Feel Good Vibes

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1I Want You Back
produttore:
The Corporation (Motown songwriters)
batteria :
Gene Pello e Johnny Jackson (drummer for Jackson 5) (nel 1969-07)
chitarra :
Donald Peake, David T. Walker e Tito Jackson (nel 1969-07)
chitarra [lead guitar] :
Louis Shelton (nel 1969-07)
chitarra basso :
Wilton Felder (nel 1969-07)
percussione :
Sandra Crouch e Marlon Jackson (nel 1969-07)
pianoforte :
Fonce Mizell, Freddie Perren, Joe Sample e Ronnie Rancifer (nel 1969-07)
tastiera :
Clarence McDonald e Ronnie Rancifer (nel 1969-07)
voce:
Jackie Jackson (member of the Jackson 5) (nel 1969-07)
voce di accompagnamento:
Jackie Jackson (member of the Jackson 5), Michael Jackson (“King of Pop”), Keith Washington, Jermaine Jackson (soul/pop singer, of Jackson 5) (nel 1969-07), Marlon Jackson (nel 1969-07) e Tito Jackson (nel 1969-07)
voce principale:
Michael Jackson (“King of Pop”) (nel 1969-07)
arrangiatore:
The Corporation (Motown songwriters)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1969)
registrata presso:
The Sound Factory West in West Hollywood, California, Stati Uniti (nel 1969-07, dal 1969-07 al 1969-09)
video musicali:
I Want You Back di The Jackson 5 (The Jacksons, formerly “The Jackson 5”)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 23), Billboard Year-End Hot 100 singles of 1970 (numero: 28), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 104) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 120)
registrazione di:
I Want You Back (nel 1969-07)
paroliere e compositore:
The Corporation (Motown songwriters)
editore:
EMI April Music Inc. e Jobete Music Co., Inc.
sub-editore:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
parte di:
MJ: The Musical
The Jackson 54.152:58
2Pink Pony Club
programmazione:
Ryan Linvill
tecnico e produttore:
Daniel Nigro (songwriter and instrumentalist)
tecnico di missaggio:
Mitch McCarthy (mixer)
chitarra elettrica :
Sam Stewart (US(?) guitarist)
pianoforte :
Benjamin Romans
voce di accompagnamento:
Kate Brady (ninety9lives)
voce principale:
Kayleigh Amstutz
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 2020) e KRA International Inc. (nel 2023)
registrata presso:
Amusement Studios in Los Angeles, California, Stati Uniti
mixata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
video musicali:
Pink Pony Club di Chappell Roan
parte di:
Billboard Hot 100: 2025-04-26 (numero: 4), Billboard Hot 100: 2025-04-05 (numero: 5), Billboard Hot 100: 2025-04-12 (numero: 5), Billboard Hot 100: 2025-04-19 (numero: 5), Billboard Hot 100: 2025-05-03 (numero: 6), Billboard Hot 100: 2025-05-10 (numero: 6), Billboard Hot 100: 2025-05-17 (numero: 6), Billboard Hot 100: 2025-03-22 (numero: 7), Billboard Hot 100: 2025-03-29 (numero: 9), Billboard Hot 100: 2025-05-24 (numero: 9), Billboard Hot 100: 2025-07-12 (numero: 10), Billboard Year-End Hot 100 singles of 2025 (numero: 10), Billboard Hot 100: 2025-06-21 (numero: 11), Billboard Hot 100: 2025-06-28 (numero: 11), Billboard Hot 100: 2025-07-05 (numero: 11), Billboard Hot 100: 2025-06-07 (numero: 12), Billboard Hot 100: 2025-06-14 (numero: 12), Billboard Hot 100: 2025-07-19 (numero: 13), Billboard Hot 100: 2025-08-09 (numero: 14), Billboard Hot 100: 2025-07-26 (numero: 15), Billboard Hot 100: 2025-08-02 (numero: 15), Billboard Hot 100: 2025-05-31 (numero: 16), Billboard Hot 100: 2025-08-16 (numero: 17), Billboard Hot 100: 2025-08-23 (numero: 18), Billboard Hot 100: 2025-08-30 (numero: 18), Billboard Hot 100: 2025-10-04 (numero: 19), Billboard Hot 100: 2025-09-06 (numero: 20), Billboard Hot 100: 2025-10-11 (numero: 20), Billboard Hot 100: 2025-09-27 (numero: 22), Billboard Hot 100: 2025-09-20 (numero: 23) e Billboard Hot 100: 2025-09-13 (numero: 25)
registrazione di:
Pink Pony Club
autore:
Kayleigh Rose Amstutz e Daniel Nigro (songwriter and instrumentalist)
editore:
Daniel Leonard Nigro Music, Sony/ATV Allegro e Sony/ATV Songs LLC
sub-editore:
Sony Music Publishing Allegro (Australia), Sony/ATV Music Publishing Canada (SOCAN), Sony/ATV Songs (SOCAN) e Sony/ATV Tunes (SOCAN)
Chappell Roan4.34:18
3Dinner Party
registrazione di:
Dinner Party
autore:
Julian Bunetta, Ian Franzino, Andrew Haas (Andrew James Haas; American musician, songwriter and producer), Niall Horan, John Ryan (American pop singer/producer a/k/a “John the Blind”) e Jamie Scott (UK singer-songwriter)
Niall Horan2:34
4I Was Made for Lovin’ You
tecnico di registrazione e tecnico di missaggio:
Jay Messina
assistente tecnico:
Jim Galante e Jon Mathias (engineer)
produttore:
Vini Poncia
batteria :
Anton Fig
tastiera e voce di accompagnamento:
Vini Poncia
voce principale:
Paul Stanley (KISS frontman)
diritti fonografici (℗) detenuti da:
Casablanca Record & FilmWorks, Inc. (not for release label use, for copyrights use only) (nel 1979), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1979) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1979)
è stato produttore per:
Mad Vincent Productions
registrata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti e The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti
registrazione di:
I Was Made for Lovin’ You
autore:
Desmond Child, Vini Poncia e Paul Stanley (KISS frontman)
editore:
Desmobile Inc., Hori Productions America Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Polygram International Publishing I (existed only since ca. 1998), Universal–Songs of PolyGram International, Inc., Kiss (publisher for the rock band KISS, formerly KISS Songs Inc.) (nel 1979) e Mad Vincent Music (publisher) (nel 1979)
sub-editore:
Taiyō Music, Universal Music Publishing France (not for release label use!), Universal Music Publishing GmbH (Universal Music Publishing Group Germany) e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
KISS4.454:28
5Celebration (single version)
voce di accompagnamento:
Kelly Barretto, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Dee Dee Bryant, Gwen Hester, Cynthia Huggins, Joan Motley, Meekaeel Muhammad, Robert Bell, Robert Mickens, Elaine Sims, James “J.T.” Taylor (US R&B vocalist for Kool & the Gang), Cedric Toon e Earl Toon, Jr.
voce principale:
James “J.T.” Taylor (US R&B vocalist for Kool & the Gang)
esecutore:
Kool & the Gang
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1980, nel 2020)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 298)
registrazione di:
Celebration
autore:
Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Eumir Deodato, Robert Spike Mickens, Claydes Smith, James “J.T.” Taylor (US R&B vocalist for Kool & the Gang), Dennis “D.T.” Thomas (Kool & The Gang) e Earl Toon, Jr.
editore:
Delightful Music Publishing Ltd., Double F Music Co., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing WP Ltd., Fresh Start Music, Intersong-Förlagen AB, Planetary Nom (London) Ltd., Warner/Chappell Music Ltd. (1996–2019), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (nel 1980) e WB Music Corp. (1929–2019) (nel 1980)
Kool & the Gang4.44:56
6Señorita
tecnico di registrazione:
Paul LaMalfa
programmazione:
benny blanco (producer Benjamin Levin), Cashmere Cat e Andrew Watt (producer, guitarist, singer, Earthlings, California Breed)
tecnico:
Nathaniel Alford (voce principale [Camila Cabello vocals]), John Hanes (audio engineer, mixer) e Zubin Thakkar (voce principale [vocals])
produttore:
benny blanco (producer Benjamin Levin) e Andrew Watt (producer, guitarist, singer, Earthlings, California Breed)
produttore aggiunto:
Cashmere Cat
tecnico di missaggio:
Serban Ghenea
basso e voce di accompagnamento:
Andrew Watt (producer, guitarist, singer, Earthlings, California Breed)
chitarra :
Shawn Mendes e Andrew Watt (producer, guitarist, singer, Earthlings, California Breed)
strumenti:
benny blanco (producer Benjamin Levin), Cashmere Cat e Andrew Watt (producer, guitarist, singer, Earthlings, California Breed)
tastiera [keyboards] :
benny blanco (producer Benjamin Levin) e Cashmere Cat
voce:
Camila Cabello e Shawn Mendes
diritti fonografici (℗) detenuti da:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (nel 2019) e Simco Ltd. (not for release label use, for copyright/licensor use only) (nel 2019)
registrata presso:
Birmingham Arena in Birmingham, West Midlands, England, Regno Unito, Gold Tooth Music in Beverly Hills, California, Stati Uniti e Manchester Arena in Manchester, Greater Manchester, England, Regno Unito
mixata presso:
MixStar Studios in Virginia Beach, Virginia, Stati Uniti
lavorazione tecnica effettuata presso:
Birmingham Arena in Birmingham, West Midlands, England, Regno Unito (voce principale [vocals]), Gold Tooth Music in Beverly Hills, California, Stati Uniti (voce principale [vocals]) e Manchester Arena in Manchester, Greater Manchester, England, Regno Unito (voce principale [vocals])
video musicali:
Señorita di Shawn Mendes & Camila Cabello
parte di:
Spotify: Top Hits of 2019 (numero: 3), Billboard Year-End Hot 100 singles of 2019 (numero: 15), Grammy Award: Best Pop Duo/Group Performance nominees (numero: 2020) e Billboard Year-End Hot 100 singles of 2020 (numero: 44)
registrazione di:
Señorita
autore:
Andrew Wotman (producer, guitarist, singer, Earthlings, California Breed), Benjamin Levin (producer Benjamin Levin), Camila Cabello, Charlotte Emma Aitchison (Charli xcx), Magnus August Höiberg, Shawn Mendes, Jack Patterson (British multi-instrumentalist , singer-songwriter) e Ali Tamposi (American songwriter and backing vocalist)
editore:
Ali Tamposi, Andrew Watt Music, Back Hair Music Publishing, EMI Blackwood Music Inc., EMI Foray Music, EMI Music Publishing Ltd. (PRS‐affiliated), Hipgnosis Side B, Infinite Stripes, Maidmetal Limited, Mendes Music, Milamoon Songs, No One Ever Reads These Anyway, Please Don't Forget to Pay Me Music, Reservoir 416, Reservoir Media Management, Inc., Songs of Kobalt Music Publishing, Songs of Universal, Inc. (BMI), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Songs LLC, Stellar Songs Ltd., Stellar Sun Songs, Universal Music Publishing (use ONLY if no country‐specific information is available) e Universal Music Works (GMR affiliated)
Shawn Mendes & Camila Cabello3.73:11
7We Are the People
tecnico di registrazione e tecnico di missaggio:
Peter Mayes
tecnico di registrazione aggiunto:
Chris Vallejo
co-produttore:
Peter Mayes
produttore:
Donnie Sloan
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 80)
registrazione di:
We Are the People
autore:
Nick Littlemore, Jonathan Sloan e Luke Steele
Empire of the Sun44:32
8Feather
tecnico di registrazione, programmazione e produttore:
John Ryan (American pop singer/producer a/k/a “John the Blind”)
assistente tecnico di missaggio:
Heidi Wang
tecnico di missaggio:
Josh Gudwin
voce principale:
Sabrina Carpenter
diritti fonografici (℗) detenuti da:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (nel 2023)
video musicali:
Feather di Sabrina Carpenter
parte di:
Billboard Year-End Hot 100 singles of 2024 (numero: 25)
registrazione di:
Feather
autore:
Amy Allen (US indie-pop songwriter), Sabrina Carpenter e John Ryan (American pop singer/producer a/k/a “John the Blind”)
Sabrina Carpenter4.53:06
9Wide Awake
programmazione e produttore:
Cirkut e Dr. Luke
assistente tecnico:
Angelo Caputo, Tim Roberts (engineer) e Phil Seaford
tecnico:
Clint Gibbs e John Hanes (audio engineer, mixer)
tecnico di missaggio:
Serban Ghenea
strumenti:
Cirkut e Dr. Luke
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 2012)
registrata presso:
NightBird Recording Studios in West Hollywood, California, Stati Uniti
mixata presso:
MixStar Studios in Virginia Beach, Virginia, Stati Uniti
video musicali:
Wide Awake di Katy Perry
parte di:
Billboard Year-End Hot 100 singles of 2012 (numero: 15)
registrazione di:
Wide Awake
autore:
Łukasz Gottwald, Henry Walter, Max Martin (Swedish record producer), Bonnie McKee e Katy Perry
editore:
Bonnie McKee Music (nel 2012), CYP Two Publishing (nel 2012), Kasz Money Publishing (ASCAP affiliated) (nel 2012), Oneirology Publishing (nel 2012), When I’m Rich You’ll Be My Bitch (nel 2012) e Where da Kasz At (nel 2012)
Katy Perry3.33:41
10Love You Like a Love Song
tecnico:
Steve Hammons e Ross Hogarth
tecnico aggiunto:
Adam Comstock
co-produttore:
Devrim Karaoğlu
produttore:
Rock Mafia
tecnico di missaggio:
Paul Palmer (engineer) e Rock Mafia
tecnico di missaggio aggiunto:
Steve Hammons
editor:
Tim James (US singer, songwriter and record producer) e Nigel Lundemo
chitarra [guitars] :
Tim Pierce (US session guitarist)
voce di accompagnamento:
Brooke Adams e Rock Mafia
registrata presso e mixata presso:
Rock Mafia Studio in Santa Monica, California, Stati Uniti
video musicali:
Love You Like a Love Song (music video) di Selena Gomez & the Scene
parte di:
Billboard Year-End Hot 100 singles of 2012 (numero: 83)
registrazione di:
Love You Like a Love Song
autore:
Antonina Armato, Tim James (US singer, songwriter and record producer) e Adam Schmalholz
editore:
Akashic Field Music, Antonina Songs, Concord Road (BMI), Hipgnosis SFH I Limited, In Q Music, Mafia Della Roccia e Songs of Universal, Inc. (BMI)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e エイベックス・ミュージック・パブリッシング 第7出版事業部 (Avex Music Publishing, 7th Publishing Division)
Selena Gomez & the Scene3.853:08
11House Tour
assistente tecnico di registrazione:
Jozef Caldwell e Joey Miller (engineer)
tecnico di registrazione:
Jack Antonoff, Jeff Gunnell, Sean Hutchinson (Brooklyn‐based American drummer), Oli Jacobs (Oliver Jacobs - recording engineer, producer and mixer), Jack Manning (engineer), Michael Riddleberger (American drummer and percussionist), John Ryan (American pop singer/producer a/k/a “John the Blind”) e Laura Sisk
programmazione:
Jack Antonoff, John Ryan (American pop singer/producer a/k/a “John the Blind”) e Laura Sisk
tecnico:
Bryce Bordone
produttore:
Jack Antonoff, Sabrina Carpenter e John Ryan (American pop singer/producer a/k/a “John the Blind”)
tecnico di missaggio:
Serban Ghenea
banjo , chitarra a 12 corde e piano Rhodes :
Jack Antonoff
batteria :
Jack Antonoff, Sean Hutchinson (Brooklyn‐based American drummer) e John Ryan (American pop singer/producer a/k/a “John the Blind”)
campana :
Michael Riddleberger (American drummer and percussionist)
chitarra :
John Ryan (American pop singer/producer a/k/a “John the Blind”)
chitarra basso , sintetizzatore e tastiera :
Jack Antonoff e John Ryan (American pop singer/producer a/k/a “John the Blind”)
percussione :
Jack Antonoff, Michael Riddleberger (American drummer and percussionist) e John Ryan (American pop singer/producer a/k/a “John the Blind”)
violino :
Bobby Hawk
voce di accompagnamento:
Amy Allen (US indie-pop songwriter) e Sabrina Carpenter
voce principale:
Sabrina Carpenter
video musicali:
House Tour di Sabrina Carpenter
parte di:
Billboard Hot 100: 2025-09-13 (numero: 27), Billboard Hot 100: 2025-09-20 (numero: 39), Billboard Hot 100: 2026-07-04 (numero: 68), Billboard Hot 100: 2026-07-11 (numero: 82), Billboard Hot 100: 2025-10-11 (numero: 83), Billboard Hot 100: 2026-06-20 (numero: 87) e Billboard Hot 100: 2026-06-27 (numero: 89)
registrazione di:
House Tour
autore:
Amy Allen (US indie-pop songwriter), Jack Antonoff, Sabrina Carpenter e John Ryan (American pop singer/producer a/k/a “John the Blind”)
Sabrina Carpenter2.352:49
12The Giver
tecnico di registrazione e produttore:
Daniel Nigro (songwriter and instrumentalist)
programmazione degli strumenti:
Daniel Nigro (songwriter and instrumentalist)
tecnico di missaggio:
Mitch McCarthy (mixer)
archi :
Paul Cartwright
banjo :
Jonathan Wilson (singer/songwriter/producer)
basso :
Ryan Linvill
batteria :
Sterling Laws
chitarra , percussione e tastiera :
Daniel Nigro (songwriter and instrumentalist)
voce di accompagnamento:
Wes Hightower, Lily Elise (American singer-songwriter Lily Ēlise), Daniel Nigro (songwriter and instrumentalist) e Chappell Roan
voce principale:
Chappell Roan
parte di:
Billboard Hot 100: 2025-03-29 (numero: 5), Billboard Hot 100: 2025-04-05 (numero: 29), Billboard Hot 100: 2025-04-12 (numero: 29), Musikexpress – Die Songs des Jahres 2025 (numero: 33), Billboard Hot 100: 2025-04-19 (numero: 40), Billboard Hot 100: 2025-07-12 (numero: 43), Billboard Hot 100: 2025-05-03 (numero: 61) e Billboard Hot 100: 2025-05-10 (numero: 80)
registrazione di:
The Giver
autore:
Paul Cartwright, Kayleigh Rose Amstutz e Daniel Nigro (songwriter and instrumentalist)
eseguita per la prima volta presso:
Saturday Night Live: Season 50, Episode 5 (2024-11-02 – 2024-11-03)
editore:
Daniel Leonard Nigro Music, Sony/ATV Allegro e Sony/ATV Tunes LLC (ASCAP)
sub-editore:
Sony/ATV Music Publishing Canada (SOCAN) e Sony/ATV Tunes (SOCAN)
Chappell Roan53:23
13Wake Me Up (radio edit)
tecnico di registrazione:
Chris Cheney (engineer) e Kyle VandeKerkhoff
tecnico aggiunto:
Mike Einziger
produttore e tecnico di missaggio:
Tim Bergling
chitarra :
Mike Einziger
tastiera [keys] :
Peter Dyer (keyboardist & writer Avicii and Cam)
voce:
Aloe Blacc
diritti fonografici (℗) detenuti da:
Avicii Music AB (holding company - do not use as release label) (nel 2013)
registrata presso:
Interscope Studios in Santa Monica, California, Stati Uniti
lavorazione tecnica effettuata in aggiunta presso:
Casa Chica in Malibu, California, Stati Uniti
parte di:
Billboard Year-End Hot 100 singles of 2013 (numero: 19), Billboard Year-End Hot 100 singles of 2014 (numero: 22) e BILLIONS CLUB
registrazione di:
Wake Me Up
autore:
Aloe Blacc, Mike Einziger e Tim Bergling
editore:
Aloe Blacc Publishing Inc., Elementary Particle Music, EMI Blackwood Music Inc., EMI Music Publishing Scandinavia AB, Kobalt Music Group Ltd. e Sony/ATV Music Publishing (worldwide except Japan, ended 1995)
Avicii3.754:07
14One Thing
Lola Young3:29
15Treat You Better
parte di:
Billboard Year-End Hot 100 singles of 2016 (numero: 28) e Billboard Year-End Hot 100 singles of 2017 (numero: 92)
registrazione di:
Treat You Better
autore:
Teddy Geiger, Scott Harris (Shawn Mendes collaborator) e Shawn Mendes
editore:
Big Deal Beats, Gerty Tunes, Mendes Music, Rebel One Publishing, Songs of Universal, Inc. (BMI), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), TG Worldwide Publishing e Words and Music Tunes Canada
sub-editore:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Shawn Mendes3.453:08
16Espresso
programmazione e produttore:
Julian Bunetta
assistente tecnico:
Harrison Tate (incarico: mastering)
tecnico:
Julian Bunetta, Nathan Dantzler (mastering engineer) (incarico: mastering) e Jeff Gunnell
tecnico di missaggio:
Julian Bunetta e Jeff Gunnell
chitarra , chitarra basso [bass] , drum machine [drums] , percussione e tastiera [keyboards] :
Julian Bunetta
voce:
Sabrina Carpenter
voce di accompagnamento:
Amy Allen (US indie-pop songwriter) e Steph Jones (US country/pop-rock songwriter)
voce principale:
Sabrina Carpenter
diritti fonografici (℗) detenuti da:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (nel 2024, nel 2025)
video musicali:
Espresso di Sabrina Carpenter e Espresso (lyric video) di Sabrina Carpenter
commento:
Espresso (track by track commentary) di Sabrina Carpenter
parte di:
Best of 2024: Today’s Hits (numero: 2), Top Songs of 2024: Global (numero: 3), Billboard Year-End Hot 100 singles of 2024 (numero: 7), Billboard Year-End Hot 100 singles of 2025 (numero: 12), Billboard Hot 100: 2025-04-26 (numero: 15), Billboard Hot 100: 2025-06-28 (numero: 16), Billboard Hot 100: 2025-07-12 (numero: 16), Billboard Hot 100: 2025-04-19 (numero: 17), Billboard Hot 100: 2025-06-21 (numero: 17), Billboard Hot 100: 2025-03-22 (numero: 18), Billboard Hot 100: 2025-04-05 (numero: 18), Billboard Hot 100: 2025-07-05 (numero: 18), Billboard Hot 100: 2025-05-03 (numero: 19), Billboard Hot 100: 2025-05-10 (numero: 19), Billboard Hot 100: 2025-05-17 (numero: 19), Billboard Hot 100: 2025-07-19 (numero: 19), MTV Video Music Award for Song of the Year nominees (numero: 2024 winner), Billboard Hot 100: 2025-04-12 (numero: 20), Billboard Hot 100: 2025-06-14 (numero: 20), Billboard Hot 100: 2025-05-24 (numero: 21), Billboard Hot 100: 2025-06-07 (numero: 21), Billboard Hot 100: 2025-03-29 (numero: 22), Billboard Hot 100: 2025-05-31 (numero: 24), Pitchfork: The 100 Best Songs of the 2020s So Far (numero: 30), Grammy Award: Best Pop Solo Performance nominees (numero: 2025 winner), Offizielle deutsche Charts – Single-Jahrescharts 2025 (numero: 36), Grammy Award: Record of the Year nominees (numero: 2025) e BILLIONS CLUB
registrazione di:
Espresso
autore:
Amy Allen (US indie-pop songwriter), Julian Bunetta, Sabrina Carpenter e Steph Jones (US country/pop-rock songwriter)
parte di:
Prix de l’œuvre internationale de l’année (numero: 2025)
Sabrina Carpenter42:55
17Ain’t No Mountain High Enough (mono version)
registrazione di:
Ain’t No Mountain High Enough
autore:
Nickolas Ashford e Valerie Simpson
editore:
EMI Music Publishing (do not use as a release label!), EMI Songs, Jobete Music (appears also as: Jobete Msc.) e Jobete Music Co., Inc.
sub-editore:
EMI Songs Australia Pty. Ltd. e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye & Tammi Terrell52:33
18Good Luck, Babe!
tecnico di registrazione, programmazione e produttore:
Dan Nirgo (songwriter and instrumentalist)
programmazione degli strumenti:
Dan Nirgo (songwriter and instrumentalist)
tecnico:
Paul Cartwright
tecnico di missaggio:
Mitch McCarthy (mixer)
basso , chitarra , percussione , sintetizzatore e tastiera :
Dan Nirgo (songwriter and instrumentalist)
batteria :
Sterling Laws
viola e violino :
Paul Cartwright
voce:
Chappell Roan
voce di accompagnamento:
Dan Nirgo (songwriter and instrumentalist) e Lily Elise (American singer-songwriter Lily Ēlise)
diritti fonografici (℗) detenuti da:
KRA International Inc. (nel 2024)
video musicali:
Good Luck, Babe! (lyric video) di Chappell Roan
parte di:
Stereogum Readers’ Top 10 Songs of 2024 (numero: 3), Best of 2024: Today’s Hits (numero: 17), Billboard Year-End Hot 100 singles of 2024 (numero: 18), Billboard Hot 100: 2025-03-22 (numero: 27), Grammy Award: Best Pop Solo Performance nominees (numero: 2025), Billboard Year-End Hot 100 singles of 2025 (numero: 31), Billboard Hot 100: 2025-04-05 (numero: 37), Billboard Hot 100: 2025-04-12 (numero: 37), Billboard Hot 100: 2025-03-29 (numero: 39), Billboard Hot 100: 2025-04-19 (numero: 39), Top Songs of 2024: Global (numero: 39), triple j’s Hottest 100 (Australian annual music listener poll) (numero: 2024), Pitchfork: The 100 Best Songs of the 2020s So Far (numero: 42), TheNeedleDrop: Top 50 Songs of 2024 (numero: 42), Grammy Award: Record of the Year nominees (numero: 2025) e BILLIONS CLUB
registrazione di:
Good Luck, Babe!
autore:
Kayleigh Rose Amstutz, Daniel Nigro (songwriter and instrumentalist) e Justin Tranter (singer and songwriter)
editore:
Daniel Leonard Nigro Music, Sony/ATV Allegro, Sony/ATV Songs LLC e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-editore:
Canadiana Music, Sony/ATV Music Publishing Canada (SOCAN), Sony/ATV Songs (SOCAN) e Sony/ATV Tunes (SOCAN)
parte di:
Grammy Award: Song of the Year nominees (numero: 2025)
Chappell Roan43:38
19To Be Free (demo version)
Sam Smith4:15
20I Will Survive (original 7″ version)
produttore:
Dino Fekaris
produttore associato:
Freddie Perren
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1978), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1978) e Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (nel 1979)
edit di:
I Will Survive (12″ single version) di Gloria Gaynor
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 251) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 489)
registrazione di:
I Will Survive
autore:
Dino Fekaris e Freddie Perren
editore:
ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Gloria Gaynor3.953:18
21The One That Got Away
programmazione e produttore:
Dr. Luke e Max Martin (Swedish record producer)
assistente tecnico:
Tatiana Gottwald e Tim Roberts (engineer)
tecnico:
John Hanes (audio engineer, mixer), Sam Holland (sound engineer) e Emily Wright
tecnico di missaggio:
Serban Ghenea
batteria e tastiera :
Dr. Luke e Max Martin (Swedish record producer)
voce:
Katy Perry
direttore d'orchestra:
L. Leon Pendarvis
arrangiatore:
L. Leon Pendarvis
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 2010, nel 2012)
registrata presso:
Conway Recording Studios in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
MixStar Studios in Virginia Beach, Virginia, Stati Uniti
video musicali:
The One That Got Away di Katy Perry e The One That Got Away (director’s cut) di Katy Perry
parte di:
Billboard Year-End Hot 100 singles of 2012 (numero: 41) e BILLIONS CLUB
registrazione di:
The One That Got Away
autore:
Łukasz Gottwald, Max Martin (Swedish record producer) e Katy Perry
editore:
Maratone, Kasz Money Publishing (ASCAP affiliated) (nel 2010, nel 2012), Maratone AB (nel 2010, nel 2012) e When I’m Rich You’ll Be My Bitch (nel 2010, nel 2012)
Katy Perry4.33:47
22Taste
tecnico di registrazione:
Jeff Gunnell e John Ryan (American pop singer/producer a/k/a “John the Blind”)
programmazione:
Julian Bunetta e John Ryan (American pop singer/producer a/k/a “John the Blind”)
assistente tecnico:
Harrison Tate (incarico: mastering)
tecnico:
Bryce Bordone (incarico: mixing) e Nathan Dantzler (mastering engineer) (incarico: mastering)
produttore:
Julian Bunetta, Ian Kirkpatrick (producer/songwriter) e John Ryan (American pop singer/producer a/k/a “John the Blind”)
tecnico di missaggio:
Serban Ghenea
basso , chitarra , percussione e tastiera :
Julian Bunetta e John Ryan (American pop singer/producer a/k/a “John the Blind”)
batteria :
Julian Bunetta, John Ryan (American pop singer/producer a/k/a “John the Blind”) e Aaron Sterling
voce:
Sabrina Carpenter
diritti fonografici (℗) detenuti da:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (nel 2024, nel 2025)
video musicali:
Taste di Sabrina Carpenter
commento:
Taste (track by track commentary) di Sabrina Carpenter
parte di:
Billboard Year-End Hot 100 singles of 2025 (numero: 19), Best of 2024: Today’s Hits (numero: 24), Billboard Hot 100: 2025-03-22 (numero: 25), Billboard Hot 100: 2025-04-12 (numero: 27), Billboard Hot 100: 2025-04-19 (numero: 27), Billboard Hot 100: 2025-04-26 (numero: 28), Billboard Hot 100: 2025-05-10 (numero: 30), Billboard Hot 100: 2025-04-05 (numero: 31), Billboard Hot 100: 2025-05-03 (numero: 33), Billboard Hot 100: 2025-03-29 (numero: 36), Billboard Hot 100: 2025-05-17 (numero: 38), Billboard Hot 100: 2025-05-24 (numero: 40), Best of 2024: Viral Hits (numero: 47) e Billboard Year-End Hot 100 singles of 2024 (numero: 86)
registrazione di:
Taste
autore:
Amy Allen (US indie-pop songwriter), Sabrina Carpenter, Ian Kirkpatrick (producer/songwriter), Julia Michaels e John Ryan (American pop singer/producer a/k/a “John the Blind”)
Sabrina Carpenter4.252:37
23Drunk Right Now (Na Na Na)
Josh Ross & Akon3:19
24Nonsense
tecnico di registrazione e produttore:
Julian Bunetta
assistente tecnico di missaggio:
Heidi Wang
tecnico di missaggio:
Josh Gudwin
voce parlata e voce principale:
Sabrina Carpenter
diritti fonografici (℗) detenuti da:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (nel 2022)
mixata presso:
Henson Studios (former A&M Studios) in Hollywood, Los Angeles, California, Stati Uniti
video musicali:
Nonsense di Sabrina Carpenter
parte di:
BILLIONS CLUB
registrazione di:
Nonsense
autore:
Julian Bunetta, Sabrina Carpenter e Steph Jones (US country/pop-rock songwriter)
editore:
Dragon Bunny Music (BMI), Hipgnosis Hits, Music of Big Family, Sabalicious Songs, Steph Jones Who Music e Vistaville Music
Sabrina Carpenter4.22:44
25You’re the One That I Want (from “Grease”)
tecnico e tecnico di missaggio:
David J. Holman
produttore:
John Farrar
basso elettrico :
David Hungate
arrangiatore:
John Farrar, Michael Gibson (trombone) e Louis St. Louis (American songwriter, music arranger and singer)
diritti fonografici (℗) detenuti da:
Robert Stigwood Organisation Ltd. (nel 1978) e RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (nel 1978)
versione karaoke di:
You’re the One That I Want (sing‐a‐long version) di John Farrar
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 13) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 250)
registrazione di:
You’re the One That I Want (Grease, 1978 film)
paroliere e compositore:
John Farrar
editore:
Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13), Sony/ATV Melody, Unichappell Music, Inc., Ensign Music, Inc. (publisher) (nel 1978), John Farrar Music (nel 1978), Stigwood Music, Inc. (nel 1978) e Unichappell Music (nel 1978)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
parte di:
Grease (1978 film)
John Travolta & Olivia Newton‐John42:50
26Maniac (from “Flashdance”)
produttore:
Phil Ramone e Michael Sembello
voce:
Michael Sembello (nel 1983)
diritti fonografici (℗) detenuti da:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (nel 1983) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1983)
registrazione di:
Maniac (nel 1983)
autore:
Dennis Matkosky e Michael Sembello
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Intersong Music, Intersong Music Ltd., Intersong USA, Inc. (publisher), Riva Music Ltd., Rondor Music (London) Ltd., Sony/ATV Harmony, Warner Bros. Music Co. Inc., Warner Bros. Music Corp. e WB Music Corp. (1929–2019)
parte di:
The 56th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1983 nominee)
Michael Sembello4.154:06
27Man I Need
tecnico e produttore:
Zach Nahome
tecnico di missaggio:
Charlie Holmes (UK mix engineer / producer)
batteria , chitarra basso , chitarra elettrica e percussione :
Zach Nahome
pianoforte , tastiera e voce principale:
Olivia Dean
sintetizzatore :
Olivia Dean e Zach Nahome
parte di:
Billboard Hot 100: 2026-01-31 (numero: 2), Billboard Hot 100: 2026-02-14 (numero: 2), Billboard Hot 100: 2026-03-07 (numero: 2), Billboard Hot 100: 2026-03-21 (numero: 2), Billboard Hot 100: 2026-03-28 (numero: 2), Billboard Hot 100: 2026-04-18 (numero: 2), Billboard Hot 100: 2026-04-25 (numero: 2), Billboard Hot 100: 2026-01-24 (numero: 3), Billboard Hot 100: 2026-02-07 (numero: 3), Billboard Hot 100: 2026-02-21 (numero: 3), Billboard Hot 100: 2026-02-28 (numero: 3), Billboard Hot 100: 2026-03-14 (numero: 3), Billboard Hot 100: 2026-04-04 (numero: 3), Billboard Hot 100: 2026-04-11 (numero: 3), Billboard Hot 100: 2026-05-09 (numero: 3), Billboard Hot 100: 2026-05-23 (numero: 3), Billboard Hot 100: 2025-11-22 (numero: 4), Billboard Hot 100: 2025-11-29 (numero: 4), Billboard Hot 100: 2025-12-06 (numero: 4), Billboard Hot 100: 2026-01-10 (numero: 4), Billboard Hot 100: 2026-01-17 (numero: 4), Billboard Hot 100: 2026-05-02 (numero: 4), Billboard Hot 100: 2026-05-16 (numero: 4), Todd in the Shadows: The Top Ten Best Hit Songs of 2025 (numero: 4), Billboard Hot 100: 2025-11-08 (numero: 5), Billboard Hot 100: 2025-11-15 (numero: 5), Billboard Hot 100: 2026-07-11 (numero: 5), Billboard Hot 100: 2026-06-13 (numero: 6), Billboard Hot 100: 2026-06-20 (numero: 7), Billboard Hot 100: 2025-11-01 (numero: 8), Billboard Hot 100: 2026-07-04 (numero: 8), Billboard Hot 100: 2026-06-06 (numero: 10), Billboard Hot 100: 2026-06-27 (numero: 10), Billboard Hot 100: 2025-10-11 (numero: 12), Billboard Hot 100: 2025-12-13 (numero: 12), Rolling Stone - The 100 Best Songs of 2025 (numero: 15), Billboard Hot 100: 2025-10-25 (numero: 17), Billboard Hot 100: 2025-12-20 (numero: 17), Billboard Hot 100: 2026-05-30 (numero: 17), Billboard Hot 100: 2025-12-27 (numero: 18), Billboard Hot 100: 2025-10-18 (numero: 20), Billboard Hot 100: 2025-10-04 (numero: 25), Billboard Hot 100: 2025-09-27 (numero: 30), Billboard Hot 100: 2026-01-03 (numero: 36), Billboard Hot 100: 2025-09-20 (numero: 37) e Billboard Hot 100: 2025-09-06 (numero: 82)
registrazione di:
Man I Need
autore:
Olivia Dean, Tobias Jesso Jr. e Zach Nahome
Olivia Dean23:04
28Anxiety
campionamenti:
Somebody That I Used to Know di Gotye feat. Kimbra (New Zealand singer-songwriter)
video musicali:
Anxiety (music video) di Doechii (US rapper)
parte di:
Musikexpress – Die Songs des Jahres 2025 (numero: 5), Billboard Hot 100: 2025-05-17 (numero: 9), Billboard Hot 100: 2025-03-29 (numero: 10), Billboard Hot 100: 2025-05-10 (numero: 10), Billboard Hot 100: 2025-05-24 (numero: 10), Billboard Hot 100: 2025-06-07 (numero: 11), Billboard Hot 100: 2025-06-14 (numero: 11), Billboard Hot 100: 2025-04-12 (numero: 12), Billboard Hot 100: 2025-05-03 (numero: 12), Billboard Hot 100: 2025-03-22 (numero: 13), Billboard Hot 100: 2025-05-31 (numero: 13), Billboard Hot 100: 2025-06-21 (numero: 13), Billboard Hot 100: 2025-04-05 (numero: 14), Billboard Hot 100: 2025-04-19 (numero: 14), Billboard Hot 100: 2025-04-26 (numero: 14), Billboard Hot 100: 2025-06-28 (numero: 18), Billboard Hot 100: 2025-07-05 (numero: 24), Billboard Hot 100: 2025-07-12 (numero: 25), Billboard Hot 100: 2025-07-19 (numero: 28), Offizielle deutsche Charts – Single-Jahrescharts 2025 (numero: 38), Billboard Hot 100: 2025-07-26 (numero: 39), Billboard Year-End Hot 100 singles of 2025 (numero: 39), Billboard Hot 100: 2025-08-02 (numero: 47), Grammy Award: Record of the Year nominees (numero: 2026), Rolling Stone - The 100 Best Songs of 2025 (numero: 60) e Grammy Award: Best Rap Performance nominees (numero: 2026)
registrazione di:
Anxiety
paroliere e compositore:
Jaylah Ji'mya Hickmon (US rapper)
parte di:
Grammy Award: Best Rap Song nominees (numero: 2026) e Grammy Award: Song of the Year nominees (numero: 2026)
si basa su:
Somebody That I Used to Know
Doechii4.14:09
29There’s Nothing Holdin’ Me Back
video musicale per:
There's Nothing Holdin' Me Back di Shawn Mendes
parte di:
Billboard Year-End Hot 100 singles of 2017 (numero: 23)
registrazione di:
There’s Nothing Holdin’ Me Back
autore:
Teddy Geiger, Scott Harris (Shawn Mendes collaborator), Shawn Mendes e Geoff Warburton (Canadian songwriter)
Shawn Mendes4.253:19
30Pretty Little Baby
Connie Francis2:23
31Teenage Dream
programmazione e produttore:
benny blanco (producer Benjamin Levin), Dr. Luke e Max Martin (Swedish record producer)
assistente tecnico:
Tucker Bodine, Tatiana Gottwald e Tim Roberts (engineer)
tecnico:
John Hanes (audio engineer, mixer), Sam Holland (sound engineer) e Emily Wright
tecnico di missaggio:
Serban Ghenea
batteria e tastiera :
benny blanco (producer Benjamin Levin), Dr. Luke e Max Martin (Swedish record producer)
voce:
Katy Perry
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 2012)
registrata presso:
Conway Recording Studios in Hollywood, Los Angeles, California, Stati Uniti e Playback Recording Studio in Santa Barbara, California, Stati Uniti
mixata presso:
MixStar Studios in Virginia Beach, Virginia, Stati Uniti
parte di:
Billboard Year-End Hot 100 singles of 2010 (numero: 17), Stereogum: The 200 Best Songs of the 2010s (numero: 32), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 38), Rolling Stone: The 100 Best Songs of the 2010s (numero: 40), Billboard Year-End Hot 100 singles of 2011 (numero: 75) e Pitchfork: The 200 Best Songs of the 2010s (numero: 102)
registrazione di:
Teenage Dream
autore:
Benjamin Levin (producer Benjamin Levin), Łukasz Gottwald, Max Martin (Swedish record producer), Bonnie McKee e Katy Perry
editore:
Downtown DMP Songs, MXM Music AB, Prescription Songs, Songs of Pulse Recording (BMI), WB Music Corp. (1929–2019), Bonnie McKee Music (nel 2010), CYP Two Publishing (nel 2010), Kasz Money Publishing (ASCAP affiliated) (nel 2010), Maratone AB (nel 2010), Matza Ball Music (nel 2010), When I’m Rich You’ll Be My Bitch (nel 2010) e Where da Kasz At (nel 2010)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), エイベックス・ミュージック・パブリッシング (Avex Music Publishing Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
Katy Perry3.73:48
32Dancing Queen
tecnico:
Michael B. Tretow
produttore:
Benny Andersson (ABBA) e Björn Ulvaeus
basso :
Rutger Gunnarsson (dal 1976-08-04 al 1976-08-05)
batteria :
Roger Palm (dal 1976-08-04 al 1976-08-05, il 1976-12-03)
clavinet e tastiera :
Benny Andersson (ABBA) (dal 1976-08-04 al 1976-08-05)
viola :
Åke Arvinder (Swedish violist) (il 1976-09-12), Lars Brolin (il 1976-09-12) e Håkan Roos (Swedish violist) (il 1976-09-12)
violino :
Martin Bylund (Swedish violinist) (il 1976-09-12), Anders Dahl (Swedish violinist) (il 1976-09-12), Lars Stegenberg (Swedish violinist) (il 1976-09-12), Gunnar Michols (Swedish violinist) (il 1976-09-12), Claes Nilsson (Swedish violinist) (il 1976-09-12), Bertil Orsin (Swedish violinist) (il 1976-09-12), Sixten Strömvall (Swedish violinist) (il 1976-09-12), Harry Teike (il 1976-09-12) e Krzysztof Zdrzalka (Swedish violinist) (il 1976-09-12)
violoncello :
Hans‐Göran Eketorp (Swedish cellist) (il 1976-09-12) e Åke Olofsson (Swedish cellist) (il 1976-09-12)
voce principale:
Agnetha Fältskog (nel 1976-09) e Frida (Swedish singer and member of ABBA) (nel 1976-09)
arrangiatore archi :
Sven-Olof Walldoff
arrangiatore:
Benny Andersson (ABBA) e Björn Ulvaeus
diritti fonografici (℗) detenuti da:
Polar Music AB (nel 1976) e Polar Music International AB (nel 1976)
registrata presso:
Metronome Studio in Stockholm, Stockholms län (Stockholm county), Svezia (nel 1976), Glen Studio in Stockholms län (Stockholm county), Svezia (dal 1976-08-04 al 1976-08-05) e KMH Studios in Stockholm, Stockholms län (Stockholm county), Svezia (il 1976-12-03)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 2), SWR1 Hitparade 2006 (Baden-Württemberg) (numero: 5), SWR1 Hitparade 2003 (Baden-Württemberg) (numero: 7), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 9), Q50 – December 2005 (numero: 37), BILLIONS CLUB, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 171) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 286)
registrazione di:
Dancing Queen (nel 1976)
autore:
Stig Anderson (Stikkan), Benny Andersson (ABBA) e Björn Ulvaeus
editore:
Bocu Music Ltd., EMI Grove Park Music, Inc., EMI Music Publishing (do not use as a release label!), Union Songs AB (publisher), Union Songs Music, Universal Music Publishing Group, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., EMI Waterford Music (dal 1976 a oggi), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (dal 1976 a oggi) e Universal/Union Songs Musikförlag AB (dal 1976 a oggi)
eseguita per la prima volta presso:
Kungliga Operan (Royal Swedish Opera) in Stockholm, Stockholms län (Stockholm county), Svezia (il 1976-06-18)
parte di:
Mamma Mia! (1999 musical)
ABBA4.053:51
33I’m Coming Out
produttore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
direttore d'orchestra:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
remixer:
Russ Terrana
arrangiatore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1980) e Motown Records (not for label use; use “Motown” instead) (nel 1980)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 385) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 436)
registrazione di:
I’m Coming Out
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Bernard’s Other Music, Sony Songs e Tommy Jymi Inc.
Diana Ross3.95:25
34ABC
produttore:
The Corporation (Motown songwriters)
basso elettrico :
Wilton Felder (nel 1970-01) e Bob West (US session bassist, producer & songwriter) (nel 1970-01)
batteria :
Gene Pello (nel 1970-01)
chitarra :
Don Peake (nel 1970-01), Louis Shelton (nel 1970-01) e David T. Walker (nel 1970-01)
tastiera :
Freddie Perren (nel 1970-01)
voce di accompagnamento:
Jackie Jackson (member of the Jackson 5) (nel 1970-01), Marlon Jackson (nel 1970-01) e Tito Jackson (nel 1970-01)
voce di accompagnamento e voce principale:
Michael Jackson (“King of Pop”) (nel 1970-01)
voce principale:
Jackie Jackson (member of the Jackson 5) (nel 1970-01), Jermaine Jackson (soul/pop singer, of Jackson 5) (nel 1970-01) e Tito Jackson (nel 1970-01)
arrangiatore:
The Corporation (Motown songwriters)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1970)
registrata presso:
Sound Factory (1969–1980) in Los Angeles, California, Stati Uniti (nel 1970-01)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 174)
registrazione di:
ABC (nel 1970-01)
autore:
Berry Gordy, Fonce Mizell, Freddie Perren e Deke Richards (American songwriter and record producer)
compositore:
Erik Huber (audio engineer, producer, composer)
editore:
Jobete Music Co., Inc.
sub-editore:
ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
parte di:
MJ: The Musical
The Jackson 54.12:57
35It Wasn’t Me
tecnico di registrazione e tecnico di missaggio:
Shaun Pizzonia
produttore:
Shaun Pizzonia e Sting International
chitarra :
R. Zapata
membranofono e percussione [drums] :
Shaun Pizzonia
ottoni :
Kevin Bachelor e Jerry Johnson (saxophonist with roots reggae band Steel Pulse)
tastiera :
Nigel Staff
violino :
Gwen Laster
voce e esecutore:
Ricardo “Rik Rok” Ducent
voce di accompagnamento:
Brian & Tony Gold e Shaun Pizzonia
voce principale:
Ricardo Ducent e Shaggy (Orville Richard Burrell, dancehall and reggae singer)
diritti fonografici (℗) detenuti da:
MCA Records (1967–2003; name as in imprint during 1972–1990) (nel 2000, nel 2001)
è stato produttore per:
Big Yard Music Group
registrata presso e mixata presso:
Ranch Recording Studio in New York, Stati Uniti
video musicali:
It Wasn't Me di Shaggy (Orville Richard Burrell, dancehall and reggae singer) featuring Ricardo “RikRok” Ducent
parte di:
My VH1 Music Awards – Your Song Kicked Ass but Was Played Too Damn Much Nominees (2001) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 273)
registrazione di:
It Wasn’t Me
autore:
Brian Thompson, Orville Burrell (Orville Richard Burrell, dancehall and reggae singer), Shaun Pizzonia e Ricardo Ducent
editore:
Livingsting Music
si basa su:
Smile Happy
Shaggy & Ricardo Ducent3.553:49
36Price Tag
tecnico di registrazione e tecnico:
Chris “TEK” O’Ryan, Sam Holland (sound engineer) e Emily Wright
programmazione e produttore:
Dr. Luke
assistente tecnico:
Tatiana Gottwald
assistente tecnico di missaggio:
Tim Roberts (engineer)
tecnico di missaggio:
Serban Ghenea e John Hanes (audio engineer, mixer)
batteria [drums] , membranofono e tastiera [keyboards] :
Dr. Luke
chitarra basso :
Butch Coleman
voce:
B.o.B (US rapper Bobby Ray Simmons, Jr.) e Jessie J (English singer-songwriter)
voce ospite aggiuntiva:
B.o.B (US rapper Bobby Ray Simmons, Jr.)
è stato produttore per:
Kasz Money Productions, Inc.
registrata presso:
Conway Recording Studios in Hollywood, Los Angeles, California, Stati Uniti, GCR Audio in Buffalo, New York, Stati Uniti e Stadium Red Studio in Harlem, New York, New York, Stati Uniti
mixata presso:
MixStar Studios in Virginia Beach, Virginia, Stati Uniti
video musicali:
Price Tag di Jessie J (English singer-songwriter) feat. B.o.B (US rapper Bobby Ray Simmons, Jr.)
registrazione di:
Price Tag
autore:
Bobby Ray Simmons, Jr. (US rapper Bobby Ray Simmons, Jr.), Łukasz Gottwald, Jessica Cornish (English singer-songwriter) e Claude Kelly
editore:
Ham Squad Music, Kasz Money Publishing (ASCAP affiliated), Prescription Songs, Shady Music Publishing, LLC (BMI), Songs of Universal, Inc. (BMI), Sony/ATV Music Publishing (UK) Ltd., Studio Beast Music (publishing company linked to Claude Kelly) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-editore:
Kobalt Music Publishing Ltd. (UK), Neue Welt Musikverlag GmbH (2017 – present), Sony Music Publishing (Germany) GmbH e Universal/MCA Music Publishing GmbH
Jessie J & B.o.B3.753:43
37Cake by the Ocean
registrazione di:
Cake by the Ocean
autore:
Robin Fredriksson (of Mattman & Robin), Joe Jonas (of the Jonas Brothers), Mattias Larsson (of Mattman & Robin) e Justin Tranter (singer and songwriter)
editore:
Justin’s School for Girls, Ma-Jay Publishing, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Scandinavia AB e Wolf Cousins
DNCE3:55

Accreditamenti

Pubblicazione

copyright (©) detenuto da e diritti fonografici (℗) detenuti da:UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 2026)
streaming gratuito:https://open.spotify.com/album/4hqvAVBy2CuCJvo103QaHW [info]
https://www.deezer.com/album/983173201 [info]
pagina di streaming:https://music.apple.com/gb/album/6769592103 [info]
https://tidal.com/album/524842265 [info]