Lucia di Lammermoor

~ Release by Donizetti; Maria Callas, Ferruccio Tagliavini, Piero Cappuccilli, Bernard Ładysz, Philharmonia Orchestra and Chorus, Tullio Serafin (see all versions of this release, 6 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Lucia di Lammermoor: Preludio
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
partial recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 1) Preludio e coro d'introduzione “Percorrete le spiagge vicine” (Normanno, Coro) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti2:30
2Lucia di Lammermoor: Atto I, Scena I. “Percorrete … Percorriamo le spiagge vicine”
producer:
Walter Legge (British classical producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1959-03-16 until 1959-03-21)
tenor vocals [Normanno]:
Renzo Casellato (tenor) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
chorus master:
Roberto Benaglio (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
partial recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 1) Preludio e coro d'introduzione “Percorrete le spiagge vicine” (Normanno, Coro) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti2:26
3Lucia di Lammermoor: Atto I, Scena I. “Tu sei turbato! … E n'ho ben d'onde”
producer:
Walter Legge (British classical producer)
baritone vocals [Enrico]:
Piero Cappuccilli (baritone) (from 1959-03-16 until 1959-03-21)
bass vocals [Raimondo]:
Bernard Ładysz (bass-baritone) (from 1959-03-16 until 1959-03-21)
tenor vocals [Normanno]:
Renzo Casellato (tenor) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 2a) “Tu sei turbato!” (Normanno, Enrico, Raimondo) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti3:00
4Lucia di Lammermoor: Atto I, Scena I. “Cruda, funesta smania”
producer:
Walter Legge (British classical producer)
baritone vocals [Enrico]:
Piero Cappuccilli (baritone) (from 1959-03-16 until 1959-03-21)
bass vocals [Raimondo]:
Bernard Ładysz (bass-baritone) (from 1959-03-16 until 1959-03-21)
tenor vocals [Normanno]:
Renzo Casellato (tenor) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 2b) “Cruda, funesta smania” (Enrico, Normanno) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti2:10
5Lucia di Lammermoor: Atto I, Scena I. “Il tuo dubbio è omai certezza … Come vinti da stanchezza”
producer:
Walter Legge (British classical producer)
baritone vocals [Enrico]:
Piero Cappuccilli (baritone) (from 1959-03-16 until 1959-03-21)
bass vocals [Raimondo]:
Bernard Ładysz (bass-baritone) (from 1959-03-16 until 1959-03-21)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1959-03-16 until 1959-03-21)
tenor vocals [Normanno]:
Renzo Casellato (tenor) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
chorus master:
Roberto Benaglio (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 2c) “Il tuo dubbio è ormai certezza … Come vinti da stanchezza” (Coro, Normanno, Enrico, Raimondo) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti2:19
6Lucia di Lammermoor: Atto I, Scena I. “La pietade in suo favore”
producer:
Walter Legge (British classical producer)
baritone vocals [Enrico]:
Piero Cappuccilli (baritone) (from 1959-03-16 until 1959-03-21)
bass vocals [Raimondo]:
Bernard Ładysz (bass-baritone) (from 1959-03-16 until 1959-03-21)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
chorus master:
Roberto Benaglio (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 2d) “La pietade in suo favore” (Enrico, Coro, Raimondo) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti1:42
7Lucia di Lammermoor: Atto I, Scena II. “Ancor non giunse?”
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3a) Scena “Ancor non giunse!” (Lucia, Alisa) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti4:01
8Lucia di Lammermoor: Atto I, Scena II. “Regnava nel silenzio alta la notte e bruna”
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Alisa]:
Margreta Elkins (mezzo-soprano) (from 1959-03-16 until 1959-03-21)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3b) “Regnava nel silenzio” (Lucia, Alisa) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti4:06
9Lucia di Lammermoor: Atto I, Scena II. “Quando rapito in estasi”
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Alisa]:
Margreta Elkins (mezzo-soprano) (from 1959-03-16 until 1959-03-21)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3c) Stretta “Quando rapito in estasi” (Lucia, Alisa) (from 1959-03-16 until 1959-03-21)
lyricist:
Salvadore Cammarano (Italian librettist)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti3:59
10Lucia di Lammermoor: Atto I, Scena II. “Egli s'avanza … Lucia, perdona se ad ora inusitata”
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Alisa]:
Margreta Elkins (mezzo-soprano) (from 1959-03-16 until 1959-03-21)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1959-03-16 until 1959-03-21)
tenor vocals [Edgardo]:
Ferruccio Tagliavini (tenor) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4a) “Egli s'avanza” (“Lucia perdona”) (Alisa, Edgardo, Lucia) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti2:30
11Lucia di Lammermoor: Atto I, Scena II. “Sulla tomba che rinserra il tradito genitore”
producer:
Walter Legge (British classical producer)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1959-03-16 until 1959-03-21)
tenor vocals [Edgardo]:
Ferruccio Tagliavini (tenor) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4b) Duetto "Sulla tomba che rinserra" (Edgardo, Lucia) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti3:00
12Lucia di Lammermoor: Atto I, Scena II. “Qui di sposa eterna fede …ah, soltanto il nostro foco”
producer:
Walter Legge (British classical producer)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1959-03-16 until 1959-03-21)
tenor vocals [Edgardo]:
Ferruccio Tagliavini (tenor) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
partial recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4c) “Qui di sposa eterna fede” … “Ah, talor del tuo pensiero” (Edgardo, Lucia) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti1:37
13Lucia di Lammermoor: Atto I, Scena II. “Ah, talor del tuo pensiero venga un foglio messaggero”
producer:
Walter Legge (British classical producer)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1959-03-16 until 1959-03-21)
tenor vocals [Edgardo]:
Ferruccio Tagliavini (tenor) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
partial recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4c) “Qui di sposa eterna fede” … “Ah, talor del tuo pensiero” (Edgardo, Lucia) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti0:58
14Lucia di Lammermoor: Atto I, Scena II. “Verrano a te sull'aure i miei sospiri ardenti”
producer:
Walter Legge (British classical producer)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1959-03-16 until 1959-03-21)
tenor vocals [Edgardo]:
Ferruccio Tagliavini (tenor) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4d) “Verranno a te sull’aure” (Edgardo, Lucia) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti4:36
2▶CD

Credits

Release group

included in:The Complete Studio Recordings 1949-1969 by Maria Callas (soprano)
excerpts:Lucia di Lammermoor: Highlights (1959 London recording) by Donizetti (Italian opera composer); Callas (soprano), Tagliavini (tenor), Cappuccilli (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Serafin (conductor)
Discogs:https://www.discogs.com/master/560848 [info]
other databases:https://www.operadis-opera-discography.org.uk/ALDOLUCI.HTM#152 [info]
Allmusic:https://www.allmusic.com/album/mw0001515211 [info]