Mel Tormé Swings Shubert Alley

~ Release by Mel Tormé with the Marty Paich Orchestra (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleRatingLength
1Too Close for Comfort
recorded in:
Los Angeles, California, United States (from 1960-01-21 until 1960-02-11)
engineer:
Val Valentin
producer:
Russell Garcia
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (from 1960-01-21 until 1960-02-11)
bass:
Joe Mondragon (from 1960-01-21 until 1960-02-11)
French horn:
Vincent DeRosa (from 1960-01-21 until 1960-02-11)
tenor saxophone:
Bill Perkins (jazz saxophonist) (from 1960-01-21 until 1960-02-11)
trombone:
Frank Rosolino (from 1960-01-21 until 1960-02-11)
trumpet:
Al Porcino (from 1960-01-21 until 1960-02-11) and Stu Williamson (from 1960-01-21 until 1960-02-11)
tuba:
Red Callender (from 1960-01-21 until 1960-02-11)
vocals:
Mel Tormé (“The Velvet Fog”) (from 1960-01-21 until 1960-02-11)
arranger:
Marty Paich
cover recording of:
Too Close for Comfort (Mr. Wonderful) (from 1960-01-21 until 1960-02-11)
writer:
Jerry Bock, Lawrence Holofcener and George David Weiss
publisher:
Carlin Music Corporation and Memory Lane Music Ltd.
4:08
2Once in Love With Amy
recorded in:
Los Angeles, California, United States (from 1960-01-21 until 1960-02-11)
engineer:
Val Valentin
producer:
Russell Garcia
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (from 1960-01-21 until 1960-02-11)
bass:
Joe Mondragon (from 1960-01-21 until 1960-02-11)
French horn:
Vincent DeRosa (from 1960-01-21 until 1960-02-11)
tenor saxophone:
Bill Perkins (jazz saxophonist) (from 1960-01-21 until 1960-02-11)
trombone:
Frank Rosolino (from 1960-01-21 until 1960-02-11)
trumpet:
Al Porcino (from 1960-01-21 until 1960-02-11) and Stu Williamson (from 1960-01-21 until 1960-02-11)
tuba:
Red Callender (from 1960-01-21 until 1960-02-11)
vocals:
Mel Tormé (“The Velvet Fog”) (from 1960-01-21 until 1960-02-11)
arranger:
Marty Paich
cover recording of:
Once in Love With Amy (Where’s Charly?) (from 1960-01-21 until 1960-02-11)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
3:14
3A Sleepin' Bee
recorded in:
Los Angeles, California, United States (from 1960-01-21 until 1960-02-11)
engineer:
Val Valentin
producer:
Russell Garcia
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (from 1960-01-21 until 1960-02-11)
bass:
Joe Mondragon (from 1960-01-21 until 1960-02-11)
French horn:
Vincent DeRosa (from 1960-01-21 until 1960-02-11)
tenor saxophone:
Bill Perkins (jazz saxophonist) (from 1960-01-21 until 1960-02-11)
trombone:
Frank Rosolino (from 1960-01-21 until 1960-02-11)
trumpet:
Al Porcino (from 1960-01-21 until 1960-02-11) and Stu Williamson (from 1960-01-21 until 1960-02-11)
tuba:
Red Callender (from 1960-01-21 until 1960-02-11)
vocals:
Mel Tormé (“The Velvet Fog”) (from 1960-01-21 until 1960-02-11)
arranger:
Marty Paich
cover recording of:
A Sleepin’ Bee (House of Flowers) (from 1960-01-21 until 1960-02-11)
lyricist:
Harold Arlen and Truman Capote
composer:
Harold Arlen
publisher:
Harwin Music and S.A. Music Co.
part of:
House of Flowers
3:37
4On the Street Where You Live
recorded in:
Los Angeles, California, United States (from 1960-01-21 until 1960-02-11)
engineer:
Val Valentin
producer:
Russell Garcia
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (from 1960-01-21 until 1960-02-11)
bass:
Joe Mondragon (from 1960-01-21 until 1960-02-11)
French horn:
Vincent DeRosa (from 1960-01-21 until 1960-02-11)
tenor saxophone:
Bill Perkins (jazz saxophonist) (from 1960-01-21 until 1960-02-11)
trombone:
Frank Rosolino (from 1960-01-21 until 1960-02-11)
trumpet:
Al Porcino (from 1960-01-21 until 1960-02-11) and Stu Williamson (from 1960-01-21 until 1960-02-11)
tuba:
Red Callender (from 1960-01-21 until 1960-02-11)
vocals:
Mel Tormé (“The Velvet Fog”) (from 1960-01-21 until 1960-02-11)
arranger:
Marty Paich
cover recording of:
On the Street Where You Live (My Fair Lady) (from 1960-01-21 until 1960-02-11)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical)
2:57
5All I Need Is a Girl
recorded in:
Los Angeles, California, United States (from 1960-01-21 until 1960-02-11)
engineer:
Val Valentin
producer:
Russell Garcia
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (from 1960-01-21 until 1960-02-11)
bass:
Joe Mondragon (from 1960-01-21 until 1960-02-11)
French horn:
Vincent DeRosa (from 1960-01-21 until 1960-02-11)
tenor saxophone:
Bill Perkins (jazz saxophonist) (from 1960-01-21 until 1960-02-11)
trombone:
Frank Rosolino (from 1960-01-21 until 1960-02-11)
trumpet:
Al Porcino (from 1960-01-21 until 1960-02-11) and Stu Williamson (from 1960-01-21 until 1960-02-11)
tuba:
Red Callender (from 1960-01-21 until 1960-02-11)
vocals:
Mel Tormé (“The Velvet Fog”) (from 1960-01-21 until 1960-02-11)
arranger:
Marty Paich
cover recording of:
All I Need Is the Girl (Gypsy) (from 1960-01-21 until 1960-02-11)
lyricist:
Stephen Sondheim
composer:
Jule Styne
publisher:
Chappell & Co., Inc. (USA), Stratford Music Corporation and Williamson Music Company
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Gypsy
3:08
6Just in Time
recorded in:
Los Angeles, California, United States (from 1960-01-21 until 1960-02-11)
engineer:
Val Valentin
producer:
Russell Garcia
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (from 1960-01-21 until 1960-02-11)
bass:
Joe Mondragon (from 1960-01-21 until 1960-02-11)
French horn:
Vincent DeRosa (from 1960-01-21 until 1960-02-11)
tenor saxophone:
Bill Perkins (jazz saxophonist) (from 1960-01-21 until 1960-02-11)
trombone:
Frank Rosolino (from 1960-01-21 until 1960-02-11)
trumpet:
Al Porcino (from 1960-01-21 until 1960-02-11) and Stu Williamson (from 1960-01-21 until 1960-02-11)
tuba:
Red Callender (from 1960-01-21 until 1960-02-11)
vocals:
Mel Tormé (“The Velvet Fog”) (from 1960-01-21 until 1960-02-11)
arranger:
Marty Paich
cover recording of:
Just in Time (Bells Are Ringing) (from 1960-01-21 until 1960-02-11)
lyricist:
Betty Comden (in 1956) and Adolph Green (in 1956)
composer:
Jule Styne (in 1956)
publisher:
Chappell Music (UK), Stratford Music Corporation and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Bells Are Ringing (stage musical)
3:31
7Hello Young Lovers
recorded in:
Los Angeles, California, United States (from 1960-01-21 until 1960-02-11)
engineer:
Val Valentin
producer:
Russell Garcia
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (from 1960-01-21 until 1960-02-11)
bass:
Joe Mondragon (from 1960-01-21 until 1960-02-11)
French horn:
Vincent DeRosa (from 1960-01-21 until 1960-02-11)
tenor saxophone:
Bill Perkins (jazz saxophonist) (from 1960-01-21 until 1960-02-11)
trombone:
Frank Rosolino (from 1960-01-21 until 1960-02-11)
trumpet:
Al Porcino (from 1960-01-21 until 1960-02-11) and Stu Williamson (from 1960-01-21 until 1960-02-11)
tuba:
Red Callender (from 1960-01-21 until 1960-02-11)
vocals:
Mel Tormé (“The Velvet Fog”) (from 1960-01-21 until 1960-02-11)
arranger:
Marty Paich
cover recording of:
Hello, Young Lovers (The King and I) (from 1960-01-21 until 1960-02-11)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company and Williamson Music, Inc.
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd. and Williamson Music Ltd.
part of:
The King and I (Rodgers & Hammerstein musical)
3:11
8The Surrey With the Fringe on Top
recorded in:
Los Angeles, California, United States (from 1960-01-21 until 1960-02-11)
engineer:
Val Valentin
producer:
Russell Garcia
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (from 1960-01-21 until 1960-02-11)
bass:
Joe Mondragon (from 1960-01-21 until 1960-02-11)
French horn:
Vincent DeRosa (from 1960-01-21 until 1960-02-11)
tenor saxophone:
Bill Perkins (jazz saxophonist) (from 1960-01-21 until 1960-02-11)
trombone:
Frank Rosolino (from 1960-01-21 until 1960-02-11)
trumpet:
Al Porcino (from 1960-01-21 until 1960-02-11) and Stu Williamson (from 1960-01-21 until 1960-02-11)
tuba:
Red Callender (from 1960-01-21 until 1960-02-11)
vocals:
Mel Tormé (“The Velvet Fog”) (from 1960-01-21 until 1960-02-11)
arranger:
Marty Paich
cover recording of:
The Surrey With the Fringe on Top (from 1960-01-21 until 1960-02-11)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and Williamson Music Company (from 1943 to present)
part of:
Oklahoma! (Rodgers & Hammerstein musical)
part of:
The Real Book (compilation of jazz standards, volume I)
3:03
9Old Devil Moon
recorded in:
Los Angeles, California, United States (from 1960-01-21 until 1960-02-11)
engineer:
Val Valentin
producer:
Russell Garcia
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (from 1960-01-21 until 1960-02-11)
bass:
Joe Mondragon (from 1960-01-21 until 1960-02-11)
French horn:
Vincent DeRosa (from 1960-01-21 until 1960-02-11)
tenor saxophone:
Bill Perkins (jazz saxophonist) (from 1960-01-21 until 1960-02-11)
trombone:
Frank Rosolino (from 1960-01-21 until 1960-02-11)
trumpet:
Al Porcino (from 1960-01-21 until 1960-02-11) and Stu Williamson (from 1960-01-21 until 1960-02-11)
tuba:
Red Callender (from 1960-01-21 until 1960-02-11)
vocals:
Mel Tormé (“The Velvet Fog”) (from 1960-01-21 until 1960-02-11)
arranger:
Marty Paich
cover recording of:
Old Devil Moon (from “Finian’s Rainbow”) (from 1960-01-21 until 1960-02-11)
lyricist:
Yip Harburg
composer:
Burton Lane
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) and Victoria Music Ltd.
adaptations:
Old Devil Moon / Stari vražji mesec
part of:
Finian’s Rainbow (1947 Broadway musical)
2:50
10Whatever Lola Wants
recorded in:
Los Angeles, California, United States (from 1960-01-21 until 1960-02-11)
engineer:
Val Valentin
producer:
Russell Garcia
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (from 1960-01-21 until 1960-02-11)
bass:
Joe Mondragon (from 1960-01-21 until 1960-02-11)
French horn:
Vincent DeRosa (from 1960-01-21 until 1960-02-11)
tenor saxophone:
Bill Perkins (jazz saxophonist) (from 1960-01-21 until 1960-02-11)
trombone:
Frank Rosolino (from 1960-01-21 until 1960-02-11)
trumpet:
Al Porcino (from 1960-01-21 until 1960-02-11) and Stu Williamson (from 1960-01-21 until 1960-02-11)
tuba:
Red Callender (from 1960-01-21 until 1960-02-11)
vocals:
Mel Tormé (“The Velvet Fog”) (from 1960-01-21 until 1960-02-11)
arranger:
Marty Paich
cover recording of:
Whatever Lola Wants (Damn Yankees) (from 1960-01-21 until 1960-02-11)
lyricist and composer:
Richard Adler (musical composer/lyricist) and Jerry Ross (musical composer/lyricist)
part of:
Damn Yankees (1955 musical)
3:23
11Too Darn Hot
recorded in:
Los Angeles, California, United States (from 1960-01-21 until 1960-02-11)
engineer:
Val Valentin
producer:
Russell Garcia
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (from 1960-01-21 until 1960-02-11)
bass:
Joe Mondragon (from 1960-01-21 until 1960-02-11)
French horn:
Vincent DeRosa (from 1960-01-21 until 1960-02-11)
tenor saxophone:
Bill Perkins (jazz saxophonist) (from 1960-01-21 until 1960-02-11)
trombone:
Frank Rosolino (from 1960-01-21 until 1960-02-11)
trumpet:
Al Porcino (from 1960-01-21 until 1960-02-11) and Stu Williamson (from 1960-01-21 until 1960-02-11)
tuba:
Red Callender (from 1960-01-21 until 1960-02-11)
vocals:
Mel Tormé (“The Velvet Fog”) (from 1960-01-21 until 1960-02-11)
arranger:
Marty Paich
cover recording of:
Too Darn Hot (from Kiss Me, Kate) (from 1960-01-21 until 1960-02-11)
lyricist and composer:
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co. and T.B. Harms Co.
part of:
Kiss Me, Kate (musical)
2:50
12Lonely Town
recorded in:
Los Angeles, California, United States (from 1960-01-21 until 1960-02-11)
engineer:
Val Valentin
producer:
Russell Garcia
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (from 1960-01-21 until 1960-02-11)
bass:
Joe Mondragon (from 1960-01-21 until 1960-02-11)
French horn:
Vincent DeRosa (from 1960-01-21 until 1960-02-11)
tenor saxophone:
Bill Perkins (jazz saxophonist) (from 1960-01-21 until 1960-02-11)
trombone:
Frank Rosolino (from 1960-01-21 until 1960-02-11)
trumpet:
Al Porcino (from 1960-01-21 until 1960-02-11) and Stu Williamson (from 1960-01-21 until 1960-02-11)
tuba:
Red Callender (from 1960-01-21 until 1960-02-11)
vocals:
Mel Tormé (“The Velvet Fog”) (from 1960-01-21 until 1960-02-11)
arranger:
Marty Paich
cover recording of:
On the Town: Lonely Town (from 1960-01-21 until 1960-02-11)
lyricist:
Betty Comden and Adolph Green
composer:
Leonard Bernstein (American conductor, composer, pianist)
publisher:
The Leonard Bernstein Music Publishing Co., LLC, Warner Bros., Inc. (not for release label use!) and Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
On the Town
3:43