Too Lazy to Download 14: August ’06

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD
2CD
Nr.TitelKünstlerBewertungLänge
1I’m With Stupid
recording engineer:
Pete Gleadall (Sologesang), Robert Orton und Tim Weidner (engineer)
zusätzlich recording engineer:
Rob Smith (UK engineer)
Programmierung:
Pete Gleadall
Produzent(in):
Trevor Horn
Mix:
Robert Orton
Akustikgitarre:
Lalo Creme
E-Gitarre:
Lalo Creme und Phil Palmer (guitarist)
elektronisches Schlagzeug / E-Drums:
Earl Harvin und Cliff Hewitt
zusätzlich Keyboard:
Jamie Muhoberac
Hintergrundgesang:
Tessa Niles
phonographisches Urheberrecht (℗) von:
Pet Shop Boys Partnership Ltd. (in 2006)
recording of:
I’m With Stupid
Texter:
Neil Tennant
Komponist(in):
Chris Lowe (1/2 of Pet Shop Boys)
Pet Shop Boys3.53:26
2Teeny Weeny String BikiniGünther34:01
3I Wanna Be Sedated
assistierende(r) Techniker(in):
Ray Janos
Techniker(in) und Produzent(in):
Thomas Erdelyi (Tommy Ramone) und Ed Stasium (US record producer & audio engineer)
Bassgitarre:
Dee Dee Ramone
Gitarre:
Johnny Ramone
Schlagzeug:
Marky Ramone (Marc Bell)
Sologesang:
Joey Ramone
aufgenommen bei:
Media Sound in New York, New York, Vereinigte Staaten
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 19) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 144)
recording of:
I Wanna Be Sedated (von 1978-05 bis 1978-07)
Verfasser(in):
Douglas Glenn Colvin, Jeffrey Hyman und John Cummings
Komponist(in):
Ramones (US punk rock band)
publisher:
Bleu Disque Music Co., Inc. (publisher), Taco Tunes Inc. und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Ramones4.252:29
4Let Me Take You There
phonographisches Urheberrecht (℗) von:
F.W.O., Inc (in 2019)
Sammy Hagar and the Wabos4:22
5Hello, I Love You
Techniker(in) und Mix:
Bruce Botnick
Produzent(in):
Bruce Botnick und Paul A. Rothchild
Bassgitarre:
Doug Lubahn (rock bassist)
Gitarre:
Robby Krieger (American guitarist, member of The Doors)
Keyboard:
Ray Manzarek
Schlagzeug:
John Densmore
vocals:
Jim Morrison (lead vocalist of the Doors)
recording of:
Hello, I Love You
Verfasser(in):
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek und Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Rondor Music (London) Ltd. und Nipper Music Co., Inc. (in 1968)
The Doors3.552:15
6Why Can’t I Be You?
assistierende(r) Produzent(in):
Sean Burrows, Michel Dierickx (Belgian producer & engineer, aka ‘Shelle’) und Jacques Hermet
Produzent(in) und Mix:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) und Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
E-Bass:
Simon Gallup
E-Gitarre:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure) und Porl Thompson
Keyboard:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure), Porl Thompson und Lol Tolhurst
Perkussion und Schlagzeug:
Boris Williams
Sologesang:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1987)
aufgenommen bei:
Compass Point Studios in Nassau, Bahamas, ICP Recording Studios in Brussels (Region Brüssel-Hauptstadt), Belgien und Studio Miraval in Le Val, Var, Provence-Alpes-Côte-d'Azur, Frankreich
Musikvideos:
Why Can’t I Be You? von The Cure
recording of:
Why Can’t I Be You?
Texter:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
Komponist(in):
Simon Gallup, Robert Smith (UK guitarist, vocalist and songwriter for The Cure), Porl Thompson, Lol Tolhurst und Boris Williams
publisher:
APB Music Co.
The Cure43:13
7Come and Play in the Milky Night
recording of:
Come and Play in the Milky Night
Komponist(in):
Tim Gane (UK songwriter & guitarist in Stereolab) und Lætitia Sadier
publisher:
Domino Music Publishing Co Ltd
Stereolab4:39
8Just Like Honey
Techniker(in):
John Loder (sound engineer and producer)
Produzent(in):
The Jesus and Mary Chain
Bass:
Douglas Hart (musician & video director)
Gitarre:
Jim Reid (Jesus and Mary Chain) und William Reid (guitarist, The Jesus and Mary Chain)
Schlagzeug:
Bobby Gillespie
vocals:
Jim Reid (Jesus and Mary Chain) und William Reid (guitarist, The Jesus and Mary Chain)
phonographisches Urheberrecht (℗) von:
WEA Records Ltd (Hong Kong holding company from 1978 to 1990), Warner Music UK Ltd. (not for release label use!) (in 1985) und WEA Records Ltd. (holding company based in the UK) (in 1985)
aufgenommen bei:
Southern Studios in Wood Green, Haringey, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Just Like Honey von The Jesus and Mary Chain
Teil von:
Mixtape – Game Soundtrack (Nummer: 2) und Indie 88: Top 500 Indie Rock Songs (Nummer: 186)
recording of:
Just Like Honey
Verfasser(in):
Jim Reid (Jesus and Mary Chain) und William Reid (guitarist, The Jesus and Mary Chain)
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
basiert auf:
Intro (Just Like Honey)
The Jesus and Mary Chain53:02
9My Way
Produzent(in):
Arif Mardin und Jerry Wexler
Bass:
Tommy McClure (am 1970-03-10)
Gitarre:
Charlie Freeman (am 1970-03-10)
Keyboard:
Jim Dickinson (am 1970-03-10) und Mike Utley (musician, songwriter, and record producer) (am 1970-03-10)
Klavier:
Aretha Franklin (am 1970-03-10)
Schlagzeug:
Sammy Creason (am 1970-03-10)
Hintergrundgesang:
Margaret Branch (am 1970-03-10), Brenda Bryant (am 1970-03-10), Evelyn Green (am 1970-03-10), Wylene Ivy (am 1970-03-10), Almeda Lattimore (am 1970-03-10), Pat Lewis (am 1970-03-10) und The Sweet Inspirations (am 1970-03-10)
vocals:
Aretha Franklin (am 1970-03-10)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2007)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (am 1970-03-10)
cover recording of:
My Way (Frank Sinatra song) (am 1970-03-10)
Texter:
Paul Anka (Canadian singer, songwriter and actor)
Komponist(in):
Claude François und Jacques Revaux
vorher zugeschrieben zu:
Gilles Thibaut
Übersetzer:
Bobby Cruz
publisher:
Babel Music S.A., Chrysalis Standards Inc., Don C. Publications Inc., Eddie Barclay, Jeune Musique Éditions, Shapiro, Bernstein & Co., Inc., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Spanka Music, Spanka Music Corp., Thibout Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
übersetzte Version von:
Comme d’habitude
Aretha Franklin4:03
10Can’t Stop a Man in Love
Wilson Pickett3:13
11Song to the Siren
Techniker(in):
Stan Agol
Produzent(in):
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
zwölfsaitige Gitarre:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (am 1970-09-16)
vocals:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (am 1970-09-16)
aufgenommen bei:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1970-09-16)
recording of:
Song to the Siren (am 1970-09-16)
Texter:
Larry Beckett und Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
Komponist(in):
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
arranger:
Cul de Sac (Boston-based instrumental rock group)
publisher:
Carlin Music Corporation, Third Story Music, Inc. und Tim Buckley Music
Tim Buckley53:26
12Wounded
Techniker(in):
Jason Carmer
zusätzliche(r) Techniker(in):
Mike Cresswell
Produzent(in):
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind), The Mud Sisters, Arion Salazar und Third Eye Blind
Mix:
Femio Hernandez und Tom Lord‐Alge
Bass und Keyboard [Univox]:
Arion Salazar
Gitarre:
Kevin Cadogan
Perkussion und Sologesang:
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
Schlagzeug:
Brad Hargreaves
mixed at:
South Beach Studios in Miami Beach, Florida, Vereinigte Staaten
recording of:
Wounded
Verfasser(in):
Kevin Cadogan und Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
Third Eye Blind4.254:51
13Walking in Memphis
recording engineer, Techniker(in) und Mix:
Ben Wisch
Produzent(in):
Marc Cohn und Ben Wisch
Bass und Orgel:
John Leventhal
Gitarre:
Marc Cohn und John Leventhal
Hammond-Orgel:
Chris Palmaro
Keyboard:
Eric Rehl
Schlagzeug:
Dennis McDermott
Gast Hintergrundgesang:
James Taylor (singer-songwriter and guitarist)
Hintergrundgesang:
Vivian Cherry, Dennis Collins (backing vocalist), Ada Dyer (American soul singer) und Darryl Tookes
vocals:
Marc Cohn
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1991), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1991) und Warner Music H.K. Ltd. (in 1997)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 415)
recording of:
Walking in Memphis
Texter und Komponist(in):
Marc Cohn
publisher:
BMG Music und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Marc Cohn3.94:14
14Where Did All the Cowboys Gone?
Paula Cole4:27
15I’ll Be Gone
Dwight Yoakam3:25
16Darkness, Darkness
Produzent(in):
Phill Brown (UK engineer) und Robert Plant (of Led Zeppelin)
cover recording of:
Darkness, Darkness
Texter und Komponist(in):
Jesse Colin Young (in 1969)
Robert Plant5:01
17Dinner and a Movie
recording of:
Dinner and a Movie
Texter:
The Dude of Life (childhood friend of Phish frontman Trey Anastasio)
Komponist(in):
Trey Anastasio (US jam band Phish lead singer)
publisher:
Who Is She Music Inc.
Phish3:41