Young Guns II

~ Veröffentlichung von Alan Silvestri (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Scars
recording engineer und Mix:
Dennis Sands (American sound engineer)
Produzent(in):
Douglass Fake und Alan Silvestri (US score composer)
assistierendes Editing:
Jacqueline Tager (editor)
Editing:
Douglass Fake und Ken Karman
conductor:
Alan Silvestri (US score composer)
Orchestrator(in):
James B. Campbell (orchestrator)
phonographisches Urheberrecht (℗) von:
Morgan Creek Music Group
edited at:
Intrada in Oakland, California (Kalifornien), Vereinigte Staaten
recording of:
Scars
Komponist(in):
Alan Silvestri (US score composer)
5:10
2Small Hands
recording engineer und Mix:
Dennis Sands (American sound engineer)
Produzent(in):
Douglass Fake und Alan Silvestri (US score composer)
assistierendes Editing:
Jacqueline Tager (editor)
Editing:
Douglass Fake und Ken Karman
conductor:
Alan Silvestri (US score composer)
Orchestrator(in):
James B. Campbell (orchestrator)
phonographisches Urheberrecht (℗) von:
Morgan Creek Music Group
edited at:
Intrada in Oakland, California (Kalifornien), Vereinigte Staaten
recording of:
Small Hands
Komponist(in):
Alan Silvestri (US score composer)
3:04
3Lynch Mob
recording engineer und Mix:
Dennis Sands (American sound engineer)
Produzent(in):
Douglass Fake und Alan Silvestri (US score composer)
assistierendes Editing:
Jacqueline Tager (editor)
Editing:
Douglass Fake und Ken Karman
conductor:
Alan Silvestri (US score composer)
Orchestrator(in):
James B. Campbell (orchestrator)
phonographisches Urheberrecht (℗) von:
Morgan Creek Music Group
edited at:
Intrada in Oakland, California (Kalifornien), Vereinigte Staaten
recording of:
Lynch Mob
Komponist(in):
Alan Silvestri (US score composer)
4:11
4Finish the Game
recording engineer und Mix:
Dennis Sands (American sound engineer)
Produzent(in):
Douglass Fake und Alan Silvestri (US score composer)
assistierendes Editing:
Jacqueline Tager (editor)
Editing:
Douglass Fake und Ken Karman
conductor:
Alan Silvestri (US score composer)
Orchestrator(in):
James B. Campbell (orchestrator)
phonographisches Urheberrecht (℗) von:
Morgan Creek Music Group
edited at:
Intrada in Oakland, California (Kalifornien), Vereinigte Staaten
recording of:
Finish the Game
Komponist(in):
Alan Silvestri (US score composer)
2:50
5Yoo Hoo
recording engineer und Mix:
Dennis Sands (American sound engineer)
Produzent(in):
Douglass Fake und Alan Silvestri (US score composer)
assistierendes Editing:
Jacqueline Tager (editor)
Editing:
Douglass Fake und Ken Karman
conductor:
Alan Silvestri (US score composer)
Orchestrator(in):
James B. Campbell (orchestrator)
phonographisches Urheberrecht (℗) von:
Morgan Creek Music Group
edited at:
Intrada in Oakland, California (Kalifornien), Vereinigte Staaten
recording of:
Yoo Hoo
Komponist(in):
Alan Silvestri (US score composer)
2:43
6Devil's Deal
recording engineer und Mix:
Dennis Sands (American sound engineer)
Produzent(in):
Douglass Fake und Alan Silvestri (US score composer)
assistierendes Editing:
Jacqueline Tager (editor)
Editing:
Douglass Fake und Ken Karman
conductor:
Alan Silvestri (US score composer)
Orchestrator(in):
James B. Campbell (orchestrator)
phonographisches Urheberrecht (℗) von:
Morgan Creek Music Group
edited at:
Intrada in Oakland, California (Kalifornien), Vereinigte Staaten
recording of:
Devil's Deal
Komponist(in):
Alan Silvestri (US score composer)
1:26
7More Than Hello
recording engineer und Mix:
Dennis Sands (American sound engineer)
Produzent(in):
Douglass Fake und Alan Silvestri (US score composer)
assistierendes Editing:
Jacqueline Tager (editor)
Editing:
Douglass Fake und Ken Karman
conductor:
Alan Silvestri (US score composer)
Orchestrator(in):
James B. Campbell (orchestrator)
phonographisches Urheberrecht (℗) von:
Morgan Creek Music Group
edited at:
Intrada in Oakland, California (Kalifornien), Vereinigte Staaten
recording of:
More Than Hello
Komponist(in):
Alan Silvestri (US score composer)
2:34
8Tom Sees the Light
recording engineer und Mix:
Dennis Sands (American sound engineer)
Produzent(in):
Douglass Fake und Alan Silvestri (US score composer)
assistierendes Editing:
Jacqueline Tager (editor)
Editing:
Douglass Fake und Ken Karman
conductor:
Alan Silvestri (US score composer)
Orchestrator(in):
James B. Campbell (orchestrator)
phonographisches Urheberrecht (℗) von:
Morgan Creek Music Group
edited at:
Intrada in Oakland, California (Kalifornien), Vereinigte Staaten
recording of:
Tom Sees the Light
Komponist(in):
Alan Silvestri (US score composer)
1:30
9Coy Dog
recording engineer und Mix:
Dennis Sands (American sound engineer)
Produzent(in):
Douglass Fake und Alan Silvestri (US score composer)
assistierendes Editing:
Jacqueline Tager (editor)
Editing:
Douglass Fake und Ken Karman
conductor:
Alan Silvestri (US score composer)
Orchestrator(in):
James B. Campbell (orchestrator)
phonographisches Urheberrecht (℗) von:
Morgan Creek Music Group
edited at:
Intrada in Oakland, California (Kalifornien), Vereinigte Staaten
recording of:
Coy Dog
Komponist(in):
Alan Silvestri (US score composer)
2:38
10Ride to Guano City
recording engineer und Mix:
Dennis Sands (American sound engineer)
Produzent(in):
Douglass Fake und Alan Silvestri (US score composer)
assistierendes Editing:
Jacqueline Tager (editor)
Editing:
Douglass Fake und Ken Karman
conductor:
Alan Silvestri (US score composer)
Orchestrator(in):
James B. Campbell (orchestrator)
phonographisches Urheberrecht (℗) von:
Morgan Creek Music Group
edited at:
Intrada in Oakland, California (Kalifornien), Vereinigte Staaten
recording of:
Ride to Guano City
Komponist(in):
Alan Silvestri (US score composer)
1:09
11Battle
recording engineer und Mix:
Dennis Sands (American sound engineer)
Produzent(in):
Douglass Fake und Alan Silvestri (US score composer)
assistierendes Editing:
Jacqueline Tager (editor)
Editing:
Douglass Fake und Ken Karman
conductor:
Alan Silvestri (US score composer)
Orchestrator(in):
James B. Campbell (orchestrator)
phonographisches Urheberrecht (℗) von:
Morgan Creek Music Group
edited at:
Intrada in Oakland, California (Kalifornien), Vereinigte Staaten
recording of:
Battle
Komponist(in):
Alan Silvestri (US score composer)
2:46
12Little Tom Dies
recording engineer und Mix:
Dennis Sands (American sound engineer)
Produzent(in):
Douglass Fake und Alan Silvestri (US score composer)
assistierendes Editing:
Jacqueline Tager (editor)
Editing:
Douglass Fake und Ken Karman
conductor:
Alan Silvestri (US score composer)
Orchestrator(in):
James B. Campbell (orchestrator)
phonographisches Urheberrecht (℗) von:
Morgan Creek Music Group
edited at:
Intrada in Oakland, California (Kalifornien), Vereinigte Staaten
recording of:
Little Tom Dies
Komponist(in):
Alan Silvestri (US score composer)
6:49
13Garrett's Place
recording engineer und Mix:
Dennis Sands (American sound engineer)
Produzent(in):
Douglass Fake und Alan Silvestri (US score composer)
assistierendes Editing:
Jacqueline Tager (editor)
Editing:
Douglass Fake und Ken Karman
conductor:
Alan Silvestri (US score composer)
Orchestrator(in):
James B. Campbell (orchestrator)
phonographisches Urheberrecht (℗) von:
Morgan Creek Music Group
edited at:
Intrada in Oakland, California (Kalifornien), Vereinigte Staaten
recording of:
Garrett's Place
Komponist(in):
Alan Silvestri (US score composer)
1:10
14Chavez's Wound
recording engineer und Mix:
Dennis Sands (American sound engineer)
Produzent(in):
Douglass Fake und Alan Silvestri (US score composer)
assistierendes Editing:
Jacqueline Tager (editor)
Editing:
Douglass Fake und Ken Karman
conductor:
Alan Silvestri (US score composer)
Orchestrator(in):
James B. Campbell (orchestrator)
phonographisches Urheberrecht (℗) von:
Morgan Creek Music Group
edited at:
Intrada in Oakland, California (Kalifornien), Vereinigte Staaten
recording of:
Chavez's Wound
Komponist(in):
Alan Silvestri (US score composer)
3:01
15You Gonna Shoot?
recording engineer und Mix:
Dennis Sands (American sound engineer)
Produzent(in):
Douglass Fake und Alan Silvestri (US score composer)
assistierendes Editing:
Jacqueline Tager (editor)
Editing:
Douglass Fake und Ken Karman
conductor:
Alan Silvestri (US score composer)
Orchestrator(in):
James B. Campbell (orchestrator)
phonographisches Urheberrecht (℗) von:
Morgan Creek Music Group
edited at:
Intrada in Oakland, California (Kalifornien), Vereinigte Staaten
recording of:
You Gonna Shoot?
Komponist(in):
Alan Silvestri (US score composer)
3:33
16Stolen Horse (Finale)
recording engineer und Mix:
Dennis Sands (American sound engineer)
Produzent(in):
Douglass Fake und Alan Silvestri (US score composer)
assistierendes Editing:
Jacqueline Tager (editor)
Editing:
Douglass Fake und Ken Karman
conductor:
Alan Silvestri (US score composer)
Orchestrator(in):
James B. Campbell (orchestrator)
phonographisches Urheberrecht (℗) von:
Morgan Creek Music Group
edited at:
Intrada in Oakland, California (Kalifornien), Vereinigte Staaten
recording of:
Stolen Horse (Finale)
Komponist(in):
Alan Silvestri (US score composer)
1:18

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