The Lark Ascending

~ Release by Ralph Vaughan Williams (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1The Lark Ascending
violin:
Nicola Benedetti (violinist)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Andrew Litton (conductor)
recording of:
The Lark Ascending (for violin and orchestra)
composer:
Ralph Vaughan Williams (English composer) (in 1914)
premiered at:
[concert] (1921-06-14)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1921-06-14)
arrangement of:
The Lark Ascending (for violin and piano)
16:04
2Fantasia on Greensleeves
producer:
Chris Hazell
flute:
William Bennett (flautist) (from 1980-02-12 until 1980-02-13)
orchestra:
Academy of St Martin in the Fields (from 1980-02-12 until 1980-02-13)
conductor:
Neville Marriner (conductor) (from 1980-02-12 until 1980-02-13)
balance engineer:
Stanley Goodall (engineer) (in 1980-02)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1981)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-02-12 until 1980-02-13)
recording of:
Fantasia on “Greensleeves” (from 1980-02-12 until 1980-02-13)
composer:
Ralph Vaughan Williams (English composer) (from 1924 until 1928)
arranger:
Ralph Greaves (in 1934)
publisher:
Oxford University Press (in 1936)
is based on:
Greensleeves (generic entry for traditional and unknown arrangements)
is based on:
Lovely Joan (traditional English folk song)
is based on:
Sir John in Love
4:31
3English Folk Song Suite: I. March (Seventeen Come Sunday)
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1980-02-12 until 1980-02-13)
conductor:
Neville Marriner (conductor) (from 1980-02-12 until 1980-02-13)
balance engineer:
Stanley Goodall (engineer) (in 1980-02)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1981)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-02-12 until 1980-02-13)
recording of:
English Folk Song Suite: I. March “Seventeen Come Sunday” (orchestrated by Jacob) (from 1980-02-12 until 1980-02-13)
orchestrator:
Gordon Jacob (composer) (in 1924)
composer:
Ralph Vaughan Williams (English composer) (in 1923)
publisher:
Boosey & Hawkes Music Publishers, Ltd
arrangement of:
English Folk Song Suite: I. March “Seventeen Come Sunday” (for military band)
part of:
English Folk Song Suite (orch. Jacob)
3:21
4English Folk Song Suite: II. Intermezzo (My Bonny Boy)
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1980-02-12 until 1980-02-13)
conductor:
Neville Marriner (conductor) (from 1980-02-12 until 1980-02-13)
balance engineer:
Stanley Goodall (engineer) (in 1980-02)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1981)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-02-12 until 1980-02-13)
recording of:
English Folk Song Suite: II. Intermezzo “My Bonny Boy” (orchestrated by Jacob) (from 1980-02-12 until 1980-02-13)
orchestrator:
Gordon Jacob (composer) (in 1924)
composer:
Ralph Vaughan Williams (English composer) (in 1923)
publisher:
Boosey & Hawkes Music Publishers, Ltd
arrangement of:
English Folk Song Suite: II. Intermezzo “My Bonny Boy” (for military band)
part of:
English Folk Song Suite (orch. Jacob)
3:19
5English Folk Song Suite: III. March (Folk Songs From Somerset)
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1980-02-12 until 1980-02-13)
conductor:
Neville Marriner (conductor) (from 1980-02-12 until 1980-02-13)
balance engineer:
Stanley Goodall (engineer) (in 1980-02)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1981)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-02-12 until 1980-02-13)
recording of:
English Folk Song Suite: III. March “Folk Songs From Somerset” (orchestrated by Jacob) (from 1980-02-12 until 1980-02-13)
orchestrator:
Gordon Jacob (composer) (in 1924)
composer:
Ralph Vaughan Williams (English composer) (in 1923)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
English Folk Song Suite (orch. Jacob)
3:57
6Norfolk Rhapsody no. 1
producer:
Chris Hazell
orchestra:
The New Queen’s Hall Orchestra (in 1992-10)
conductor:
Barry Wordsworth (conductor) (in 1992-10)
balance engineer:
Simon Eadon (classical music engineer) (in 1992-10)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-10)
recording of:
Norfolk Rhapsody no. 1 (in 1992-10)
composer:
Ralph Vaughan Williams (English composer) (from 1905 until 1906)
10:52
7The Wasps Overture
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Academy of St Martin in the Fields (from 1993-07-06 until 1993-07-08)
conductor:
Neville Marriner (conductor) (from 1993-07-06 until 1993-07-08)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1993-07-06 until 1993-07-08)
recording of:
Aristophanic Suite “The Wasps”: I. Overture (from 1993-07-06 until 1993-07-08)
composer:
Ralph Vaughan Williams (English composer) (in 1912)
part of:
Aristophanic Suite “The Wasps”
9:07
8Five Variants of “Dives and Lazarus”
producer:
Chris Hazell
orchestra:
The New Queen’s Hall Orchestra (in 1992-10)
conductor:
Barry Wordsworth (conductor) (in 1992-10)
balance engineer:
Simon Eadon (classical music engineer) (in 1992-10)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-10)
recording of:
Five Variants of "Dives and Lazarus" (in 1992-10)
composer:
Ralph Vaughan Williams (English composer)
is based on:
Dives and Lazarus
13:11
9Fantasia on a Theme by Thomas Tallis
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Academy of St Martin in the Fields (from 1993-07-06 until 1993-07-08)
conductor:
Neville Marriner (conductor) (from 1993-07-06 until 1993-07-08)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1993-07-06 until 1993-07-08)
recording of:
Fantasia on a Theme by Thomas Tallis (from 1993-07-06 until 1993-07-08)
composer:
Ralph Vaughan Williams (English composer) (in 1910)
is based on:
Nine Psalm Tunes for Archbishop Parker’s Psalter: No. 3 “Why Fum’th in Fight” (Psalm 2)
14:21

Credits

Release

ASIN:UK: B0027CAQGW [info]

Release group

part of:Classic FM The Full Works (number: 43) (order: 36)