Interstellar

~ Release by Hans Zimmer (see all versions of this release, 18 available)

Annotation

2x180g vinyl

Annotation last modified on 2015-03-24 08:20 UTC.

Tracklist

112" Vinyl
#TitleRatingLength
A1Dreaming of the Crash
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer)
additional engineer:
Daniel Kresco, Seth Waldmann and Christian Wenger
assistant engineer:
Leland Cox (engineer) and Jacqueline Friedberg (engineer)
engineer:
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry
producer:
Alex Gibson (musician/editor), Christopher Nolan and Hans Zimmer (German score composer)
assistant mixer:
John Witt Chapman (engineer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor)
piano:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
additional orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
orchestrator:
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund
recorded at:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Dreaming of the Crash (Interstellar)
composer:
Hans Zimmer (German score composer)
part of:
Interstellar
3.53:55
A2Cornfield Chase
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer)
additional engineer:
Daniel Kresco, Seth Waldmann and Christian Wenger
assistant engineer:
Leland Cox (engineer) and Jacqueline Friedberg (engineer)
engineer:
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry
producer:
Alex Gibson (musician/editor), Christopher Nolan and Hans Zimmer (German score composer)
assistant mixer:
John Witt Chapman (engineer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor)
piano:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
additional orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
orchestrator:
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund
recorded at:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Cornfield Chase (Interstellar)
composer:
Alex Gibson (musician/editor), Ryan Rubin and Hans Zimmer (German score composer)
premiered at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
part of:
Interstellar (Live in Prague)
part of:
Interstellar
42:06
A3Dust
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer)
additional engineer:
Daniel Kresco, Seth Waldmann and Christian Wenger
assistant engineer:
Leland Cox (engineer) and Jacqueline Friedberg (engineer)
engineer:
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry
producer:
Alex Gibson (musician/editor), Christopher Nolan and Hans Zimmer (German score composer)
assistant mixer:
John Witt Chapman (engineer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor)
piano:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
additional orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
orchestrator:
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund
recorded at:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Dust (Interstellar)
composer:
Hans Zimmer (German score composer)
premiered at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
part of:
Interstellar
45:41
A4Day One
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer)
additional engineer:
Daniel Kresco, Seth Waldmann and Christian Wenger
assistant engineer:
Leland Cox (engineer) and Jacqueline Friedberg (engineer)
engineer:
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry
producer:
Alex Gibson (musician/editor), Christopher Nolan and Hans Zimmer (German score composer)
assistant mixer:
John Witt Chapman (engineer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor)
piano:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
additional orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
orchestrator:
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund
recorded at:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Day One (Interstellar)
composer:
Alex Gibson (musician/editor), Ryan Rubin and Hans Zimmer (German score composer)
publisher:
Paramount Allegra Music, Paramount Bella Music, Songs of Universal, Inc. (BMI), Universal Music Corp. (USA, affiliated with ASCAP), Warner Olive Music LLC and Warner–Barham Music LLC
premiered at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
part of:
Interstellar (Live in Prague)
part of:
Interstellar
4.653:19
A5Message From Home
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer)
additional engineer:
Daniel Kresco, Seth Waldmann and Christian Wenger
assistant engineer:
Leland Cox (engineer) and Jacqueline Friedberg (engineer)
engineer:
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry
producer:
Alex Gibson (musician/editor), Christopher Nolan and Hans Zimmer (German score composer)
assistant mixer:
John Witt Chapman (engineer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor)
piano:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
additional orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
orchestrator:
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund
recorded at:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Message From Home (Interstellar)
composer:
Hans Zimmer (German score composer)
premiered at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
part of:
Interstellar
3.51:40
B1Stay
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer)
additional engineer:
Daniel Kresco, Seth Waldmann and Christian Wenger
assistant engineer:
Leland Cox (engineer) and Jacqueline Friedberg (engineer)
engineer:
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry
producer:
Alex Gibson (musician/editor), Christopher Nolan and Hans Zimmer (German score composer)
assistant mixer:
John Witt Chapman (engineer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor)
piano:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
additional orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
orchestrator:
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund
recorded at:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Stay (Interstellar)
composer:
Alex Gibson (musician/editor), Ryan Rubin and Hans Zimmer (German score composer)
premiered at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
part of:
Interstellar
4.56:52
B2The Wormhole
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer)
additional engineer:
Daniel Kresco, Seth Waldmann and Christian Wenger
assistant engineer:
Leland Cox (engineer) and Jacqueline Friedberg (engineer)
engineer:
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry
producer:
Alex Gibson (musician/editor), Christopher Nolan and Hans Zimmer (German score composer)
assistant mixer:
John Witt Chapman (engineer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor)
piano:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
additional orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
orchestrator:
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund
recorded at:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
The Wormhole (Interstellar)
composer:
Hans Zimmer (German score composer)
premiered at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
part of:
Interstellar
3.51:30
B3Afraid of Time
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer)
additional engineer:
Daniel Kresco, Seth Waldmann and Christian Wenger
assistant engineer:
Leland Cox (engineer) and Jacqueline Friedberg (engineer)
engineer:
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry
producer:
Alex Gibson (musician/editor), Christopher Nolan and Hans Zimmer (German score composer)
assistant mixer:
John Witt Chapman (engineer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor)
piano:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
additional orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
orchestrator:
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund
recorded at:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Afraid of Time (Interstellar)
composer:
Hans Zimmer (German score composer)
premiered at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
part of:
Interstellar
3.52:32
B4A Place Among the Stars
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer)
additional engineer:
Daniel Kresco, Seth Waldmann and Christian Wenger
assistant engineer:
Leland Cox (engineer) and Jacqueline Friedberg (engineer)
engineer:
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry
producer:
Alex Gibson (musician/editor), Christopher Nolan and Hans Zimmer (German score composer)
assistant mixer:
John Witt Chapman (engineer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor)
piano:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
additional orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
orchestrator:
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund
recorded at:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
A Place Among the Stars (Interstellar)
composer:
Hans Zimmer (German score composer)
premiered at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
part of:
Interstellar
33:27
B5No Time for Caution
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer)
additional engineer:
Daniel Kresco, Seth Waldmann and Christian Wenger
assistant engineer:
Leland Cox (engineer) and Jacqueline Friedberg (engineer)
engineer:
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry
producer:
Alex Gibson (musician/editor), Christopher Nolan and Hans Zimmer (German score composer)
assistant mixer:
John Witt Chapman (engineer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor)
piano:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
additional orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
orchestrator:
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund
recorded at:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
No Time for Caution (Interstellar)
composer:
Alex Gibson (musician/editor), Ryan Rubin and Hans Zimmer (German score composer)
part of:
Interstellar (Live in Prague)
part of:
Interstellar
34:05
212" Vinyl