| # | Title | Artist | Rating | Length |
|---|
| 1 | More Than a Woman (from “Saturday Night Fever” soundtrack)- producer:
- Bee Gees, Albhy Galuten and Karl Richardson
- bass:
- Maurice Gibb (in 1977)
- drums (drum set):
- Dennis Bryon (in 1977)
- electric guitar:
- Alan Kendall (in 1977)
- guitar [rhythm guitar] and lead vocals:
- Barry Gibb (in 1977)
- keyboard, piano and synthesizer:
- Blue Weaver (in 1977)
- percussion:
- Dennis Bryon (in 1977) and Joe Lala (in 1977)
- background vocals and other vocals [harmony vocals]:
- Barry Gibb (in 1977), Maurice Gibb (in 1977) and Robin Gibb (in 1977)
- phonographic copyright (℗) by:
- Barry Gibb (in 1977), Maurice Gibb (in 1977) and Robin Gibb (in 1977)
- phonographic copyright (℗) by:
- PolyGram International Ltd. (in 1977), PolyGram International Music B.V. (in 1977), PolyGram Records, Inc. (in 1977) and RSO Records, Inc. (in 1977)
- recording of:
- More Than a Woman (in 1977)
- writer:
- Barry Gibb, Maurice Gibb and Robin Gibb
- publisher:
- BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Gibb Brothers Music and Stigwood Music, Inc.
| Bee Gees | 3.65 | 3:16 |
| 2 | You’re the One That I Want (from “Grease”)- engineer and mixer:
- David J. Holman
- producer:
- John Farrar
- electric bass guitar:
- David Hungate
- arranger:
- John Farrar, Michael Gibson and Louis St. Louis
- phonographic copyright (℗) by:
- Robert Stigwood Organisation Ltd. (in 1978) and RSO Records, Inc. (in 1978)
- karaoke version of:
- You’re the One That I Want (sing‐a‐long version) by John Farrar
- part of:
- Billboard Year-End Hot 100 singles of 1978 (number: 13) and Billboard: The 500 Best Pop Songs (number: 250)
- recording of:
- You’re the One That I Want
- lyricist and composer:
- John Farrar
- publisher:
- Famous Music Publishing Limited , Sony/ATV Melody, Unichappell Music, Inc., Ensign Music, Inc. (in 1978), John Farrar Music (in 1978), Stigwood Music, Inc. (in 1978) and Unichappell Music (in 1978)
- sub-publisher:
- ソニー・ミュージックパブリッシング A事業部
- part of:
- Grease
| John Travolta & Olivia Newton‐John | 4 | 2:49 |
| 3 | Jungle Boogie | Kool & the Gang | 3.8 | 3:06 |
| 4 | Dancing Queen- engineer:
- Michael B. Tretow
- producer:
- Benny Andersson and Björn Ulvaeus
- bass:
- Rutger Gunnarsson (from 1976-08-04 until 1976-08-05)
- cello:
- Hans‐Göran Eketorp (on 1976-09-12) and Åke Olofsson (on 1976-09-12)
- clavinet and keyboard:
- Benny Andersson (from 1976-08-04 until 1976-08-05)
- drums (drum set):
- Roger Palm (from 1976-08-04 until 1976-08-05, on 1976-12-03)
- viola:
- Åke Arvinder (on 1976-09-12), Lars Brolin (on 1976-09-12) and Håkan Roos (on 1976-09-12)
- violin:
- Martin Bylund (on 1976-09-12), Anders Dahl (on 1976-09-12), Lars Stegenberg (on 1976-09-12), Gunnar Michols (on 1976-09-12), Claes Nilsson (on 1976-09-12), Bertil Orsin (on 1976-09-12), Sixten Strömvall (on 1976-09-12), Harry Teike (on 1976-09-12) and Krzysztof Zdrzalka (on 1976-09-12)
- lead vocals:
- Agnetha Fältskog (in 1976-09) and Frida (in 1976-09)
- strings arranger:
- Sven-Olof Walldoff
- arranger:
- Benny Andersson and Björn Ulvaeus
- phonographic copyright (℗) by:
- Polar Music AB (in 1976) and Polar Music International AB (in 1976)
- recorded at:
- Metronome Studio in Stockholm, Stockholms län , Sweden (in 1976), Glen Studio in Stockholms län , Sweden (from 1976-08-04 until 1976-08-05) and KMH Studios in Stockholm, Stockholms län , Sweden (on 1976-12-03)
- part of:
- Billboard: The 500 Best Pop Songs (number: 2), SWR1 Hitparade 2006 (number: 5), SWR1 Hitparade 2003 (number: 7), Helsingin Sanomat: 100 maailman parasta laulua (number: 9), Q50 – December 2005 (number: 37), BILLIONS CLUB, Rolling Stone: 500 Greatest Songs of All Time (number: 171) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 286)
- recording of:
- Dancing Queen (in 1976)
- writer:
- Stig Anderson , Benny Andersson and Björn Ulvaeus
- publisher:
- Bocu Music Ltd., EMI Grove Park Music, Inc., EMI Music Publishing , Union Songs AB , Union Songs Music, Universal Music Publishing Group, Universal Music Publishing Pty Ltd. , Universal–Songs of PolyGram International, Inc., EMI Waterford Music (from 1976 to present), Universal PolyGram International Publishing, Inc. (from 1976 to present) and Universal/Union Songs Musikförlag AB (from 1976 to present)
- premiered at:
- Kungliga Operan in Stockholm, Stockholms län , Sweden (on 1976-06-18)
- part of:
- Mamma Mia!
| ABBA | 4.05 | 3:51 |
| 5 | Forever and Ever | Demis Roussos | 5 | 3:39 |
| 6 | Theme From “Shaft” | Isaac Hayes | 3.65 | 4:36 |
| 7 | I’m Coming Out | Diana Ross | 3.9 | 5:25 |
| 8 | Superstition (single version) | Stevie Wonder | 4.65 | 4:05 |
| 9 | I Was Made for Lovin’ You- recording engineer and mixer:
- Jay Messina
- assistant engineer:
- Jim Galante and Jon Mathias
- producer:
- Vini Poncia
- drums (drum set):
- Anton Fig
- keyboard and background vocals:
- Vini Poncia
- lead vocals:
- Paul Stanley
- phonographic copyright (℗) by:
- Casablanca Record & FilmWorks, Inc. (in 1979), PolyGram Records, Inc. (in 1979) and The Island Def Jam Music Group (in 1979)
- produced for:
- Mad Vincent Productions
- recorded at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States and The Record Plant in Midtown Manhattan, New York, New York, United States
- recording of:
- I Was Made for Lovin’ You
- writer:
- Desmond Child, Vini Poncia and Paul Stanley
- publisher:
- Desmobile Inc., Hori Productions America Inc., Universal Music Publishing , Universal Polygram International Publishing I , Universal–Songs of PolyGram International, Inc., Kiss (in 1979) and Mad Vincent Music (in 1979)
- sub-publisher:
- Taiyō Music, Universal Music Publishing France , Universal Music Publishing GmbH and Universal Music Publishing Ltd.
| KISS | 4.45 | 4:28 |
| 10 | Sweet Home Alabama- miscellaneous support:
- Ronnie Van Zant
- engineer and producer:
- Al Kooper
- drums (drum set):
- Bob Burns (in 1973-07)
- electric bass guitar:
- Leon Wilkeson (in 1973-07)
- electric guitar:
- Allen Collins (in 1973-07), Ed King (in 1973-07) and Gary Rossington (in 1973-07)
- keyboard:
- Billy Powell (in 1973-07)
- background vocals:
- Merry Clayton (in 1973-07) and Clydie King (in 1973-07)
- lead vocals:
- Ronnie Van Zant (in 1973-07)
- phonographic copyright (℗) by:
- Geffen Records (in 1974), MCA Records (in 1974), MCA Records Ltd. (in 1974), MCA Records, Inc. (in 1974), UMG Recordings, Inc. (in 1974), Universal Music (in 1974), Union Square Music Ltd. (in 2018) and Universal Music Operations Ltd. (in 2018)
- produced for:
- Sounds of the South Productions
- recorded at:
- Studio One in Doraville, Georgia, United States (in 1973-07)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (number: 398)
- recording of:
- Sweet Home Alabama (in 1973-07)
- miscellaneous support:
- Ronnie Van Zant
- writer:
- Ed King , Gary Rossington and Ronnie Van Zant
- publisher:
- Hustler Inc., Leeds Music Corp., MCA Music Ltd., Songs of Universal, Inc. , Universal Music Corp. , Universal Music Publishing Ltd. , Universal/MCA Music Ltd. , Universal/MCA Music Publishing GmbH and Universal/MCA Music Publishing Pty Ltd
| Lynyrd Skynyrd | 4.1 | 4:45 |
| 11 | You Ain’t Seen Nothing Yet | Bachman–Turner Overdrive | 4.65 | 3:55 |
| 12 | Show Me the Way | Peter Frampton | | 4:03 |
| 13 | You Make Me Feel (Mighty Real) | Sylvester | | 6:34 |
| 14 | I Feel Love | Donna Summer | 4 | 3:45 |
| 15 | You’re No Good- recording engineer:
- Val Garay (from 1974-06 until 1974-09) and David Hassinger (from 1974-06 until 1974-09)
- engineer:
- Val Garay
- producer:
- Peter Asher, Jay Faires and Tricia Holloway
- bass:
- Kenny Edwards (from 1974-06 until 1974-09)
- drums (drum set), electric piano and percussion:
- Andrew Gold (from 1974-06 until 1974-09)
- electric guitar:
- Ed Black (from 1974-06 until 1974-09)
- solo electric guitar:
- Andrew Gold (from 1974-04 until 1974-09)
- background vocals:
- Clydie King (from 1974-06 until 1974-09) and Shirley Matthews (from 1974-06 until 1974-09)
- strings arranger:
- Gregory Rose
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1974, in 2006) and Capitol Records, LLC (in 1974, in 2013)
- recorded at:
- Sound Factory in Los Angeles, California, United States (from 1974-06 until 1974-09)
- part of:
- New York Post: 100 Greatest Covers (2007) (number: 38)
- cover recording of:
- You’re No Good (from 1974-06 until 1974-09)
- lyricist and composer:
- Clint Ballard, Jr.
- publisher:
- Beardog Publishing, Copyright Control and Edwin H. Morris & Co.
| Linda Ronstadt | 4.75 | 3:44 |
| 16 | Love Rollercoaster- engineer:
- Barry Mraz
- producer:
- Ohio Players
- agogô, cowbell, drums (drum set) and tambourine:
- James “Diamond” Williams
- bass guitar:
- Marshall "Rock" Jones
- electric guitar and lead vocals:
- Leroy "Sugarfoot" Bonner
- Rhodes piano [Fender Rhodes] and synthesizer [ARP String Ensemble]:
- William "Billy" Beck
- tenor saxophone:
- Clarence "Satch" Satchell
- trumpet:
- Ralph “Pee Wee” Middlebrooks and Marvin “Merv” Pierce
- background vocals:
- William "Billy" Beck and James “Diamond” Williams
- recorded at and mixed at:
- Paragon Studios in Chicago, Illinois, United States
- recording of:
- Love Rollercoaster
- writer:
- Billy Beck, Leroy Bonner , Marshall Jones , Ralph “Pee Wee” Middlebrooks, Mervin Pierce , Clarence Satchell and James “Diamond” Williams
- publisher:
- Rick S. Music , Rightsong Music Inc. and Segundo Sueños LLC
| Ohio Players | 5 | 4:52 |
| 17 | Summer Nights (from “Grease”) | John Travolta & Olivia Newton‐John | 4.25 | 3:36 |
| 18 | Gimme! Gimme! Gimme! (A Man After Midnight) | ABBA | 4 | 4:49 |
| 19 | Shake Your Groove Thing | Peaches & Herb | 5 | 5:46 |
| 20 | Hot Stuff (single version) | Donna Summer | 4.4 | 5:15 |
| 21 | If I Can’t Have You (from “Saturday Night Fever”)- producer:
- Freddie Perren
- bass:
- Scott Edwards
- drums (drum set):
- James Gadson
- guitar:
- Bob Bowles
- keyboard and synthesizer:
- Freddie Perren
- percussion:
- Bob Zimmitti, Paulinho da Costa and Freddie Perren
- piano:
- Sonny Burke
- background vocals [additional background vocals] and lead vocals:
- Yvonne Elliman
- background vocals [girl-group background vocals]:
- Marti McCall , Julia Waters and Maxine Waters
- phonographic copyright (℗) by:
- PolyGram Records, Inc. (in 1977) and Universal International Music B.V. (in 1977)
- part of:
- Billboard Year-End Hot 100 singles of 1978 (number: 19) and Billboard: The 500 Best Pop Songs (number: 343)
- recording of:
- If I Can’t Have You
- written in:
- France
- writer:
- Barry Gibb, Maurice Gibb and Robin Gibb
- publisher:
- BMG Music, Careers Music, Inc., Crompton Songs, Gibb Brothers Music, Universal Music Publishing International MGB Ltd., Stigwood Music, Inc. (in 1978) and Unichappell Music (in 1978)
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Yvonne Elliman | 4.25 | 2:58 |
| 22 | Stuff Like That | Quincy Jones, Nickolas Ashford, Valerie Simpson & Chaka Khan | 4 | 6:21 |
| 23 | Let Yourself Go | The Supremes | | 4:33 |
| 24 | Love Machine, Pt. 1 | The Miracles | | 2:48 |
| 25 | Heaven Must Be Missing an Angel, Pt. 1 | Tavares | 5 | 6:55 |
| 26 | Mississippi | Pussycat | 3 | 4:35 |
| 27 | Joy to the World | Three Dog Night | 4.75 | 3:39 |
| 28 | Heart of Glass- assistant engineer:
- Grey Russell
- engineer:
- Peter Coleman
- assistant producer:
- Peter Coleman
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison
- drums (drum set):
- Clem Burke
- guitar:
- Frank Infante and Chris Stein
- keyboard:
- Jimmy Destri
- lead vocals:
- Deborah Harry
- phonographic copyright (℗) by:
- Capitol Records, LLC , Capitol Records (in 1978), Capitol Records, Inc. (in 1978), Chrysalis Records (in 1978) and Chrysalis Records, Inc. (in 1978)
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States (in 1978-06)
- mixed at:
- Forum Studio in Covington, Kentucky, United States
- recording of:
- Heart of Glass
- writer:
- Deborah Harry and Chris Stein
- publisher:
- BMG Monarch, Chrysalis Music , Chrysalis Music Ltd. , EMI Music Publishing Ltd. , Monster Island Music Publishing Corporation and Rare Blue Music Inc (in 1978)
- sub-publisher:
- フジパシフィックミュージック
- version of:
- Once I Had a Love
| Blondie | 4.3 | 4:10 |
| 29 | When You’re in Love With a Beautiful Woman | Dr. Hook | | 5:15 |
| 30 | Never Knew Love Like This Before | Stephanie Mills | | 5:25 |
| 31 | Have You Ever Seen the Rain | Creedence Clearwater Revival | 4.4 | 2:40 |
| 32 | Maggie May (single version)- edit of:
- Maggie May by Rod Stewart
- recording of:
- Maggie May (in 1971)
- publisher:
- Rod Stewart
- writer:
- Mike Peters, Martin Quittenton and Rod Stewart
- publisher:
- Chappell Music Ltd., Copyright Control , EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing , EMI Music Publishing Ltd. , H. G. Music Inc, Mushroom Music , Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell and Warner Chappell Music
| Rod Stewart | 3 | 3:41 |
| 33 | Layla | Derek & the Dominos | 4.5 | 7:04 |
| 34 | Love Will Keep Us Together- recording engineer and mixer:
- Dennis Dragon
- associate producer:
- Toni Tennille
- producer:
- The Captain
- celesta, clavinet, electric bass guitar [Fender], Hammond organ, keyboard [Clavietta], Minimoog [Mini-moog], piano, synthesizer [Arp String Ensemble], synthesizer [Odyssey], wind chime and Wurlitzer electric piano:
- The Captain
- congas, drums (drum set) and percussion:
- Hal Blaine
- violin:
- Kenneth Yerke
- background vocals:
- Melissa Tennille and Toni Tennille
- strings arranger:
- Kenneth Yerke
- arranger:
- The Captain
- phonographic copyright (℗) by:
- A&M Records (in 1975), A&M Records, Inc. (in 1975) and UMG Recordings, Inc. (in 1975)
- produced for:
- Moonlight and Magnolia Productions
- part of:
- Billboard: The 500 Best Pop Songs (number: 337)
- cover recording of:
- Love Will Keep Us Together
- lyricist:
- Howard Greenfield
- composer:
- Neil Sedaka
- publisher:
- Don Kirshner Music Inc., Kirshner-Warner Bros Music Ltd. and Neil Sedaka Music
| Captain & Tennille | 4 | 3:25 |
| 35 | Margaritaville | Jimmy Buffett | 4.65 | 4:11 |
| 36 | The Logical Song (remastered 2010) | Supertramp | 4.15 | 4:11 |
| 37 | My Sharona- recording engineer:
- Pete Coleman
- producer:
- Mike Chapman
- bass guitar:
- Prescott Niles
- drums (drum set):
- Bruce Gary
- guitar:
- Berton Averre and Doug Fieger
- lead vocals:
- Doug Fieger
- vocals:
- Berton Averre
- remixer:
- Dave Jerden
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1979, in 1994, in 2013)
- part of:
- Paste: The 50 Greatest One-Hit Wonders of All Time (number: 18), TV Cream: Real 100 Best Singles Ever (number: 24), Rolling Stone: The 100 Greatest Guitar Solos of All Time (number: 72) and Billboard: The 500 Best Pop Songs (number: 201)
- recording of:
- My Sharona
- writer:
- Berton Averre and Douglas Fieger
- publisher:
- Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control , Eighties Music, Music Sales Corporation , Small Hill Music, Universal Music Publishing , Universal Music Publishing MGB Australia and Wise Brothers Music LLC
| The Knack | 4.15 | 4:52 |
| 38 | Just Can’t Be | The Flying Burrito Brothers | | 4:59 |
| 39 | Escape (The Piña Colada Song) (single version) | Rupert Holmes | | 4:35 |
| 40 | Boogie Oogie Oogie (single version 2 / remastered 1999) | A Taste of Honey | 5 | 5:38 |
| 41 | Can’t Get Enough of Your Love, Babe | Barry White | 4 | 4:27 |
| 42 | Super Freak- recording engineer and mixer:
- Tom "Super" Flye
- assistant engineer:
- Rick "Port Hole" Sanchez
- engineer:
- Bobby Brooks , Rick "Port Hole" Sanchez and Tom "Super" Flye
- executive producer:
- Alonzo Miller
- producer:
- Rick James
- bass:
- Oscar Alston
- drums (drum set):
- Lanise Hughes
- electric piano and synthesizer [Crumar]:
- Levi Ruffin, Jr.
- guitar:
- Tom McDermott
- handclaps and percussion:
- Oscar Alston, Rick James and Tom McDermott
- other instruments [flexatone] and vibraslap:
- Rick James
- tenor saxophone:
- Daniel LeMelle
- background vocals:
- Dennis Edwards , Melvin Franklin, Taborah Johnson, Glenn Leonard, Richard Street and Otis Williams
- horn arranger:
- Daniel LeMelle and Rick James
- arranger:
- Rick James
- recorded at:
- Motown Studios - Hitsville West in West Hollywood, California, United States (background vocals) and The Plant Studios in Sausalito, California, United States
- mixed at:
- Westlake Studios in West Hollywood, California, United States
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 71), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 153) and Rolling Stone: 500 Greatest Songs of All Time (number: 477)
- recording of:
- Super Freak
- lyricist and composer:
- Alonzo Miller and Rick James
- publisher:
- Jobete Music Co., Inc. and Stone Diamond Music Corporation
| Rick James | 4.15 | 3:25 |
| 43 | Get Down on It (single version) | Kool & the Gang | 4.65 | 4:51 |
| 44 | This Will Be (an Everlasting Love) | Natalie Cole | 3.5 | 2:50 |
| 45 | Rhythm of the Night (from “The Last Dragon” soundtrack) | DeBarge | 3.6 | 3:50 |
| 46 | Fooled Around and Fell in Love | Elvin Bishop | 3.65 | 4:37 |
| 47 | The Night They Drove Old Dixie Down | Joan Baez | 5 | 3:24 |
| 48 | Papa’s Got a Brand New Bag, Pt. 1 | James Brown | 3.65 | 2:06 |
| 49 | Give Up the Funk (Tear the Roof Off the Sucker) | Parliament | 4.05 | 5:45 |
| 50 | War | Edwin Starr | 4.25 | 3:25 |
| 51 | American Pie- engineer:
- Tom Flye
- producer:
- Ed Freeman
- electric guitar:
- David Spinozza (from 1971-05 until 1971-06)
- piano:
- Paul Griffin (from 1971-05 until 1971-06)
- vocals:
- Don McLean (from 1971-05 until 1971-06)
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1971, in 2000)
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States (from 1971-05 until 1971-06)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Billboard: The 500 Best Pop Songs (number: 131)
- recording of:
- American Pie (from 1971-05 until 1971-06)
- lyricist and composer:
- Don McLean
- publisher:
- Benny Bird Co. Inc. , Illegal Songs Inc., Mayday Music, MCA Music , MCA Music Publishing , MCA Publishing Ltd., Songs of Universal, Inc. , Universal , Universal Music Publishing Ltd. , Universal Records , Universal/MCA Music Publishing Pty Ltd and Yahweh Tunes, Inc.
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Don McLean | 4.15 | 8:33 |
| 52 | I Want You Back- producer:
- The Corporation
- bass guitar:
- Wilton Felder (in 1969-07)
- drums (drum set):
- Gene Pello and Johnny Jackson (in 1969-07)
- guitar:
- Donald Peake, David T. Walker and Tito Jackson (in 1969-07)
- guitar [lead guitar]:
- Louis Shelton (in 1969-07)
- keyboard:
- Clarence McDonald and Ronnie Rancifer (in 1969-07)
- percussion:
- Sandra Crouch and Marlon Jackson (in 1969-07)
- piano:
- Fonce Mizell, Freddie Perren, Joe Sample and Ronnie Rancifer (in 1969-07)
- background vocals:
- Jackie Jackson , Michael Jackson , Keith Washington, Jermaine Jackson (in 1969-07), Marlon Jackson (in 1969-07) and Tito Jackson (in 1969-07)
- lead vocals:
- Michael Jackson (in 1969-07)
- vocals:
- Jackie Jackson (in 1969-07)
- arranger:
- The Corporation
- phonographic copyright (℗) by:
- Motown Record Corporation (in 1969)
- recorded at:
- The Sound Factory West in West Hollywood, California, United States (in 1969-07, from 1969-07 until 1969-09)
- music videos:
- I Want You Back by The Jackson 5
- part of:
- Billboard: The 500 Best Pop Songs (number: 23), Billboard Year-End Hot 100 singles of 1970 (number: 28), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 104) and Rolling Stone: 500 Greatest Songs of All Time (number: 120)
- recording of:
- I Want You Back (in 1969-07)
- lyricist and composer:
- The Corporation
- publisher:
- EMI April Music Inc. and Jobete Music Co., Inc.
- sub-publisher:
- イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
- part of:
- MJ: The Musical
| Jackson 5 | 4.15 | 2:58 |
| 53 | Dreadlock Holiday- engineer:
- Keith Bessey, Eric Stewart and Tony Spath
- producer:
- Graham Gouldman and Eric Stewart
- mixer:
- Eric Stewart
- agogô, congas, cowbell, marimba, timbales and triangle:
- Paul Burgess
- bass guitar, cabasa and background vocals and lead vocals:
- Graham Gouldman
- drums (drum set) and tambourine:
- Stuart Tosh
- electric guitar:
- Rick Fenn and Graham Gouldman
- electric piano and maracas:
- Eric Stewart
- organ:
- Rick Fenn and Eric Stewart
- synthesizer [Yamaha Cs80]:
- Duncan Mackay
- background vocals:
- Rick Fenn, Eric Stewart and Stuart Tosh
- arranger:
- 10cc
- phonographic copyright (℗) by:
- Mercury Records Ltd. (in 1978) and Phonogram Ltd. (in 1978)
- recorded at and mixed at:
- Strawberry Studios South in Dorking, Surrey, England, United Kingdom
- music videos:
- Dreadlock Holiday by 10cc
- recording of:
- Dreadlock Holiday
- writer:
- Graham Gouldman and Eric Stewart
- publisher:
- EMI Music Publishing Australia Pty Ltd , EMI Music Publishing Ltd. , Man-Ken Music Ltd. and St. Anne’s Music Ltd.
| 10cc | 4.65 | 4:30 |
| 54 | Mr. Big Stuff | Jean Knight | 5 | 2:47 |
| 55 | It’s a Shame | The Spinners | 3.65 | 3:09 |
| 56 | What’s Going On- producer:
- Marvin Gaye
- mixer:
- Lawrence Miles (on 1971-05-06)
- instruments:
- Detroit Symphony Orchestra (on 1971-05-06) and The Funk Brothers (on 1971-05-06)
- percussion [box drum], piano and lead vocals:
- Marvin Gaye (on 1971-05-06)
- background vocals:
- Lem Barney (on 1971-05-06), Mel Farr (on 1971-05-06) and Marvin Gaye (on 1971-05-06)
- conductor:
- David Van dePitte (on 1971-05-06)
- phonographic copyright (℗) by:
- Motown Records (in 1971)
- recorded at:
- Hitsville in Detroit, Michigan, United States (on 1971-05-06)
- part of:
- Helsingin Sanomat: 100 maailman parasta laulua (number: 4), Rolling Stone: 500 Greatest Songs of All Time (number: 4), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 6), Billboard: The 500 Best Pop Songs (number: 102) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
- recording of:
- What’s Going On (on 1971-05-06)
- lyricist and composer:
- Renaldo Benson, Al Cleveland and Marvin Gaye
- publisher:
- EMI Songs Australia, FCG Music, Jobete Music Co., Inc., MG III Music, NMG Music, Sony/ATV Music Publishing Ltd. and Stone Agate Music Corp.
- sub-publisher:
- イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
| Marvin Gaye | 4.2 | 3:53 |
| 57 | The Boys Are Back in Town | Thin Lizzy | 4.1 | 4:23 |
| 58 | Easy | Commodores | 3.75 | 4:17 |
| 59 | Dirty Work- assistant engineer:
- Tim Weston (in 1972-08)
- engineer:
- Roger Nichols (in 1972-08)
- producer:
- Gary Katz (in 1972-08)
- acoustic guitar:
- Denny Dias (in 1972-08)
- drums (drum set):
- Jim Hodder (in 1972-08)
- electric bass guitar:
- Walter Becker (in 1972-08)
- electric guitar:
- Jeff “Skunk” Baxter (in 1972-08)
- flugelhorn:
- Snooky Young (in 1972-08)
- organ and Wurlitzer electric piano:
- Donald Fagen (in 1972-08)
- tenor saxophone:
- Jerome Richardson (in 1972-08)
- background vocals:
- Walter Becker (in 1972-08), Donald Fagen (in 1972-08) and Jim Hodder (in 1972-08)
- lead vocals:
- David Palmer (in 1972-08)
- phonographic copyright (℗) by:
- ABC Records, Inc (in 1972) and Geffen Records (in 1972)
- engineered at:
- The Village Recorder in Los Angeles, California, United States (in 1972-08)
- part of:
- Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 6)
- recording of:
- Dirty Work (in 1972-08)
- writer:
- Walter Becker and Donald Fagen
- publisher:
- American Broadcasting Music, Inc., MCA Music Ltd., Red Giant Inc., Red Giant Music, Inc., United Artists Music, Universal Music Corp. , Universal/MCA Music Ltd. and Wingate Music Corp.
| Steely Dan | 3.85 | 3:07 |
| 60 | Baby Come Back- engineer:
- Matt Hyde , Jay Lewis and Joe Sidore
- producer:
- Dennis Lambert and Brian Potter
- bass guitar:
- Ronn Moss
- clavinet, electric piano and synthesizer:
- Wayne Cook
- congas, drums (drum set) and maracas:
- John Friesen
- guitar:
- Peter Beckett
- background vocals and lead vocals:
- J.C. Crowley
- vocals:
- Peter Beckett and Ronn Moss
- phonographic copyright (℗) by:
- PolyGram International Music B.V. (in 1977) and Universal International Music B.V. (in 1977)
- part of:
- Billboard Year-End Hot 100 singles of 1978 (number: 7) and Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 24)
- recording of:
- Baby Come Back
- writer:
- Peter Beckett and John Charles Crowley II
- publisher:
- BMG Music, Careers–BMG Music Publishing, Inc., Chappell, Crowbeck Music, Mighty Nice Music , R.S.O. Publishing, Touch of Gold Music, Inc., Unichappell Music, Inc., Universal Music Careers, Warner Chappell Music Ltd. , シンコーミュージック・エンタテイメント , ヤマハミュージックエンタテインメントホールディングス , ユニバーサル・ミュージック・パブリッシング Synch事業部 , ワーナー・チャペル音楽出版 Synch事業部 and 大洋音楽
| Player | 4.35 | 4:16 |
| 61 | The Joker | Steve Miller Band | 4.15 | 3:38 |
| 62 | Lucille | Kenny Rogers | 3 | 3:41 |
| 63 | Drift Away (single version) | Dobie Gray | 4.65 | 3:58 |
| 64 | Three Times a Lady (single version)- producer:
- James Anthony Carmichael and Commodores
- lead vocals:
- Lionel Richie
- arranger:
- James Anthony Carmichael and Commodores
- phonographic copyright (℗) by:
- Motown Record Company, L.P. (in 1978), Motown Record Corporation (in 1978, in 1979) and UMG Recordings, Inc. (in 1978)
- part of:
- Billboard Year-End Hot 100 singles of 1978 (number: 10)
- recording of:
- Three Times a Lady
- lyricist and composer:
- Lionel Richie
- publisher:
- Brenda Richie Publishing, Brockman Enterprises, Inc., EMI Music Publishing Ltd. , Jobete Music , Jobete Music (UK) Ltd., Jobete Music Co., Inc. and Libren Music
| Commodores | 3.65 | 3:37 |
| 65 | Lovin’ You | Minnie Riperton | 3.65 | 3:24 |
| 66 | We’ve Only Just Begun | Carpenters | 3.4 | 3:05 |
| 67 | You Needed Me | Anne Murray | 4.65 | 3:40 |
| 68 | You Are So Beautiful | Joe Cocker | 3.95 | 2:43 |
| 69 | Father and Son- producer:
- Paul Samwell-Smith
- bass guitar:
- John Ryan (in 1970-07)
- drums (drum set):
- Harvey Burns (in 1970-07)
- guitar and keyboard:
- Cat Stevens (in 1970-07)
- guitar [2nd]:
- Alun Davies (in 1970-07)
- solo violin:
- John Rostein (in 1970-07)
- vocals:
- Cat Stevens (in 1970-07)
- strings arranger:
- Del Newman
- phonographic copyright (℗) by:
- Island Records Ltd. (in 1970) and Universal Island Records Ltd. (in 1970)
- recorded at:
- Morgan Studios in Willesden, Brent , London , England, United Kingdom (in 1970-07)
- instrumental version of:
- Father and Son by Giacomo Bucci
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 408)
- recording of:
- Father and Son (in 1970-07)
- lyricist and composer:
- Cat Stevens
- publisher:
- Cat Music Ltd., EMI Music Publishing Ltd. , Island Music Ltd., Island Music, Inc. , Freshwater Music Ltd. (from 1970 to present) and Irving Music, Inc. (from 1970 to present)
| Yusuf / Cat Stevens | 4.25 | 3:44 |
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