Das Kantatenwerk/Sacred Cantatas, Volume 9: BWV 163-182

~ Release by Johann Sebastian Bach, Nikolaus Harnoncourt & Gustav Leonhardt (see all versions of this release, 1 available)

Tracklist

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1BWV 174 - Sinfonia (Concerto)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 174 „Ich liebe den Höchsten von ganzem Gemüte“: I. Sinfonia
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1729-06-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
is based on:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro
part of:
Kantate, BWV 174 "Ich liebe den Höchsten von ganzem Gemüte"
Johann Sebastian Bach6:12
2BWV 174 - (Aria) (A) Ich liebe den Höchsten von ganzem Gemüte
alto vocals:
Christian Immler (baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 174 „Ich liebe den Höchsten von ganzem Gemüte“: II. Aria (Alt) „Ich liebe den Höchsten von ganzem Gemüte“
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1729-06-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 174 "Ich liebe den Höchsten von ganzem Gemüte"
Johann Sebastian Bach8:20
3BWV 174 - (Recitativo) (T) O Liebe, welche keiner gleich!
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 174 „Ich liebe den Höchsten von ganzem Gemüte“: III. Recitativo (Tenor) „O! Liebe, welche keiner gleich“
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1729-06-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 174 "Ich liebe den Höchsten von ganzem Gemüte"
Johann Sebastian Bach1:07
4BWV 174 - (Aria) (B) Greifet zu, faßt das Heil
bass vocals:
Robert Holl (bass‐baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 174 „Ich liebe den Höchsten von ganzem Gemüte“: IV. Aria (Bass) „Greifet zu!“
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1729-06-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 174 "Ich liebe den Höchsten von ganzem Gemüte"
Johann Sebastian Bach3:19
5BWV 174 - (Choral) (Coro) Herzlich lieb hab ich dich
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 174 „Ich liebe den Höchsten von ganzem Gemüte“: V. Choral „Herzlich lieb hab ich dich, O Herr“
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1729-06-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Martin Schalling (in 1569)
part of:
Breitkopf 389 Choralgesänge (number: 153)
part of:
Kantate, BWV 174 "Ich liebe den Höchsten von ganzem Gemüte"
Johann Sebastian Bach1:49
6BWV 175 -, (Recitativo) (T) Er rufet seinen Schafen mit Namen
tenor vocals:
Marius van Altena (tenor)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": I. Recitativo (Tenor) "Er rufet seinen Schafen mit Namen"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 175 “Er rufet seinen Schafen mit Namen”
Johann Sebastian Bach0:26
7BWV 175 - (Aria) (A) Komm, leite mich
alto vocals:
Paul Esswood (countertenor)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": II. Aria (Alt) "Komm, leite mich"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 175 “Er rufet seinen Schafen mit Namen”
Johann Sebastian Bach4:56
8BWV 175 - (Recitativo) (T) Wo find ich dich?
tenor vocals:
Marius van Altena (tenor)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": III. Recitativo (Tenor) "Wo find ich dich"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 175 “Er rufet seinen Schafen mit Namen”
Johann Sebastian Bach0:26
9BWV 175 - (Aria) (T) Es dünket mich, ich seh dich kommen
tenor vocals:
Marius van Altena (tenor)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": IV. Aria (Tenor) "Es dünket mich, ich seh dich kommen"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 175 “Er rufet seinen Schafen mit Namen”
Johann Sebastian Bach3:53
10BWV 175 - (Recitativo) (A B) Sie vernahmen aber nicht
alto vocals:
Paul Esswood (countertenor)
bass vocals:
Max van Egmond (bass-baritone)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": V. Recitativo (Alt, Bass) "Sie vernahmen aber nicht"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 175 “Er rufet seinen Schafen mit Namen”
Johann Sebastian Bach1:08
11BWV 175 - (Aria) (B) Öffnet euch, ihr beiden Ohren
bass vocals:
Max van Egmond (bass-baritone)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": VI. Aria (Bass) "Öffnet euch, ihr beiden Ohren"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 175 “Er rufet seinen Schafen mit Namen”
Johann Sebastian Bach4:35
12BWV 175 - (Choral) (Coro) Nun, werter Geist, ich folg dir
choir vocals:
Collegium Vocale Gent and Knabenchor Hannover (Hanover Boys' Choir, German boys choir)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
chorus master:
Heinz Hennig (conductor) and Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": VII. Choral "Nun, werter Geist, ich folge dir"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Johann von Rist (in 1651)
part of:
Kantate, BWV 175 “Er rufet seinen Schafen mit Namen”
Johann Sebastian Bach1:48
13BWV 176 - (Coro) Es ist ein trotzig und verzagt Ding
choir vocals:
Collegium Vocale Gent and Knabenchor Hannover (Hanover Boys' Choir, German boys choir)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
chorus master:
Heinz Hennig (conductor) and Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding": I. Coro "Es ist ein trotzig und verzagt Ding"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding"
Johann Sebastian Bach2:35
14BWV 176 - (Recitativo) (A) Ich meine, recht verzagt
alto vocals:
Paul Esswood (countertenor)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding": II. Recitativo (Alt) "Ich meine, recht verzagt"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding"
Johann Sebastian Bach0:45
15BWV 176 - (Aria) (S) Dein sonst hell beliebter Schein
treble vocals:
Matthias Echternach (Boy Soprano, Tenor)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding": III. Aria (Sopran) "Dein sonst hell beliebter Schein"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding"
Johann Sebastian Bach3:04
16BWV 176 - (Recitativo) (B) So wundre dich, o Meister, nicht
bass vocals:
Max van Egmond (bass-baritone)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding": IV. Recitativo (Bass) "So wundre dich, o Meister, nicht"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding"
Johann Sebastian Bach1:54
17BWV 176 - (Aria) (A) Ermuntert euch, furchtsam und schüchterne Sinne
alto vocals:
Paul Esswood (countertenor)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding": V. Aria (Alt) "Ermuntert euch"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding"
Johann Sebastian Bach2:50
18BWV 176 - (Choral) (Coro) Auf daß wir also allzugleich
choir vocals:
Collegium Vocale Gent and Knabenchor Hannover (Hanover Boys' Choir, German boys choir)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
chorus master:
Heinz Hennig (conductor) and Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding": VI. Choral "Auf daß wir also allzugleich"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Paul Gerhardt (17th century hymn writer) (in 1653)
part of:
Breitkopf 389 Choralgesänge (number: 45)
part of:
Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding"
Johann Sebastian Bach1:15
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