Hot and New

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Self Control
executive producer:
Jack White (German producer Horst Nußbaum)
producer:
Robbie Buchanan (Canadian producer) and Jack White (German producer Horst Nußbaum)
arranger:
Robbie Buchanan (Canadian producer) and Harold Faltermeier
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
music videos:
Self Control by Laura Branigan
cover recording of:
Self Control (in 1984)
lyricist:
Steve Piccolo
additional writer:
Harro Steffen
composer:
Giancarlo Bigazzi and Raffaele Riefoli (Italian pop singer)
publisher:
Careers Music, Inc., Edition Sunrise Publishing Inc., Sugar Musik Verlags GmbH (publisher) and Sugarmusic Spa (publisher, do NOT use as label)
Laura Branigan4.34:02
2Stay the Night
Chicago3:45
3Terra Titanic
edit of:
Terra Titanic by Peter Schilling (German synthpop musician)
recording of:
Terra Titanic (in 1984)
lyricist:
Ulf Krüger
composer:
Peter Schilling (German synthpop musician)
publisher:
Peer Musikverlag
Peter Schilling4:30
4Ghost of Love
recording of:
Ghost of Love
lyricist and composer:
Kevin Patterson (songwriter)
Fiction Factory3:34
525 Lovers
recording of:
25 Lovers
lyricist:
Jennifer Rush
writer:
Wolfgang Detmann (aka Candy de Rouge) and Gunther Mende
Jennifer Rush3:35
6Sonne auf der Haut
engineer:
Mats Björklund, Dietmar Kawohl, Armand Volker and Berthold Weindorf
producer:
Mats Björklund and Harald Steinhauer (producer and songwriter)
bass guitar:
Mats Björklund and Günther Gebauer
drums (drum set) and percussion:
Curt Cress
guitar:
Mats Björklund
keyboard:
Mats Björklund, Michael Cretu (Romanian-born German musician, composer and record producer) and Hermann Weindorf
background vocals:
Tommy Amper, Helmut Frey (German songwriter), Bimey Oberreit, Peter Bischof and Helga Reichel
arranger:
Mats Björklund and Michael Cretu (Romanian-born German musician, composer and record producer)
cover recording of:
Sonne auf der Haut
lyricist:
Michael Kunze (producer and songwriter)
composer:
Nik Kershaw
publisher:
Mambo Musikverlag
translated version of:
Wouldn’t It Be Good
Juliane Werding3:47
7I Won’t Let the Sun Go Down on Me
recording engineer:
Julian Mendelsohn (Australian record producer and engineer) (in 1983)
assistant engineer:
Roger Howorth
producer:
Peter Collins (producer)
mixer:
Julian Mendelsohn (Australian record producer and engineer)
additional bass:
Paul Westwood (bassist) (in 1983)
lead vocals:
Nik Kershaw (in 1983)
arranger:
Nik Kershaw
phonographic copyright (℗) by:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1983) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1983)
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom
recording of:
I Won’t Let the Sun Go Down on Me (in 1983)
lyricist and composer:
Nik Kershaw
publisher:
Arctic King, Imagem Music UK, Imagem Songs Ltd., Mamal and Rondor Music (London) Ltd.
Nik Kershaw3.53:18
8Sounds Like a Melody
recording engineer and mixer:
Wolfgang Loos (from 1984-07 until 1984-08)
assistant programming:
Boris Balin and Thomas Beck (technical assistant, likely German)
programming:
Wolfgang Loos
producer:
Andreas Budde, Wolfgang Loos and Colin Pearson (producer and violinist)
additional keyboard:
Wolfgang Loos (from 1984-07 until 1984-08)
drum machine:
Bernhard Lloyd (from 1984-07 until 1984-08)
keyboard:
Bernhard Lloyd (from 1984-07 until 1984-08) and Frank Mertens (German synthpop keyboardist Frank Sorgatz) (from 1984-07 until 1984-08)
strings:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (from 1984-07 until 1984-08)
lead vocals:
Marian Gold (from 1984-07 until 1984-08)
arranger:
Alphaville (German synth pop band) and Wolfgang Loos
recorded at and mixed at:
Studio 54 (Berlin recording studio) in Germany (from 1984-07 until 1984-08)
recording of:
Sounds Like a Melody
lyricist:
Marian Gold
composer:
Marian Gold, Bernhard Lloyd and Frank Mertens (German synthpop keyboardist Frank Sorgatz)
publisher:
Rolf Budde Musikverlag (aka Budde Music)
Alphaville44:26
9Romancing the Stone
Eddy Grant3:27
10Send Me an Angel
recorded in:
Australia
engineer:
Andrew Scott (Australian producer/engineer)
executive producer:
Mike Curb and Jack Schwartzman
producer:
Ross Cockle and Glenn Wheatley
phonographic copyright (℗) by:
Curb Records, Inc. (holding company - do not use as release label) (in 1983)
recorded at:
Rhinoceros Studios in Sydney, New South Wales, Australia
mixed at:
Fast Forward Studios in Warranwood, Melbourne, Victoria, Australia
recording of:
Send Me an Angel
lyricist:
David Sterry
composer:
Richard Zatorski
publisher:
Chappell & Co. GmbH (Publisher, do not use as a release label!), Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Australia Pty. Ltd. and Wheatley Music Pty Ltd. (in 1983)
Real Life4.53:51
11Pearl in the Shell
recorded in:
High Wycombe, Buckinghamshire, England, United Kingdom (in 1984)
engineer:
Stephen W. Tayler (UK engineer)
producer:
Rupert Hine
lead vocals:
Howard Jones (English singer, songwriter) (in 1984)
recording of:
Pearl in the Shell
lyricist and composer:
Howard Jones (English singer, songwriter)
Howard Jones2.53:52
12Venice and Moonlight
Michael Jass3:56
13Let the Music Play
Sammy Barbot4:20
14We’re Not Gonna Take It
recording of:
We’re Not Gonna Take It
lyricist and composer:
Dee Snider
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Universal Tunes
part of:
“The Filthy Fifteen” (PMRC’s list of songs with “offensive lyrical content”) (number: 7)
Twisted Sister53:33

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part of:Hot and New (order: 1)