V.S.O.P. Vol. 5/6

~ Veröffentlichung von Louis Armstrong (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼Vinyl
Nr.TitelBewertungLänge
1Muggles
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1928-12-05)
Banjo:
Mancy "Peck" Carr (am 1928-12-05)
Klarinette:
Jimmy Strong (am 1928-12-05)
Klavier:
Earl Hines (jazz pianist and bandleader) (am 1928-12-05)
Posaune:
Fred Robinson (American trombonist) (am 1928-12-05)
Schlagzeug:
Zutty Singleton (am 1928-12-05)
Trompete:
Louis Armstrong (am 1928-12-05)
vocals:
Louis Armstrong (am 1928-12-05)
recording of:
Muggles (am 1928-12-07)
Texter und Komponist(in):
Louis Armstrong
?:??
2Heah Me Talkin' to Ya
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1928-12-12)
alto saxophone:
Don Redman (am 1928-12-12)
Banjo:
Mancy "Peck" Carr (am 1928-12-12)
Klarinette:
Don Redman (am 1928-12-12) und Jimmy Strong (am 1928-12-12)
Klavier:
Earl Hines (jazz pianist and bandleader) (am 1928-12-12)
Posaune:
Fred Robinson (American trombonist) (am 1928-12-12)
Schlagzeug:
Zutty Singleton (am 1928-12-12)
Tenorsaxophon:
Jimmy Strong (am 1928-12-12)
Trompete:
Louis Armstrong (am 1928-12-12)
vocals:
Louis Armstrong (am 1928-12-12)
recording of:
Hear Me Talkin' to Ya (am 1928-12-12)
Texter und Komponist(in):
Louis Armstrong
?:??
3Tight Like This
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1928-12-12)
alto saxophone:
Don Redman (am 1928-12-12)
Banjo:
Mancy "Peck" Carr (am 1928-12-12)
Klarinette:
Don Redman (am 1928-12-12) und Jimmy Strong (am 1928-12-12)
Klavier:
Earl Hines (jazz pianist and bandleader) (am 1928-12-12)
Posaune:
Fred Robinson (American trombonist) (am 1928-12-12)
Schlagzeug:
Zutty Singleton (am 1928-12-12)
Tenorsaxophon:
Jimmy Strong (am 1928-12-12)
Trompete und Sologesang:
Louis Armstrong (am 1928-12-12)
vocals:
Louis Armstrong (am 1928-12-12)
Interpret(in):
Louis Armstrong and His Savoy Ballroom Five (am 1928-12-12)
recording of:
Tight Like This (am 1928-12-12)
Texter und Komponist(in):
Langston Curl
3?:??
4Saint James Infirmary
recording of:
St. James Infirmary (Joe Primrose’s arrangement)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Joe Primrose
publisher:
EMI Harmonies Limited
Arrangement von:
St. James Infirmary
Version von:
The Unfortunate Lass (Bad Girl's Lament)
?:??
5Knockin' a Jug
recorded in:
New York, New York, Vereinigte Staaten (am 1929-03-05)
Gitarre:
Eddie Lang (US jazz guitarist, also recorded as Blind Willie Dunn) (am 1929-03-05)
Klavier:
Joe Sullivan (piano, USA) (am 1929-03-05)
Posaune:
Jack Teagarden (am 1929-03-05)
Schlagzeug:
Kaiser Marshall (am 1929-03-05)
Tenorsaxophon:
Happy Caldwell (American jazz reed player) (am 1929-03-05)
Trompete:
Louis Armstrong (am 1929-03-05)
Bearbeitung von:
Knockin’ a Jug von Louis Armstrong & His Orchestra
recording of:
Knockin’ a Jug (am 1929-03-05)
Komponist(in):
Louis Armstrong und Eddie Condon
?:??
6I Can’t Give You Anything but Love
recording of:
I Can’t Give You Anything but Love, Baby
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing und EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
?:??
7Mahogany Hall Stomp
recording of:
Mahogany Hall Stomp
Komponist(in):
Spencer Williams (US jazz composer, pianist & singer)
?:??
8Ain't Misbehavin'
recording of:
Ain’t Misbehavin’
Texter:
Andy Razaf (in 1929)
Komponist(in):
Harry Brooks (jazz pianist & songwriter) (in 1929) und Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music und Redwood Music Ltd. (Carlin)
?:??
9Black and Blue
recording of:
Black and Blue
Texter:
Harry Brooks (jazz pianist & songwriter) und Andy Razaf
Komponist(in):
Fats Waller
publisher:
Memory Lane Music Ltd. und Redwood Music Ltd. (Carlin)
?:??
10That Rhythm Man
alto saxophone:
Bert Curry (am 1929-07-22) und Crawford Wethington (am 1929-07-22)
Banjo:
Mancy "Peck" Carr (am 1929-07-22)
Geige / Violine:
Carroll Dickerson (am 1929-07-22)
Klarinette:
Jimmy Strong (am 1929-07-22)
Klavier:
Gene Anderson (Jazz pianist. Played with Louis Armstrong) (am 1929-07-22)
Posaune:
Fred Robinson (American trombonist) (am 1929-07-22)
Schlagzeug:
Zutty Singleton (am 1929-07-22)
Trompete:
Louis Armstrong (am 1929-07-22) und Homer Hobson (am 1929-07-22)
Tuba:
Pete Briggs (am 1929-07-22)
vocals:
Louis Armstrong (am 1929-07-22)
Orchester:
Louis Armstrong and His Orchestra (in 1929)
conductor:
Carroll Dickerson (am 1929-07-22)
recording of:
That Rhythm Man (am 1929-07-22)
Verfasser(in):
Harry Brooks (jazz pianist & songwriter), Andy Razaf und Thomas Waller (Fats Waller)
?:??
11Sweet Savannah Sue
alto saxophone:
Bert Curry (am 1929-07-22) und Crawford Wethington (am 1929-07-22)
Banjo:
Mancy "Peck" Carr (am 1929-07-22)
Geige / Violine:
Carroll Dickerson (am 1929-07-22)
Klavier:
Gene Anderson (Jazz pianist. Played with Louis Armstrong) (am 1929-07-22)
Posaune:
Fred Robinson (American trombonist) (am 1929-07-22)
Schlagzeug:
Zutty Singleton (am 1929-07-22)
Tenorsaxophon:
Jimmy Strong (am 1929-07-22)
Trompete:
Louis Armstrong (am 1929-07-22) und Homer Hobson (am 1929-07-22)
Tuba:
Pete Briggs (am 1929-07-22)
vocals:
Louis Armstrong (am 1929-07-22)
conductor:
Carroll Dickerson (am 1929-07-22)
recording of:
Sweet Savannah Sue (am 1929-07-22)
Texter:
Andy Razaf
Komponist(in):
Harry Brooks (jazz pianist & songwriter), Andy Razaf und Fats Waller
?:??
12Some of These Days
recording of:
Some of These Days
Texter und Komponist(in):
Shelton Brooks
Verfasser(in):
Spencer Williams (US jazz composer, pianist & singer)
?:??
13When You're Smiling
?:??
14After You've Gone
recording of:
After You’ve Gone
Texter:
Henry Creamer (Lyricist) (in 1918)
Komponist(in):
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. und Morley Music Corp.
Teil von:
For Me and My Gal (1942 movie)
?:??
15I Ain't Got Nobody
recording of:
I Ain’t Got Nobody
Texter:
Roger Graham
Komponist(in):
Spencer Williams (US jazz composer, pianist & singer)
?:??
16Dallas Blues
?:??
17Saint Louis Blues
?:??
18Rockin' Chair
recording of:
Rockin’ Chair (1929 Hoagy Carmichael song)
Texter:
Hoagy Carmichael
Komponist(in):
Hoagy Carmichael (in 1929)
publisher:
Songs of Peer, Ltd. (ASCAP)
?:??
19Song of the Islands
recording of:
Song of the Islands (Na Lei O Hawaii)
Texter und Komponist(in):
Charles E. King (known as the composer of “Ke kali nei au”)
?:??
20Bessie Couldn't Help It
recorded in:
New York, New York, Vereinigte Staaten (am 1930-02-01)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1930-02-01) und William Thornton Blue (American jazz reed player) (am 1930-02-01)
Gitarre:
Will Johnson (jazz musician) (am 1930-02-01)
Klavier:
Luis Russell (am 1930-02-01)
Kontrabass:
George "Pops" Foster (am 1930-02-01)
Posaune:
J.C. Higginbotham (am 1930-02-01)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1930-02-01)
Tenorsaxophon:
Teddy Hill (am 1930-02-01)
Trompete:
Henry “Red” Allen (jazz musician) (am 1930-02-01), Louis Armstrong (am 1930-02-01) und Otis Johnson (trumpet) (am 1930-02-01)
vocals:
Louis Armstrong (am 1930-02-01)
Orchester:
Louis Armstrong and His Orchestra (in 1930)
recording of:
Bessie Couldn’t Help It (am 1930-02-01)
Verfasser(in):
Charles A. Bayha, Jacques Richmond (songwriter) und Byron Warner (active in the 1960's)
?:??
21Blue Turning Gray Over You
recording of:
Blue, Turning Grey Over You
Texter:
Andy Razaf
Komponist(in):
Thomas Waller (Fats Waller)
?:??
22Dear Old Southland
recording of:
Dear Old Southland (jazz standard)
Texter:
Henry Creamer (Lyricist) (in 1921)
Komponist(in):
Turner Layton (in 1921)
publisher:
Mills Music
?:??
23My Sweet
recorded in:
New York, New York, Vereinigte Staaten (am 1930-04-05)
alto saxophone:
Bobby Holmes (jazz sax) (am 1930-04-05) und Ted McCord (am 1930-04-05)
Gitarre:
Bernard Addison (am 1930-04-05)
Klavier:
Joe Turner (Jazz pianist, 1907–1990) (am 1930-04-05) und Buck Washington (am 1930-04-05)
Posaune:
Henry Hicks (jazz trombonist) (am 1930-04-05)
Schlagzeug:
Willie Lynch (US jazz drummer) (am 1930-04-05)
Tenorsaxophon:
Castor McCord (saxophonist) (am 1930-04-05)
Trompete:
Ed Anderson (early jazz trumpeter) (am 1930-04-05) und Louis Armstrong (am 1930-04-05)
Tuba:
Lavert Hutchinson (US jazz tuba player) (am 1930-04-05)
Vibraphon:
Unknown, probably Joe Turner ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1930-04-05)
vocals:
Louis Armstrong (am 1930-04-05)
recording of:
My Sweet (am 1930-04-05)
Texter:
Stuart Gorrell
Komponist(in):
Hoagy Carmichael
?:??
24I Can’t Believe That You’re in Love With Me
recording of:
I Can’t Believe That You’re in Love With Me
Texter:
Clarence Gaskill
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Mills Music, Inc.
?:??
25Indian Cradle Song
recorded in:
New York, New York, Vereinigte Staaten (am 1930-05-04)
alto saxophone:
Bobby Holmes (jazz sax) (am 1930-05-04) und Ted McCord (am 1930-05-04)
Gitarre:
Bernard Addison (am 1930-05-04)
Klavier:
Joe Turner (Jazz pianist, 1907–1990) (am 1930-05-04)
Posaune:
Henry Hicks (jazz trombonist) (am 1930-05-04)
Schlagzeug:
Willie Lynch (US jazz drummer) (am 1930-05-04)
Tenorsaxophon:
Castor McCord (saxophonist) (am 1930-05-04)
Trompete:
Ed Anderson (early jazz trumpeter) (am 1930-05-04) und Louis Armstrong (am 1930-05-04)
Tuba:
Lavert Hutchinson (US jazz tuba player) (am 1930-05-04)
vocals:
Louis Armstrong (am 1930-05-04)
?:??
26Exactly Like You
recorded in:
New York, New York, Vereinigte Staaten (am 1930-05-04)
alto saxophone:
Bobby Holmes (jazz sax) (am 1930-05-04) und Ted McCord (am 1930-05-04)
Gitarre:
Bernard Addison (am 1930-05-04)
Klavier:
Joe Turner (Jazz pianist, 1907–1990) (am 1930-05-04)
Posaune:
Henry Hicks (jazz trombonist) (am 1930-05-04)
Schlagzeug:
Willie Lynch (US jazz drummer) (am 1930-05-04)
Tenorsaxophon:
Castor McCord (saxophonist) (am 1930-05-04)
Trompete:
Ed Anderson (early jazz trumpeter) (am 1930-05-04) und Louis Armstrong (am 1930-05-04)
Tuba:
Lavert Hutchinson (US jazz tuba player) (am 1930-05-04)
Vibraphon:
Unknown, probably Joe Turner ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1930-05-04)
vocals:
Louis Armstrong (am 1930-05-04)
recording of:
Exactly Like You (am 1930-05-04)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1930)
Verfasser(in):
Fritz Löhner-Beda (librettist, lyricist, writer)
Komponist(in):
Jimmy McHugh (songwriter) (in 1930)
?:??
27Dinah
recording of:
Dinah
Texter:
Sam M. Lewis (1930s lyricist) und Joe Young (US lyricist)
Komponist(in):
Harry Akst
publisher:
B & G Akst Publishing Co., EMI Mills Music Inc. (ASCAP-affiliated) und Morley Music Corp.
Teil von:
The Girl’s Suite
?:??
28Tiger Rag
recording of:
Tiger Rag (original 1917 instrumental version)
Komponist(in):
Eddie Edwards (Jazz trombonist), Nick LaRocca, Henry Ragas, Tony Sbarbaro und Larry Shields
publisher:
Leo Feist, Inc.
sub-publisher:
EMI Music Publishing France
?:??
29I’m a Ding Dong Daddy
recording of:
I'm a Ding Dong Daddy
Verfasser(in):
Phil Baxter (US songwriter, singer and band leader)
?:??
30I’m in the Market for You
?:??
31Confessin'
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1930-08-19)
alto saxophone:
Leon Herriford (am 1930-08-19) und Willie Stark (am 1930-08-19)
Klavier:
Harvey Brooks (US jazz pianist and composer) (am 1930-08-19)
Posaune:
Lawrence Brown (jazz trombonist) (am 1930-08-19)
Schlagzeug:
Lionel Hampton (am 1930-08-19)
Steel-Gitarre:
Ceele Burke (am 1930-08-19)
Tenorsaxophon:
William Franz (am 1930-08-19)
Trompete:
Louis Armstrong (am 1930-08-19) und Leon Elkins (am 1930-08-19)
Tuba:
Reggie Jones (am 1930-08-19)
recording of:
I’m Confessin’ (That I Love You) (am 1930-08-19)
Texter:
Al J. Neiburg (lyricist) (in 1930)
Komponist(in):
Doc Daugherty (in 1930) und Ellis Reynolds (in 1930)
publisher:
Bourne Music Ltd.
Version von:
Lookin’ for Another Sweetie
?:??
32If I Could Be With You
?:??

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