The Complete Reprise Studio Recordings

~ Veröffentlichung von Frank Sinatra (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Anmerkung

A 20-CD collection of the Reprise recordings of Frank Sinatra with hardcover book with several essays and track credits. From the included book: "The Complete Reprise Studio Recordings contains every master recorded by Frank Sinatra for Reprise Records between December 19, 1960 and June 6, 1988. A few songs, attempted but never satisfactorily completed, have been omitted."

Identifiers

CD 1

  • Disc ID: ZV.Ey3mF9WU4z..7NAT8aAwDGRU-
  • Matrix Code: 936247045-2/1 09/98
  • Mastering SID Code: IFPI L011
  • Mould SID Code: IFPI 05N2

CD 2

  • Disc ID: SjkK1nZt4JBH6THnRJI01qRd1u0-
  • Matrix Code: 936247045-2/2 09/98
  • Mastering SID Code: IFPI L011
  • Mould SID Code: IFPI 05A8

CD 3

  • Disc ID: __n9gUeu1.I0EYQy5uVcywFiYzw-
  • Matrix Code: 936247045-2/3 09/98
  • Mastering SID Code: IFPI L011
  • Mould SID Code: IFPI 05N8

CD 4

  • Disc ID: .BWURU4faxB15DYfu7ezAd20Gfg-
  • Matrix Code: 936247045-2/4 09/98
  • Mastering SID Code: IFPI L012
  • Mould SID Code: IFPI 05A5

CD 5

  • Disc ID: QDLSbVFKk8vcAJvx96SY6S2iktY-
  • Matrix Code: 936247045-2/5 09/98
  • Mastering SID Code: IFPI L012
  • Mould SID Code: IFPI 05A5

CD 6

  • Disc ID: lCHq_9QxW7MLxdmKN7IDt60il_k-
  • Matrix Code: 936247045-2/6 09/98
  • Mastering SID Code: IFPI L012
  • Mould SID Code: IFPI 05A0

CD 7

  • Disc ID: Uq7sE9dEvkaNjF4necoidfgCnLc-
  • Matrix Code: 936247045-2/7 09/98
  • Mastering SID Code: IFPI L011
  • Mould SID Code: IFPI 0504

CD 8

  • Disc ID: Df3w8F_03DUIzmgHxFkwOZ__LK4-
  • Matrix Code: 936247045-2/8 09/98
  • Mastering SID Code: IFPI L011
  • Mould SID Code: IFPI 0582

CD 9

  • Disc ID: zLrn6X4Ck.0TEx6x1M6MR19mKxo-
  • Matrix Code: 936247045-2/9 09/98
  • Mastering SID Code: IFPI L011
  • Mould SID Code: IFPI 05D1

CD 10

  • Disc ID: OAXJXpnx2fbjD_Un8cub1QD8dJE-
  • Matrix Code: 936247045-2/10 09/98
  • Mastering SID Code: IFPI L012
  • Mould SID Code: IFPI 0590

CD 11

  • Disc ID: l2p63tWJ6gTC9gTsIRHpVRZpweE-
  • Matrix Code: 936247045-2/11 09/98
  • Mastering SID Code: IFPI L012
  • Mould SID Code: IFPI 05N2

CD 12

  • Disc ID: nY6YJMHzVQLShEEjt0_uCYNphn0-
  • Matrix Code: 936247045-2/12 09/98
  • Mastering SID Code: IFPI L011
  • Mould SID Code: IFPI 0567

CD 13

  • Disc ID: QyEG4PurwHVZYER_thQnKFRpzz0-
  • Matrix Code: 936247045-2/13 09/98
  • Mastering SID Code: IFPI L011
  • Mould SID Code: IFPI 0564

CD 14

  • Disc ID: VtMov4JP8jYP1RLj92gggMHeRsM-
  • Matrix Code: 936247045-2/14 09/98
  • Mastering SID Code: IFPI L011
  • Mould SID Code: IFPI 05F1

CD 15

  • Disc ID: Lzl8O3YtRhPSRXWwnVsi5hEzdsM-
  • Matrix Code: 936247045-2/15 09/98
  • Mastering SID Code: IFPI L012
  • Mould SID Code: IFPI 05F1

CD 16

  • Disc ID: 35gVETcgQbbi1fjrslkef5v5nVQ-
  • Matrix Code: 936247045-2/16 09/98
  • Mastering SID Code: IFPI L011
  • Mould SID Code: IFPI 05A2

CD 17

  • Disc ID: 9pKH.zkQXJxH0.rvv7_NZMIgb2U-
  • Matrix Code: 936247045-2/17 09/98
  • Mastering SID Code: IFPI L012
  • Mould SID Code: IFPI 05D2

CD 18

  • Disc ID: 55XIAArIeOJaExITROyWnGBueMA-
  • Matrix Code: 936247045-2/18 09/98
  • Mastering SID Code: IFPI L012
  • Mould SID Code: IFPI 05E1

CD 19

  • Disc ID: suOPzatm3DfG58ysjj9OkgZMFHU-
  • Matrix Code: 936247045-2/19 09/98
  • Mastering SID Code: IFPI L011
  • Mould SID Code: IFPI 05E1

CD 20

  • Disc ID: ZHITGsll45p.vYVzBrzFUN4Vs3I-
  • Matrix Code: 936247045-2/20 09/98
  • Mastering SID Code: IFPI L011
  • Mould SID Code: IFPI 05A8
Anmerkung zuletzt geändert am 2021-05-28 08:29 UTC.

Titelliste

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Nr.TitelBewertungLänge
1I Can’t Believe I’m Losing You
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1964-04-08)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1964-04-08)
arranger:
Don Costa (US pop music arranger & producer)
recording of:
I Can't Believe I'm Losing You (am 1964-04-08)
Verfasser(in):
Don Costa (US pop music arranger & producer) und Phil Zeller
12:47
2My Kind of Town
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1964-04-08)
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1964-04-08)
Orchester:
Nelson Riddle and His Orchestra (am 1964-04-08)
conductor:
Nelson Riddle (am 1964-04-08)
arranger:
Nelson Riddle
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1964-04-08)
recording of:
My Kind of Town (am 1964-04-08)
gewidmet:
Chicago, Illinois, Vereinigte Staaten
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Cahn Music Company, PW Arrangements, The Songwriters Guild, Universal Music Corp. (USA, affiliated with ASCAP), WB Music Corp. (1929–2019), WC Music Corp., Glorste, Inc. (in 1964), Sergeant Music Co. (in 1964) und Van Heusen Music Corp. (in 1964)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The 37th Academy Award for Best Original Song (Nummer: 2)
33:09
3I Like to Lead When I Dance
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1964-04-08)
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1964-04-08)
Orchester:
Nelson Riddle and His Orchestra (am 1964-04-08)
conductor:
Nelson Riddle (am 1964-04-08)
arranger:
Nelson Riddle
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1964-04-08)
recording of:
I Like to Lead When I Dance (am 1964-04-08)
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
The Songwriters Guild, WB Music Corp. (1929–2019), Glorste, Inc. (in 1964), Sergeant Music Co. (in 1964) und Van Heusen Music Corp. (in 1964)
4:08
4Style
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1964-04-10)
vocals:
Bing Crosby (am 1964-04-10), Dean Martin (American singer/actor) (am 1964-04-10) und Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1964-04-10)
arranger:
Nelson Riddle
recording of:
Style (am 1964-04-10)
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
The Songwriters Guild und WB Music Corp. (1929–2019)
4:29
5Mister Booze
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1964-04-10)
vocals:
Bing Crosby (am 1964-04-10), Sammy Davis Jr. (am 1964-04-10), Dean Martin (American singer/actor) (am 1964-04-10) und Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1964-04-10)
arranger:
Nelson Riddle
recording of:
Mister Booze (am 1964-04-10)
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
The Songwriters Guild und WB Music Corp. (1929–2019)
5:02
6Don’t Be a Do‐Badder (Finale)
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1964-04-10)
vocals:
Bing Crosby (am 1964-04-10), Sammy Davis Jr. (am 1964-04-10), Dean Martin (American singer/actor) (am 1964-04-10) und Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1964-04-10)
arranger:
Nelson Riddle
recording of:
Don’t Be a Do‐Badder (am 1964-04-10)
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
The Songwriters Guild und WB Music Corp. (1929–2019)
1:16
7The Best Is Yet to Come
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1964-06-09)
Techniker(in):
Lowell Frank (engineer) (am 1964-06-09)
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (am 1964-06-09)
Bass:
Buddy Catlett
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Virginia Majewski (violist) und Paul Robyn
Cello:
Ann Goodman und Edgar Lustgarten (, am 1964-06-09)
Geige / Violine:
Israel Baker (American violinist), Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Freddie Green (am 1964-06-09)
Klavier:
Count Basie (pianist) (am 1964-06-09)
Perkussion:
Emil Richards
Posaune:
Henderson Chambers, Henry Coker (jazz trombonist) (am 1964-06-09), Bill Hughes (jazz trombonist) (am 1964-06-09), Grover Mitchell (trombone) (am 1964-06-09) und Ken Shroyer (trombonist) (am 1964-06-09)
Rohrblattinstrumente:
Marshall Royal, Eric Dixon (woodwind) (am 1964-06-09), Frank Foster (saxophonist) (am 1964-06-09), Charlie Fowlkes (baritone saxophonist) (am 1964-06-09) und Frank Wess (am 1964-06-09)
Schlagzeug:
Sonny Payne (am 1964-06-09)
Trompete:
George Cohn, Don Rader (US jazz trumpeter and music arranger), Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1964-06-09), Wallace Davenport (am 1964-06-09), Harry “Sweets” Edison (am 1964-06-09) und Al Porcino (am 1964-06-09)
Vibraphon:
Emil Richards (am 1964-06-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1964-06-09)
Orchester:
Count Basie and His Orchestra (am 1964-06-09)
conductor:
Quincy Jones
arranger:
Quincy Jones (am 1964-06-09)
cover recording of:
The Best Is Yet to Come (am 1964-06-09)
Texter:
Carolyn Leigh (in 1959)
Komponist(in):
Cy Coleman (in 1959)
publisher:
Carwin Music, Inc., EMI U Catalog Inc. (publisher; do NOT use as release label), Notable Music, Notable Music Co., Inc. und WB Music Corp. (1929–2019)
recording of:
The Best Is Yet to Come (am 1964-06-09)
Texter:
Carolyn Leigh (in 1959)
Komponist(in):
Cy Coleman (in 1959)
publisher:
Carwin Music, Inc., EMI U Catalog Inc. (publisher; do NOT use as release label), Notable Music, Notable Music Co., Inc. und WB Music Corp. (1929–2019)
3.652:54
8I Wanna Be Around
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1964-06-09)
Techniker(in):
Lowell Frank (engineer)
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
Bass:
Buddy Catlett
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Virginia Majewski (violist) und Paul Robyn
Cello:
Ann Goodman und Edgar Lustgarten (, am 1964-06-09)
Geige / Violine:
Israel Baker (American violinist), Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Freddie Green (am 1964-06-09)
Klavier:
Count Basie (pianist) (am 1964-06-09)
Perkussion:
Emil Richards
Posaune:
Henderson Chambers, Henry Coker (jazz trombonist) (am 1964-06-09), Bill Hughes (jazz trombonist) (am 1964-06-09), Grover Mitchell (trombone) (am 1964-06-09) und Ken Shroyer (trombonist) (am 1964-06-09)
Rohrblattinstrumente:
Marshall Royal, Eric Dixon (woodwind) (am 1964-06-09), Frank Foster (saxophonist) (am 1964-06-09), Charlie Fowlkes (baritone saxophonist) (am 1964-06-09) und Frank Wess (am 1964-06-09)
Schlagzeug:
Sonny Payne (am 1964-06-09)
Trompete:
George Cohn, Don Rader (US jazz trumpeter and music arranger), Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1964-06-09), Wallace Davenport (am 1964-06-09), Harry “Sweets” Edison (am 1964-06-09) und Al Porcino (am 1964-06-09)
Vibraphon:
Emil Richards (am 1964-06-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1964-06-09)
Orchester:
Count Basie and His Orchestra (am 1964-06-09)
conductor:
Quincy Jones
arranger:
Quincy Jones
cover recording of:
I Wanna Be Around (am 1964-06-09)
Texter:
Johnny Mercer und Sadie Vimmerstedt
Komponist(in):
Johnny Mercer
publisher:
Commander Publications
12:21
9I Believe in You
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1964-06-09)
Techniker(in):
Lowell Frank (engineer)
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
Bass:
Buddy Catlett
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Virginia Majewski (violist) und Paul Robyn
Cello:
Ann Goodman und Edgar Lustgarten (, am 1964-06-09)
Geige / Violine:
Israel Baker (American violinist), Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Freddie Green (am 1964-06-09)
Klavier:
Count Basie (pianist) (am 1964-06-09)
Perkussion:
Emil Richards
Posaune:
Henderson Chambers, Henry Coker (jazz trombonist) (am 1964-06-09), Bill Hughes (jazz trombonist) (am 1964-06-09), Grover Mitchell (trombone) (am 1964-06-09) und Ken Shroyer (trombonist) (am 1964-06-09)
Rohrblattinstrumente:
Marshall Royal, Eric Dixon (woodwind) (am 1964-06-09), Frank Foster (saxophonist) (am 1964-06-09), Charlie Fowlkes (baritone saxophonist) (am 1964-06-09) und Frank Wess (am 1964-06-09)
Schlagzeug:
Sonny Payne (am 1964-06-09)
Trompete:
George Cohn, Don Rader (US jazz trumpeter and music arranger), Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1964-06-09), Wallace Davenport (am 1964-06-09), Harry “Sweets” Edison (am 1964-06-09) und Al Porcino (am 1964-06-09)
Vibraphon:
Emil Richards (am 1964-06-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1964-06-09)
Orchester:
Count Basie and His Orchestra (am 1964-06-09)
conductor:
Quincy Jones
arranger:
Quincy Jones
cover recording of:
I Believe in You (How to Succeed in Business Without Really Trying) (am 1964-06-09)
Texter und Komponist(in):
Frank Loesser
publisher:
Frank Music Corp.
recording of:
I Believe in You (How to Succeed in Business Without Really Trying)
Texter und Komponist(in):
Frank Loesser
publisher:
Frank Music Corp.
12:21
10Fly Me to the Moon (In Other Words)
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1964-06-09)
Techniker(in):
Lowell Frank (engineer)
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
Bass:
Buddy Catlett
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Virginia Majewski (violist) und Paul Robyn
Cello:
Ann Goodman und Edgar Lustgarten (, am 1964-06-09)
Geige / Violine:
Israel Baker (American violinist), Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Freddie Green (am 1964-06-09)
Klavier:
Count Basie (pianist) (am 1964-06-09)
Perkussion:
Emil Richards
Posaune:
Henderson Chambers, Henry Coker (jazz trombonist) (am 1964-06-09), Bill Hughes (jazz trombonist) (am 1964-06-09), Grover Mitchell (trombone) (am 1964-06-09) und Ken Shroyer (trombonist) (am 1964-06-09)
Rohrblattinstrumente:
Marshall Royal, Eric Dixon (woodwind) (am 1964-06-09), Frank Foster (saxophonist) (am 1964-06-09), Charlie Fowlkes (baritone saxophonist) (am 1964-06-09) und Frank Wess (am 1964-06-09)
Schlagzeug:
Sonny Payne (am 1964-06-09)
Trompete:
George Cohn, Don Rader (US jazz trumpeter and music arranger), Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1964-06-09), Wallace Davenport (am 1964-06-09), Harry “Sweets” Edison (am 1964-06-09) und Al Porcino (am 1964-06-09)
Vibraphon:
Emil Richards (am 1964-06-09)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1964-06-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1964-06-09)
Orchester:
Count Basie and His Orchestra (am 1964-06-09)
conductor:
Quincy Jones (, am 1964-06-09)
arranger:
Quincy Jones
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 75)
recording of:
Fly Me to the Moon (am 1964-06-09)
Texter und Komponist(in):
Bart Howard (in 1954)
uraufgeführt von:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC und TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
recording of:
Fly Me to the Moon (Quincy Jones arr.) (am 1964-06-09)
Texter und Komponist(in):
Bart Howard
arranger:
Quincy Jones
publisher:
Almanac Music Inc. und Hampshire House Publishing Corp.
Arrangement von:
Fly Me to the Moon
42:30
11Hello, Dolly!
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1964-06-10) und Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1964-06-10)
Techniker(in):
Lowell Frank (engineer)
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
Bass:
Buddy Catlett
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Virginia Majewski (violist) und Paul Robyn
Cello:
Ann Goodman und Edgar Lustgarten (, am 1964-06-10)
Geige / Violine:
Israel Baker (American violinist), Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Freddie Green (am 1964-06-10)
Klavier:
Count Basie (pianist) (am 1964-06-10)
Perkussion:
Emil Richards
Posaune:
Henderson Chambers, Henry Coker (jazz trombonist) (am 1964-06-10), Bill Hughes (jazz trombonist) (am 1964-06-10), Grover Mitchell (trombone) (am 1964-06-10) und Ken Shroyer (trombonist) (am 1964-06-10)
Rohrblattinstrumente:
Marshall Royal, Eric Dixon (woodwind) (am 1964-06-10), Frank Foster (saxophonist) (am 1964-06-10), Charlie Fowlkes (baritone saxophonist) (am 1964-06-10) und Frank Wess (am 1964-06-10)
Schlagzeug:
Sonny Payne (am 1964-06-10)
Trompete:
George Cohn, Don Rader (US jazz trumpeter and music arranger), Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1964-06-10), Wallace Davenport (am 1964-06-10), Harry “Sweets” Edison (am 1964-06-10) und Al Porcino (am 1964-06-10)
Vibraphon:
Emil Richards (am 1964-06-10)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1964-06-10)
Orchester:
Count Basie and His Orchestra (am 1964-06-10)
conductor:
Quincy Jones
arranger:
Quincy Jones
cover recording of:
Hello, Dolly! (am 1964-06-10)
Texter und Komponist(in):
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
Teil von:
Hello, Dolly!
recording of:
Hello, Dolly!
Texter und Komponist(in):
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
Teil von:
Hello, Dolly!
12:46
12The Good Life
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1964-06-10)
Techniker(in):
Lowell Frank (engineer)
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
Bass:
Buddy Catlett
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Virginia Majewski (violist) und Paul Robyn
Cello:
Ann Goodman und Edgar Lustgarten (, am 1964-06-10)
Geige / Violine:
Israel Baker (American violinist), Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Freddie Green (am 1964-06-10)
Klavier:
Count Basie (pianist) (am 1964-06-10)
Perkussion:
Emil Richards
Posaune:
Henderson Chambers, Henry Coker (jazz trombonist) (am 1964-06-10), Bill Hughes (jazz trombonist) (am 1964-06-10), Grover Mitchell (trombone) (am 1964-06-10) und Ken Shroyer (trombonist) (am 1964-06-10)
Rohrblattinstrumente:
Marshall Royal, Eric Dixon (woodwind) (am 1964-06-10), Frank Foster (saxophonist) (am 1964-06-10), Charlie Fowlkes (baritone saxophonist) (am 1964-06-10) und Frank Wess (am 1964-06-10)
Schlagzeug:
Sonny Payne (am 1964-06-10)
Trompete:
George Cohn, Don Rader (US jazz trumpeter and music arranger), Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1964-06-10), Wallace Davenport (am 1964-06-10), Harry “Sweets” Edison (am 1964-06-10) und Al Porcino (am 1964-06-10)
Vibraphon:
Emil Richards (am 1964-06-10)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1964-06-10)
Orchester:
Count Basie and His Orchestra (am 1964-06-10)
conductor:
Quincy Jones
arranger:
Quincy Jones
cover recording of:
The Good Life (am 1964-06-10)
Texter:
Jack Reardon (American songwriter)
Komponist(in):
Sacha Distel (in 1962)
publisher:
Intersong USA, Inc. (publisher) und Prosadis
Version von:
Marina
22:27
13I Wish You Love
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1964-06-10)
Techniker(in):
Lowell Frank (engineer)
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
Bass:
Buddy Catlett
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Virginia Majewski (violist) und Paul Robyn
Cello:
Ann Goodman und Edgar Lustgarten (, am 1964-06-10)
Geige / Violine:
Israel Baker (American violinist), Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Freddie Green (am 1964-06-10)
Klavier:
Count Basie (pianist) (am 1964-06-10)
Perkussion:
Emil Richards
Posaune:
Henderson Chambers, Henry Coker (jazz trombonist) (am 1964-06-10), Bill Hughes (jazz trombonist) (am 1964-06-10), Grover Mitchell (trombone) (am 1964-06-10) und Ken Shroyer (trombonist) (am 1964-06-10)
Rohrblattinstrumente:
Marshall Royal, Eric Dixon (woodwind) (am 1964-06-10), Frank Foster (saxophonist) (am 1964-06-10), Charlie Fowlkes (baritone saxophonist) (am 1964-06-10) und Frank Wess (am 1964-06-10)
Schlagzeug:
Sonny Payne (am 1964-06-10)
Trompete:
George Cohn, Don Rader (US jazz trumpeter and music arranger), Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1964-06-10), Wallace Davenport (am 1964-06-10), Harry “Sweets” Edison (am 1964-06-10) und Al Porcino (am 1964-06-10)
Vibraphon:
Emil Richards (am 1964-06-10)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1964-06-10)
Orchester:
Count Basie and His Orchestra (am 1964-06-10)
conductor:
Quincy Jones
arranger:
Quincy Jones
cover recording of:
I Wish You Love (am 1964-06-10)
Texter:
Charles Trenet
Verfasser(in) und Übersetzer:
Albert Beach
Komponist(in):
Léo Chauliac und Charles Trenet
publisher:
Éditions Salabert France, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music, Inc., Leeds Music, MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), On Backstreet Music Inc. und Universal Music Publishing Group
sub-publisher:
Universal Music Publishing MGB Hong Kong Ltd. Taiwan Branch und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
übersetzte Version von:
Que reste-t-il de nos amours ?
12:56
14I Can’t Stop Loving You
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1964-06-12)
Techniker(in):
Lowell Frank (engineer) (am 1964-06-12)
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (am 1964-06-12)
Bass:
Buddy Catlett
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Virginia Majewski (violist) und Paul Robyn
Cello:
Ann Goodman und Edgar Lustgarten (, am 1964-06-12)
Geige / Violine:
Israel Baker (American violinist), Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Freddie Green (am 1964-06-12)
Klavier:
Count Basie (pianist) (am 1964-06-12)
Perkussion:
Emil Richards
Posaune:
Henderson Chambers, Henry Coker (jazz trombonist) (am 1964-06-12), Bill Hughes (jazz trombonist) (am 1964-06-12), Grover Mitchell (trombone) (am 1964-06-12) und Ken Shroyer (trombonist) (am 1964-06-12)
Rohrblattinstrumente:
Marshall Royal, Eric Dixon (woodwind) (am 1964-06-12), Frank Foster (saxophonist) (am 1964-06-12), Charlie Fowlkes (baritone saxophonist) (am 1964-06-12) und Frank Wess (am 1964-06-12)
Schlagzeug:
Sonny Payne (am 1964-06-12)
Trompete:
George Cohn, Don Rader (US jazz trumpeter and music arranger), Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1964-06-12), Wallace Davenport (am 1964-06-12), Harry “Sweets” Edison (am 1964-06-12) und Al Porcino (am 1964-06-12)
Vibraphon:
Emil Richards (am 1964-06-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1964-06-12)
Orchester:
Count Basie and His Orchestra (am 1964-06-12)
conductor:
Quincy Jones
arranger:
Quincy Jones (am 1964-06-12)
cover recording of:
I Can’t Stop Lovin’ You (am 1964-06-12)
Texter und Komponist(in):
Don Gibson (US songwriter and country musician)
publisher:
Acuff-Rose-Opryland Music Limited (UK), Sony/ATV Songs LLC und Acuff-Rose Publications, Inc. (BMI) (am 1958-02-07)
recording of:
I Can’t Stop Lovin’ You
Texter und Komponist(in):
Don Gibson (US songwriter and country musician)
publisher:
Acuff-Rose-Opryland Music Limited (UK), Sony/ATV Songs LLC und Acuff-Rose Publications, Inc. (BMI) (am 1958-02-07)
12:59
15More (Theme From Mondo Cane)
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1964-06-12)
Techniker(in):
Lowell Frank (engineer) (am 1964-06-12)
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (am 1964-06-12)
Bass:
Buddy Catlett
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Virginia Majewski (violist) und Paul Robyn
Cello:
Ann Goodman und Edgar Lustgarten (, am 1964-06-12)
Geige / Violine:
Israel Baker (American violinist), Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Freddie Green (am 1964-06-12)
Klavier:
Count Basie (pianist) (am 1964-06-12)
Perkussion:
Emil Richards
Posaune:
Henderson Chambers, Henry Coker (jazz trombonist) (am 1964-06-12), Bill Hughes (jazz trombonist) (am 1964-06-12), Grover Mitchell (trombone) (am 1964-06-12) und Ken Shroyer (trombonist) (am 1964-06-12)
Rohrblattinstrumente:
Marshall Royal, Eric Dixon (woodwind) (am 1964-06-12), Frank Foster (saxophonist) (am 1964-06-12), Charlie Fowlkes (baritone saxophonist) (am 1964-06-12) und Frank Wess (am 1964-06-12)
Schlagzeug:
Sonny Payne (am 1964-06-12)
Trompete:
George Cohn, Don Rader (US jazz trumpeter and music arranger), Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1964-06-12), Wallace Davenport (am 1964-06-12), Harry “Sweets” Edison (am 1964-06-12) und Al Porcino (am 1964-06-12)
Vibraphon:
Emil Richards (am 1964-06-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1964-06-12)
Orchester:
Count Basie and His Orchestra (am 1964-06-12)
conductor:
Quincy Jones
arranger:
Quincy Jones (am 1964-06-12)
cover recording of:
More (English translation) (am 1964-06-12)
Texter:
Marcello Ciorciolini (Italian screenwriter, director, playwright, television/radio author & lyricist)
Komponist(in):
Nino Oliviero (Italian musician and composer) und Riz Ortolani (songwriter, film music composer and music director)
Übersetzer:
Norman Newell
publisher:
C.A.M. Creazioni Artistiche Musicali (company, do not use as label), Ortolani Creative Team Inc. und Sugar Song Publications, Inc.
Teil von:
The 36th Academy Award for Best Original Song (Nummer: 2)
übersetzte Version von:
Ti guarderò nel cuore
2.53:04
16Wives and Lovers
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1964-06-12)
Techniker(in):
Lowell Frank (engineer)
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
Bass:
Buddy Catlett
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Virginia Majewski (violist) und Paul Robyn
Cello:
Ann Goodman und Edgar Lustgarten (, am 1964-06-12)
Geige / Violine:
Israel Baker (American violinist), Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Freddie Green (am 1964-06-12)
Klavier:
Count Basie (pianist) (am 1964-06-12)
Perkussion:
Emil Richards
Posaune:
Henderson Chambers, Henry Coker (jazz trombonist) (am 1964-06-12), Bill Hughes (jazz trombonist) (am 1964-06-12), Grover Mitchell (trombone) (am 1964-06-12) und Ken Shroyer (trombonist) (am 1964-06-12)
Rohrblattinstrumente:
Marshall Royal, Eric Dixon (woodwind) (am 1964-06-12), Frank Foster (saxophonist) (am 1964-06-12), Charlie Fowlkes (baritone saxophonist) (am 1964-06-12) und Frank Wess (am 1964-06-12)
Schlagzeug:
Sonny Payne (am 1964-06-12)
Trompete:
George Cohn, Don Rader (US jazz trumpeter and music arranger), Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1964-06-12), Wallace Davenport (am 1964-06-12), Harry “Sweets” Edison (am 1964-06-12) und Al Porcino (am 1964-06-12)
Vibraphon:
Emil Richards (am 1964-06-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1964-06-12)
Orchester:
Count Basie and His Orchestra (am 1964-06-12)
conductor:
Quincy Jones
arranger:
Quincy Jones
cover recording of:
Wives and Lovers (am 1964-06-12)
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
10 Music Ltd., Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) und Virgin Music (Publishers) Ltd.
12:49
17An Old‐Fashioned Christmas
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1964-06-16)
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
Instrumente:
Fred Waring & His Pennsylvanians (am 1964-06-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1964-06-16)
arranger:
Nelson Riddle
phonographisches Urheberrecht (℗) von:
Reprise Records (in 1975)
recording of:
An Old Fashioned Christmas (am 1964-06-16)
Komponist(in):
Sammy Cahn und Jimmy Van Heusen
publisher:
The Songwriters Guild und WB Music Corp. (1929–2019)
33:46
18I Heard the Bells on Christmas Day
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1964-06-16)
Instrumente:
Fred Waring & His Pennsylvanians (am 1964-06-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1964-06-16)
arranger:
Nelson Riddle
recording of:
I Heard the Bells on Christmas Day (am 1964-06-16)
Texter:
Henry Wadsworth Longfellow (American poet)
Komponist(in):
Johnny Marks (American songwriter)
publisher:
Chappell Music Ltd. und St. Nicholas Music Inc.
basiert auf:
Christmas Bells
2:37
19The Little Drummer Boy
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1964-06-16)
Instrumente:
Fred Waring & His Pennsylvanians (am 1964-06-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1964-06-16)
arranger:
Jack Halloran und Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
recording of:
Carol of the Drum (aka “The Little Drummer Boy”) (am 1964-06-16)
Texter und Komponist(in):
Katherine K. Davis (Katherine Kennicott Davis) (in 1941)
zusätzliche(r) Komponist(in):
Henry Onorati (in 1958) und Harry Simeone (in 1958)
publisher:
EMI Mills Music (ASCAP-affiliated), International Korwin Corp., Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Belwin-Mills Publishing Corp. (in 1955) und Mills Music, Inc. (in 1964)
basiert auf:
Trad. (traditional Czech carol, became “Carol of the Drums”)
3:03
20Go Tell It on the Mountain
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1964-06-19)
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
Instrumente:
Fred Waring & His Pennsylvanians (am 1964-06-19)
vocals:
Bing Crosby (am 1964-06-19) und Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1964-06-19)
arranger:
Jack Halloran
cover recording of:
Go, Tell It on the Mountain (am 1964-06-19)
Texter:
John Wesley Work (John Wesley Work, Jr.)
Komponist(in):
[traditional] (special purpose artist)
publisher:
Shawnee Press Inc.
recording of:
Go, Tell It on the Mountain
Texter:
John Wesley Work (John Wesley Work, Jr.)
Komponist(in):
[traditional] (special purpose artist)
publisher:
Shawnee Press Inc.
3:23
21We Wish You the Merriest
Instrumente:
Fred Waring & His Pennsylvanians (am 1964-06-19)
vocals:
Bing Crosby (am 1964-06-19) und Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1964-06-19)
arranger:
Harry Betts und Jack Halloran
cover recording of:
We Wish You the Merriest (am 1964-06-19)
Komponist(in):
Les Brown (American big band & jazz musician)
2:14
22Softly, as I Leave You
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1964-07-17)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1964-07-17)
arranger:
Ernie Freeman
cover recording of:
Softly, as I Leave You (am 1964-07-17)
Texter:
Giorgio Calabrese
Komponist(in):
Antonio DeVita
Übersetzer:
Hal Shaper
publisher:
Curci USA Corp., EMI Miller Catalog, Inc. und Miller Music (publisher)
übersetzte Version von:
Piano
recording of:
Softly, as I Leave You
Texter:
Giorgio Calabrese
Komponist(in):
Antonio DeVita
Übersetzer:
Hal Shaper
publisher:
Curci USA Corp., EMI Miller Catalog, Inc. und Miller Music (publisher)
übersetzte Version von:
Piano
12:52
23Then Suddenly Love
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1964-07-17)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1964-07-17)
arranger:
Ernie Freeman
recording of:
Then Suddenly Love (am 1964-07-17)
Verfasser(in):
Ray Alfred und Paul Vance (US songwriter and producer)
publisher:
Jonroy Music Co. und Music Sales Corporation (American copyright holder in both popular and classical music)
12:17
24Since Marie Has Left Paree
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1964-07-17)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1964-07-17)
arranger:
Billy May
recording of:
Since Marie Has Left Paree (am 1964-07-17)
Verfasser(in):
Hy Glaser und Jerry Solomon (songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher)
1:58
25Available
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1964-07-17)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1964-07-17)
arranger:
Ernie Freeman
recording of:
Available (am 1964-07-17)
Verfasser(in):
Sammy Cahn, L.B. Marks und Ned Wynn
publisher:
WB Music Corp. (1929–2019)
2:48
9▶CD
10▶CD
11▶CD
12▶CD
13▶CD
14▶CD
15▶CD
16▶CD
17▶CD
18▶CD
19▶CD
20▶CD

Nennungen

Veröffentlichung

hergestellt in:Deutschland
art direction:Tom Recchion
JoDee Stringham
Fotografie:Ed Thrasher (US art director & photographer)
liner notes:Charles Pignone
Jonathan Schwartz (vocalist / broadcaster)
sonstige Unterstützung:Jo Motta (project coordinator) (Aufgabe: Project coordinator)
zusätzliche(r) Techniker(in):Keith Blake (mastering engineer)
Produzent(in):Gregg Geller
Lee Herschberg
Joe McEwen
Ric Ross
mastering:Lee Herschberg
design:Arlene Grzeszak
Tom Recchion
JoDee Stringham
urheberrechtlich geschützt (©) von:Reprise Records (in 1995, in 1998)
phonographisches Urheberrecht (℗) von:Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (von 1972 bis 1977, von 1980 bis 1983)
Bristol Productions (in 1984)
Qwest Records (in 1984)
Reprise Records (von 1991 bis 1992, in 1995)
Discogs:https://www.discogs.com/release/16067396 [Info]
ASIN:US: B00000DG1M [Info]

Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/655651 [Info]
Wikidata:Q7727180 [Info]