Top Hits of the 1930s, Volume 2

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Love Walked In
Sammy Kaye3:06
2You’re a Sweetheart
Dolly Dawn2:49
3Jeepers Creepers
Al Donahue and His Orchestra2:17
4Life Is a Song
Ruth Etting3:06
5Body and Soul
recording of:
Body and Soul (am 1930-09-10)
Texter:
Frank Eyton (in 1930), Edward Heyman (in 1930) und Robert Sour (in 1930)
Komponist(in):
Edward Heyman, Robert Sour und John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Paul Whiteman & His Orchestra3:10
6Sweet and Lovely
Harry Tobias3:22
7I’m Gonna Sit Right Down and Write Myself a Letter
Fats Waller and His Rhythm3:39
8Wrap Your Troubles in Dreams
recording of:
Wrap Your Troubles in Dreams
Texter:
Ted Koehler (in 1931) und Billy Moll (songwriter) (in 1931)
Komponist(in):
Harry Barris (in 1931)
publisher:
Campbell Connelly & Co. Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc. und Ted Koehler Music Co.
Bing Crosby3:35
9The Glory of Love
Carroll Gibbons and His Boy Friends3:09
10Lullaby of Broadway
Dick Powell3:13
11Stompin’ at the Savoy
recording of:
Stompin’ at the Savoy
Texter:
Andy Razaf
Komponist(in):
Benny Goodman (clarinetist and bandleader), Edgar Sampson und Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Benny Goodman and His Orchestra3:22
12One Night of Love
Grace Moore3:16
13Stardust
vocals:
Bing Crosby (am 1931-08-19)
Orchester:
Victor Young & The Brunswick Orchestra (am 1931-08-19)
aufgenommen bei:
Brunswick Recording Studio, 799 Seventh Avenue (1924-1931) in New York, New York, Vereinigte Staaten (am 1931-08-19)
recording of:
Stardust (the jazz standard) (am 1931-08-19)
Texter:
Mitchell Parish (in 1929)
Komponist(in):
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (beendet), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. und Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Teil von:
American Splendor
Bing Crosby2:48
14A Fine Romance
recording of:
A Fine Romance (from “Swing Time”)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Chappell & Co.
Teil von:
Swing Time (film)
Bing Crosby3:07
15Walkin’ My Baby Back Home
recording of:
Walkin’ My Baby Back Home
Texter:
Roy Turk (in 1930)
Komponist(in):
Fred Ahlert (in 1930)
publisher:
Chappell & Co., Inc. (USA), Redwood Music Ltd. (Carlin) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Maurice Chevalier2:16
16Change Partners
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1938-03-24)
vocals:
Fred Astaire (am 1938-03-24)
Orchester:
Ray Noble and His Orchestra (am 1938-03-24)
recording of:
Change Partners (from “Carefree”) (am 1938-03-24)
Texter und Komponist(in):
Irving Berlin (in 1938)
publisher:
Irving Berlin Music Corp. und Williamson Music Company
Teil von:
The 11th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1938 nominee)
Fred Astaire3:09
17Your Feet’s Too Big
The Ink Spots2:40
18I Get a Kick Out of You
recording of:
I Get a Kick Out of You
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
Ethel Merman3:12
19I’ve Told Ev’ry Little Star
Mary Ellis3:21
20Prisoner of Love
Russ Columbo3:28
21Begin the Beguine
recording of:
Begin the Beguine
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jubilee
Artie Shaw and His Orchestra3:21
22You Couldn’t Be Cuter
Al Bowlly2:44
23Lights Out
Greta Keller3:21
24Until the Real Thing Comes Along
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1936-08-01)
Klavier:
Fats Waller (am 1936-08-01)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1936-08-01)
Rohrblattinstrumente:
Gene Sedric (am 1936-08-01)
Schlagzeug:
Slick Jones (am 1936-08-01)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1936-08-01)
vocals:
Fats Waller (am 1936-08-01)
recording of:
Until the Real Thing Comes Along (am 1936-08-01)
Texter und Komponist(in):
Sammy Cahn, Saul Chaplin, L.E. Freeman, Mann Holiner und Alberta Nichols
publisher:
Anne-Rachel Music Corp., Cahn Music Company, Chappell & Co., Inc. (USA) und WB Music Corp. (1929–2019)
Fats Waller3:33
25I’m in the Mood for Love
Frances Langford2:49
26A Tisket, a Tasket
recorded in:
New York, New York, Vereinigte Staaten (am 1938-05-02)
alto saxophone:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (am 1938-05-02)
Gitarre:
Bobby Johnson (US guitarist) (am 1938-05-02)
Klavier:
Tommy Fulford (am 1938-05-02)
Kontrabass:
Beverly Peer (am 1938-05-02)
Posaune:
George Matthews (trombone) (am 1938-05-02), Nat Story (am 1938-05-02) und Sandy Williams (American jazz trombonist) (am 1938-05-02)
Rohrblattinstrumente:
Garvin Bushell (am 1938-05-02)
Schlagzeug:
Chick Webb (am 1938-05-02)
Tenorsaxophon:
Wayman Carver (am 1938-05-02) und Teddy McRae (am 1938-05-02)
Trompete:
Mario Bauzá (am 1938-05-02), Taft Jordan (am 1938-05-02) und Bobby Stark (am 1938-05-02)
vocals:
Ella Fitzgerald (American jazz singer) (am 1938-05-02)
Orchester:
Chick Webb and His Orchestra (am 1938-05-02)
Teil von:
Grammy Hall of Fame (Nummer: 1986)
recording of:
A‐Tisket, A‐Tasket (am 1938-05-02)
Texter:
[traditional] (special purpose artist), Ella Fitzgerald (American jazz singer) und Van Alexander (aka Al Feldman)
Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 13188)
Ella Fitzgerald32:39
27Isn’t It Romantic
Jeanette MacDonald3:31
28The Song Is You
Lawrence Tibbett3:06
29Alone
recording of:
Alone (from the film: "A Night at the Opera") (am 1935-11-07)
Texter:
Arthur Freed
Komponist(in):
Nacio Herb Brown (US songwriter)
Tommy Dorsey & His Orchestra3:40
30What a Difference a Day Made
vocals:
Denny Dennis
recording of:
What a Diff’rence a Day Made
Texter:
Stanley Adams (US lyricist & songwriter)
Komponist(in):
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC und Zomba Golden Sands Enterprises, Inc.
basiert auf:
Cuando vuelva a tu lado
Harry Roy & His Band2:58
31The Touch of Your Lips
Ray Noble and His Orchestra3:34
32Beyond the Blue Horizon
Jeanette MacDonald2:23
33Cheek to Cheek
recorded in:
New York, New York, Vereinigte Staaten (am 1935-06-26)
vocals:
Fred Astaire (am 1935-06-26)
Orchester:
Leo Reisman and His Orchestra (am 1935-06-26)
recording of:
Cheek to Cheek (from “Top Hat”) (am 1935-06-26)
Texter und Komponist(in):
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Academy Award for Best Original Song (Nummer: 1935 nominee)
Teil von:
Top Hat (1935 film)
Fred Astaire3:21
34I Don’t Know Why
Clarence Johnson3:02
35As Time Goes By
Binnie Hale3:14
36Wabash Cannon Ball
recording of:
Wabash Cannonball
Komponist(in):
A.P. Carter und William Kindt
publisher:
APRS (American Performing Rights Society, Inc.(BMI))
Teil von:
Roud Folk Song Index (Nummer: 4228)
Roy Acuff2:54
37I’m Confessing That I Love You
Guy Lombardo & His Royal Canadians3:17
38Ten Cents a Dance
Sologesang:
Ruth Etting
recording of:
Ten Cents a Dance
Texter:
Lorenz Hart (in 1930)
Komponist(in):
Richard Rodgers (composer) (in 1930)
Teil von:
Simple Simon
Ruth Etting3:15
39A Ghost of a Chance
Gene Austin3:01
40Happy Feet
Gitarre:
Eddie Lang (US jazz guitarist, also recorded as Blind Willie Dunn) (am 1930-03-10)
recording of:
Happy Feet (am 1930-02-10)
Texter:
Jack Yellen
Komponist(in):
Milton Ager
publisher:
Warner Bros., Inc. (not for release label use!) (in 1930)
Paul Whiteman3:09
41Stay as Sweet as You Are
Jimmie Grier & His Orchestra3:06
42Oh Ma‐Ma
recording of:
Oh Ma-Ma!
Verfasser(in):
Lew Brown und Rudy Vallée
The Andrews Sisters2:30
43Mad Dogs and Englishmen
Noël Coward2:58

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enthalten in:Top Hits of the 1930s