80s Music Hits

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1You Can’t Hurry Love
assistente tecnico:
Howard (Double Plug) Gray (UK producer, engineer, and electronic musician)
tecnico:
Paul Gomersall e Hugh Padgham
assistente produttore:
Hugh Padgham
produttore:
Robert Colby (live sound engineer & producer, notably for Phil Collins) e Phil Collins (of Genesis)
tecnico di missaggio:
Robert Colby (live sound engineer & producer, notably for Phil Collins) e Paul Gomersall
batteria [drums] , tamburello e voce principale:
Phil Collins (of Genesis)
chitarra [guitars] :
Daryl
chitarra basso [bass] :
John
glockenspiel [glock] , pianoforte e vibrafono :
Peter (Scene) Robinson (English score composer)
arrangiatore archi :
Martyn (Norrie) Ford (conductor)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (dal 1982 a oggi)
registrazione cover di:
You Can’t Hurry Love
autore:
Lamont Dozier, Brian Holland (Motown producer & songwriter) e Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete (now‐defunct US music publisher, affiliated with BMI), Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30), Jobete Music (UK) Ltd. (nel 1965) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Phil Collins42:54
2Everywhere
programmazione:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (nel 1987)
produttore:
Lindsey Buckingham (guitarist, singer, songwriter and producer) e Richard Dashut
basso elettrico :
John McVie (nel 1987)
batteria e percussione :
Mick Fleetwood (nel 1987)
campionatore [Fairlight CMI] e chitarra :
Lindsey Buckingham (guitarist, singer, songwriter and producer) (nel 1987)
tastiera :
Lindsey Buckingham (guitarist, singer, songwriter and producer) (nel 1987) e Christine McVie (nel 1987)
voce di accompagnamento:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (nel 1987), Christine McVie (nel 1987) e Stevie Nicks (nel 1987)
voce principale:
Christine McVie (nel 1987)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1987) e Warner Music International (trademark of Warner Music International the company) (nel 1988)
registrazione di:
Everywhere (nel 1987)
paroliere e compositore:
Christine McVie
editore:
Bright Music Ltd. (publisher)
Fleetwood Mac43:43
3La isla bonita
programmazione degli strumenti:
Patrick Leonard (producer, songwriter and pianist)
produttore:
Patrick Leonard (producer, songwriter and pianist) e Madonna (“Queen of Pop”)
voce principale:
Madonna (“Queen of Pop”)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1986) e Sire Record Company (not for release label use!) (nel 1987)
registrazione di:
La isla bonita
autore:
Bruce Gaitsch (American guitarist, producer, engineer and arranger), Patrick Leonard (producer, songwriter and pianist) e Madonna (“Queen of Pop”)
editore:
Bleu Disque Music Co. (publisher), Edge of Fluke Music, EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Johnny Yuma Music (publisher), Orangejello Music (BMI-affiliated), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing LLC (1995–2020), Warner / Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), WB Music Corp. (1929–2019) (, fino al 2019-05-28), Webo Girl (publisher), Webo Girl Publishing, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30), WC Music Corp. (dal 2019-05-28 a oggi) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Madonna3.94:02
4Hungry like the Wolf
tecnico e produttore:
Colin Thurston
diritti fonografici (℗) detenuti da:
Tritec Music Ltd. (publisher and copyrights holder) (dal 1982 a oggi) e Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 2009)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 3) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 196)
registrazione di:
Hungry Like the Wolf
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
editore:
EMI Songs, EMI Songs Australia Pty. Ltd. e Tritec Music Ltd. (publisher and copyrights holder)
adattamenti:
Hungry Like a Pig
Duran Duran4.153:41
5What’s Love Got to Do with It
tecnico e tecnico di missaggio:
John Hudson (producer, recording and mixing engineer)
produttore:
Terry Britten
batteria :
Graham Jarvis (UK session drummer)
chitarra :
Terry Britten
percussione :
Simon Morton
tastiera :
Nick Glennie‐Smith e Billy Livsey
voce di accompagnamento:
Terry Britten e Tessa Niles
voce principale:
Tina Turner
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1984), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 1984, nel 1997) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2004)
registrata presso:
Mayfair Studios (England) in London (Greater London), England, Regno Unito
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 134), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 160) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 309)
registrazione di:
What’s Love Got to Do With It
autore:
Graham Lyle e Terence Ernest Britten
editore:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. (1996–2019), Goodsingle Limited (publisher) (nel 1984), Irving Music, Inc. (nel 1984), Rondor Music (London) Ltd. (nel 1984), WB Music Corp. (1929–2019) (dal 1984 al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
registrazione di:
What’s Love Got to Do With It (Kygo version)
autore:
Terry Britten, Kyrre Gørvell-Dahll (Norwegian DJ & producer Kyrre Gørvell‐Dahll a.k.a. ※) e Graham Lyle
editore:
Kobalt Music (publisher) (dal 2020 a oggi) e WC Music Corp. (dal 2020 a oggi)
si basa su:
What’s Love Got to Do With It
Tina Turner4.053:50
6Suburbia
Pet Shop Boys4:05
7You’re the Inspiration
tecnico e tecnico di missaggio:
Humberto Gatica
produttore:
David Foster (Canadian music producer, arranger and composer)
assistente tecnico di missaggio:
Larry Fergusson
arrangiatore strumenti:
Jeremy Lubbock
arrangiatore:
Peter Cetera e David Foster (Canadian music producer, arranger and composer)
diritti fonografici (℗) detenuti da:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1984, nel 2010) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984)
registrata presso:
Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti (nel 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, Los Angeles, California, Stati Uniti (nel 1984) e The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti (nel 1984)
mixata presso:
Lion Share Recording Studios in Los Angeles, California, Stati Uniti
registrazione di:
You’re the Inspiration (nel 1984)
autore:
Peter Cetera (nel 1984) e David Foster (Canadian music producer, arranger and composer) (nel 1984)
editore:
BMG Music Publishing Ltd., Universal Music Publishing MGB Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Double Virgo Music (nel 1984) e Foster Frees Music Inc. (nel 1984)
Chicago53:50
8Raspberry Beret
tecnico di registrazione:
Susan Rogers (US sound engineer) (nel 1984-09) e Susan Rogers (US sound engineer) (il 1984-09-13: archi)
produttore e tecnico di missaggio:
Prince (“The Artist Formerly Known as…”) (nel 1984-09)
assistente tecnico di missaggio:
Susan Rogers (US sound engineer) (nel 1984-09)
basso elettrico , chitarra a 12 corde , drum machine [Linn LM-1] , percussione , pianoforte elettrico a coda [Yamaha CP-80] , sintetizzatore [Yamaha DX7] e voce principale:
Prince (“The Artist Formerly Known as…”) (nel 1984-09)
violino :
Novi Novog (il 1984-09-13)
violoncello :
David Coleman (American cellist & composer) (il 1984-09-13) e Suzie Katayama (il 1984-09-13)
voce di accompagnamento:
Lisa Coleman (US pianist/keyboardist & composer) (nel 1984-09), Susannah Melvoin (nel 1984-09) e Wendy Melvoin (nel 1984-09)
arrangiatore:
Prince (“The Artist Formerly Known as…”) (nel 1984-09)
diritti fonografici (℗) detenuti da:
NPG Records, Inc. (nel 1985) e Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1985)
registrata presso:
Flying Cloud Drive Warehouse in Eden Prairie, Minnesota, Stati Uniti (nel 1984-09) e Flying Cloud Drive Warehouse in Eden Prairie, Minnesota, Stati Uniti (il 1984-09-13: archi)
mixata presso:
Flying Cloud Drive Warehouse in Eden Prairie, Minnesota, Stati Uniti (nel 1984-09)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 362)
registrazione di:
Raspberry Beret (dal 1984-09-07 al 1984-09-13)
paroliere e compositore:
Prince (“The Artist Formerly Known as…”)
editore:
Controversy Music
Prince43:35
9That’s All
registrazione di:
That’s All
paroliere:
Phil Collins (of Genesis)
compositore:
Tony Banks (Genesis), Phil Collins (of Genesis) e Mike Rutherford
editore:
Imagem CV, Imagem Sounds Banks, Imagem Sounds Collins, Imagem Sounds Rutherford, Anthony Banks Ltd. (dal 1983 a oggi), Hit & Run Music (Publishing) Ltd (dal 1983 a oggi), Michael Rutherford Ltd. (dal 1983 a oggi), Philip Collins Ltd. (dal 1983 a oggi), Pun Music, Inc. (dal 1983 a oggi) e Warner Brothers Music Inc. (dal 1983 a oggi)
Genesis4:25
10Take On Me
programmazione degli strumenti:
Magne Furuholmen
produttore:
Alan Tarney
tecnico di missaggio:
a‐ha (Norwegian synth‐pop band) e John Ratcliff
chitarra e drum machine :
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
tastiera :
Magne Furuholmen
voce di accompagnamento:
Magne Furuholmen e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
voce principale:
Morten Harket
diritti fonografici (℗) detenuti da:
Rhino Entertainment Company (not for release label use!) (nel 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1985) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1985, nel 2004)
video musicali:
Take On Me (official music video, 2019 4K remaster of 1985 version with diegetic audio) di a‐ha (Norwegian synth‐pop band) e Take On Me (official music video, 1985 Steve Barron version) di a‐ha (Norwegian synth‐pop band)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 26), The Downloader’s Music Source Book (numero: 284) e BILLIONS CLUB
registrazione di:
Take On Me
autore:
Magne Furuholmen, Morten Harket e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
editore:
ATV Music Ltd. e EMI Music Publishing (do not use as a release label!)
versione di:
Miss Eerie
a‐ha4.43:49
11Why Can’t This Be Love
tecnico:
Donn Landee
tecnico aggiunto:
Ken or Murray Deane
produttore:
Mick Jones (Foreigner/Spooky Tooth, worked in France), Donn Landee e Van Halen (American hard rock band)
chitarra acustica e chitarra e voce principale:
Sammy Hagar
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1986) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1986)
registrata presso:
5150 (Eddie Van Halen's recording studio) in Studio City, Los Angeles, California, Stati Uniti
registrazione di:
Why Can’t This Be Love
autore:
Michael Anthony (US bassist, formerly of Van Halen), Edward Van Halen, Sammy Hagar e Alex Van Halen
editore:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Yessup Music Company (nel 1986)
Van Halen4.153:48
12St. Elmo’s Fire (Man in Motion)
produttore:
David Foster (Canadian music producer, arranger and composer)
arrangiatore ottoni [horns] :
David Foster (Canadian music producer, arranger and composer) e Jerry Hey
diritti fonografici (℗) detenuti da:
Columbia Pictures Industries, Inc. (nel 1985) e John Parr Music Ltd. (nel 2016)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 28) e TV Cream: Real 100 Best Singles Ever (numero: 85)
registrazione di:
St. Elmo’s Fire
autore:
David Foster (Canadian music producer, arranger and composer) e John Parr
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Foster Frees Music, Gold Horizon Music Corp., SBK Songs (publisher) e Warner Bros. Music (publisher; do NOT use as release label)
John Parr3.84:12
13Nothing’s Gonna Stop Us Now
esecutore:
Starship (continuation of Jefferson Starship) (nel 1987)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1985, nel 1987), BMG Entertainment (nel 1987) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1987)
registrazione di:
Nothing’s Gonna Stop Us Now (nel 1987)
autore:
Albert Hammond e Diane Warren (US songwriter)
arrangiatore:
Narada Michael Walden
editore:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), WB Music Corp. (1929–2019) e Windswept Pacific Music Ltd. (publishing company)
parte di:
The 60th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1987 nominee)
registrazione cover di:
Nothing’s Gonna Stop Us Now
autore:
Albert Hammond e Diane Warren (US songwriter)
arrangiatore:
Narada Michael Walden
editore:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), WB Music Corp. (1929–2019) e Windswept Pacific Music Ltd. (publishing company)
parte di:
The 60th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1987 nominee)
Starship3.754:30
14Ain’t Nobody
basso :
Bobby Watson (bassist)
batteria :
John “JR” Robinson (session drummer)
chitarra :
Tony Maiden
flauto :
Gary Herbig, Ernie Watts (Ernest James Watts, jazz and blues saxophonist) e Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
percussione :
Paulinho da Costa (Brazilian percussionist)
sassofono contralto :
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
sassofono tenore :
Gary Herbig e Ernie Watts (Ernest James Watts, jazz and blues saxophonist)
sintetizzatore aggiunto:
James Newton Howard (American score composer)
tastiera :
Kevin Murphy (American keyboardist, Rufus & The American Breed) e David “Hawk” Wolinski
tromba :
Jerry Hey
voce:
Chaka Khan e Tony Maiden
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 88) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 403)
registrazione di:
Ain’t Nobody
paroliere e compositore:
David Wolinski
editore:
Overdue Music
Chaka Khan3.74:41
15Drive
tecnico di registrazione:
Nigel Green (engineer)
produttore:
The Cars e Robert John “Mutt” Lange (Robert John Lange)
tecnico di missaggio:
Mike Shipley (audio engineer, mixer, producer)
basso :
Benjamin Orr (co-lead singer for The Cars)
batteria :
David Robinson (US rock drummer)
chitarra :
Elliot Easton e Ric Ocasek
tastiera :
Greg Hawkes
voce:
Elliot Easton, Greg Hawkes, Ric Ocasek e Benjamin Orr (co-lead singer for The Cars)
diritti fonografici (℗) detenuti da:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1984) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984)
registrata presso:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Regno Unito
mixata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
video musicali:
Drive di The Cars
registrazione di:
Drive
editore:
Ric Ocasek
paroliere e compositore:
Ric Ocasek
editore:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing, Inc., Universal‐MCA Music Publishing (US) e Warner/Chappell Music Ltd. (1996–2019)
The Cars43:54
16Baby Jane
tecnico:
George Tutko (engineer, producer)
co-produttore:
Jim Cregan (producer & member of Family) e George Tutko (engineer, producer)
produttore:
Tom Dowd e Rod Stewart
tecnico di missaggio:
Jim Cregan (producer & member of Family), Tom Dowd e George Tutko (engineer, producer)
registrazione di:
Baby Jane
paroliere:
Rod Stewart
compositore:
Jay Davis (guitarist)
editore:
Cardinal Music Ltd. e Carlin Music Corp.
Rod Stewart4:43
17Is This Love
registrazione di:
Is This Love (Whitesnake song)
autore:
David Coverdale e John Sykes
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Scandinavia AB, WB Music Corp. (1929–2019), Whitesnake Music Ltd., Whitesnake Music Overseas Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Whitesnake4:44
18Forever Young
tecnico di registrazione, programmazione e tecnico di missaggio:
Wolfgang Loos (dal 1984-07 al 1984-08)
tecnico di registrazione aggiunto:
Uli Rudolf (dal 1984-07 al 1984-08)
assistente alla programmazione:
Boris Balin e Thomas Beck (technical assistant, likely German)
produttore:
Wolfgang Loos e Colin Pearson (producer and violinist)
basso :
Ken Taylor (dal 1984-07 al 1984-08)
batteria :
Curt Cress (dal 1984-07 al 1984-08)
drum machine :
Bernhard Lloyd (dal 1984-07 al 1984-08)
tastiera :
Bernhard Lloyd (dal 1984-07 al 1984-08) e Frank Mertens (German synthpop keyboardist Frank Sorgatz) (dal 1984-07 al 1984-08)
tastiera aggiunto:
Wolfgang Loos (dal 1984-07 al 1984-08)
voce di accompagnamento:
Gulfstream (dal 1984-07 al 1984-08) e The Rosie Singers (dal 1984-07 al 1984-08)
voce principale:
Marian Gold (dal 1984-07 al 1984-08)
arrangiatore:
Alphaville (German synth pop band) e Wolfgang Loos
diritti fonografici (℗) detenuti da:
WEA MUSIK GMBH (company, not a label) (dal 1984 a oggi) e wea music (“wea” logo with “music” below; mainly used in Europe and Brazil) (nel 1984, nel 1994)
registrata presso e mixata presso:
Studio 54 (Berlin recording studio) in Germania (dal 1984-07 al 1984-08)
registrazione di:
Forever Young (dal 1984-07 al 1984-08)
paroliere:
Marian Gold
compositore:
Frank Mertens (German synthpop keyboardist Frank Sorgatz), Marian Gold e Bernhard Lloyd
editore:
Downtown DMP Songs, Fable Music Pty. Ltd. e Rolf Budde Musikverlag (aka Budde Music)
Alphaville4.553:46
19Give Me the Night (single version)
George Benson4:58
20I Want to Know What Love Is
assistente tecnico:
Bobby Cohen (engineer), Tim Crich e Scott “Abada” Mabuchi
tecnico:
Frank Filipetti
tecnico aggiunto:
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla e Howie Lindeman
produttore:
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Alex Sadkin
batteria :
Dennis Elliott
chitarra basso :
Rick Wills
chitarra elettrica :
Mick Jones (Foreigner/Spooky Tooth, worked in France)
tastiera aggiunto:
Tom Bailey (Thompson Twins)
cori:
The New Jersey Mass Choir
voce aggiuntiva:
Jennifer Holliday
voce di accompagnamento:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) e Rick Wills
voce principale:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1984), Warner Music International (trademark of Warner Music International the company) (nel 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984, nel 2018) e Rhino Entertainment Company (not for release label use!) (nel 2009)
registrata in aggiunta presso:
Right Track Recording in Manhattan, New York, New York, Stati Uniti
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
mixata presso:
Right Track Recording in Manhattan, New York, New York, Stati Uniti
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 205) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 476)
registrazione di:
I Want to Know What Love Is
paroliere e compositore:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Fujipacific Music inc. (fino al 2014-12-31) e Fujipacific Music, Inc. (dal 2015-01-01 a oggi)
Foreigner3.955:05
21Kokomo
registrazione di:
Kokomo
autore:
Mike Love (Beach Boys), Scott McKenzie, Terry Melcher e John Phillips (The Mamas & The Papas)
editore:
Buena Vista Music Company, Clairaudient Music Corporation, Daywin Music Inc., Honest John Music, Nichion Synch Division (NICHION, INC. Synch Division), Spirit One Music, Touchstone Pictures Music and Songs Inc. e Yamaha Music EH(CM)
The Beach Boys3:36
22Black Velvet
produttore:
David Tyson (Canadian producer/songwriter)
tecnico di missaggio:
Kevin Doyle (award-winning sound engineer, producer)
voce principale:
Alannah Myles
diritti fonografici (℗) detenuti da:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (nel 1989) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1989)
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 2) (numero: 6)
registrazione di:
Black Velvet
autore:
David Tyson (Canadian producer/songwriter) e Christopher Ward (Canadian songwriter & veejay)
editore:
BMG Rights Management (see annotation), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), David Tyson Music, EMI Songs Ltd., Into Wishin’, Kobalt Music Publishing Ltd. (UK), Ole Media Management LP e Zomba Music Publishing Ltd.
Alannah Myles4.54:47
23Glory of Love
Peter Cetera4:18
24Owner of a Lonely Heart
tecnico:
Gary Langan
produttore:
Trevor Horn
batteria :
Alan White (Yes drummer) (nel 1983)
chitarra :
Trevor Rabin (South African musician and score composer) (nel 1983)
chitarra basso :
Chris Squire (Yes bassist) (nel 1983)
tastiera :
Tony Kaye (nel 1983)
voce principale:
Jon Anderson (Yes/Jon & Vangelis) (nel 1983)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1983, nel 2003) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1983, nel 2003)
registrata presso:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito (nel 1983)
registrazione di:
Owner of a Lonely Heart (nel 1983)
autore:
Jon Anderson (Yes/Jon & Vangelis), Trevor Horn, Trevor Rabin (South African musician and score composer) e Chris Squire (Yes bassist)
editore:
Affirmative Music (publisher), BMG Chrysalis Scandinavia AB (not for release label use! file releases under its imprint “BMG Chrysalis”), BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC (PRS-affiliated), Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc. (BMI affiliated), Tremander Songs, Unforgettable Songs (ASCAP-affiliated), Unforgettable Songs Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-editore:
エイベックス・ミュージック・パブリッシング 第7出版事業部 (Avex Music Publishing, 7th Publishing Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
Yes3.854:29
25Never Ending Story (Giorgio 7″ mix)
produttore:
Giorgio Moroder
voce:
Beth Anderson (US pop vocalist) e Limahl
voce di accompagnamento:
Beth Andersen (US pop vocalist)
voce principale:
Limahl
esecutore:
Limahl
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) e Neue Constantin Film Productions GmbH
parte di:
Cachitos Nochevieja 2022 (numero: 51)
registrazione di:
Never Ending Story (theme from the 1984 film “The NeverEnding Story”)
paroliere:
Keith Forsey (drummer, producer and songwriter)
compositore:
Giorgio Moroder
editore:
Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
Limahl3.353:32
26Simply Irresistible
tecnico:
Tim Kramer (engineer)
produttore:
Robert Palmer (English singer‐songwriter)
tecnico di missaggio:
Eric "E.T." Thorngren
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1988)
registrazione di:
Simply Irresistible
paroliere e compositore:
Robert Palmer (English singer‐songwriter)
editore:
Heavy Nova Music
Robert Palmer3.64:14
27If You Don’t Know Me by Now
assistente tecnico:
Clark Germain e Karl Lever
tecnico e tecnico di missaggio:
Daren Klein (American sound/mixing engineer)
produttore:
Stewart Levine (record producer and saxophonist)
produttore aggiunto:
Mick Hucknall (lead singer of Simply Red)
basso :
Tony Bowers
batteria :
Chris Joyce (drummer for Simply Red)
chitarra :
Heitor T. P.
percussione :
Lennie Castro
sassofono :
Ian Kirkham
tastiera :
Tim Kellett e Fritz McIntyre
tromba :
Tim Kellett
voce di accompagnamento:
Fritz McIntyre e Stephanie Spruell (American soul/disco singer, songwriter, and percussionist)
voce principale:
Mick Hucknall (lead singer of Simply Red)
esecutore:
Simply Red (English soul and pop band)
diritti fonografici (℗) detenuti da:
Eastwest Records (for copyrights, manufacturing, distributing use only!) (nel 1989), Warner Music UK Ltd. (not for release label use!) (nel 1989) e WEA Records Ltd. (holding company based in the UK) (nel 1989)
è stato produttore per:
Oliverea Productions Ltd
registrazione cover di:
If You Don’t Know Me by Now
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Island Music Ltd., Mighty Three Music, Sony/ATV Music Publishing Australia Pty Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America e Warner/Chappell Music Australia Pty. Ltd.
registrazione di:
If You Don’t Know Me by Now
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Island Music Ltd., Mighty Three Music, Sony/ATV Music Publishing Australia Pty Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America e Warner/Chappell Music Australia Pty. Ltd.
Simply Red3.43:26
28Everybody Needs Somebody to Love
The Blues Brothers3:25
29Edge of Seventeen
tecnico:
Shelly Yakus
produttore:
Jimmy Iovine
batteria :
Russ Kunkel (session drummer)
chitarra :
Waddy Wachtel
chitarra basso [bass] :
Bob Glaub
organo :
Benmont Tench
percussione :
Bobbye Hall
pianoforte :
Roy Bittan
voce principale:
Stevie Nicks
diritti fonografici (℗) detenuti da:
Modern Records, Inc. (nel 1981) e Rhino Entertainment Company (not for release label use!) (nel 2016)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 217)
registrazione di:
Edge of Seventeen
paroliere e compositore:
Stevie Nicks
dedicata a:
John Lennon (The Beatles)
Stevie Nicks4.055:29
30True
produttore:
Steve Jolley, Spandau Ballet e Tony Swain (songwriter, producer)
esecutore:
Spandau Ballet
diritti fonografici (℗) detenuti da:
Chrysalis (nel 1983) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1983)
video musicali:
True di Spandau Ballet
registrazione di:
True
paroliere e compositore:
Gary Kemp
editore:
Native Tongue Music Publishing, Reformation Publishing Co. Ltd. e Reformation Publishing Inc.
Spandau Ballet3.655:28
31I Keep Forgettin (Every Time You’re Near)
produttore:
Ted Templeman e Lenny Waronker
batteria :
Jeff Porcaro
chitarra :
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
chitarra basso :
Louis Johnson (bass, member of Brothers Johnson)
clavinet :
Greg Phillinganes
piano Rhodes , sintetizzatore e voce principale:
Michael McDonald (R&B & soul singer)
voce di accompagnamento:
Maureen McDonald (backing vocalist, sister of Michael McDonald)
diritti fonografici (℗) detenuti da:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (nel 1982), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1982) e Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (nel 1982)
registrazione di:
I Keep Forgettin’ (Every Time You’re Near)
autore:
Jerry Leiber, Michael McDonald (R&B & soul singer), Ed Sanford e Mike Stoller
editore:
Bienstock Publishing Company (ASCAP affiliated), Jerry Leiber Music, Mike Stoller Music (ASCAP) e Yellow Dog Music Inc
versione di:
I Keep Forgettin’
Michael McDonald43:42
32It’s My Life
programmazione e produttore:
Tim Friese‐Greene
basso senza tasti :
Paul Webb (UK bassist for Talk Talk/O.rang, aka Rustin Man)
batteria :
Tim Friese‐Greene e Lee Harris (singer-songwriter & musician)
chitarra :
Robbie McIntosh (English guitarist for The Pretenders)
chitarra acustica :
Mark Hollis
drum machine e sintetizzatore :
Tim Friese‐Greene
percussione :
Morris Pert
pianoforte :
Tim Friese‐Greene e Phil Ramocon (soul/R&B/reggae songwriter)
tastiera :
Ian Curnow
voce:
Mark Hollis
voce di accompagnamento:
Mark Hollis e Paul Webb (Video game music composer)
diritti fonografici (℗) detenuti da:
EMI Records (UK) Ltd. (company credits only; do NOT use as release label) (nel 1984) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1984)
registrazione di:
It’s My Life
autore:
Tim Friese‐Greene e Mark Hollis
editore:
F‐Sharp Productions Ltd., Hollis Songs Ltd., Universal Music (plain logo: “Universal Music”), Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Zomba Enterprises, Inc., Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) e Zomba Music Publishing (music publisher – add no releases here!)
Talk Talk3.753:52
33Wind Beneath My Wings
Bette Midler4:54
34I’m Gonna Be (500 Miles)
tecnico:
Barry Hammond
produttore:
Pete Wingfield (keyboardist, singer, producer, songwriter)
batteria :
Paul Robinson (UK drummer, also Turning Point member)
chitarra acustica :
Jerry Donahue e Charlie Reid
chitarra basso :
Phil Cranham
chitarra elettrica :
Jerry Donahue
chitarra steel :
Gerry Hogan
fisarmonica :
Dave Whetstone
mandolino e tin whistle :
Stuart Nisbet
tastiera :
Pete Wingfield (keyboardist, singer, producer, songwriter)
violino folk :
Steve Shaw (Steve Brennan)
voce:
Charlie Reid e Craig Reid
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1988) e Chrysalis Records, Inc. (not for release label use!) (nel 1988)
registrata presso e mixata presso:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Regno Unito
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 21)
registrazione di:
I’m Gonna Be (500 Miles)
autore:
Charlie Reid e Craig Reid
editore:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Warner/Chappell Music Ltd. (1996–2019)
The Proclaimers43:39
35Don’t Wanna Fall in Love
Jane Child4:08
36Blue Monday ’88
New Order4:12
37La bamba
produttore:
Mitchell Froom
esecutore:
Los Lobos (Chicano rock band)
arrangiatore:
Ritchie Valens
diritti fonografici (℗) detenuti da:
FFRR Records Ltd. (company name, NOT a label!) (nel 1987) e Slash Records (company, do not use as release label!) (nel 1987)
registrazione cover di:
La bamba (additional lyrics by Ritchie Valens)
paroliere e compositore:
[traditional] (special purpose artist)
paroliere aggiunto:
Ritchie Valens
arrangiatore:
Ritchie Valens
editore:
Carlin Music Corporation, EMI Longitude Music e M.P.A. (M.P.A.)
versione di:
La bamba
Los Lobos4.152:54
38Self Control (edit)
Laura Branigan3:57
39Don’t Get Me Wrong
The Pretenders3:48
40Love Changes (Everything)
tecnico:
Mike Ging e Bob Kraushaar
produttore:
Stephen Hague
chitarra :
Neil Taylor (guitarist)
percussione aggiunto:
Bruce Smith (UK drummer & producer for Pop Group, Slits, P.I.L., etc.)
tastiera :
Rob Fisher (UK keyboardist, in Naked Eyes)
voce:
Simon Climie
voce di accompagnamento:
Coral Gordon e Soultanas
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1987)
registrazione di:
Love Changes (Everything)
autore:
Simon Climie, Rob Fisher (UK keyboardist, in Naked Eyes) e Dennis Morgan (US songwriter)
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Rondor Music (London) Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Climie Fisher3.94:29
41Too Shy
programmazione degli strumenti:
Jez Strode
tecnico:
Colin Thurston
produttore:
Nick Rhodes e Colin Thurston
chitarra e ebow [e bow] :
Steve Askew
chitarra basso :
Nick Beggs
sintetizzatore :
Stuart Croxford Neale
voce aggiuntiva:
Nick Beggs e Stuart Croxford Neale
voce principale:
Limahl
arrangiatore:
Kajagoogoo
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1982, nel 1983)
video musicali:
Too Shy di Kajagoogoo
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 9) e VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 27)
registrazione di:
Too Shy
paroliere:
Nick Beggs e Christopher Hamill
compositore:
Steve Askew, Nick Beggs, Christopher Hamill, Stuart Croxford Neale e Jez Strode
editore:
EMI Songs e Tritec Music Ltd. (publisher and copyrights holder)
Kajagoogoo3.553:46
42In Private
Dusty Springfield4:22
43Ocean Deep
Cliff Richard5:16
44I Can’t Wait
produttore:
John Smith (Nu Shooz) e Rick Waritz (producer)
diritti fonografici (℗) detenuti da:
Injection (Netherlands) (nel 1986)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 60)
registrazione di:
I Can’t Wait
paroliere e compositore:
John Smith (Nu Shooz)
editore:
Poolside Music
Nu Shooz43:39
45Love Shack (edit)
The B‐52s4:18
46We’re Not Gonna Take It (single version)
tecnico di registrazione e tecnico di missaggio:
Geoff Workman
assistente tecnico:
Gary McGachan
tecnico:
John Agnello (engineer & producer), Greg Laney e Geoff Workman
produttore:
Tom Werman
batteria :
A.J. Pero
chitarra basso :
Mark Mendoza (Twisted Sister bassist)
chitarra elettrica :
Jay Jay French e Eddie Ojeda
voce di accompagnamento:
Jay Jay French, Mark Mendoza (Twisted Sister bassist), Eddie Ojeda, A.J. Pero e Dee Snider
voce principale:
Dee Snider
arrangiatore:
Twisted Sister e Tom Werman
registrata presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti (dal 1984-02 al 1984-03), The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1984-02 al 1984-03) e Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti (dal 1984-02 al 1984-03)
mixata presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 21), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 47) e Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (numero: 81)
registrazione di:
We’re Not Gonna Take It
paroliere e compositore:
Dee Snider
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Universal Tunes
parte di:
“The Filthy Fifteen” (PMRC’s list of songs with “offensive lyrical content”) (numero: 7)
Twisted Sister4.353:37
47Jungle Love (single version)
assistente tecnico:
Peggy Mac (il 1983-03-26, il 1984-01-15)
tecnico:
Prince (“The Artist Formerly Known as…”) (il 1984-01-15)
produttore:
Prince (“The Artist Formerly Known as…”) (dal 1983-03-26 al 1984-01-15)
chitarra :
Jesse Johnson (original guitarist for The Time) (dal 1983-03-26 al 1984-01-15)
chitarra basso e tastiera :
Prince (“The Artist Formerly Known as…”) (dal 1983-03-26 al 1984-01-15)
voce di accompagnamento:
Jill Jones (American singer, songwriter, and actress) (dal 1983-03-26 al 1984-01-15)
voce principale:
Morris Day (dal 1983-03-26 al 1984-01-15)
registrazione di:
Jungle Love (dal 1983-03-26 al 1984-01-15)
autore:
Morris Day, Jesse Johnson (original guitarist for The Time) e Prince (“The Artist Formerly Known as…”)
The Time3:28
48On the Beach
Chris Rea5:05
49This Must Be the Place (Naive Melody)
assistente tecnico:
Franklin Gibson (recording engineer)
tecnico:
Butch Jones e Alex Sadkin (incarico: final overdubs)
produttore:
Talking Heads
tecnico di missaggio:
Alex Sadkin
batteria :
Chris Frantz
chitarra e voce di accompagnamento:
Tina Weymouth
chitarra basso, chitarra e tastiera :
David Byrne (Talking Heads)
percussione ospite :
David Van Tieghem
sintetizzatore ospite :
Wally Badarou
tastiera :
Jerry Harrison (Talking Heads & producer)
voce:
David Byrne (Talking Heads)
diritti fonografici (℗) detenuti da:
Sire Records Company (not for release label use!) (nel 1983)
registrata in aggiunta presso:
Compass Point Studios in Nassau, Bahamas
registrata presso:
Blank Tapes in New York, New York, Stati Uniti
mixata presso:
Compass Point Studios in Nassau, Bahamas
video musicali:
This Must Be the Place (Naive Melody) di Talking Heads
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 123) e Indie 88: Top 500 Indie Rock Songs (numero: 327)
registrazione di:
This Must Be the Place (Naive Melody)
autore:
David Byrne (Talking Heads), Chris Frantz, Jerry Harrison (Talking Heads & producer) e Tina Weymouth
editore:
Bleu Disque Music Co., Inc. (publisher) e Index Music, Inc.
Talking Heads3.94:56
50It Started with a Kiss
registrazione di:
It Started With a Kiss
paroliere e compositore:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
editore:
BMG Music Publishing Ltd., Chocolate Music, RAK Publishing Ltd. e Universal Music Publishing MGB Australia
Hot Chocolate4:03
51I Want to Be Your Man (7″ version)
registrazione di:
I Want to Be Your Man (song by Roger Troutman)
autore:
Larry Troutman e Roger Troutman (funk musician in Zapp)
Roger Troutman4:03
52Love Will Tear Us Apart
produttore:
Joy Division e Martin Hannett
basso :
Peter Hook
batteria :
Stephen Morris (New Order)
chitarra :
Bernard Albrecht
voce:
Bernard Albrecht e Ian Curtis
diritti fonografici (℗) detenuti da:
Factory Communications Ltd. (holding company – file no releases here!) (nel 1988)
registrata presso:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, Regno Unito
parte di:
triple j’s Hottest 100 (Australian annual music listener poll) (numero: 1989 (All-time)), triple j’s Hottest 100 (Australian annual music listener poll) (numero: 1990 (All-time)), Indie 88: Top 500 Indie Rock Songs (numero: 5), Q50 – December 2005 (numero: 6), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 14), NME: Greatest “Indie” Anthems Ever: 2007 (numero: 19), Pitchfork: The Story of Goth in 33 Songs, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 41) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 179)
registrazione di:
Love Will Tear Us Apart
paroliere:
Ian Curtis
compositore:
Ian Curtis, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Fractured Music (publisher) e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Joy Division4.53:25
53You Might Need Somebody
Randy Crawford4:15
54More Bounce to the Ounce
produttore:
Bootsy Collins (US funk musician & songwriter) e Roger Troutman (funk musician in Zapp)
registrazione di:
More Bounce to the Ounce
paroliere e compositore:
Roger Troutman (funk musician in Zapp)
editore:
Rubberband Music, Inc.
Zapp35:11
55Jane Says
Jane’s Addiction4:47
56Nite and Day
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1988)
registrazione di:
Nite and Day
autore:
Al B. Sure! e Kyle West (Soul and R&B songwriter, musician, producer)
Al B. Sure!43:58
57Each Time You Break My Heart
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1986)
registrazione di:
Each Time You Break My Heart
autore:
Stephen Bray e Madonna Louise Veronica Ciccone (“Queen of Pop”)
editore:
Warner Bros. (holding: file NO releases)
Nick Kamen3.54:34
58Frankie (edit version)
produttore:
Nile Rodgers
registrazione di:
Frankie
paroliere e compositore:
Denise Rich
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Sister Sledge4:16
59Casanova
registrazione di:
Casanova
paroliere e compositore:
Reggie Calloway
editore:
Calloco Music e Hip Trip Music (publisher)
LeVert4:22
60Baby, I Love You
registrazione di:
Baby, I Love You
autore:
Jeff Barry, Ellie Greenwich e Phil Spector
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company e Universal–Songs of PolyGram International, Inc.
Ramones3:45
61Mornin’
Al Jarreau4:17
62Lost in Your Eyes
Debbie Gibson3:33
63Gimme Gimme Gimme
tecnico:
David Frazer (engineer)
produttore:
Narada Michael Walden
basso :
Randy Jackson (former bassist with Journey and American Idol judge)
chitarra :
Corrado Rustici
membranofono e sintetizzatore :
Narada Michael Walden
sassofono solista :
Marc Russo
sintetizzatore :
Preston Glass
tastiera :
Frank Martin (keyboards)
tastiera e sintetizzatore :
Walter Afanasieff
voce di accompagnamento:
Jim Gilstrap, John Lehman, Vicki Randle e Jeanie Tracy
arrangiatore:
Narada Michael Walden
Narada Michael Walden4:41
64Major Tom (single version)
tecnico:
Frank Reinke (Germany based engineer) (nel 1982) e Peter Schmidt (recording engineer) (nel 1982)
assistente produttore:
Frank Hieber (nel 1982)
produttore:
Armin Sabol (nel 1982) e Peter Schilling (German synthpop musician) (nel 1982)
tecnico di missaggio:
Holger J. Magnussen (nel 1982)
basso elettrico :
Günther Gebauer (nel 1982)
batteria :
Curt Cress (nel 1982)
chitarra elettrica :
Armin Sabol (nel 1982)
tastiera [keyboard solo] :
Gonzo Bishop (nel 1982)
voce principale:
Peter Schilling (German synthpop musician) (nel 1982)
arrangiatore:
Peter Schilling (German synthpop musician) (nel 1982)
diritti fonografici (℗) detenuti da:
WEA Musik GmbH (company, not a label) (nel 1982)
registrata presso:
Peermusic Studio in Hamburg, Germania (nel 1982)
edit di:
Major Tom (Völlig losgelöst) di Peter Schilling (German synthpop musician)
registrazione di:
Major Tom (Völlig losgelöst) (nel 1982)
paroliere e compositore:
Peter Schilling (German synthpop musician)
editore:
Peer Musikverlag GmbH (nel 1982)
Peter Schilling54:00
65Object of My Desire (edit)
registrazione di:
Object of My Desire
autore:
Ky Adeyemo, Keith Diamond e Ernesto Phillips (producer/songwriter/musician/singer)
Starpoint3:57
66Epic (radio edit)
registrazione di:
Epic
paroliere:
Mike Patton (Faith No More, Mr. Bungle, Fantômas, etc.)
compositore:
Mike Bordin (American drummer), Roddy Bottum, Billy Gould e Jim Martin (ex-Faith No More guitarist)
editore:
Big Thrilling Music (music publishing company), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Vomit God Music (Mike Patton’s music publishing company)
Faith No More3:59
67Superwoman (edit version)
registrazione di:
Superwoman
autore:
Antonio M. Reid, Kenneth Edmonds (R&B musician Kenny Edmonds) e Daryl Simmons
editore:
Green Skirt Music (publisher), Hip Trip (publisher) e Kear Music (publisher)
Karyn White4:32
68Kayleigh
tecnico di registrazione:
Thomas Stiehler
produttore:
Chris Kimsey
tecnico di missaggio:
Mark Freegard e Chris Kimsey
batteria e percussione :
Ian Mosley (dal 1985-03 al 1985-05)
chitarra :
Steve Rothery (dal 1985-03 al 1985-05)
chitarra basso :
Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic) (dal 1985-03 al 1985-05)
tastiera :
Mark Kelly (Marillion keyboardist) (dal 1985-03 al 1985-05)
voce principale:
Fish (Derek William Dick, ex‐Marillion frontman) (dal 1985-03 al 1985-05)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
registrata presso:
Hansa Studios in Berlin, Germania (dal 1985-03 al 1985-05)
registrazione di:
Kayleigh (dal 1985-03 al 1985-05)
paroliere:
Derek William Dick
compositore:
Derek William Dick, Mark Kelly (Marillion keyboardist), Ian Mosley, Steve Rothery e Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic)
editore:
Chappell, Charisma Music Publishing Co Ltd., Charisma Music Publishing Ltd. e Marillion Music
Marillion3.74:04
69If Ever You’re in My Arms Again
Peabo Bryson4:16
70Golden Brown
registrazione di:
Golden Brown
autore:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) e Dave Greenfield
editore:
Complete Music, Complete Music Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. e Plumbshaft-Ltd.
The Stranglers3:27
71One in a Million You
registrazione di:
One in a Million You
paroliere e compositore:
Sam Dees
Larry Graham4:13
72I.G.Y.
registrazione di:
I.G.Y. (What a Beautiful World)
paroliere e compositore:
Donald Fagen
editore:
Freejunket Music
Donald Fagen6:03
73Back Together Again
Roberta Flack4:51
74Believe It or Not (Greatest American Hero)
Joey Scarbury3:15