bach7:42
46Ach wie flüchtig, ach wie nichtig, BWV 26: No. 3, Rezitativ. "Die Freude wird zur Traurigkeit"
Johann Sebastian Bach0:49
47Ach wie flüchtig, ach wie nichtig, BWV 26: No. 4, Aria. "An irdische Schätze das Herze zu hängen"
Johann Sebastian Bach3:53
48Ach wie flüchtig, ach wie nichtig, BWV 26: No. 5, Rezitativ. "Die höchste Herrlichkeit und Pracht"
Johann Sebastian Bach0:44
49Ach wie flüchtig, ach wie nichtig, BWV 26: No. 6, Choral. "Ach wie flüchtig, ach wie nichtig"
Johann Sebastian Bach0:42
50Wer weiss, wie nahe mir mein Ende, BWV 27: No. 1, Choral und Rezitativ. "Wer weiß, wie nahe mir mein Ende"
Johann Sebastian Bach5:03
51Wer weiss, wie nahe mir mein Ende, BWV 27: No. 2, Rezitativ. "Mein Leben hat kein ander Ziel"
Johann Sebastian Bach0:47
52Wer weiss, wie nahe mir mein Ende, BWV 27: No. 3, Aria. "Willkommen! Will ich sagen"
Johann Sebastian Bach4:30
53Wer weiss, wie nahe mir mein Ende, BWV 27: No. 4, Rezitativ. "Ach, wer doch schon im Himmel wär"
Johann Sebastian Bach0:38
54Wer weiss, wie nahe mir mein Ende, BWV 27: No. 5, Aria. "Gute Nacht, du Weltgetümmel"
Johann Sebastian Bach3:34
55Wer weiss, wie nahe mir mein Ende, BWV 27: No. 6, Choral. "Welt ade! Ich bin dein müde"
Johann Sebastian Bach1:06
56Gottlob! Nun geht das Jahr zu Ende, BWV 28: No. 1, Aria. "Gottlob! Nun geht das Jahr zu Ende"
choir vocals:
Chorus Viennensis and Wiener Sängerknaben (The Vienna Boys Choir)
solo treble vocals [Sopran]:
Solist der Wiener Sängerknaben
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
chorus master:
Hans Gillesberger
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": I. Aria (Soprano) "Gottlob! nun geht das Jahr zu Ende" (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Erdmann Neumeister (from 1714 until 1717)
part of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende"
Johann Sebastian Bach4:31
57Gottlob! Nun geht das Jahr zu Ende, BWV 28: No. 2, Choral. "Nun lob, mein Seel, den Herren"
choir vocals:
Chorus Viennensis (from 1972-06 until 1973-04) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1972-06 until 1973-04)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
chorus master:
Hans Gillesberger
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": II. Coro "Nun lob, mein Seel, den Herren" (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Johann Gramann (in 1530)
is based on:
Nun lob, mein Seel, den Herren (german hymn, lyrics after Psalm 103, with the melody of "Weiß mir ein Blümlein blaue", 16th century)
part of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende"
Johann Sebastian Bach4:59
58Gottlob! Nun geht das Jahr zu Ende, BWV 28: No. 3, Rezitativ und Arioso. "So spricht der Herr"
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1972-06 until 1973-04)
choir vocals:
Chorus Viennensis and Wiener Sängerknaben (The Vienna Boys Choir)
solo bass vocals:
Siegmund Nimsgern (bass-baritone)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
chorus master:
Hans Gillesberger
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": III. Recitativo (Arioso: Basso) "So spricht der Herr" (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende"
Johann Sebastian Bach1:54
59Gottlob! Nun geht das Jahr zu Ende, BWV 28: No. 4, Rezitativ. "Gott ist ein Quell, wo lauter Güte fleußt"
choir vocals:
Chorus Viennensis and Wiener Sängerknaben (The Vienna Boys Choir)
solo tenor vocals:
Kurt Equiluz (tenor)
tenor vocals:
Kurt Equiluz (tenor) (from 1972-06 until 1973-04)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
chorus master:
Hans Gillesberger
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": IV. Recitativo (Tenore) "Gott ist ein Quell, wo lauter Güte fleußt" (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Erdmann Neumeister (from 1714 until 1717)
part of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende"
Johann Sebastian Bach1:04
60Gottlob! Nun geht das Jahr zu Ende, BWV 28: No. 5, Duett. "Gott hat uns im heurigen Jahre gesegnet"
alto vocals:
Paul Esswood (countertenor) (from 1972-06 until 1973-04)
choir vocals:
Chorus Viennensis and Wiener Sängerknaben (The Vienna Boys Choir)
solo countertenor vocals [Alt]:
Paul Esswood (countertenor)
solo tenor vocals:
Kurt Equiluz (tenor)
tenor vocals:
Kurt Equiluz (tenor) (from 1972-06 until 1973-04)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
chorus master:
Hans Gillesberger
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": V. Aria (Duetto: Alto, Tenore) "Gott hat uns im heurigen Jahre gesegnet" (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Erdmann Neumeister (from 1714 until 1717)
part of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende"
Johann Sebastian Bach2:33
61Gottlob! Nun geht das Jahr zu Ende, BWV 28: No. 6, Choral. "All solch dein Güt wir preisen"
choir vocals:
Chorus Viennensis (from 1972-06 until 1973-04) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1972-06 until 1973-04)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
chorus master:
Hans Gillesberger
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": VI. Choral "All solch dein Güt wir preisen" (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Paul Eber (in 1580)
part of:
Breitkopf 389 Choralgesänge (number: 124)
part of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende"
Johann Sebastian Bach1:04
62Wir danken dir, Gott, wir danken dir, BWV 29: No. 1, Sinfonia
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 29 “Wir danken dir, Gott, wir danken dir”: I. Sinfonia (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach3:45
63Wir danken dir, Gott, wir danken dir, BWV 29: No. 2, Chor. "Wir danken dir, Gott, wir danken dir"
choir vocals:
Chorus Viennensis, Tölzer Knabenchor (Tölz Boys’ Choir) (from 1972-06 until 1973-04) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1972-06 until 1973-04)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
chorus master:
Hans Gillesberger
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir" (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach3:03
64Wir danken dir, Gott, wir danken dir, BWV 29: No. 3, Aria. "Halleluja, Stärk und Macht"
choir vocals:
Chorus Viennensis and Wiener Sängerknaben (The Vienna Boys Choir)
solo tenor vocals:
Kurt Equiluz (tenor)
tenor vocals:
Kurt Equiluz (tenor) (from 1972-06 until 1973-04)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
chorus master:
Hans Gillesberger
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": III. Aria (Tenore) "Halleluja, Stärk und Macht" (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach6:31
65Wir danken dir, Gott, wir danken dir, BWV 29: No. 4, Rezitativ. "Gottlob! Es geht uns wohl"
bass vocals:
Max van Egmond (bass-baritone) (from 1972-06 until 1973-04)
choir vocals:
Chorus Viennensis and Wiener Sängerknaben (The Vienna Boys Choir)
solo bass vocals:
Max van Egmond (bass-baritone)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
chorus master:
Hans Gillesberger
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": IV. Recitativo (Basso) "Gottlob! es geht uns wohl!" (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach0:49
66Wir danken dir, Gott, wir danken dir, BWV 29: No. 5, Aria. "Gedenk an uns mit deiner Liebe"
choir vocals:
Chorus Viennensis and Wiener Sängerknaben (The Vienna Boys Choir)
solo treble vocals [Sopran]:
Solist der Wiener Sängerknaben
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
chorus master:
Hans Gillesberger
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": V. Aria (Soprano) "Gedenk an uns mit deiner Liebe" (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach5:49
67Wir danken dir, Gott, wir danken dir, BWV 29: No. 6, Rezitativ. "Vergiß es ferner nicht"
choir vocals:
Chorus Viennensis, Tölzer Knabenchor (Tölz Boys’ Choir) (from 1972-06 until 1973-04) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1972-06 until 1973-04)
countertenor vocals:
Paul Esswood (countertenor) (from 1972-06 until 1973-04)
solo countertenor vocals [Alt]:
Paul Esswood (countertenor)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
chorus master:
Hans Gillesberger
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": VI. Recitativo (Alto) e Coro "Vergiß es ferner nicht, mit deiner Hand" (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach0:26
68Wir danken dir, Gott, wir danken dir, BWV 29: No. 3, Aria. "Halleluja, Stärk und Macht"
choir vocals:
Chorus Viennensis and Wiener Sängerknaben (The Vienna Boys Choir)
countertenor vocals:
Paul Esswood (countertenor) (from 1972-06 until 1973-04)
solo countertenor vocals [Alt]:
Paul Esswood (countertenor)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
chorus master:
Hans Gillesberger
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": VII. Aria (Alto) "Halleluja, Stärk und Macht" (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach1:53
69Wir danken dir, Gott, wir danken dir, BWV 29: No. 8, Choral. "Sei Lob und Preis mit Ehren"
choir vocals:
Chorus Viennensis, Tölzer Knabenchor (Tölz Boys’ Choir) (from 1972-06 until 1973-04) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1972-06 until 1973-04)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
chorus master:
Hans Gillesberger
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": VIII. Choral "Sei Lob und Preis mit Ehren" (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Breitkopf 389 Choralgesänge (number: 272)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach1:24
70Freue dich, erlöste Schaar, BWV 30: No. 1, Chor. "Freue dich, erlöste Schaar"
choir vocals:
Chorus Viennensis (from 1972-06 until 1972-12) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1972-06 until 1972-12)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1972-12)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1972-12)
chorus master:
Hans Gillesberger
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1972-12)
recording of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil I, I. Coro "Freue dich, erlöste Schar" (from 1972-06 until 1972-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar" (former BWV 30)
Johann Sebastian Bach4:27
71Freue dich, erlöste Schaar, BWV 30: No. 2, Rezitativ. "Wir haben Rast"
bass vocals:
Max van Egmond (bass-baritone) (from 1972-06 until 1972-12)
choir vocals:
Chorus Viennensis and Wiener Sängerknaben (The Vienna Boys Choir)
solo bass vocals:
Max van Egmond (bass-baritone)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1972-12)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1972-12)
chorus master:
Hans Gillesberger
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1972-12)
recording of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil I, II. Recitativo (Basso) "Wir haben Rast" (from 1972-06 until 1972-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar" (former BWV 30)
Johann Sebastian Bach0:50
72Freue dich, erlöste Schaar, BWV 30: No. 3, Aria. "Gelobet sei Gott, gelobet sein Name"
bass vocals:
Max van Egmond (bass-baritone) (from 1972-06 until 1972-12)
choir vocals:
Chorus Viennensis and Wiener Sängerknaben (The Vienna Boys Choir)
solo bass vocals:
Max van Egmond (bass-baritone)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1972-12)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1972-12)
chorus master:
Hans Gillesberger
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1972-12)
recording of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil I, III. Aria (Basso) "Gelobet sei Gott, gelobet sein Name" (from 1972-06 until 1972-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar" (former BWV 30)
Johann Sebastian Bach5:13
73Freue dich, erlöste Schaar, BWV 30: No. 4, Rezitativ. "Der Herold kömmt"
alto vocals:
Paul Esswood (countertenor) (from 1972-06 until 1972-12)
choir vocals:
Chorus Viennensis and Wiener Sängerknaben (The Vienna Boys Choir)
solo countertenor vocals [Alt]:
Paul Esswood (countertenor)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1972-12)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1972-12)
chorus master:
Hans Gillesberger
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1972-12)
recording of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil I, IV. Recitativo (Alto) "Der Herold kömmt und meldt den König an" (from 1972-06 until 1972-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar" (former BWV 30)
Johann Sebastian Bach0:36
74Freue dich, erlöste Schaar, BWV 30: No. 5, Aria. "Kommt, ihr angefochtnen Sünder"
alto vocals:
Paul Esswood (countertenor) (from 1972-06 until 1972-12)
choir vocals:
Chorus Viennensis and Wiener Sängerknaben (The Vienna Boys Choir)
solo countertenor vocals [Alt]:
Paul Esswood (countertenor)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1972-12)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1972-12)
chorus master:
Hans Gillesberger
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1972-12)
recording of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil I, V. Aria (Alto) "Kommt, ihr angefochtnen Sünder" (from 1972-06 until 1972-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar" (former BWV 30)
Johann Sebastian Bach4:38
75Freue dich, erlöste Schaar, BWV 30: No. 6, Choral. "Eine Stimme läßt sich hören"
choir vocals:
Chorus Viennensis (from 1972-06 until 1972-12) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1972-06 until 1972-12)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1972-12)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1972-12)
chorus master:
Hans Gillesberger
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1972-12)
recording of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil I, VI. Choral "Eine Stimme lässt sich hören" (from 1972-06 until 1972-12)
lyricist:
Johann Olearius
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Breitkopf 389 Choralgesänge (number: 103)
part of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar" (former BWV 30)
Johann Sebastian Bach1:16
76Freue dich, erlöste Schaar, BWV 30: No. 7, Rezitativ. "So bist du denn, mein Heil, bedacht"
bass vocals:
Max van Egmond (bass-baritone) (from 1972-06 until 1972-12)
choir vocals:
Chorus Viennensis and Wiener Sängerknaben (The Vienna Boys Choir)
solo bass vocals:
Max van Egmond (bass-baritone)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1972-12)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1972-12)
chorus master:
Hans Gillesberger
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1972-12)
recording of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil II, VII. Recitativo (Basso) "So bist du denn, mein Heil, bedacht" (from 1972-06 until 1972-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar" (former BWV 30)
Johann Sebastian Bach0:57
77Freue dich, erlöste Schaar, BWV 30: No. 8, Aria. "Ich will nun hassen"
bass vocals:
Max van Egmond (bass-baritone) (from 1972-06 until 1972-12)
choir vocals:
Chorus Viennensis and Wiener Sängerknaben (The Vienna Boys Choir)
solo bass vocals:
Max van Egmond (bass-baritone)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1972-12)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1972-12)
chorus master:
Hans Gillesberger
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1972-12)
recording of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil II, VIII. Aria (Basso) "Ich will nun hassen" (from 1972-06 until 1972-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar" (former BWV 30)
Johann Sebastian Bach7:01
78Freue dich, erlöste Schaar, BWV 30: No. 9, Rezitativ. "Und obwohl sonst der Unbestand"
choir vocals:
Chorus Viennensis and Wiener Sängerknaben (The Vienna Boys Choir)
solo treble vocals [Sopran]:
Solist der Wiener Sängerknaben
treble vocals:
Herbert Böck (Austrian conductor and former boy soprano) (from 1972-06 until 1972-12)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1972-12)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1972-12)
chorus master:
Hans Gillesberger
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1972-12)
recording of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil II, IX. Recitativo (Soprano) "Und obwohl sonst der Unbestand" (from 1972-06 until 1972-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar" (former BWV 30)
Johann Sebastian Bach0:49
79Freue dich, erlöste Schaar, BWV 30: No. 10, Aria. "Eilt, ihr Stunden, kommt herbei"
choir vocals:
Chorus Viennensis and Wiener Sängerknaben (The Vienna Boys Choir)
solo treble vocals [Sopran]:
Solist der Wiener Sängerknaben
vocals:
Herbert Böck (Austrian conductor and former boy soprano) (from 1972-06 until 1972-12)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1972-12)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1972-12)
chorus master:
Hans Gillesberger
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1972-12)
recording of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil II, X. Aria (Soprano) "Eilt, ihr Stunden, kommt herbei" (from 1972-06 until 1972-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar" (former BWV 30)
Johann Sebastian Bach5:57
80Freue dich, erlöste Schaar, BWV 30: No. 11, Rezitativ. "Geduld, der angenehme Tag"
choir vocals:
Chorus Viennensis and Wiener Sängerknaben (The Vienna Boys Choir)
solo tenor vocals:
Kurt Equiluz (tenor)
tenor vocals:
Kurt Equiluz (tenor) (from 1972-06 until 1972-12)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1972-12)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1972-12)
chorus master:
Hans Gillesberger
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1972-12)
recording of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil II, XI. Recitativo (Tenore) "Geduld, der angenehme Tag" (from 1972-06 until 1972-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar" (former BWV 30)
Johann Sebastian Bach1:16
81Freue dich, erlöste Schaar, BWV 30: No. 12, Choral. "Freue dich, geheil'gte Schaar"
choir vocals:
Chorus Viennensis (from 1972-06 until 1972-12) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1972-06 until 1972-12)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1972-12)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1972-12)
chorus master:
Hans Gillesberger
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1972-12)
recording of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil II, XII. Coro "Freude dich, geheilgte Schar" (from 1972-06 until 1972-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar" (former BWV 30)
Johann Sebastian Bach4:37
82Der Himmel lacht, die Erde jubilieret, BWV 31: No. 1, Sonata
Johann Sebastian Bach3:20
83Der Himmel lacht, die Erde jubilieret, BWV 31: No. 2, Chor. "Der Himmel lacht, die Erde jubilieret"
Johann Sebastian Bach4:07
84Der Himmel lacht, die Erde jubilieret, BWV 31: No. 3, Rezitativ. "Erschwünschter Tag! Sei, Seele, wieder froh"
Johann Sebastian Bach2:05
85Der Himmel lacht, die Erde jubilieret, BWV 31: No. 4, Aria. "Fürst des lebens, starker Streiter"
Johann Sebastian Bach2:26
86Der Himmel lacht, die Erde jubilieret, BWV 31: No. 5, Rezitativ. "So stehe dann, du gottergebne Seele"
Johann Sebastian Bach1:09
87Der Himmel lacht, die Erde jubilieret, BWV 31: No. 6, Aria. "Adam muß in uns verwesen"
Johann Sebastian Bach2:18
88Der Himmel lacht, die Erde jubilieret, BWV 31: No. 7, Rezitativ. "Weil denn das Haupt sein Glied"
Johann Sebastian Bach0:49
89Der Himmel lacht, die Erde jubilieret, BWV 31: No. 8, Aria. "Letzte Stunde, brich herein"
vocals:
Solist der Wiener Sängerknaben
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": VIII. Aria (Soprano) e Choral "Letzte Stunde, brich herein"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret"
Johann Sebastian Bach3:49
90Der Himmel lacht, die Erde jubilieret, BWV 31: No. 9, Choral. "So fahr ich hin zu Jesu Christ"
Johann Sebastian Bach1:04
91Liebster Jesu, mein Verlangen, BWV 32: No. 1, Aria. "Liebster Jesu, mein Verlangen"
Johann Sebastian Bach5:43
92Liebster Jesu, mein Verlangen, BWV 32: No. 2, Rezitativ. "Was ists, daß du mich gesuchet?"
Johann Sebastian Bach0:30
93Liebster Jesu, mein Verlangen, BWV 32: No. 3, Aria. "Hier in meines Vaters Stätte"
Johann Sebastian Bach7:35
94Liebster Jesu, mein Verlangen, BWV 32: No. 4, Rezitativ. "Ach! Heiliger und großer Gott"
Johann Sebastian Bach2:52
95Liebster Jesu, mein Verlangen, BWV 32: No. 5, Duett. "Nun verschwinden alle Plagen"
Johann Sebastian Bach6:03
96Liebster Jesu, mein Verlangen, BWV 32: No. 6, Choral. "Mein Gott, öffne mir die Pforten"
Johann Sebastian Bach1:06
97Allein zu dir, Herr Jesu Christ, BWV 33: No. 1, Chor. "Allein zu dir, Herr Jesu Christ"
Johann Sebastian Bach5:00
98Allein zu dir, Herr Jesu Christ, BWV 33: No. 2, Rezitativ. "Mein Gott und Richter"
Johann Sebastian Bach1:08
99Allein zu dir, Herr Jesu Christ, BWV 33: No. 3, Aria. "Wie furchtsam wankten meine Schritte"
Johann Sebastian Bach8:07
100Allein zu dir, Herr Jesu Christ, BWV 33: No. 4, Rezitativ. "Mein Gott, verwirf mich nicht"
Johann Sebastian Bach1:11
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