Up the Bracket (Super Deluxe Edition)

~ Release by The Libertines (see all versions of this release, 14 available)

Tracklist

1▼12" Vinyl: ‘Up The Bracket’ Remastered 2022
#TitleRatingLength
1Vertigo
engineer:
Nick Terry (sound engineer)
producer:
Mick Jones (The Clash/Big Audio Dynamite)
phonographic copyright (℗) by:
Rough Trade Records Ltd. (in 2002)
recorded at:
RAK Studios in London (Greater London), England, United Kingdom (in 2002)
mixed at:
Sony Music Studios (Whitfield Street studio, operating under this name from 1994–2004) in London (Greater London), England, United Kingdom
recording of:
Vertigo
writer:
Carl Barât and Peter Doherty (Libertines)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
?:??
2Death on the Stairs
engineer:
Nick Terry (sound engineer)
producer:
Mick Jones (The Clash/Big Audio Dynamite)
phonographic copyright (℗) by:
Rough Trade Records Ltd. (in 2002)
recorded at:
RAK Studios in London (Greater London), England, United Kingdom (in 2002)
mixed at:
Sony Music Studios (Whitfield Street studio, operating under this name from 1994–2004) in London (Greater London), England, United Kingdom
recording of:
Death on the Stairs
writer:
Carl Barât and Peter Doherty (Libertines)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) (in 2003)
?:??
3Horrorshow
engineer:
Nick Terry (sound engineer)
producer:
Mick Jones (The Clash/Big Audio Dynamite)
phonographic copyright (℗) by:
Rough Trade Records Ltd. (in 2002)
recorded at:
RAK Studios in London (Greater London), England, United Kingdom (in 2002)
mixed at:
Sony Music Studios (Whitfield Street studio, operating under this name from 1994–2004) in London (Greater London), England, United Kingdom
recording of:
Horrorshow
writer:
Carl Barât and Peter Doherty (Libertines)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
?:??
4Time for Heroes
engineer:
Nick Terry (sound engineer)
producer:
Mick Jones (The Clash/Big Audio Dynamite)
phonographic copyright (℗) by:
Rough Trade Records Ltd. (in 2002)
recorded at:
RAK Studios in London (Greater London), England, United Kingdom (in 2002)
mixed at:
Sony Music Studios (Whitfield Street studio, operating under this name from 1994–2004) in London (Greater London), England, United Kingdom
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 6)
recording of:
Time for Heroes
writer:
Carl Barât and Peter Doherty (Libertines)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
3.35?:??
5Boys in the Band
engineer:
Nick Terry (sound engineer)
producer:
Mick Jones (The Clash/Big Audio Dynamite)
phonographic copyright (℗) by:
Rough Trade Records Ltd. (in 2002)
recorded at:
RAK Studios in London (Greater London), England, United Kingdom (in 2002)
mixed at:
Sony Music Studios (Whitfield Street studio, operating under this name from 1994–2004) in London (Greater London), England, United Kingdom
recording of:
Boys in the Band
writer:
Carl Barât and Peter Doherty (Libertines)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
4?:??
6Radio America
engineer:
Nick Terry (sound engineer)
producer:
Mick Jones (The Clash/Big Audio Dynamite)
phonographic copyright (℗) by:
Rough Trade Records Ltd. (in 2002)
recorded at:
RAK Studios in London (Greater London), England, United Kingdom (in 2002)
mixed at:
Sony Music Studios (Whitfield Street studio, operating under this name from 1994–2004) in London (Greater London), England, United Kingdom
recording of:
Radio America
writer:
Carl Barât and Peter Doherty (Libertines)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
?:??
7Up the Bracket
engineer:
Nick Terry (sound engineer)
producer:
Mick Jones (The Clash/Big Audio Dynamite)
phonographic copyright (℗) by:
Rough Trade Records Ltd. (in 2002)
recorded at:
RAK Studios in London (Greater London), England, United Kingdom (in 2002)
mixed at:
Sony Music Studios (Whitfield Street studio, operating under this name from 1994–2004) in London (Greater London), England, United Kingdom
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 47)
recording of:
Up the Bracket
writer:
Carl Barât and Peter Doherty (Libertines)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
4.5?:??
8Tell the King
engineer:
Nick Terry (sound engineer)
producer:
Mick Jones (The Clash/Big Audio Dynamite)
phonographic copyright (℗) by:
Rough Trade Records Ltd. (in 2002)
recorded at:
RAK Studios in London (Greater London), England, United Kingdom (in 2002)
mixed at:
Sony Music Studios (Whitfield Street studio, operating under this name from 1994–2004) in London (Greater London), England, United Kingdom
recording of:
Tell the King
writer:
Carl Barât and Peter Doherty (Libertines)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
4?:??
9The Boy Looked at Johnny
engineer:
Nick Terry (sound engineer)
producer:
Mick Jones (The Clash/Big Audio Dynamite)
phonographic copyright (℗) by:
Rough Trade Records Ltd. (in 2002)
recorded at:
RAK Studios in London (Greater London), England, United Kingdom (in 2002)
mixed at:
Sony Music Studios (Whitfield Street studio, operating under this name from 1994–2004) in London (Greater London), England, United Kingdom
recording of:
The Boy Looked at Johnny
writer:
Carl Barât and Peter Doherty (Libertines)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
?:??
10Begging
engineer:
Nick Terry (sound engineer)
producer:
Mick Jones (The Clash/Big Audio Dynamite)
phonographic copyright (℗) by:
Rough Trade Records Ltd. (in 2002)
recorded at:
RAK Studios in London (Greater London), England, United Kingdom (in 2002)
mixed at:
Sony Music Studios (Whitfield Street studio, operating under this name from 1994–2004) in London (Greater London), England, United Kingdom
recording of:
Begging
writer:
Carl Barât and Peter Doherty (Libertines)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
?:??
11The Good Old Days
engineer:
Nick Terry (sound engineer)
producer:
Mick Jones (The Clash/Big Audio Dynamite)
phonographic copyright (℗) by:
Rough Trade Records Ltd. (in 2002)
recorded at:
RAK Studios in London (Greater London), England, United Kingdom (in 2002)
mixed at:
Sony Music Studios (Whitfield Street studio, operating under this name from 1994–2004) in London (Greater London), England, United Kingdom
recording of:
The Good Old Days
writer:
Carl Barât and Peter Doherty (Libertines)
?:??
12I Get Along
engineer:
Nick Terry (sound engineer)
producer:
Mick Jones (The Clash/Big Audio Dynamite)
phonographic copyright (℗) by:
Rough Trade Records Ltd. (in 2002)
recorded at:
RAK Studios in London (Greater London), England, United Kingdom (in 2002)
mixed at:
Sony Music Studios (Whitfield Street studio, operating under this name from 1994–2004) in London (Greater London), England, United Kingdom
recording of:
I Get Along
writer:
Carl Barât and Peter Doherty (Libertines)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
?:??
2▶12" Vinyl: 100 Club Live 4/10/02
3▶CD: Album Studio Outtakes
4▶CD: Demos/Radio Sessions/B-Sides/Live etc
5▶Cassette: Early Demos
6▶7" Vinyl: Up the Bracket
7▶7" Vinyl: Time for Heroes
8▶DVD-Video