Luciano Pavarotti - The Complete Opera Recordings

~ Release by Luciano Pavarotti (see all versions of this release, 1 available)

Annotation

Collection of 101 discs (95 CDs, 6 Blu-Ray Audio) of Pavarotti's complete opera recordings for Decca Classics.

Annotation last modified on 2020-03-18 00:46 UTC.

Tracklist

1▶CD: Bellini: Beatrice di Tenda (I)
2▶CD: Bellini: Beatrice di Tenda (II)
3▶CD: Donizetti: La fille du régiment (I)
4▶CD: Donizetti: La fille du régiment (II)
5▶CD: Verdi: Messa da Requiem
6▶CD: Mascagni: L'amico Fritz (I)
7▶CD: Mascagni: L'amico Fritz (II)
8▶CD: R. Strauss: Der Rosenkavalier (I)
9▶CD: R. Strauss: Der Rosenkavalier (II)
10▶CD: R. Strauss: Der Rosenkavalier (III)
11▶CD: Donizetti: L'elisir d'amore (I)
12▶CD: Donizetti: L'elisir d'amore (II)
13▶CD: Verdi: Un ballo in maschera (I)
14▶CD: Verdi: Un ballo in maschera (II)
15▶CD: Verdi: Macbeth (I)
16▶CD: Verdi: Macbeth (II)
17▶CD: Rossini: Stabat Mater
18▶CD: Verdi: Rigoletto (I)
19▶CD: Verdi: Rigoletto (II)
20▶CD: Donizetti: Lucia di Lammermoor (I)
21▶CD: Donizetti: Lucia di Lammermoor (II)
22▶CD: Puccini: Turandot (I)
23▶CD: Puccini: Turandot (II)
24▶CD: Puccini: La bohème (I)
25▶CD: Puccini: La bohème (II)
26▶CD: Bellini: I puritani (I)
27▶CD: Bellini: I puritani (II)
28▶CD: Bellini: I puritani (III)
29▶CD: Puccini: Madama Butterfly (I)
30▶CD: Puccini: Madama Butterfly (II)
31▶CD: Donizetti: La favorita (I)
32▶CD: Donizetti: La favorita (II)
33▶CD: Donizetti: Maria Stuarda (I)
34▶CD: Donizetti: Maria Stuarda (II)
35▶CD: Verdi: Luisa Miller (I)
36▶CD: Verdi: Luisa Miller (II)
37▶CD: Mascagni: Cavalleria rusticana
38▶CD: Leoncavalla: Pagliacci
39▶CD: Verdi: Il trovatore (I)
40▶CD: Verdi: Il trovatore (II)
41▶CD: Puccini: Tosca (I)
42▶CD: Puccini: Tosca (II)
43▶CD: Rossini: Petite messe solennelle
44▶CD: Rossini: Petite messe solennelle (cont.) / Donizetti: Requiem
45▶CD: Rossini: Guglielmo Tell (I)
46▶CD: Rossini: Guglielmo Tell (II)
47▶CD: Rossini: Guglielmo Tell (III)
48▶CD: Rossini: Guglielmo Tell (IV)
49▶CD: Verdi: La traviata (I)
50▶CD: Verdi: La traviata (II)
51▶CD: Bellini: La sonnambula (I)
52▶CD: Bellini: La sonnambula (II)
53▶CD: Ponchielli: La Gioconda (I)
54▶CD: Ponchielli: La Gioconda (II)
55▶CD: Ponchielli: La Gioconda (III)
56▶CD: Boito: Mefistofele (I)
57▶CD: Boito: Mefistofele (II)
58▶CD: Verdi: Un ballo in maschera (I)
59▶CD: Verdi: Un ballo in maschera (II)
60▶CD: Giordano: Andrea Chénier (I)
61▶CD: Giordano: Andrea Chénier (II)
62▶CD: Mozart: Idomeneo (I)
63▶CD: Mozart: Idomeneo (II)
64▶CD: Mozart: Idomeneo (III)
65▶CD: Bellini: Norma (I)
66▶CD: Bellini: Norma (II)
67▶CD: Bellini: Norma (III)
68▶CD: Verdi: Aida (I)
69▶CD: Verdi: Aida (II)
70▶CD: Verdi: Aida (III)
71▶CD: Verdi: Ernani (I)
72▶CD: Verdi: Ernani (II)
73▶CD: Berlioz: Requiem
74▶CD: Verdi: Rigoletto (I)
75▶CD: Verdi: Rigoletto (II)
76▶CD: Donizetti: L'elisir d'amore (I)
77▶CD: Donizetti: L'elisir d'amore (II)
78▶CD: Verdi: Il trovatore (I)
79▶CD: Verdi: Il trovatore (II)
80▶CD: Verdi: Otello (I)
81▶CD: Verdi: Otello (II)
82▶CD: Verdi: La traviata (I)
83▶CD: Verdi: La traviata (II)
84▶CD: Leoncavallo: Pagliacci
85▶CD: Puccini: Manon Lescaut (I)
86▶CD: Puccini: Manon Lescaut (II)
87▶CD: Verdi: Don Carlo (I)
88▶CD: Verdi: Don Carlo (II)
89▼CD: Verdi: Don Carlo (III)
#TitleArtistRatingLength
1Don Carlo: Atto III, scena 1. “Ella giammai m'amò” (Filippo)
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
bass vocals [Filippo II]:
Samuel Ramey (bass-baritone) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
partial recording of:
Don Carlo: Atto III, scena 1. N°10 “Ella giammai m’amò” … “Dormiro sol” (Filippo) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi5:41
2Don Carlo: Atto III, scena 1. “Dormirò sol nel manto mio regal” (Filippo)
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
bass vocals [Filippo II]:
Samuel Ramey (bass-baritone) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
partial recording of:
Don Carlo: Atto III, scena 1. N°10 “Ella giammai m’amò” … “Dormiro sol” (Filippo) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi5:05
3Don Carlo: Atto III, scena 1. “Il Grande Inquisitor! ...Son io dinanzi al Re?” (Lerma, Inquisitore, Filippo)
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
bass vocals [Filippo II]:
Samuel Ramey (bass-baritone) (in 1992-12)
bass vocals [Il Grande Inquisitore]:
Александр Анисимов (Alexander Anisimov, operatic bass) (in 1992-12)
tenor vocals [Il Conte di Lerma]:
Orfeo Zanetti (tenor) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
recording of:
Don Carlo: Atto III, scena 1. N°11 “Il Grand’ Inquisitor!” (Lerma, L'inquisitore, Filippo) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi9:46
4Don Carlo: Atto III, scena 1. “Giustizia, giustizia, Sire!” (Elisabetta, Filippo)
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
bass vocals [Filippo II]:
Samuel Ramey (bass-baritone) (in 1992-12)
soprano vocals [Elisabetta di Valois]:
Daniela Dessì (soprano) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
recording of:
Don Carlo: Atto III, scena 1. N°12 “Giustizia, giustizia, Sire!” … “Ben lo sapete” (Elisabetta, Filippo) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi3:14
5Don Carlo: Atto III, scena 1. “Ardita troppo voi favellate!” (Filippo, Eboli, Rodrigo, Elisabetta)
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
bass vocals [Filippo II]:
Samuel Ramey (bass-baritone) (in 1992-12)
mezzo-soprano vocals [La Principessa d'Eboli]:
Luciana d'Intino (mezzo-soprano) (in 1992-12)
soprano vocals [Elisabetta di Valois]:
Daniela Dessì (soprano) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
recording of:
Don Carlo: Atto III, scena 1. N°12 “Ardita troppo voi favellate” (Filippo, Elisabetta, Eboli, Rodrigo) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi1:56
6Don Carlo: Atto III, scena 1. “Ah! sii maledetto, sospetto fatale” (Filippo, Eboli, Rodrigo, Elisabetta)
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
bass vocals [Filippo II]:
Samuel Ramey (bass-baritone) (in 1992-12)
bass-baritone vocals [Rodrigo, Marchese di Posa]:
Paolo Coni (Baritone) (in 1992-12)
mezzo-soprano vocals [La Principessa d'Eboli]:
Luciana d'Intino (mezzo-soprano) (in 1992-12)
soprano vocals [Elisabetta di Valois]:
Daniela Dessì (soprano) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
recording of:
Don Carlo: Atto III, scena 1. N°12 “Ah! sii maledetto, sospetto fatale” (Filippo, Elisabetta, Eboli, Rodrigo) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi4:21
7Don Carlo: Atto III, scena 1. “Pietà! Pietà! perdon!” (Eboli, Elisabetta)
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
mezzo-soprano vocals [La Principessa d'Eboli]:
Luciana d'Intino (mezzo-soprano) (in 1992-12)
soprano vocals [Elisabetta di Valois]:
Daniela Dessì (soprano) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
recording of:
Don Carlo: Atto III, scena 1. N°13. Scena ed aria: “Pietà! Pietà! perdon!” (Eboli, Elisabetta) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi3:49
8Don Carlo: Atto III, scena 1. “Ah! più non vedro la Regina!... O don fatale, o don crudel” (Eboli)
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
mezzo-soprano vocals [La Principessa d'Eboli]:
Luciana d'Intino (mezzo-soprano) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
recording of:
Don Carlo: Atto III, scena 1. N°13 “Ah! più non vedrò la Regina!” (Eboli) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
recording of:
Don Carlo: Atto III, scena 1. N°13 “O don fatale, o don crudel” (Eboli) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi1:37
9Don Carlo: Atto III, scena 1. “O mia Regina, io t'immolai” (Eboli)
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
mezzo-soprano vocals [La Principessa d'Eboli]:
Luciana d'Intino (mezzo-soprano) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
partial recording of:
Don Carlo: Atto III, scena 1. N°13 “O don fatale, o don crudel” (Eboli) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi3:16
10Don Carlo: Atto III, scena 2. “Son io, mio Carlo” (Rodrigo, Carlo)
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
bass-baritone vocals [Rodrigo, Marchese di Posa]:
Paolo Coni (Baritone) (in 1992-12)
tenor vocals [Don Carlo]:
Luciano Pavarotti (tenor) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
recording of:
Don Carlo: Atto III, scena 2. N°14. Morte di Rodrigo e sommossa: “Son io, mio Carlo” – “Che parli tu di morte” (Rodrigo, Carlo) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi3:15
11Don Carlo: Atto III, scena 2. “Per me giunto è il di supremo” (Rodrigo)
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
bass-baritone vocals [Rodrigo, Marchese di Posa]:
Paolo Coni (Baritone) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
partial recording of:
Don Carlo: Atto III, scena 2. N°14. Morte di Rodrigo e sommossa: “Per me giunto è il dì supremo” (Rodrigo) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi2:49
12Don Carlo: Atto III, scena 2. “Che parli tu di morte?” (Carlo, Rodrigo)
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
bass-baritone vocals [Rodrigo, Marchese di Posa]:
Paolo Coni (Baritone) (in 1992-12)
tenor vocals [Don Carlo]:
Luciano Pavarotti (tenor) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
partial recording of:
Don Carlo: Atto III, scena 2. N°14. Morte di Rodrigo e sommossa: “Son io, mio Carlo” – “Che parli tu di morte” (Rodrigo, Carlo) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi1:42
13Don Carlo: Atto III, scena 2. “O Carlo, ascolta...lo morrò, ma lieto in core” (Rodrigo)
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
bass-baritone vocals [Rodrigo, Marchese di Posa]:
Paolo Coni (Baritone) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
recording of:
Don Carlo: Atto III, scena 2. N°14 “O Carlo, ascolta, la madre t’aspetta” (Rodrigo) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi3:24
14Don Carlo: Atto III, scena 2. “Mio Carlo, a te la spada io rendo” (Filippo, Carlo, coro, Lerma, Eboli, Inquisitore)
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
bass vocals [Filippo II]:
Samuel Ramey (bass-baritone) (in 1992-12)
bass vocals [Il Grande Inquisitore]:
Александр Анисимов (Alexander Anisimov, operatic bass) (in 1992-12)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1992-12)
mezzo-soprano vocals [La Principessa d'Eboli]:
Luciana d'Intino (mezzo-soprano) (in 1992-12)
tenor vocals [Don Carlo]:
Luciano Pavarotti (tenor) (in 1992-12)
tenor vocals [Il Conte di Lerma]:
Orfeo Zanetti (tenor) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
recording of:
Don Carlo: Atto III, scena 2. N°14. Morte di Rodrigo e sommossa: “Mio Carlo, a te la spada io rendo” (Filippo, Carlo, Coro, Lerma, Eboli, L'Inquisitore) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi3:55
15Don Carlo: Atto IV. Introduzione / “Tu che le vanita” (Elisabetta)
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
soprano vocals [Elisabetta di Valois]:
Daniela Dessì (soprano) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
recording of:
Don Carlo: Atto IV. N°15 “Tu che le vanità” – “O Francia, nobile suol” (Elisabetta) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto IV (V)
Giuseppe Verdi11:11
16Don Carlo: Atto IV. “È dessa!...Un detto, un sol” (Carlo, Elisabetta)
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
soprano vocals [Elisabetta di Valois]:
Daniela Dessì (soprano) (in 1992-12)
tenor vocals [Don Carlo]:
Luciano Pavarotti (tenor) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
recording of:
Don Carlo: Atto IV. N°15 “È dessa!… Un detto, un sol” (Carlo, Elisabetta) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto IV (V)
Giuseppe Verdi6:07
17Don Carlo: Atto IV. “Ma lassù ci vedremo” (Carlo, Elisabetta)
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
soprano vocals [Elisabetta di Valois]:
Daniela Dessì (soprano) (in 1992-12)
tenor vocals [Don Carlo]:
Luciano Pavarotti (tenor) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
recording of:
Don Carlo: Atto IV. “Vago sogno m'arise“ – “Ma lassù ci vedremo” (Carlo, Elisabetta) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto IV (V)
Giuseppe Verdi3:39
18Don Carlo: Atto IV. “Sì, per sempre!” (Filippo, Inquisitore, Elisabetta, Carlo, Frate, coro)
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
bass vocals [Filippo II]:
Samuel Ramey (bass-baritone) (in 1992-12)
bass vocals [Il Grande Inquisitore]:
Александр Анисимов (Alexander Anisimov, operatic bass) (in 1992-12)
bass vocals [Un frate]:
Andrea Silvestrelli (operatic bass) (in 1992-12)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1992-12)
mezzo-soprano vocals [La Principessa d'Eboli]:
Luciana d'Intino (mezzo-soprano) (in 1992-12)
soprano vocals [Elisabetta di Valois]:
Daniela Dessì (soprano) (in 1992-12)
tenor vocals [Don Carlo]:
Luciano Pavarotti (tenor) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
recording of:
Don Carlo: Atto IV. N°15 “Sì, per sempre!” (Filippo, L'Inquisitore, Elisabetta, Carlo, Un frate, Familiari) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto IV (V)
Giuseppe Verdi1:52
90▶CD: Verdi: Rigoletto (I)
91▶CD: Verdi: Rigoletto (II)
92▶CD: Verdi: I Lombardi (I)
93▶CD: Verdi: I Lombardi (II)
94▶Blu-ray: Donizetti: L'elisir d'amore
95▶Blu-ray: Verdi: Rigoletto
96▶Blu-ray: Donizetti: Lucia di Lammermoor
97▶Blu-ray: Puccini: Turandot
98▶Blu-ray: Puccini: La bohème
99▶Blu-ray: Puccini: Madama Butterfly
100▶CD: Puccini: La bohème (I)
101▶CD: Puccini: La bohème (II)

Credits

Release group

includes:La sonnambula (1980 studio cast) by Vincenzo Bellini (Sicilian opera composer); Joan Sutherland (soprano), Luciano Pavarotti (tenor), Nicolaï Ghiaurov (operatic bass), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Richard Bonynge (conductor and pianist)
Un ballo in maschera (1982–83 studio cast) by Verdi (Giuseppe Verdi, Italian opera composer); Luciano Pavarotti (tenor), Margaret Price (soprano), Renato Bruson (baritone), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Sir Georg Solti (conductor)
standalone website:https://www.deccaclassics.com/en/cat/4832417 [info]