Panorama: Ottorino Respighi

~ Release by Ottorino Respighi (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleRatingLength
1Antiche danze ed arie: Suite III: Anon.: Italiana
orchestra:
Philharmonia Hungarica (from 1958-06-09 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-09 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1958-06-09 until 1958-06-11)
recording of:
Ancient Airs and Dances Suite no. 3: I. Italiana (from 1958-06-09 until 1958-06-11)
composer:
Ottorino Respighi (composer) (in 1932)
part of:
Ancient Airs and Dances Suite no. 3
3:43
2Antiche danze ed arie: Suite III: Jean-Baptiste Besard: Arie di corte. a. «C'est malheur que de vous aymer»
orchestra:
Philharmonia Hungarica (from 1958-06-09 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-09 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1958-06-09 until 1958-06-11)
partial recording of:
Ancient Airs and Dances Suite no. 3: II. Arie di corte (from 1958-06-09 until 1958-06-11)
composer:
Ottorino Respighi (composer) (in 1932)
part of:
Ancient Airs and Dances Suite no. 3
1:58
3Antiche danze ed arie: Suite III: Jean-Baptiste Besard: Arie di corte. b. «Adiu bergere pour iamais»
orchestra:
Philharmonia Hungarica (from 1958-06-09 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-09 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1958-06-09 until 1958-06-11)
partial recording of:
Ancient Airs and Dances Suite no. 3: II. Arie di corte (from 1958-06-09 until 1958-06-11)
composer:
Ottorino Respighi (composer) (in 1932)
part of:
Ancient Airs and Dances Suite no. 3
0:27
4Antiche danze ed arie: Suite III: Jean-Baptiste Besard: Arie di corte. c. «Beaux yeux qui me voyes clairement»
orchestra:
Philharmonia Hungarica (from 1958-06-09 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-09 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1958-06-09 until 1958-06-11)
partial recording of:
Ancient Airs and Dances Suite no. 3: II. Arie di corte (from 1958-06-09 until 1958-06-11)
composer:
Ottorino Respighi (composer) (in 1932)
part of:
Ancient Airs and Dances Suite no. 3
0:45
5Antiche danze ed arie: Suite III: Jean-Baptiste Besard: Arie di corte. d. «La voila la nacelle d'amour ou ma maitresse arrive»
orchestra:
Philharmonia Hungarica (from 1958-06-09 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-09 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1958-06-09 until 1958-06-11)
partial recording of:
Ancient Airs and Dances Suite no. 3: II. Arie di corte (from 1958-06-09 until 1958-06-11)
composer:
Ottorino Respighi (composer) (in 1932)
part of:
Ancient Airs and Dances Suite no. 3
1:28
6Antiche danze ed arie: Suite III: Jean-Baptiste Besard: Arie di corte. e. «Quelle divinité s'imprime dans mon ame»
orchestra:
Philharmonia Hungarica (from 1958-06-09 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-09 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1958-06-09 until 1958-06-11)
partial recording of:
Ancient Airs and Dances Suite no. 3: II. Arie di corte (from 1958-06-09 until 1958-06-11)
composer:
Ottorino Respighi (composer) (in 1932)
part of:
Ancient Airs and Dances Suite no. 3
0:15
7Antiche danze ed arie: Suite III: Jean-Baptiste Besard: Arie di corte. f. «Si c'est pour mon pucellage que vous me faites l'amour»
orchestra:
Philharmonia Hungarica (from 1958-06-09 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-09 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1958-06-09 until 1958-06-11)
partial recording of:
Ancient Airs and Dances Suite no. 3: II. Arie di corte (from 1958-06-09 until 1958-06-11)
composer:
Ottorino Respighi (composer) (in 1932)
part of:
Ancient Airs and Dances Suite no. 3
0:42
8Antiche danze ed arie: Suite III: Jean-Baptiste Besard: Arie di corte. g. Andante cantabile
orchestra:
Philharmonia Hungarica (from 1958-06-09 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-09 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1958-06-09 until 1958-06-11)
partial recording of:
Ancient Airs and Dances Suite no. 3: II. Arie di corte (from 1958-06-09 until 1958-06-11)
composer:
Ottorino Respighi (composer) (in 1932)
part of:
Ancient Airs and Dances Suite no. 3
2:14
9Antiche danze ed arie: Suite III: Anon.: Siciliana
orchestra:
Philharmonia Hungarica (from 1958-06-09 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-09 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1958-06-09 until 1958-06-11)
recording of:
Ancient Airs and Dances Suite no. 3: III. Siciliana (from 1958-06-09 until 1958-06-11)
composer:
Ottorino Respighi (composer) (in 1932)
part of:
Ancient Airs and Dances Suite no. 3
3:05
10Antiche danze ed arie: Suite III: Lodovico Roncalli: Passacaglia
orchestra:
Philharmonia Hungarica (from 1958-06-09 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-09 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1958-06-09 until 1958-06-11)
recording of:
Ancient Airs and Dances Suite no. 3: IV. Passacaglia (from 1958-06-09 until 1958-06-11)
composer:
Ottorino Respighi (composer) (in 1932)
part of:
Ancient Airs and Dances Suite no. 3
4:11
11Impressioni brasiliane: Notte tropicale
engineer:
C. Robert Fine (on 1957-07-05)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-05)
conductor:
Antal Doráti (conductor) (on 1957-07-05)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-05)
recording of:
Impressione brasiliane: I. Notte tropicale (on 1957-07-05)
composer:
Ottorino Respighi (composer) (in 1928)
part of:
Impressione brasiliane
9:48
12Impressioni brasiliane: Butantan
engineer:
C. Robert Fine (on 1957-07-05)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-05)
conductor:
Antal Doráti (conductor) (on 1957-07-05)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-05)
recording of:
Impressione brasiliane: II. Butantan (on 1957-07-05)
composer:
Ottorino Respighi (composer) (in 1928)
quotes music from:
Missa pro defunctis: Sequentia “Dies irae” (plainchant)
part of:
Impressione brasiliane
4:47
13Impressioni brasiliane: Canzona e danza
engineer:
C. Robert Fine (on 1957-07-05)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-05)
conductor:
Antal Doráti (conductor) (on 1957-07-05)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-05)
recording of:
Impressione brasiliane: III. Canzone e danza (on 1957-07-05)
composer:
Ottorino Respighi (composer) (in 1928)
quotes music from:
Missa pro defunctis: Sequentia “Dies irae” (plainchant)
part of:
Impressione brasiliane
4:42
14Gli uccelli: Preludio
executive producer:
Alison Ames
producer:
Wolf Erichson (engineer/producer)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1991-12)
balance engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1991-12)
recording of:
Gli uccelli, P. 154: I. Preludio (The Birds: I. Prelude, Prelude) (in 1991-12)
composer:
Ottorino Respighi (composer) (in 1928)
is based on:
Arie in C per organo o clavicembalo No. 2
part of:
Gli uccelli, P. 154 (The Birds, P.154, The Birds)
2:50
15Gli uccelli: La colomba
executive producer:
Alison Ames
producer:
Wolf Erichson (engineer/producer)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1991-12)
balance engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1991-12)
recording of:
Gli uccelli, P. 154: II. La Colomba (The Birds: II. The dove, The dove) (in 1991-12)
composer:
Ottorino Respighi (composer) (in 1928)
part of:
Gli uccelli, P. 154 (The Birds, P.154, The Birds)
4:26
16Gli uccelli: La gallina
executive producer:
Alison Ames
producer:
Wolf Erichson (engineer/producer)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1991-12)
balance engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1991-12)
recording of:
Gli uccelli, P. 154: III. La Gallina (The Birds: III. The hen, The hen) (in 1991-12)
composer:
Ottorino Respighi (composer) (in 1928)
is based on:
Nouvelles Suites de Pièces de Clavecin: La Poule
part of:
Gli uccelli, P. 154 (The Birds, P.154, The Birds)
2:49
17Gli uccelli: L'usignuolo
executive producer:
Alison Ames
producer:
Wolf Erichson (engineer/producer)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1991-12)
balance engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1991-12)
recording of:
Gli uccelli, P. 154: IV. L'Usignuolo (The Birds: IV. The nightingale, The nightingale) (in 1991-12)
composer:
Ottorino Respighi (composer) (in 1928)
part of:
Gli uccelli, P. 154 (The Birds, P.154, The Birds)
3:53
18Gli uccelli: Il cucù
executive producer:
Alison Ames
producer:
Wolf Erichson (engineer/producer)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1991-12)
balance engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1991-12)
recording of:
Gli uccelli, P. 154: V. Il Cucù (The Birds: V. The cuckoo, The cuckoo) (in 1991-12)
composer:
Ottorino Respighi (composer) (in 1928)
part of:
Gli uccelli, P. 154 (The Birds, P.154, The Birds)
4:26
19Il tramonto
strings:
Festival Strings Lucerne (ended)
soprano vocals:
Irmgard Seefried (soprano)
conductor:
Rudolf Baumgartner (conductor)
recording of:
Il tramonto, P. 101 (until 1960)
lyricist:
Percy Bysshe Shelley
composer:
Ottorino Respighi (composer) (in 1914)
14:25

Credits

Release

part of:Panorama (Deutsche Grammophon) (order: 39)
Discogs:https://www.discogs.com/release/13186473 [info]