| # | Title | Rating | Length |
|---|
| 1 | Life Is for the Living- engineer:
- Chuck Britz and Earle Mankey
- producer:
- Brian Wilson
- mixer:
- Earle Mankey (from 1977-03 until 1977-06)
- cello:
- Armand Kaproff (from 1977-03-11 until 1977-06) and Raphael Kramer (from 1977-03-11 until 1977-06)
- drums (drum set):
- Earl Palmer (from 1977-03-11 until 1977-06)
- electric bass guitar:
- Todd Clark (from 1977-03-11 until 1977-06)
- electric guitar:
- Dennis Budimir (from 1977-03-11 until 1977-06)
- French horn:
- David Duke (from 1977-03-11 until 1977-06), Arthur Maebe (from 1977-03-11 until 1977-06), Richard Perissi (from 1977-03-11 until 1977-06) and Alan Robinson (from 1977-03-11 until 1977-06)
- grand piano:
- Brian Wilson (from 1977-03-11 until 1977-06)
- trombone:
- Edward Kusby (from 1977-03-11 until 1977-06), Francis Howard (from 1977-03-11 until 1977-06), Morris Repass (from 1977-03-11 until 1977-06) and Lloyd Ulyate (from 1977-03-11 until 1977-06)
- violin:
- Arnold Belnick (from 1977-03-11 until 1977-06), Harry Bluestone (from 1977-03-11 until 1977-06), Jerome Reisler (from 1977-03-11 until 1977-06), Ambrose Russo (from 1977-03-11 until 1977-06), Josef Schoenbrun (from 1977-03-11 until 1977-06), Sheldon Sanov (from 1977-03-11 until 1977-06), Marshall Sosson (from 1977-03-11 until 1977-06) and Gerald Vinci (from 1977-03-11 until 1977-06)
- lead vocals:
- Brian Wilson (from 1977-03-11 until 1977-06) and Carl Wilson (from 1977-03-11 until 1977-06)
- conductor:
- Dick Reynolds (from 1977-03-11 until 1977-06)
- arranger:
- Dick Reynolds
- concertmaster:
- Gerald Vinci (from 1977-03-11 until 1977-06)
- recorded at:
- Western Recorders, Studio 1 in Hollywood, Los Angeles, California, United States (on 1977-03-11) and Brother Studios in Santa Monica, California, United States (from 1977-03 until 1977-06)
- mixed at:
- Brother Studios in Santa Monica, California, United States (from 1977-03 until 1977-06)
- recording of:
- Life Is for the Living (from 1977-03-11 until 1977-06)
- writer:
- Mike Love and Brian Wilson
| | 1:53 |
| 2 | Deep Purple- engineer:
- Earle Mankey
- producer:
- Brian Wilson
- mixer:
- Earle Mankey (from 1977-02 until 1977-06)
- cello:
- Igor Horoshevsky (from 1977-02-25 until 1977-06), Raymond Kelley (from 1977-02-25 until 1977-06), Kathleen Lustgarten (from 1977-02-25 until 1977-06) and Frederick Seykora (from 1977-02-25 until 1977-06)
- double bass:
- Meyer Rubin (from 1977-02-25 until 1977-06) and Robert Stone (from 1977-02-25 until 1977-06)
- drums (drum set):
- Earl Palmer (from 1977-02-25 until 1977-06)
- electric bass guitar:
- Stephens LaFever (from 1977-02-25 until 1977-06)
- electric guitar:
- Dennis Budimir (from 1977-02-25 until 1977-06)
- flute:
- Jules Jacob (from 1977-02-25 until 1977-06), Ted Nash (from 1977-02-25 until 1977-06) and William Calkins (from 1977-02-25 until 1977-06)
- French horn:
- Sinclair Lott (from 1977-02-25 until 1977-06) and Richard Perissi (from 1977-02-25 until 1977-06)
- oboe:
- Jules Jacob (from 1977-02-25 until 1977-06)
- trombone:
- Edward Kusby (from 1977-02-25 until 1977-06), Gilbert Falco (from 1977-02-25 until 1977-06), Francis Howard (from 1977-02-25 until 1977-06) and Morris Repass (from 1977-02-25 until 1977-06)
- violin:
- Murray Adler (from 1977-02-25 until 1977-06), Bonnie Douglas (from 1977-02-25 until 1977-06), Elliott Fisher (from 1977-02-25 until 1977-06), James Getzoff (from 1977-02-25 until 1977-06), Lou Klass (from 1977-02-25 until 1977-06), Alfred Lustgarten (from 1977-02-25 until 1977-06), Jerome Reisler (from 1977-02-25 until 1977-06), Josef Schoenbrun (from 1977-02-25 until 1977-06), Paul Shure (from 1977-02-25 until 1977-06) and Gerald Vinci (from 1977-02-25 until 1977-06)
- lead vocals:
- Brian Wilson (from 1977-02-25 until 1977-06)
- conductor:
- Dick Reynolds (from 1977-02-25 until 1977-06)
- arranger:
- Dick Reynolds
- concertmaster:
- James Getzoff (from 1977-02-25 until 1977-06)
- recorded at:
- Brother Studios in Santa Monica, California, United States (from 1977-02-25 until 1977-06)
- mixed at:
- Brother Studios in Santa Monica, California, United States (from 1977-02 until 1977-06)
- recording of:
- Deep Purple (from 1977-02-25 until 1977-06)
- lyricist:
- Mitchell Parish (in 1938)
- composer:
- Peter de Rose
- publisher:
- Robbins Music
- cover recording of:
- Deep Purple
- lyricist:
- Mitchell Parish (in 1938)
- composer:
- Peter de Rose
- publisher:
- Robbins Music
| | 2:27 |
| 3 | It’s Over Now- engineer:
- Earle Mankey
- producer:
- Brian Wilson
- mixer:
- Earle Mankey (on 1977-04-13)
- cello:
- Igor Horoshevsky (from 1977-02-25 until 1977-06), Raymond Kelley (from 1977-02-25 until 1977-06), Kathleen Lustgarten (from 1977-02-25 until 1977-06) and Frederick Seykora (from 1977-02-25 until 1977-06)
- double bass:
- Meyer Rubin (from 1977-02-25 until 1977-06) and Robert Stone (from 1977-02-25 until 1977-06)
- drums (drum set):
- Earl Palmer (from 1977-02-25 until 1977-06)
- electric bass guitar:
- Stephens LaFever (from 1977-02-25 until 1977-06)
- electric guitar:
- Dennis Budimir (from 1977-02-25 until 1977-06)
- flute:
- Ted Nash (from 1977-02-25 until 1977-06) and William Calkins (from 1977-02-25 until 1977-06)
- French horn:
- Sinclair Lott (from 1977-02-25 until 1977-06) and Richard Perissi (from 1977-02-25 until 1977-06)
- grand piano:
- Brian Wilson (from 1977-02-25 until 1977-06)
- oboe:
- Jules Jacob (from 1977-02-25 until 1977-06)
- trombone:
- Edward Kusby (from 1977-02-25 until 1977-06), Gilbert Falco (from 1977-02-25 until 1977-06), Francis Howard (from 1977-02-25 until 1977-06) and Morris Repass (from 1977-02-25 until 1977-06)
- violin:
- Murray Adler (from 1977-02-25 until 1977-06), Bonnie Douglas (from 1977-02-25 until 1977-06), Elliott Fisher (from 1977-02-25 until 1977-06), James Getzoff (from 1977-02-25 until 1977-06), Lou Klass (from 1977-02-25 until 1977-06), Alfred Lustgarten (from 1977-02-25 until 1977-06), Jerome Reisler (from 1977-02-25 until 1977-06), Josef Schoenbrun (from 1977-02-25 until 1977-06), Paul Shure (from 1977-02-25 until 1977-06) and Gerald Vinci (from 1977-02-25 until 1977-06)
- lead vocals:
- Brian Wilson (from 1977-02-25 until 1977-06), Carl Wilson (from 1977-02-25 until 1977-06) and Marilyn Wilson (from 1977-02-25 until 1977-06)
- conductor:
- Dick Reynolds (from 1977-02-25 until 1977-06)
- arranger:
- Dick Reynolds
- concertmaster:
- James Getzoff (from 1977-02-25 until 1977-06)
- recorded at:
- Brother Studios in Santa Monica, California, United States (from 1977-02-25 until 1977-06)
- mixed at:
- Brother Studios in Santa Monica, California, United States (on 1977-04-13)
- remixed at:
- Brother Studios in Santa Monica, California, United States (from 1977-04 until 1977-06)
- recording of:
- It’s Over Now (from 1977-02-25 until 1977-06)
- lyricist and composer:
- Brian Wilson
| | 2:43 |
| 4 | Still I Dream of It- engineer:
- Earle Mankey
- producer:
- Brian Wilson
- mixer:
- Earle Mankey (on 1977-06-19)
- cello:
- Raymond Kelley (from 1977-02-09 until 1977-06), Edgar Lustgarten (from 1977-02-09 until 1977-06), Kathleen Lustgarten (from 1977-02-09 until 1977-06) and Frederick Seykora (from 1977-02-09 until 1977-06)
- double bass:
- Meyer Rubin (from 1977-02-09 until 1977-06) and Robert Stone (from 1977-02-09 until 1977-06)
- drums (drum set):
- Earl Palmer (from 1977-02-09 until 1977-06)
- electric bass guitar:
- Max Bennett (from 1977-02-09 until 1977-06)
- electric guitar:
- Dennis Budimir (from 1977-02-09 until 1977-06)
- flute:
- Harry Klee (from 1977-02-09 until 1977-06), Wilbur Schwartz (from 1977-02-09 until 1977-06) and William Calkins (from 1977-02-09 until 1977-06)
- French horn:
- James Decker (from 1977-02-09 until 1977-06), Arthur Maebe (from 1977-02-09 until 1977-06) and Richard Perissi (from 1977-02-09 until 1977-06)
- grand piano and lead vocals:
- Brian Wilson (from 1977-02-09 until 1977-06)
- oboe:
- Jules Jacob (from 1977-02-09 until 1977-06)
- violin:
- Murray Adler (from 1977-02-09 until 1977-06), Harry Bluestone (from 1977-02-09 until 1977-06), Bonnie Douglas (from 1977-02-09 until 1977-06), Elliott Fisher (from 1977-02-09 until 1977-06), James Getzoff (from 1977-02-09 until 1977-06), Lou Klass (from 1977-02-09 until 1977-06), Alfred Lustgarten (from 1977-02-09 until 1977-06), Nathan Ross (from 1977-02-09 until 1977-06), Josef Schoenbrun (from 1977-02-09 until 1977-06) and Paul Shure (from 1977-02-09 until 1977-06)
- background vocals:
- Brian Wilson (from 1977-02-09 until 1977-06) and Carl Wilson (from 1977-02-09 until 1977-06)
- conductor:
- Dick Reynolds (from 1977-02-09 until 1977-06)
- arranger:
- Dick Reynolds
- concertmaster:
- James Getzoff (from 1977-02-09 until 1977-06)
- recorded at:
- Brother Studios in Santa Monica, California, United States (from 1977-02-09 until 1977-06)
- mixed at:
- Brother Studios in Santa Monica, California, United States (on 1977-06-19)
- remixed at:
- Brother Studios in Santa Monica, California, United States (from 1977-06-20 until 1977-06-25)
- recording of:
- Still I Dream of It (from 1977-02-09 until 1977-06)
- lyricist and composer:
- Brian Wilson
| | 3:26 |
| 5 | Everybody Wants to Live | | 3:08 |
| 6 | Lines | | 1:46 |
| 7 | It’s Trying to Say | | 2:09 |
| 8 | Shortenin’ Bread | | 2:50 |
| 9 | New England Waltz- engineer:
- Chuck Britz and Earle Mankey
- producer:
- Brian Wilson
- mixer:
- Chuck Britz (on 1977-03-11)
- cello:
- Armand Kaproff (on 1977-03-11) and Raphael Kramer (on 1977-03-11)
- drums (drum set):
- Earl Palmer (on 1977-03-11)
- electric bass guitar:
- Todd Clark (on 1977-03-11)
- electric guitar:
- Dennis Budimir (on 1977-03-11)
- French horn:
- David Duke (on 1977-03-11), Arthur Maebe (on 1977-03-11), Richard Perissi (on 1977-03-11) and Alan Robinson (on 1977-03-11)
- grand piano:
- Brian Wilson (on 1977-03-11)
- trombone:
- Edward Kusby (on 1977-03-11), Francis Howard (on 1977-03-11), Morris Repass (on 1977-03-11) and Lloyd Ulyate (on 1977-03-11)
- trumpet:
- John Audino (on 1977-03-11), Buddy Childers (on 1977-03-11), Jack Laubach (on 1977-03-11) and James Zito (on 1977-03-11)
- violin:
- Arnold Belnick (on 1977-03-11), Harry Bluestone (on 1977-03-11), Jerome Reisler (on 1977-03-11), Ambrose Russo (on 1977-03-11), Josef Schoenbrun (on 1977-03-11), Sheldon Sanov (on 1977-03-11), Marshall Sosson (on 1977-03-11) and Gerald Vinci (on 1977-03-11)
- conductor:
- Dick Reynolds (on 1977-03-11)
- arranger:
- Dick Reynolds
- concertmaster:
- Gerald Vinci (on 1977-03-11)
- recorded at and mixed at:
- Western Recorders, Studio 1 in Hollywood, Los Angeles, California, United States (on 1977-03-11)
- recording of:
- New England Waltz (on 1977-03-11)
- writer:
- Brian Wilson
| | 2:40 |
| 10 | Life Is for the Living (backing track)- engineer:
- Chuck Britz and Earle Mankey
- producer:
- Brian Wilson
- cello:
- Armand Kaproff (from 1977-03-11 until 1977-06) and Raphael Kramer (from 1977-03-11 until 1977-06)
- drums (drum set):
- Earl Palmer (from 1977-03-11 until 1977-06)
- electric bass guitar:
- Todd Clark (from 1977-03-11 until 1977-06)
- electric guitar:
- Dennis Budimir (from 1977-03-11 until 1977-06)
- French horn:
- David Duke (from 1977-03-11 until 1977-06), Arthur Maebe (from 1977-03-11 until 1977-06), Richard Perissi (from 1977-03-11 until 1977-06) and Alan Robinson (from 1977-03-11 until 1977-06)
- grand piano:
- Brian Wilson (from 1977-03-11 until 1977-06)
- trombone:
- Edward Kusby (from 1977-03-11 until 1977-06), Francis Howard (from 1977-03-11 until 1977-06), Morris Repass (from 1977-03-11 until 1977-06) and Lloyd Ulyate (from 1977-03-11 until 1977-06)
- trumpet:
- John Audino (from 1977-03-11 until 1977-06), Buddy Childers (from 1977-03-11 until 1977-06), Jack Laubach (from 1977-03-11 until 1977-06) and James Zito (from 1977-03-11 until 1977-06)
- violin:
- Arnold Belnick (from 1977-03-11 until 1977-06), Harry Bluestone (from 1977-03-11 until 1977-06), Jerome Reisler (from 1977-03-11 until 1977-06), Ambrose Russo (from 1977-03-11 until 1977-06), Josef Schoenbrun (from 1977-03-11 until 1977-06), Sheldon Sanov (from 1977-03-11 until 1977-06), Marshall Sosson (from 1977-03-11 until 1977-06) and Gerald Vinci (from 1977-03-11 until 1977-06)
- conductor:
- Dick Reynolds (from 1977-03-11 until 1977-06)
- arranger:
- Dick Reynolds
- concertmaster:
- Gerald Vinci (from 1977-03-11 until 1977-06)
- recorded at:
- Western Recorders, Studio 1 in Hollywood, Los Angeles, California, United States (on 1977-03-11) and Brother Studios in Santa Monica, California, United States (from 1977-03 until 1977-06)
- mixed at:
- Western Recorders, Studio 1 in Hollywood, Los Angeles, California, United States (on 1977-03-11)
- instrumental recording of:
- Life Is for the Living (from 1977-03-11 until 1977-06)
- writer:
- Mike Love and Brian Wilson
| | 1:56 |
| 11 | Deep Purple (2025 backing track)- engineer:
- Earle Mankey
- producer:
- Brian Wilson
- cello:
- Igor Horoshevsky (from 1977-02-25 until 1977-06), Raymond Kelley (from 1977-02-25 until 1977-06), Kathleen Lustgarten (from 1977-02-25 until 1977-06) and Frederick Seykora (from 1977-02-25 until 1977-06)
- double bass:
- Meyer Rubin (from 1977-02-25 until 1977-06) and Robert Stone (from 1977-02-25 until 1977-06)
- drums (drum set):
- Earl Palmer (from 1977-02-25 until 1977-06)
- electric bass guitar:
- Stephens LaFever (from 1977-02-25 until 1977-06)
- electric guitar:
- Dennis Budimir (from 1977-02-25 until 1977-06)
- flute:
- Jules Jacob (from 1977-02-25 until 1977-06), Ted Nash (from 1977-02-25 until 1977-06) and William Calkins (from 1977-02-25 until 1977-06)
- French horn:
- Sinclair Lott (from 1977-02-25 until 1977-06) and Richard Perissi (from 1977-02-25 until 1977-06)
- oboe:
- Jules Jacob (from 1977-02-25 until 1977-06)
- trombone:
- Edward Kusby (from 1977-02-25 until 1977-06), Gilbert Falco (from 1977-02-25 until 1977-06), Francis Howard (from 1977-02-25 until 1977-06) and Morris Repass (from 1977-02-25 until 1977-06)
- violin:
- Murray Adler (from 1977-02-25 until 1977-06), Bonnie Douglas (from 1977-02-25 until 1977-06), Elliott Fisher (from 1977-02-25 until 1977-06), James Getzoff (from 1977-02-25 until 1977-06), Lou Klass (from 1977-02-25 until 1977-06), Alfred Lustgarten (from 1977-02-25 until 1977-06), Jerome Reisler (from 1977-02-25 until 1977-06), Josef Schoenbrun (from 1977-02-25 until 1977-06), Paul Shure (from 1977-02-25 until 1977-06) and Gerald Vinci (from 1977-02-25 until 1977-06)
- conductor:
- Dick Reynolds (from 1977-02-25 until 1977-06)
- arranger:
- Dick Reynolds
- concertmaster:
- James Getzoff (from 1977-02-25 until 1977-06)
- recorded at:
- Brother Studios in Santa Monica, California, United States (from 1977-02-25 until 1977-06)
- mixed at:
- The Audio Labs in Glendale, California, United States
- instrumental recording of:
- Deep Purple (from 1977-02-25 until 1977-06)
- lyricist:
- Mitchell Parish (in 1938)
- composer:
- Peter de Rose
- publisher:
- Robbins Music
| | 3:00 |
| 12 | It’s Over Now (2025 backing track mix)- engineer:
- Earle Mankey
- producer:
- Brian Wilson
- cello:
- Igor Horoshevsky (from 1977-02-25 until 1977-06), Raymond Kelley (from 1977-02-25 until 1977-06), Kathleen Lustgarten (from 1977-02-25 until 1977-06) and Frederick Seykora (from 1977-02-25 until 1977-06)
- double bass:
- Meyer Rubin (from 1977-02-25 until 1977-06) and Robert Stone (from 1977-02-25 until 1977-06)
- drums (drum set):
- Earl Palmer (from 1977-02-25 until 1977-06)
- electric bass guitar:
- Stephens LaFever (from 1977-02-25 until 1977-06)
- electric guitar:
- Dennis Budimir (from 1977-02-25 until 1977-06)
- flute:
- Ted Nash (from 1977-02-25 until 1977-06) and William Calkins (from 1977-02-25 until 1977-06)
- French horn:
- Sinclair Lott (from 1977-02-25 until 1977-06) and Richard Perissi (from 1977-02-25 until 1977-06)
- grand piano:
- Brian Wilson (from 1977-02-25 until 1977-06)
- oboe:
- Jules Jacob (from 1977-02-25 until 1977-06)
- trombone:
- Edward Kusby (from 1977-02-25 until 1977-06), Gilbert Falco (from 1977-02-25 until 1977-06), Francis Howard (from 1977-02-25 until 1977-06) and Morris Repass (from 1977-02-25 until 1977-06)
- violin:
- Murray Adler (from 1977-02-25 until 1977-06), Bonnie Douglas (from 1977-02-25 until 1977-06), Elliott Fisher (from 1977-02-25 until 1977-06), James Getzoff (from 1977-02-25 until 1977-06), Lou Klass (from 1977-02-25 until 1977-06), Alfred Lustgarten (from 1977-02-25 until 1977-06), Jerome Reisler (from 1977-02-25 until 1977-06), Josef Schoenbrun (from 1977-02-25 until 1977-06), Paul Shure (from 1977-02-25 until 1977-06) and Gerald Vinci (from 1977-02-25 until 1977-06)
- conductor:
- Dick Reynolds (from 1977-02-25 until 1977-06)
- arranger:
- Dick Reynolds
- concertmaster:
- James Getzoff (from 1977-02-25 until 1977-06)
- recorded at:
- Brother Studios in Santa Monica, California, United States (from 1977-02-25 until 1977-06)
- mixed at:
- The Audio Labs in Glendale, California, United States
- instrumental recording of:
- It’s Over Now (from 1977-02-25 until 1977-06)
- lyricist and composer:
- Brian Wilson
| | 3:17 |
| 13 | Still I Dream of It (2025 backing track mix)- engineer:
- Earle Mankey
- producer:
- Brian Wilson
- cello:
- Raymond Kelley (from 1977-02-09 until 1977-06), Edgar Lustgarten (from 1977-02-09 until 1977-06), Kathleen Lustgarten (from 1977-02-09 until 1977-06) and Frederick Seykora (from 1977-02-09 until 1977-06)
- double bass:
- Meyer Rubin (from 1977-02-09 until 1977-06) and Robert Stone (from 1977-02-09 until 1977-06)
- drums (drum set):
- Earl Palmer (from 1977-02-09 until 1977-06)
- electric bass guitar:
- Max Bennett (from 1977-02-09 until 1977-06)
- electric guitar:
- Dennis Budimir (from 1977-02-09 until 1977-06)
- flute:
- Harry Klee (from 1977-02-09 until 1977-06), Wilbur Schwartz (from 1977-02-09 until 1977-06) and William Calkins (from 1977-02-09 until 1977-06)
- French horn:
- James Decker (from 1977-02-09 until 1977-06), Arthur Maebe (from 1977-02-09 until 1977-06) and Richard Perissi (from 1977-02-09 until 1977-06)
- grand piano:
- Brian Wilson (from 1977-02-09 until 1977-06)
- oboe:
- Jules Jacob (from 1977-02-09 until 1977-06)
- violin:
- Murray Adler (from 1977-02-09 until 1977-06), Harry Bluestone (from 1977-02-09 until 1977-06), Bonnie Douglas (from 1977-02-09 until 1977-06), Elliott Fisher (from 1977-02-09 until 1977-06), James Getzoff (from 1977-02-09 until 1977-06), Lou Klass (from 1977-02-09 until 1977-06), Alfred Lustgarten (from 1977-02-09 until 1977-06), Nathan Ross (from 1977-02-09 until 1977-06), Josef Schoenbrun (from 1977-02-09 until 1977-06) and Paul Shure (from 1977-02-09 until 1977-06)
- conductor:
- Dick Reynolds (from 1977-02-09 until 1977-06)
- arranger:
- Dick Reynolds
- concertmaster:
- James Getzoff (from 1977-02-09 until 1977-06)
- recorded at:
- Brother Studios in Santa Monica, California, United States (from 1977-02-09 until 1977-06)
- mixed at:
- The Audio Labs in Glendale, California, United States
- instrumental recording of:
- Still I Dream of It (from 1977-02-09 until 1977-06)
- lyricist and composer:
- Brian Wilson
| | 3:37 |
| 14 | Holy Man (2025 mix Carl Wilson vocal)- engineer:
- Earle Mankey and Stephen Moffitt
- producer:
- Carl Wilson and Dennis Wilson
- acoustic guitar, electric bass guitar, electric guitar and lead vocals:
- Carl Wilson (from 1974 until 1976)
- bell, drums (drum set) and tambourine:
- Ricky Fataar (from 1974 until 1976)
- grand piano, mellotron, organ, synthesizer [ARP String Ensemble] and Wurlitzer electric piano:
- Dennis Wilson (from 1974 until 1976)
- recorded at:
- Brother Studios in Santa Monica, California, United States (from 1974 until 1976)
- mixed at:
- The Audio Labs in Glendale, California, United States
- recording of:
- Holy Man (from 1974 until 1976)
- lyricist:
- Taylor Hawkins and Gregg Jakobson
- composer:
- Dennis Wilson
- version of:
- Holy Man
| | 4:10 |
| 15 | Carl’s Song 1 – It Could Be Anything (2025 mix) | | 3:28 |
| 16 | Carl’s Song 2 – Angels Come Home (2025 mix)- engineer:
- Earle Mankey
- producer:
- Carl Wilson
- 12 string guitar, acoustic guitar, cabasa, castanets, electric guitar, Hammond organ [Hammond B-3 Organ], Minimoog and other instruments [styrofoam]:
- Carl Wilson (in 1975)
- drums (drum set):
- Ricky Fataar (in 1975)
- recorded at:
- Brother Studios in Santa Monica, California, United States (in 1975)
- mixed at:
- The Audio Labs in Glendale, California, United States
- recording of:
- Angels Come Home (in 1975)
- writer:
- Carl Wilson
| | 3:41 |
| 17 | String Bass Song (Rainbows) (2025 mix) | | 3:22 |
| 18 | 10,000 Years Ago | | 5:04 |
| 19 | Gimme Some Lovin’ (2025 mix)- engineer:
- Earle Mankey
- producer:
- Brian Wilson
- drums (drum set):
- Dennis Wilson (on 1977-06-23)
- electric guitar:
- Chuck Crane (on 1977-06-23)
- synthesizer [ARP String Ensemble] and tack piano:
- Brian Wilson (on 1977-06-23)
- recorded at:
- Brother Studios in Santa Monica, California, United States (on 1977-06-23)
- mixed at:
- The Audio Labs in Glendale, California, United States
- cover recording of:
- Gimme Some Lovin’ (on 1977-06-23)
- writer:
- Spencer Davis, Muff Winwood and Steve Winwood
- publisher:
- Kobalt Music Publishing Ltd. , Shinko Music Entertainment Co., Ltd., Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. , Universal Music Publishing, Synch Division, Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. , Warner Chappell Music Ltd. , Yamaha Music EH(CM) and Island Music Ltd. (from 1966 to ????)
| | 3:29 |
| 20 | Honeycomb (Marilyn Wilson‐Rutherford vocal)- engineer:
- Chuck Britz
- producer:
- Brian Wilson
- mixer:
- Chuck Britz (on 1975-09-30)
- accordion, electric bass guitar, grand piano, rototom and tambourine:
- Brian Wilson (on 1975-09-30)
- background vocals:
- Diane Rovell (on 1975-09-30), Brian Wilson (on 1975-09-30) and Marilyn Wilson (on 1975-09-30)
- lead vocals:
- Marilyn Wilson (on 1975-09-30)
- recorded at:
- Western Recorders, Studio 3 in Hollywood, Los Angeles, California, United States (on 1975-09-30)
- mixed at:
- Western Recorders in Los Angeles, California, United States (on 1975-09-30)
- cover recording of:
- Honeycomb (on 1975-09-30)
- lyricist and composer:
- Bob Merrill (in 1954)
| | 2:14 |
| 21 | In the Back of My Mind | | 2:45 |
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