20th Century Fox: 75 Years Of Great Film Music

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▶CD: 1935 – 1960
2▶CD: 1961 – 1985
3▼CD: 1986 – 2010
Nr.TitelKünstlerBewertungLänge
1Predator: Main Title
engineered in:
Los Angeles, California (Kalifornien), Vereinigte Staaten
recording engineer und Mix:
Dennis Sands (American sound engineer)
Produzent(in):
Nick Redman (Soundtrack and Film Producer)
Editing:
Dan Hersch (mastering engineer) und Michael Tronick
conductor:
Alan Silvestri (US score composer)
Orchestrator(in):
James B. Campbell (orchestrator)
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei:
Twentieth Century Fox Studios (Newman Scoring Stage) in Century City, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1987-05-13 bis 1987-05-20)
edited at:
DigiPrep Mastering in Los Angeles, California (Kalifornien), Vereinigte Staaten
Alan Silvestri3:53
2The Fly: Main Title
Produzent(in):
Howard Shore (Canadian score composer)
Mix:
Keith Grant (classical recording engineer)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1986-06-23 bis 1986-06-27)
conductor:
Howard Shore (Canadian score composer) (von 1986-06-23 bis 1986-06-27)
Orchestrator(in):
Homer Denison (orchestrator, composer)
phonographisches Urheberrecht (℗) von:
Brooksfilms Limited
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
recording of:
Main Title (The Fly) (von 1986-06-23 bis 1986-06-27)
Komponist(in):
Howard Shore (Canadian score composer)
Howard Shore1:56
3Lucas: Main Title
Produzent(in):
Nick Redman (Soundtrack and Film Producer)
Mix:
Donald Murray (producer / engineer) und Armin Steiner
assistierendes Editing:
Tom Carlson (editor) und Jeff Charbonneau
Editing:
Daniel Hersch (mastering engineer), John R. Harris und Kenneth Wannberg
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei:
Twentieth Century Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California (Kalifornien), Vereinigte Staaten
edited at:
DigiPrep in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Main Title
Komponist(in):
Dave Grusin (American pianist and score composer)
Dave Grusin2:46
4Raising Arizona: Way Out There
Techniker(in):
Sebastian Niessen (engineer)
Produzent(in):
Carter Burwell (American score composer)
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recording of:
Way Out There
Komponist(in):
Carter Burwell (American score composer)
Carter Burwell1:57
5Wall Street: Bud’s Scam
Stewart Copeland2:50
6Big: Opening
Mix:
Armin Steiner
Editing:
Daniel Hersch (mastering engineer)
conductor:
Howard Shore (Canadian score composer) (in 1988-03)
remixer:
Michael Matessino
Orchestrator(in):
Homer Denison (orchestrator, composer)
aufgenommen bei:
Twentieth Century Fox Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1988-03)
engineered at:
Precision Audiosonics in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
edited at:
DigiPrep in Los Angeles, California (Kalifornien), Vereinigte Staaten
remixed at:
Sharpline Arts
recording of:
Opening (in 1988-03)
Komponist(in):
Howard Shore (Canadian score composer)
Howard Shore2:52
7Broadcast News: Young Jane / Main Title
Techniker(in):
Lee DeCarlo und Joel Moss
Produzent(in):
Nick Redman (Soundtrack and Film Producer)
Editing:
Bob Badami, Sally Boldt und Dan Hersch (mastering engineer)
Orchester:
Hollywood Symphony Orchestra (American symphony orchestra based in Los Angeles, California) (von 1987-11 bis 1987-12)
phonographisches Urheberrecht (℗) von:
Varèse Sarabande Records, LLC (not for release label use!)
aufgenommen bei:
Twentieth Century-Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1987-11 bis 1987-12)
recording of:
Broadcast News: Young Jane / Main Title (von 1987-11 bis 1987-12)
Orchestrator(in):
Jack Eskew (musical arranger/orchestrator)
Komponist(in):
Bill Conti
Bill Conti2:46
8Die Hard: The Nakatomi Plaza / Gruber’s Arrival
Michael Kamen5:31
9The Abyss: Bud on the Ledge
Techniker(in):
Charley Pollard und Dennis S. Sands (American sound engineer)
assistierende(r) Produzent(in):
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) (Aufgabe: assistant to producer)
Produzent(in):
Alan Silvestri (US score composer)
conductor:
Alan Silvestri (US score composer)
Orchestrator(in):
James B. Campbell (orchestrator)
recording of:
Bud on the Ledge (The Abyss)
Komponist(in):
Alan Silvestri (US score composer)
Teil von:
The Abyss
Alan Silvestri3:16
10Hoffa: End Credits
recording engineer:
Tim Boyle (recording and mixing engineer)
assistierende(r) Techniker(in):
Sue McLean
Produzent(in):
David Newman (American score composer)
Editing:
Tom Villano
conductor:
David Newman (American score composer)
phonographisches Urheberrecht (℗) von:
Fox Records Inc. (in 1993)
aufgenommen bei:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California (Kalifornien), Vereinigte Staaten
recording of:
Hoffa End Credits
Orchestrator(in) und Komponist(in):
David Newman (American score composer)
David Newman8:02
11Mrs. Doubtfire: Main Title
Produzent(in):
Howard Shore (Canadian score composer)
conductor:
Howard Shore (Canadian score composer)
phonographisches Urheberrecht (℗) von:
Fox Records Inc.
recording of:
Main Title (Mrs. Doubtfire)
Komponist(in):
Howard Shore (Canadian score composer)
Howard Shore3:02
12Speed: The Rescue
recording engineer:
Alan Meyerson
assistierende(r) Techniker(in):
Bruno Roussel (engineer), Stephen Harrison (recording engineer) und Steven Stern
Mix:
Jay Rifkin
conductor:
Don Harper (LA‐based film composer)
arranger:
Mark Mancina (American score composer)
Orchestrator(in):
Bruce Fowler (trombone, composer, arranger, orchestrator), Don Harper (LA‐based film composer), Mark Mancina (American score composer), Ladd McIntosh und Yvonne S. Moriarty (orchestrator)
phonographisches Urheberrecht (℗) von:
Fox Records Inc.
recording of:
The Rescue
Komponist(in):
Mark Mancina (American score composer)
Mark Mancina4:05
13Cast Away: End Credits
Alan Silvestri3:47
14Unfaithful: Unfaithful
recording engineer:
John Rodd (engineer)
Techniker(in):
Rafał Paczkowski (engineer) und Bill Talbott
Produzent(in):
Jan A.P. Kaczmarek (composer)
Mix:
Rafał Paczkowski (engineer)
Editing:
Christopher Kennedy
Orchester:
Hollywood Studio Symphony
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei und mixed at:
Newman Scoring Stage in Century City, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Unfaithful
Orchestrator(in):
Bruce Babcock, Jan A.P. Kaczmarek (composer) und Dylan Maulucci
Komponist(in):
Jan A.P. Kaczmarek (composer)
Jan A.P. Kaczmarek2:39
15Ice Age: Opening Travel Music
recording engineer:
Bruce Botnick, John Kurlander (engineer) und John Rodd (engineer)
Sound-Engineering:
Marty Frasu
Techniker(in):
Bill Talbott
Produzent(in):
David Newman (American score composer)
Mix:
Bruce Botnick und John Kurlander (engineer)
conductor:
David Newman (American score composer)
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei:
Newman Scoring Stage in Century City, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
M5 Studios (Los Angeles, CA) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Opening Travel Music
Orchestrator(in):
Rebecca R. Liddle und David Newman (American score composer)
Komponist(in):
David Newman (American score composer)
David Newman1:20
16I, Robot: End Credits
recording engineer:
Kevin Globerman, John Kurlander (engineer), Matt Patterson (engineer) und John Rodd (engineer)
Techniker(in):
Bill Talbott und William Stein (engineer)
Produzent(in):
Marco Beltrami (American score composer)
Mix:
John Kurlander (engineer)
assistierendes Editing:
Jeremy Raub
Editing:
Alex Gibson (musician/editor)
Orchester:
Hollywood Studio Symphony
conductor:
Pete Anthony (American conductor and orchestrator.) und Marco Beltrami (American score composer)
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei:
Newman Scoring Stage in Century City, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Robert Wise Stage
recording of:
End Credits (I, Robot)
Komponist(in):
Marco Beltrami (American score composer)
Marco Beltrami3:17
17Fantastic Four: Main Titles
recording engineer:
Tim Lauber, Larry Mah und Casey Stone (engineer)
assistierende(r) Techniker(in):
Wade Childers
Techniker(in):
Bill Talbott
Produzent(in) und Mix:
Casey Stone (engineer)
Orchester:
Hollywood Studio Symphony
conductor:
Damon Intrabartolo
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei:
Newman Scoring Stage in Century City, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Signet Sound Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Main Titles
Orchestrator(in):
Damon Intrabartolo und John Ottman
Komponist(in):
John Ottman
John Ottman2:35
18Night at the Museum: Night at the Museum
recording engineer und Mix:
Dennis Sands (American sound engineer)
zusätzliche(r) Techniker(in):
John Richards (engineer)
Produzent(in):
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) und Alan Silvestri (US score composer)
Editing:
Kenneth Karman
Orchester:
The Hollywood Studio Symphony
conductor:
Alan Silvestri (US score composer)
Orchestrator(in):
John Ashton-Thomas, Conrad Pope und David Slonaker
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recording of:
Night at the Museum
Komponist(in):
Alan Silvestri (US score composer)
Alan Silvestri2:38
19Horton Hears a Who! Horton Suite
John Powell7:42
20Independence Day: End Credits
David Arnold9:07