Mack the Knife: Original Soundtrack Recording

~ Veröffentlichung von Kurt Weill; Raúl Juliá, Richard Harris, Julia Migenes, Roger Daltrey, Julie Walters (alle Versionen dieser Veröffentlichung ansehen, 6 vorhanden)

Titelliste

1▼Kassette
Nr.TitelKünstlerBewertungLänge
A1Mack the Knife
recording engineer:
David Hunt (UK engineer)
Mix:
Lee DeCarlo
Chorgesang:
Whores' Chorus, Children's Chorus ([theatre], Special Purpose Artist - Do not add releases here, if possible.)
vocals:
Roger Daltrey und Julia Migenes (mezzo-soprano)
conductor:
Dov Seltzer (Dubi Seltzer)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989)
aufgenommen bei:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Mack the Knife: Mack the Knife (1989 movie soundtrack version) (in 1989)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
arranger:
Nick Ingman
Übersetzer:
Marc Blitzstein (American composer)
publisher:
Kurt Weill Foundation for Music, Inc. und Weill-Brecht-Harms Co., Inc.
Version von:
The Threepenny Opera: The Ballad of Mack the Knife
Kurt Weill4:48
A2Peachum’s Morning Chorale (Morning Anthem)
recording engineer:
David Hunt (UK engineer)
Mix:
Lee DeCarlo
vocals:
Richard Harris (Irish actor and singer)
zusätzlich vocals:
Two Beggars ([theatre], Special Purpose Artist - Do not add releases here, if possible.)
conductor:
Dov Seltzer (Dubi Seltzer)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989)
aufgenommen bei:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Mack the Knife: Peachum's Morning Chorale (Morning Anthem) (in 1989)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
arranger:
John Hawkins (production music composer)
Übersetzer:
Menahem Golan
übersetzte Version von:
Die Dreigroschenoper: Akt I. Der Morgenchoral des Peachum
Kurt Weill0:44
A3I Prefer Duet
recording engineer:
David Hunt (UK engineer)
Mix:
Lee DeCarlo
vocals:
Richard Harris (Irish actor and singer) und Julie Walters
conductor:
Dov Seltzer (Dubi Seltzer)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989)
aufgenommen bei:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Mack the Knife: I Prefer Duet (in 1989)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Dov Seltzer (Dubi Seltzer) und Menahem Golan
übersetzte Version von:
Die Dreigroschenoper: Akt I. Anstatt-Dass Song
Kurt Weill1:44
A4Wedding Song
recording engineer:
David Hunt (UK engineer)
Mix:
Lee DeCarlo
vocals:
Gang ([theatre], Special Purpose Artist - Do not add releases here, if possible.)
conductor:
Dov Seltzer (Dubi Seltzer)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989)
aufgenommen bei:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Mack the Knife: Wedding Song (in 1989)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
arranger:
Zack Laurence
Übersetzer:
Marc Blitzstein (American composer)
Version von:
The Threepenny Opera: Wedding Song
Kurt Weill1:03
A5Army Song
recording engineer:
David Hunt (UK engineer)
Mix:
Lee DeCarlo
Chorgesang:
Gang, Male Chorus ([theatre], Special Purpose Artist - Do not add releases here, if possible.)
vocals:
Raúl Juliá und Bill Nighy
conductor:
Dov Seltzer (Dubi Seltzer)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989)
aufgenommen bei:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Mack the Knife: Army Song (in 1989)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
arranger:
Nick Ingman
Übersetzer:
Marc Blitzstein (American composer), Dov Seltzer (Dubi Seltzer) und Menahem Golan
Version von:
The Threepenny Opera: Army Song
Kurt Weill2:37
A6Love Song
recording engineer:
David Hunt (UK engineer)
Mix:
Lee DeCarlo
vocals:
Raúl Juliá und Rachel Robertson
conductor:
Dov Seltzer (Dubi Seltzer)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989)
aufgenommen bei:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Mack the Knife: Love Song (in 1989)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
arranger:
Zack Laurence
Übersetzer:
Marc Blitzstein (American composer) und Menahem Golan
Version von:
The Threepenny Opera: Love Song
Kurt Weill2:09
A7The Perpendicular Song (Barbara Song)
recording engineer:
David Hunt (UK engineer)
Mix:
Lee DeCarlo
vocals:
Roger Daltrey und Rachel Robertson
conductor:
Dov Seltzer (Dubi Seltzer)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989)
aufgenommen bei:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Mack the Knife: The Perpendicular Song (Barbara Song) (in 1989)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
arranger:
Roland Shaw (composer)
Übersetzer:
Marc Blitzstein (American composer)
Version von:
The Threepenny Opera: Barbara's Song (Marc Blitzstein translation)
Kurt Weill3:32
A8Sexual Dependency
recording engineer:
David Hunt (UK engineer)
Mix:
Lee DeCarlo
vocals:
Julie Walters
conductor:
Dov Seltzer (Dubi Seltzer)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989)
aufgenommen bei:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Mack the Knife: Sexual Dependency (in 1989)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
arranger:
Kenny Woodman (British trumpeter, music director, arranger and composer)
Übersetzer:
Dov Seltzer (Dubi Seltzer) und Menahem Golan
übersetzte Version von:
Die Dreigroschenoper: Akt II. Die Ballade von der sexuellen Hörigkeit
Kurt Weill1:55
A9The Uncertainty of Human Condition (First Threepenny Finale: The World Is Mean)
recording engineer:
David Hunt (UK engineer)
Mix:
Lee DeCarlo
Chorgesang:
Chorus, Children's Chorus ([theatre], Special Purpose Artist - Do not add releases here, if possible.)
vocals:
Roger Daltrey, Richard Harris (Irish actor and singer), Rachel Robertson und Julie Walters
conductor:
Dov Seltzer (Dubi Seltzer)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989)
aufgenommen bei:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Mack the Knife: The Uncertainty of Human Condition (in 1989)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
arranger:
Nick Ingman
Übersetzer:
Marc Blitzstein (American composer), Dov Seltzer (Dubi Seltzer) und Menahem Golan
Kurt Weill3:39
A10Polly’s Song
recording engineer:
David Hunt (UK engineer)
Mix:
Lee DeCarlo
vocals:
Roger Daltrey, Raúl Juliá und Rachel Robertson
conductor:
Dov Seltzer (Dubi Seltzer)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989)
aufgenommen bei:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Mack the Knife: Polly's Song (in 1989)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
arranger:
Zack Laurence
Übersetzer:
Marc Blitzstein (American composer) und Menahem Golan
Version von:
The Threepenny Opera: Melodrama and Polly's Song
Kurt Weill3:28
A11Pirate Jenny
recording engineer:
David Hunt (UK engineer)
Mix:
Lee DeCarlo
vocals:
Julia Migenes (mezzo-soprano)
conductor:
Dov Seltzer (Dubi Seltzer)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989)
aufgenommen bei:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Mack the Knife: Pirate Jenny (in 1989)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
arranger:
Kenny Woodman (British trumpeter, music director, arranger and composer)
Übersetzer:
Marc Blitzstein (American composer) und Menahem Golan
Version von:
The Threepenny Opera: Pirate Jenny (Marc Blitzstein translation)
Kurt Weill4:59
A12Memories Tango Ballad (Tango Ballad)
recording engineer:
David Hunt (UK engineer)
Mix:
Lee DeCarlo
vocals:
Raúl Juliá und Julia Migenes (mezzo-soprano)
conductor:
Dov Seltzer (Dubi Seltzer)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989)
aufgenommen bei:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Mack the Knife: Memories Tango Ballad (in 1989)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
arranger:
Harry Roberts
Übersetzer:
Marc Blitzstein (American composer)
Version von:
The Threepenny Opera: Tango-Ballad (Blitzstein translation)
Kurt Weill5:19
B1Ballad of Pleasant Living (Ballad of the Easy Life)
recording engineer:
David Hunt (UK engineer)
Mix:
Lee DeCarlo
Chorgesang:
Prisoner's Chorus ([theatre], Special Purpose Artist - Do not add releases here, if possible.)
vocals:
Raúl Juliá
conductor:
Dov Seltzer (Dubi Seltzer)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989)
aufgenommen bei:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Mack the Knife: Ballad of Pleasant Living (in 1989)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
arranger:
Kenny Woodman (British trumpeter, music director, arranger and composer)
Übersetzer:
Marc Blitzstein (American composer)
Version von:
The Threepenny Opera: Ballad of the Easy Life
Kurt Weill2:07
B2Jealously Duet
recording engineer:
David Hunt (UK engineer)
Mix:
Lee DeCarlo
vocals:
Erin Donovan und Rachel Robertson
conductor:
Dov Seltzer (Dubi Seltzer)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989)
aufgenommen bei:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Mack the Knife: Jealousy Duet (in 1989)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
arranger:
Harry Roberts
Übersetzer:
Dov Seltzer (Dubi Seltzer) und Menahem Golan
Kurt Weill2:40
B3Ballad About What Keeps a Man Alive (Second Threepenny Finale: How to Survive)
recording engineer:
David Hunt (UK engineer)
Mix:
Lee DeCarlo
Chorgesang:
Chorus ([theatre], Special Purpose Artist - Do not add releases here, if possible.)
vocals:
Roger Daltrey, Richard Harris (Irish actor and singer), Raúl Juliá, Julia Migenes (mezzo-soprano) und Julie Walters
conductor:
Dov Seltzer (Dubi Seltzer)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989)
aufgenommen bei:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Mack the Knife: Ballad About What Keeps Man Alive (in 1989)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
arranger:
Roland Shaw (composer)
Übersetzer:
Marc Blitzstein (American composer) und Menahem Golan
Version von:
The Threepenny Opera: How To Survive
Kurt Weill4:49
B4Mack the Knife Overture/Chase
recording engineer:
David Hunt (UK engineer)
Mix:
Lee DeCarlo
conductor:
Dov Seltzer (Dubi Seltzer)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989)
aufgenommen bei:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Mack the Knife: Mack the Knife Overture / Chase (in 1989)
Komponist(in):
Kurt Weill (composer)
arranger:
Dov Seltzer (Dubi Seltzer)
Version von:
Die Dreigroschenoper: Vorspiel. Ouvertüre
Kurt Weill3:32
B5You’d Better Use Your Head
recording engineer:
David Hunt (UK engineer)
Mix:
Lee DeCarlo
vocals:
Roger Daltrey, Richard Harris (Irish actor and singer), John Woodnut (English actor), Julia Migenes (mezzo-soprano), Bill Nighy und Julie Walters
conductor:
Dov Seltzer (Dubi Seltzer)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989)
aufgenommen bei:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Mack the Knife: You'd Better Use Your Head (in 1989)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
arranger:
Harry Roberts
Übersetzer:
Dov Seltzer (Dubi Seltzer) und Menahem Golan
übersetzte Version von:
Die Dreigroschenoper: Akt III. Das Lied von der Unzulänglichkeit menschlichen Strebens
Kurt Weill2:51
B6Call From the Grave
recording engineer:
David Hunt (UK engineer)
Mix:
Lee DeCarlo
vocals:
Raúl Juliá
conductor:
Dov Seltzer (Dubi Seltzer)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989)
aufgenommen bei:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Mack the Knife: Call From the Grave (in 1989)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
arranger:
Robert Tapsfield
Übersetzer:
Marc Blitzstein (American composer)
Version von:
The Threepenny Opera: Call From The Grave
Kurt Weill0:54
B7Solomon Song
recording engineer:
David Hunt (UK engineer)
Mix:
Lee DeCarlo
vocals:
Julia Migenes (mezzo-soprano)
conductor:
Dov Seltzer (Dubi Seltzer)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989)
aufgenommen bei:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Mack the Knife: Solomon Song (in 1989)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
arranger:
Dov Seltzer (Dubi Seltzer)
Übersetzer:
Marc Blitzstein (American composer) und Menahem Golan
Kurt Weill3:09
B8Death Message
recording engineer:
David Hunt (UK engineer)
Mix:
Lee DeCarlo
vocals:
Raúl Juliá
conductor:
Dov Seltzer (Dubi Seltzer)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989)
aufgenommen bei:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Mack the Knife: Death Message (in 1989)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
arranger:
David Cullen (composer, arranger, orchestrator)
Übersetzer:
Marc Blitzstein (American composer)
Version von:
The Threepenny Opera: Death Message
Kurt Weill2:13
B9The Riding Messenger (Third Threepenny Finale: The Mounted Messenger)
recording engineer:
David Hunt (UK engineer)
Mix:
Lee DeCarlo
vocals:
Richard Harris (Irish actor and singer), Raúl Juliá, Julia Migenes (mezzo-soprano), Bill Nighy und Julie Walters
conductor:
Dov Seltzer (Dubi Seltzer)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989)
aufgenommen bei:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Mack the Knife: The Riding Messenger (in 1989)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
arranger:
Roland Shaw (composer)
Übersetzer:
Marc Blitzstein (American composer)
Version von:
The Threepenny Opera: Finale: The Mounted Messenger
Kurt Weill4:18
B10Mack the Knife (reprise)
recording engineer:
David Hunt (UK engineer)
Mix:
Lee DeCarlo
vocals:
Roger Daltrey
conductor:
Dov Seltzer (Dubi Seltzer)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989)
aufgenommen bei:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Mack the Knife: Mack the Knife (reprise) (in 1989)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
arranger:
Dov Seltzer (Dubi Seltzer)
Übersetzer:
Menahem Golan
Version von:
The Threepenny Opera: The Ballad of Mack the Knife
Kurt Weill0:54